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kabru and the dungeon lords
kabru is a very critical character to dungeon meshi for a thousand and one reasons, and not merely for his status as the point-of-view character in the story's b-plot. kabru represents the compass by which dungeon meshi's world works. he has big-picture motives that involve the entire world, much grander than the original a-plot of "let's save falin."
he is our classic hero, a character who suffered great personal tragedy and must ensure that no one suffers the same fate. as such, he is a great parallel for dungeon meshi's most integral characters:
the dungeon lords themselves.
馃毃manga spoilers ahead.馃毃
thistle
picture this: you are a child, separate from anyone else in the world who looks like you due to circumstances beyond your control. you are taken by pale-skinned adults who try to treat you well; who clothe you, feed you, and put a roof over your head.
it is not enough.
who am i describing - kabru, or thistle?
kabru-thistle parallels focus on their shared past as trans-racial adoptees. their shared experiences are not a universal one to all trans-racial adoptions in the dungeon meshi universe: the floke twins are treated well by their gnomish foster (grand)parents; allowed to be children while they are children and treated as adults when they are adults.
not all trans-racial adoptees are given the same courtesy. kabru was raised by an elf who infantilized him, even once he was fully-grown. milsiril did not always know what kabru needed from her, so she defaulted to treating him the way she would treat an elf his age rather than understand what his age meant as a tall-man.
by contrast, thistle was raised by tall-men. freinag saw thistle as a son and so he and delgal thought themselves as brothers. but as delgal aged and matured, thistle remained stagnant. eventually, delgal's relative age surpassed thistle's- but no one could even conceive of that, because thistle's numerical age made the tall-men around him treat him as an adult rather than a teenager.

they both feel immense responsibility for the tragedies suffered by their people. kabru explicitly believes there must be a "reason" he survived utaya and that the reason was to destroy the dungeons to ensure it never happened again, and thistle IS the reason the golden country survived their war, and why eodio made it to adulthood all.

kabru and thistle are characters pre- and post-accomplishing their goals. kabru has yet to assume total responsibility; thistle already has.
they must save them- they must protect them all.
[馃┑]
marcille
once upon a time, a child lost a parent before they were ready to, and the trajectory of their life changed forever. desperate to understand, the child grew into an adult and dedicated themself to preventing their personal loss from happening to anyone else ever again. as a result, they looked downward into the dungeon's depths.
they will find the answers they seek.
who am i describing- kabru, or marcille?
marcille and kabru stand as important secondary figures to laios, our main protagonist. in the words of another excellent post, they are the heaven foils to laios's earth. where laios is grounded and thinking about the here and now, they have both identified big picture problems plaguing their world and pursue these goals with intense fervor.
however, these goals have been diverted by censorship. marcille cannot access information about historical ancient magic through traditional means and the elves won't tell kabru what happened to utaya's dungeon, so they both decide to go and do something with their own two hands.

entering the dungeon is a step towards their grander goals, which are both rooted in opposition to long-lived supremacy. critically: the solutions they come to are vastly different.
marcille's solution is very fantastical - "fixing" everyone's lifespans by making EVERYONE long-lived (though her original solution seemed to be more grounded; being a lord gave her the chance to indulge in the full fantasy).

on the other hand, kabru wants something more concrete and based in the real world. he wants to use the dungeon as a means to an end before destroying it entirely, whereas marcille wants the dungeon to be the end. hers is a magic idea borne about by escapism, while kabru wants to solve a societal problem with something tangible to improve the lives of the shorter-lived without resorting to the fantastical.

(note the similarity in these compositions!)
kabru and marcille are aiming for the heavens; they have chosen to act as stewards to bring about a better future for as many people as possible.
but eventually, they must crash back down to earth.
[馃┑]
mithrun
a long time ago, a dungeon lord met their maker and the demon ate its fill, but failed to breach the surface. carnage and destruction was sown in its wake. in the aftermath, a survivor dedicated himself completely and utterly to the cause with no room for reproach.
the dungeon will be conquered. and if he has it his way, it will be conquered by his hand.
who am i describing- kabru, or mithrun?
if thistle represents kabru's past and marcille represents kabru's present, than mithrun represents one branch of kabru's future- and a rather bleak one.
mithrun has suffered great tragedy at the hands of a dungeon and, as a result, dedicated himself to be what he believes is his one remaining desire: to finally be consumed entirely. he thinks he has nothing else to live for, so he runs himself ragged every single day just to inch closer and closer at a chance to kill himself while pursuing his goal.

this great fervor is one that kabru artificially mimics long before meeting mithrun. kabru is willing to die for his goals. he does die for his goals. he thinks he is going to die without a chance for resurrection when he sabotages the canaries, which is why his 'last' thought is "it's up to you now, laios!"
remember: kabru believes his survival has to serve a purpose- his survival must have been 'worth it.' in order to make his own survival palettable, kabru dedicates himself entirely to the dungeon's destruction without long-lived intervention as a means to avoid repeating utaya's fate. kabru self-deprives, fails to care for himself, and he is constantly killed in pursuit of his goal to conquer the dungeon before people like the canaries can. while kabru has desires, he only indulges in the one that has guided him for over a decade.
functionally, he and mithrun are identical when they first meet.
kabru has purposefully deprived himself of his desires beyond ensuring another utaya doesn't happen again, and mithrun is proof of what happens when you follow that to its logical conclusion. however, over the course of their week together and the final arc of the story, kabru makes the choice to divert from mithrun's fate.
kabru looks into the eye of his ultimate goal, and in the culmination of his arc, ultimately refuses this destiny.

what do you want, kabru? are you hungry, kabru?
kabru indulges. instead of blindly following through the dungeon's destruction and sacrificing what he wants for the greater good, he wants, and he befriends laios instead of ending his life. he leaves mithrun's fate behind...

...and senshi- one of the most steadfast representatives of dungeon meshi's thesis- sets mithrun on a path where he, too, can learn to chase after newer, healthier desires.
[馃┑]
laios
one day, a child was hungry for the answer to a question: "what is wrong with me?"
there is no satisfactory answer. a mother and a sister believe nothing is wrong, but everyone else in their small world disagrees. those eyes, that personality- something must be wrong.
but there is no recourse.
so, these children endeavor to focus on the world around them in ways that won't hurt them. one chooses to study and love humans, because humans are beautiful and complex and amazing. the other chooses to study and love monsters, because monsters are easier to understand and always obey one simple rule: eat or be eaten.
they double down on their interests soon enough. monsters have hurt one child enough, and humans can't get enough of hurting the other.
you know which one is kabru. you know which one is laios- dungeon meshi's fabled narrative foils.

laios and kabru are as textually close to being explicit foils as humanly possible. the first sentence of kabru's page of the adventurer's bible says it perfectly: "in every possible way, he's a contrast with laios. laios loves monsters, while kabru has an endless interest in humans" (56).
in basic terms, a foil character is a character with traits that contrast against another's, typically the main protagonist. this contrast serves to highlight the themes of the story, and we see that illustrated perfectly with laios and kabru.

where kabru has denied himself care, laios gives it to him without thinking. where laios believed no one could ever want to be his friend, kabru proves him wrong. the nature of nourishment and human connection are both critical foundations to dungeon meshi's story, and the main character struggling with human connection while his foil struggles with nourishment is no mistake.
kabru wanted to be laios's friend all along. the b-plot of dungeon meshi is driven by kabru's unconscious desire to understand and ultimately aid one inscrutable laios touden. the reason they cross paths at all is because kabru wants to meet him! he takes a chance when toshiro appears and sees his chance through.
but kabru doesn't realize it until he's already said it. he betrays himself, completely unaware that his supposed interest in the touden siblings skews a little more to the right than he could have possibly known.

killing laios would have been the ultimate preventative measure. he was yet to be dungeon lord, and with the canaries intent on handling marcille, kabru could have dealt with him right then on that cliff. but kabru doesn't take the opportunity because he doesn't want to.
he'd rather befriend laios than see him dead, and he takes the chance by the sleeve and doesn't let go until he is listened to.
and in the end, kabru is rewarded for his leap of faith: laios puts an end to the demon. laios has ensured that another utaya will never happen again.
laios saves the world.
all because kabru allowed himself to be selfish.

#dungeon meshi#delicious in dungeon#dungeon meshi meta#kabru of utaya#kabru dungeon meshi#laios touden#marcille donato#thistle dungeon meshi#mithrun of the house of kerensil#kabru#laios#marcille#thistle#mithrun#dungeon meshi manga spoilers#long post#my meta#mine#talking#YES i re-typeset all of the panels. for consistency.#because i'm really normal. obviously.#kabuposting
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kabru hype was soooooo funny. dude showed up, stared at everyone w his huge blue eyes, was a weirdo, and then fucking died. incredible
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#dear diary today I couldn鈥檛 find my diary so I鈥檓 writing this on the cover of my two cocoto fishing master ps2 copies#kabuposting#mod kabu
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bubonic vermin


Spotted a poster on the neighborhood bulletin board. It warns about the dangers of disease carrying pests and emphasizes the importance of pest control.
Goddamn those plague hamsters
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kabuposting
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long time no kabuposting
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spoilers for dungeon meshi chapters 37-38


something about these two pages is so...... the way kabru is trying to brutally kill falin while simultaneously restricting her movement in such an elegant(?) way.... the delicate precision in the way he stabs her... the raw emotion on their faces: the determination, shock, fear.... i think i hauve covid
#dungeon meshi#L.txt#kabuposting#i would buy this volume for these two pages alone they are so gorgeous and gross and intimate(?) i want to throw up#im so excited to see this animated i might actually pass out seeing it on the screen#trigger please do your thing... for me#falin and her feathers being white/light colored potentially playing off of associations with angels/divinity or maybe even representing#transparency re: her motives whereas kabru is shown wearing dark colors/black. his motives are unclear and mysterious unlike falin's#more typical earnestness - even in this state where she isn't 'truly herself' she is shown being careful and gentle#very intentionally not trying to associate the dark color w 'evil' or whatever i think its more relating to the 'darkness' aka the mystery#of what lies in the dark of the dungeon which could allude to kabru's more secretive and reserved nature as well as his true goals ?#HDHLDHKSKHDKGD I THINK I HAUVE COVID 馃敟馃敟馃敟馃敟馃敟馃敟馃敟馃敟
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diversity win! your fandom blog moderator is hepatitis a positive
#mod kabu#kabuposting#they tell me oh when you joke around you gotta tag it unreality. not this time kings.... not this time....#heh. unlike you guys i got a perfect grade in hepatitis. 100%. straight a's across the board.
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diversity win! your fandom blog moderator is lost in the gutters of chicago
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12 oclock werewolf transformation 1 oclock existential crisis 2 oclock fanfiction marathon 3 oclock The Rotations
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diversity win! your fandom blog moderator has been hexed by an ao3 fanfic. birds 20ft radius of them have human eyes and whisper the lord's prayers, they can no longer taste mayonnaise, and the faucets of their abode run thick with live salamanders and horseflies!
like and reblog to lift the curse! please. Please. Please. the first letter of every sentence on the last coffeeshop au I was reading spelled out the date of my death. help
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how does kabru have such intense transmasc energy how did ryoko kui do that
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this motherfucker said she painted a small plastic unicorn and she won鈥檛 even send me pictures. bitch. she sucks so bad. i hate her.
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ill be real i started sleeping on the couch in the day and the night just whenever i want cus i thought it鈥檇 be super dadcore of me. and wow. this fucking rocks. my dad was right
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diversity win! your fandom blog moderator can't wake up
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