#katarína hasprová

[whycantwegivellove]

Rebecca | Mrs Danvers through the years

[eurovision-revisited]

Eurovision 1998: The actual result

This year, the BBC put on a big show but shockingly for the BBC this included sponsorship! The big scoreboard has a clear 'Toshiba' logo right across the top. Product placement! On the BBC! Ulrika Jonsson in charge of chivvying along the spokespeople who for the first time are mostly relaying the results of televotes. Some of it gets a little too barbed. UK humour circa 1998 was at the peak of the lad-mag banter years and it showed.

The scoreboard itself was clear if a bit lacking on the design front. There are little score stars to show each country's actual point awards as they're made - a positive development. The graphic design however leaves much to be desired.

This is your regular spoiler warning for a competition that occurred over 25 years ago. If you don't want to know the results, why on Earth did you click on the expand button for this blog?

Boy it's a close finish. Heading into the final few rounds of voting, there are still four countries in contention. As Evgenija Teodosievska announces the results for North Macedonia, the final country to submit their points, Israel, Malta and the UK can all still win. Israel and Malta are tied at the top of the scoreboard with 166 points.

Israel get six points, putting the UK out of contention. Then the UK get the 10 points. All Malta need is the douze and...it goes to Croatia. Israel wins, with the UK pipping Malta to second.

One of the best ever voting sequences in Eurovision history and one in which the hosts were nervous the televoting would cause all manner of technical difficulties alongside the normal failures to communicate. There was one issue with the Spanish votes not being correctly tabulated which changed some scores later, but it did not affect the winner.

That scoreboard (post Spanish correction) in full:

Israel - Dana International - "Diva"

United Kingdom - Imaani - "Where Are You?"

Malta - Chiara - "The One That I Love"

Netherlands - Edsilia Rombley - "Hemel En Aarde"

Croatia - Danijela - "Neka Mi Ne Svane"

Belgium - Mélanie Cohl - "Dis Oui"

Germany - Guildo Horn - "Guildo Hat Euch Lieb"

Norway - Lars A. Fredriksen - "Alltid Sommer"

Ireland - Dawn - "Is Always Over Now?"

Sweden - Jill Johnson - "Kärleken är"

Cyprus - Michael Hajiyanni - "Genesis"

Portugal - Alma Lusa - "Se Eu Te Pudesse Abraçar"

(joint 12th) Estonia -Koit Toome - "Mere Lapsed"

Türkiye - Tüzmen - "Unutamazsin"

Finland - Edea - "Aava"

Spain - Mikel Herzog - "¿Qué Voy A Hacer Sin Ti?"

Poland - Sixteen - "To Takie Proste"

Slovenia - Vili Resnik - "Naj Bogovi Slišijo"

North Macedonia - Vlado Janevski - "Ne Zori, Zoro"

Greece - Dionysia & Thalassa - "Mia Krifi Evaisthissia"

Slovakia - Katarína Hasprová - "Modlitba"

Romania - Malina Olinescu - "Eu Cred"

Hungary - Charlie - "A Holnap Már Ném Lesz Szomorú"

France - Marie-Line - "Où Aller"

Switzerland - Gunvor - "Lass Ihn"

[vintageurovision]

Katarína Hasprová representing Slovakia in the Eurovision Song Contest 1998, with the song Modlitba

[betweenthetimeandsound]

Three Minutes to Eternity: My ESC 250 (#160-151)

(Author's note: Sorry about it being a couple of days late--I wanted to rest a bit--which I will do again because we hit the top 150--and had to download quite a bit for the gifs. Please enjoy this bunch, though!)

#160: Dihaj -- Skeletons (Azerbaijan 2017)

“When we hook up it’s fantasy We’re just like alchemy I’ve never been so ready”

I completely neglected Skeletons during the contest, as I didn't listen to it beforehand and didn't watch songs 12-17 when watching the grand final live. Along with "Grab the Moment" that year, it sandwiched a horrendous stretch of songs in #13-16.

Despite this, I listened to it a lot afterwards. It’s equal parts intriguing and mysterious, especially with the almost-nonsensical lyrics with interesting images. I always imagined a concept film in which the main character meets a potential love interest in a night club, only to go too far and almost kill him.

The atmosphere the staging created was a bit strange, in that it incorporates masks and a world inside a school chalkboard. For each of these aspects, Skeletons is my favorite Azeri entry ever—it stands out in a unique way because of its eccentricity.

Personal ranking: 5th/42 Actual ranking: 14th/26 GF in Kyiv

#159: Tommy Seebach -- Disco Tango (Denmark 1979)

“Hun er en stjerne på et dansegulv Slår John Travolta i en rock ‘n’ roll På diskoteket ta’r hun kegler, og der ka’ man se Dem stå i kø og skæve, hver gang hun gør sin entré”

“She’s a star on a dance floor Beats John Travolta in a rock ‘n’ roll At the disco she’s scoring, and there you see Them queue up with an eye on her, every time she enters”

Disco and tango are two genres you don’t expect to work together, despite them being so fun to dance to. Despite this, Tommy Seebach makes it sound natural. There’s a bit of adjustment needed when listening to it, but it’s equally flirty and groovy all at once, as one gets to know the many quirks of the song.

The live performance definitely elevates it--not only with Debbie Cameron's enthusiasm (she would come back two years later with Tommy in a bigger part), but also because of the orchestration. The mix with strings and castanets in the chorus was definitely the best part and gets me shaking.

It’s different for Denmark, but definitely a song you should put in a disco (*clap clap*) from time to time!

Personal ranking: 3rd/19 Actual ranking: 6th/19 in Jerusalem

#158: Poli Genova -- If Love (Were) a Crime (Bulgaria 2016)

“Unafraid, never fade When it’s dark we illuminate”

Bulgaria’s comeback after a two-year hiatus sees them with a hyper energetic pop song with an uplifting message. While it seems like a simple one at first, the diverse Eurovision community can embrace it for its openness and determination. The great production upholds this gem, and the lighting on stage adds to it, especially in the end.

Poli definitely makes this song come to life with her vocals and her upbeat personality, making it shine even more! (And I did like her costume--not something for everyday-wear, but definitely one fitting the song and a bit avant--garde too). Compared to her first entry, which fights against those who put her down in a pop-rock way, she delivers with fun.

And they got their first qualification in nine years and a start to a nice run of entries as a result.

Personal ranking: 5th/42 Actual ranking: 4th/42 GF in Stockholm

#157: Athena -- For Real (Turkey 2004)

“All I know is you don’t want to be part of the crowd Realise yourself You say it but don’t feel it, what you sayin’ has no meanin’ Don’t hide your soul”

For their host entry, Turkey brings upon Athena, a ska-punk (and former metalcore) band with this bouncy song. And it’s such a great one—filled with energy and fun. A bit different from what we expect from Turkey, but it shows what their music industry could bring.

It's lively and fun, with Gokhan leading the charge with his presence. At times, he shouts more than he sings and it seems like he didn't dress up for a more formal event. That said, there's still a lot of charm in "For Real's" performance, ranging from the sharks in the background to the "Hi mom!" and the peace jacket. It comes along in an eccentric package, and makes for a solid predecessor to their rock-based entries four years later.

And it definitely hints at being oneself, which celebrates individuality in a fun way.

(Plus, that's the reason why my top three in 2004 isn't the actual top three. Haha)

Personal ranking: 3rd/36 Actual ranking: 4th/24 in Istanbul

#156: Katarína Hasprová - Modlitba (Slovakia 1998)

“Láska kráčam údolím sĺz A len ty môžeš zmierniť môj žiaľ Túžim sa dotknúť tvojich pier, tvojich rúk Prosím vráť sa mi, nevzdaj sa nás”

“Love, I am walking the valley of tears Only you can get me out of misery I long to touch your hands, your lips Please, come back, do not give up”

A comment on the interwebs suggested anybody who has Horehronie as their favorite Slovak entry has never listened to this. I could understand why people would gravitate towards the former, but this stands out more for me (and not just because of the religious title).

The introduction reminds me of “Kiss From a Rose”, which here, is less meant to be about plagiarism and more about the 1990s feel of it. Musically, it takes the same medieval elements from other 1990s entries, but it tells a different story, one about trying to fix a relationship on the rocks. It builds well, going from an otherwise delicate ballad to something more explosive when one gets into the chorus. The orchestration really helps it too!

Modlitba got six points from Croatia...and then nothing else. It's still a shame it did so poorly, but as a potential nul-pointer too? Sad.

Personal ranking: 4th/25 Actual ranking: 21st/25 in Birmingham

#155: Melovin -- Under the Ladder (Ukraine 2018)

“Nothing but your will sets you on fire Fire lasts forever...”

The song that inspired a fervor from Melovin’s fans, including me! While I’m not as enthusiastic as them, I still love this song—it's pulsating and intense, with quite interesting lyrics about getting up again(with some enunciation issues). There was a point where the song got a musical revamp, and I feared it would make the song worse, but fortunately it kept the whole thing intact with a few production changes.

Melovin proves he's a talented showman, and seeing the stairs go aflame made me smile (even though I preferred the effect more on his Vidbir performance; the flaming LEDs really helped there). Good thing the televote swooped in, because last place in the jury vote feels really wrong (though it could be because of said pronunciation).

Plus he has some good post-Eurovision songs—check them out! My favorite is З тобою, зі мною, і годі.

Personal ranking: 6th/43 Actual ranking: 17th/26 GF in Lisbon

#154: Joci Papai -- Origo (Hungary 2017)

“Be kell csuknod a szemed Úgy láthatsz meg engemet Hogy meghódítsd a szívem Ismerned kell lelkemet”

“You need to close your eyes So you can see me To conquer my heart You have to know my soul”

While Az en apam (#240) touches me more than Origo, one can’t deny this is the more creative song. It combines not only Romani influences, but also a dark pop foreground which allows them to shine.

In addition, the lyrics are absolutely masterful—they are rooted in Joci’s story and packs a punch in the message. It's tells of a relationship with someone who doesn't accept him for who he is (cursing her forever as a result), along with how Joci grew up and used music as a weapon for himself and his people. He's a compelling storyteller, and you can tell he sings it from the soul.

Combined with a compelling rap and a neat violin instrumental, you get a completely unique experience.

Personal ranking: 4th/42 Actual ranking: 8th/26 GF in Kyiv

#153: Blanche -- City Lights (Belgium 2017)

“All alone in the danger zone Are you ready to take my hand?”

Blanche had quite the journey in Eurovision--first her song gets released, and immediately becomes a contender. Then she has problems performing in shows and during rehearsals, at which the odds star dropping like flies. Then her semi-final performance was notably wobbly, but she still qualifies and places fourth.

Despite the staging errors (I would've personally have made the lighting gold rather than natural-colored), it was fully deserved and I think it was better than the eventual top three.

The vibe of this song reminds me of walking down the streets of Tokyo, because of the visuals involved. Everything is in a rush, but one's not sure There’s also tension, because of the dark electronic sound that dominates it. Despite Blanche’s nervousness on stage, it worked well with the song—it amplified the sensation of walking down a wire and wondering if the relationship will work. A startling entry from Belgium and one that really strikes at modernity.

Personal ranking: 3rd/42 Actual ranking: 4th/26 GF in Kyiv

#152: Frances Ruffelle -- We Will Be Free (Lonely Symphony) (United Kingdom 1994)

“Welcome to the land Where all our dreams are planned And fighting is a thing to do...”

The first of the UK’s attempts to modernize the contest in the 1990s, it’s a cool, funky song with interestingly-written lyrics. Someone compared the chorus to a protest slogan for social justice movement, but the rest of the song discusses a complex relationship. The opening lines are a highlight in particular, and everything flows fantastically.

A few bits of the live-performance went out of hand, like with the orchestration and Frances’ vocals, explained by how she was bopping up and down and was told that she needed to keep that down. As a result, she couldn't focus on her vocals and they turned out a bit sharp at times.

That said, she had a pretty dress and charming look about her. And while it placed in the top ten, I think it should've done better.

Personal ranking: 4th/25 Actual ranking: 10th/25 in Dublin

#151: Sebalter -- Hunter of Stars (Switzerland 2014)

"I state my heart has been well trained I’m gonna be your candidate I am the hunter and you are the prey Tonight I’m gonna eat you up"

This word-salad of a song makes it quite hard to choose a good lyric, as it has a bunch of nice lines but almost no meaning to them. Reading them again, it seems like one is trying to get his affections to like him, to no avail, unfortunately.

But beyond that, we get a fun and wholesome song, which features a prominent banjo and even a violin solo! From the opening melody I can't help but smile, or even whistle along at points (everytime the latter synchronizes, I feel a bit of accomplishment). It's a bit more folksy than what the contest oriented on the time (slickly produced pop with a bit of dubstep), which makes it even more special.

Finally, we have Sebalter himself, who really carries his own song! Not only is he quite good-looking, but also very charismatic and knows how to have a good time. While Swiss entries have become better known since then, you can't replicate Hunter of Stars; it's too special!

Personal ranking: 5th/37 Actual ranking: 13th/26 GF in Copenhagen

[shoaib896]

Katarína Hasprová získala nomináciu na cenu Thálie

čítanie na minútu

Zero zdieľaní

Oznámila to v utorok popoludní v Prahe odborná porota tohto ocenenia.

Ilustračný záber. — Foto: Pavol Karell

Bratislava 31. januára (TASR) – Známa slovenská herečka a speváčka Katarína Hasprová získala nomináciu na výročné ceny Thálie 2017 v kategórii muzikály. Oznámila to v utorok…

[everyeurovisionsong]

Slovakia 1998

'Modlitba' (A Prayer) performed by Katarína Hasprová. Composition: Gabriel Dušík. Lyrics: Anna Wepperyová.

Opening with a wonderful classical guitar sound that anchors the melody, the delicacy needed is drowned out with by the strings and woodwind section of the orchestra , along with a touch of marching/folk style drums.

It's a curious mix of genres that struggles to gel. It's almost there, and that's probably the worst place to be in. There's a mental idea of what it should sound like, and Hasprova isn't quite meeting expectations.

The lyrics themselves are dense and wordy, adding to a sense trying to do too much in the three minutes. It's a busy song, and I wonder if it would have been better served loosing 'the frilly bits'.

Points: 8. Placing: 21st.

[eurovisionsongaday]

Yesssss it opens with my favourite chord progressions! Just a really good song we’ve got here!