Ernest Hemingway, from his novel titled "A Farewell To Arms," originally publ. in 1929
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Sylvia Plath, The Unabridged Journals of Sylvia Plath
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Maram al-Massri, from A Red Cherry on a White-Tiled Floor (trans. Khaled Mattawa) [ID'd]
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fatima aamer bilal, excerpt from moony moonless sky’s ‘the exhaustion in existing’.
[text id: i was born at the altar / but i do not know what for / to be the butcher or the scapegoat? / this sacrifice can not be pure.]
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MODERN FONT TECHNOLOGY IS INSANE
(I'm using High-Logic FontCreator 15 to turn Comic Sans (or rather, my upgraded versions Comic Sans Unicode and Comic Sans Mono) into a so-called "variable font" which supports SMOOTH interpolation of things like font weight, but even monospacing as shown off here—and any combination of these traits can then be interpolated from these as well. It's blowing my mind and it's much less of a pain to work with than I had anticipated but it IS going to be a lot of work nonetheless. Still holy fucking shit I'm creating magic rn)
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Edoardo Benaglia / Mario / Typeface / 2024
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Looking at fonts and some of them are nice and consistent all the way through, but for some of them you look at the special symbols and go "hoo boy, zero effort went into that ampersand"
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Celeste Ng, Little Fires Everywhere
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Anna de Noailles, translated by Jethro Bithell, from Poems; “Tale of Hearts”
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Mary Shelley, from a letter to Maria Gisborne written c. September 1822, featured in The Letters of Mary Shelley
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"Absolutely no one comes to save us but us."
Ismatu Gwendolyn, "you've been traumatized into hating reading (and it makes you easier to oppress)", from Threadings, on Substack [ID'd]
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{Words by Anaïs Nin, from The Diary Of Anais Nin, Vol. 4 (1944-1947) / Cynthia Cruz from diagnosis,The glimmering room}
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