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#just to be clear i fucking love this about dunmeshi
evie-doesnt-write · 4 months
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Watching Dungeon Meshi
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gregrulzok · 5 months
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This is something I love SO much about Kuro, and about Dunmeshi's portrayal of Bilingualism.
Like ... When we first meet Kuro it's so easy to assume he's a dummy. He's a big doofy-looking dog man that only talks about food, and his sentences are disjointed and broken, so you think oh, haha, token dumb character.
But then we swap to speaking Kobold and it hits you like a truck - Kuro is a person, and he has a full and complete train of thought that he can articulate. This is a grown ass man, and in his native language he speaks just as well as anybody - not only that, but here we see that Kabru, who is usually so good with words, speaks Kobold just as poorly as Kuro does common.
It's such an easy, obvious, and common trope to depict broken speech in a characters non-native language as a funny gag at the expense of their intelligence - not even just in fiction! Making fun of non-native English-speakers for their broken English is so fucking common and normalized - and here you have such a clear and simple portrayal that, no, in fact, Kuro isn't stupid.
And the thing is, common is common for a reason, right. In general high fantasy, "Common" means "Language that is effortless for everyone to speak". But in Dunmeshi, it's explicit that Kobolds can't fully learn Common - Common is designed for Humans, but Kobolds are demi-humans with different mouths and throats that don't allow them to enunciate in the same way.
And yet Kuro is doing his best to study it. He's going out of his way to master a skill most others don't even have to think about. Speaking of which ...
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We get this exchange between him and Kabru, which I also wanted to focus on.
Because when we first see Kuro, then portrayed as a simple-minded dummy, it's easy to think that Mickbell is taking advantage of him and Kuro is unaware. Here, Kabru even assumes they can't truly be friends unless they speak the same language perfectly.
But that's not really the case - Mickbell isn't taking advantage of Kuro, not in the way we (and the rest of the party) assume - because Kuro isn't as stupid as we assume. He's thankful to Mickbell, he wants to repay him, and the food is a nice perk - but ultimately he cares about Mickbell enough to put this much effort into learning a whole language for him (while Mickbell cares about him in his own way, though since Mickbell grew up without a family or friends, it usually just manifest in over protectiveness and a fear of losing him. His goal in life is to buy a house for them to live in together. Cmon.)
I think generalising Kuro and Mickbell's relationship as unhealthy (whether you perceive it as romantic or not) is doing a massive disservice to Kuro's intelligence due to his speech - something Kui goes out of the way to disprove.
I love these idiots.
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dunmeshistash · 5 months
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🤣🤣🤣
I was literally JUST thinking about Maizuru today! Maybe the only named character who seems 'irredeemable' to me, and even then it's like "Well she's probably complicated in some way. Should never have been allowed around kids tho, atf"
Yep she's definitely has some complicated stuff going on! Just like all the dunmeshi characters.
First of all she's a servant for Shuro's father so as far as I understand they own her, even if she's a high ranking servant unlike the other girls .
She was used by Shuro's father, who I must remember is her master, who had an affair with her, refused to marry her, and continued to fuck her anyway.
Then she treats Shuro just like a son. It's clear she loves him and nothing she did was out of malice even if it was fucked up lmao. But even tho he loved her like a mother when he was young they became distant exactly because of her affair with his father. So honestly I'd say she should have given that boy a harsher time, imagine being made to babysit the son of your master with the woman he chose instead of you smh my head.
She does love him tho she's just a little peculiar like his father.
I just think the abuse she actually unleashes is against Izutsumi is way worse lmao
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"Is the one thing Izutsumi fears." I doubt the hag would actually hurt Shuro, but Maizuru has definetly hurt Izutsumi.
She owns Izutsumi too, Shuro's father gave her to Maizuru when he bought her
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Almost 100% sure Maizuru was the one to tie up Izu too
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Anyway my girl Maizuru is very bad but I cannot feel bad about whatever she has done to Shuro when he was a kid because he's the master and she's the servant. (I also have bias against Shuro and must defends woman's rights and most importantly women's wrongs so theres that)
The stuff from Adventurer's Bible in case you're curious what I was talking about
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Also I'm being hyperbolicly mean to Shuro on this cause I think it's funny, please don't take it too seriously!
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britcision · 5 months
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Not gonna lie, we’ve been watching YuYu Hakusho alongside the release of Delicious In Dungeon and uh
It’s been illuminating
Like on the one hand hoooooooboy you can taste the 90s animation techniques (and the Netflix version is somehow more strobey and seizure bait, and they’ve fucked random chunks of audio?? I have the dvds I can prove they’ve fucked around)
On the other hand… yeah, it really, really highlights what people have already been talking about with the Delicious In Dungeon - the pacing issues, especially with going shot for shot from the manga instead of embracing their own medium
Cuz I will stand by YuYu Hakusho being the best anime version of a manga I’ve ever seen. It’s true to the manga, but keeps up the pacing and fleshes things out by leaning more into the side characters, and particularly our audience surrogates, Koenma and George
The fights all pace well because we cut to the people watching them, so it’s not just repetitive punch punch punch shots (although we do get those)
Whereas this week’s episode of DunMeshi in particular…. Really suffered from skewed pacing on that fight
They had way too much time just standing around talking, both with the harpies and in between Falin’s attacks, and I’d bet even an anime-only fan could pick out which shots were literal panels in the anime because nothing moved to flow between them
Those shots of the separated groups especially; this is anime, not manga. Those people could have been moving, interacting, doing things instead of panning over a still
I get that it takes more time and money but this was a really significant fight and it does make me worry a little for season 2, because the red dragon fight also had some pacing problems (although to a much lesser degree) and season 2 is when the combat pops off
I really do appreciate them wanting to do a faithful interpretation of the manga and sticking close to Ryoko Kui’s vision, but anime is its own medium and by sticking too closely they’re not taking full advantage of that medium
You have more time to fill in an animated episode vs a manga chapter because your characters literally move and flow, and three panels of action happen in a second
They’ve been folding two or three chapters into each episode, but this week’s especially (ep 17) really played too close to that two chapter timeline, instead of taking out the important story beats and the time to fill and working out how to pace around that instead
(Funnily enough though, they actually nailed the exact same kinda pacing issue in the exact same episode for the Laios and Shuro fight; that one was fucking great, it was clear that action was ongoing even while we focused on other people, and it had good weight and emphasis despite being largely offscreen, just like the harpy fight should have been
I. Guess. They coulda put more work into that than the Falin fight? Cuz it’s a huge character moment but for fuck’s sake Chimera!Falin SHOULD be the bigger one! We the audience got hints but this was the REVEAL)
Honestly just… the 1000% disinterest in the harpy fight was jarring, and it leading immediately into the Falin fight that was basically stop motion without the time lapse didn’t help
Cutting to Marcille and Shuro on the shirt tear was fucking great though, chef’s kiss, someone out there is still watching over us, I just hope they work out a happy medium soon
I get that there’s lots of iconic and fantastic panels in the manga, I made a complete summary of every single chapter, but the anime shouldn’t be showing them as stills
The characters should be moving in between them, not snapping from one face to the next like a slide show
In a perfect world I’d also love some more little character asides and things a la YYH, but there just isn’t the same easy audience characters to cut to
But but but
Thistle reacting a la Koenma to some snippets of the bullshit in his dungeon would give me fucking LIFE he can’t be watching all the time for obvious plot reasons but I want him to find a veggie golem
I want him to see the kraken and find some leftovers and be searching for Delgal and plotting their dinner and wondering why he can smell something delicious and what is it and can he make that
Move the background stuff that got cut from the Tances’ episodes, cut to Namari and the twins hanging out and talking about leg guards, there’s SO MUCH supplemental material
It might be less one for one to the manga but it’d stop the weird dragging out and give us something more, something extra to appreciate the anime on its own merits
It’s nice to have an anime experience that is very close to reading the manga, but it’s something really special to have the anime shine and add to the experience on its own
Anyway next week is the shapeshifter and I’m so hype for that and wondering if they are gonna include just a smidge of meta knowledge since Kui did tell us whose impersonations are whose 👀
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