Quite possibly the coolest labels for Blanton’s yet • Great pick up and shot by @justinsloan • Now just need to figure out how to get our hands on some • #blantons #buffalotrace https://www.instagram.com/p/BoVMhtYg_Xc/?utm_source=ig_tumblr_share&igshid=18luig0kp03nn
En 2008 trabajó y desarrolló proyectos en asociación con Quaterly y junto con la artista Jesses e interactivos que otorgan el Art Center College of Design.,
Hlebo. Quaterly ha formado parte de exposiciones en todo el mundo como Tokio, Seúl, Los Angeles, Nueva York, Berlín, Amsterdam, Paris y Grecia entre muchos otros.
En 2011 trabajó como director creativo en el estudio Creative Time NY.
A través de este estudio ha trabajado con artistas y comisarios para producir proyectos digitales y expositivos.
Una auténtica delicia, mención especial a la portada de Octavius “Laws”.
Transmitter, cover typography and layout, for Matthew Spiegelman, Made over a three-year period from 2014-2016, Transmitter is an experimental photographic narrative around the site of the first two radio transmission towers in NYC. The images center on a small spit of land along the East River in New York between two former industrial factory sites that has now been converted into a park.
Two typefaces for Dena Yago, for use in sculpture and text-based artworks. Stencil font and regular font, Regular adopts optical compensation and oddness from Stencil.
Editorial illustrations for SSENSE: Start Your Engines: Peaches is Reigniting Car Culture. Illustrations center around RWB Porsches designed by Akira Nakai
Present and Correct Adidas Originals x Wales Bonner, for SSENSE. The illustrations accompany an article by Ashley Clark on lovers rock and its regional/cultural history in London.