#kel analysis

[lilac-gold]

thinking about how one of kel's first lines is "man, aubrey always gets what she wants". thinking about how aubrey wanted to go see sweetheart's show for hearts, so hero took them all to sweetheart's show for hearts. thinking about how aubrey told molly not to touch omori, and she didn't again.

thinking about how all aubrey wanted was to keep her friend group together. thinking about how aubrey's clothes are too big in headspace, she only has one toy and in the real world, her house is a tip with her room almost bare. thinking about how aubrey wanted to keep the photos of mari and throw the rest in the bin, and how she put them back in the album after kel picked it out of the trash.

thinking about how sunny viewed her as a protector of his as a kid, someone who'd look for for him, and how the hooligans trust her to lead and look out for them, and how hero and mari were like older siblings to her when she was younger, and how aubrey's parents didn't look out for her. thinking about how aubrey is angry and insulted and violent and vengeful, and how she wants the girl she knew as a sister to come back. thinking about how she believes she wasn't enough for her old friends, for anyone. thinking about how little possessions she has, how she pushes away people who care about her, how she's viewed as a "bad kid" by the residents of faraway.

want is such a big theme with aubrey. in headspace, every one of hers is fulfilled. in the real world, we see almost none being.

[daisy-daze17]

Recently saw a post that said "People only like to ship Sunflower before the incident or after the good ending when they've had extensive therapy and that means it's toxic!!" Listen personally I don't ship Sunflower but like? Shut up?

Obviously they BOTH need a lot of therapy and healing before they can do something like start a relationship or even heal from the incident in general. You think Sunny's just gonna drop the bombshell that he killed Mari and helped hang her and immediately go back to dating Kel or Aubrey? In fact, I think all 5 of them need therapy because Kel, Aubrey and Hero now have to heal and accept the truth if they ever want to forgive Sunny and Basil.

So yeah if you say that people who acknowledge when others need therapy before getting into a relationship are toxic then you're stupid af.

And as for the pre incident shipping-- yeah, based on how Sunny views him in headspace its fair to say there might have been a crush when they were younger, but of course everyone dismisses that because Aubrey is a girl and so main character must be shipped with said girl.

If you're saying Suntan or Sunburn is perfectly healthy right after The Truth but that Sunflower is toxic and unrealistic, I think you just hate Basil. Because in that case there's no way any of Sunny or Basil's ships are good relationships considering Kel and Aubrey have been lied to for 4 years about the death of a girl they loved and cared about.

[sunflowersoap]

back on my bullshit once again. thinks about how the headspace gangs reaction to starting to forget basil can probably tell you a lot about them.

for example, aubrey being EXTREMELY protective over that flower crown. her absolute rage at kel for kicking it off. her thinking "it used to belong to someone, we should return it." very similar to "how DARE basil ruin all our photos! they used to belong to all of us, and he throws us all out like we were nothing! he doesn't even care! he turned his back on all of us! on mari! she used to be here! she used to be a part of our lives! you think just because she isn't here you can just throw everything away? why don't you care? why don't you CARE?!"

her attachment to objects makes me think she values gift giving as a love language. this thing was so important to them, so I'll give it back. I'll give them this to show I care. this thing is special. it's not just an object to her, it's a physical display of their affection. so losing that object feels like losing the last bit of that love.

her being so intent on returning that flower crown even if it's broken and damaged. because someone loved it, so it must be special. her extreme protectiveness was still there, but now it was in a more destructive way. she's so protective of mari and her memory that she assumes the worst of everyone, because everyone pulling away and abandoning her or acting like everything was okay didn't just feel like a betrayal to her. she felt like they were betraying mari. that's why it pissed her off so bad when kel said think of how mari would feel. because oh, NOW you want to think of how mari would feel? NOW??

kel remembering the pictures also sticks out to me. he remembers basils words, even if his memories are so foggy. he has an attachment to those memories. this can also possibly tell us something about him. he doesn't hold on to objects as much as aubrey does, but those memories are everything to him. he listens, he holds all those moments so close to him. even when he's forgetting basil, he remembers all those little quirks he loves. he listened intently to basil, he cherished every single moment. he remembers his favorite things and why he does things and little details about him. even if he's forgetting the fact basil takes pictures, he remembers that they have pictures and WHY they were taken. his focus isn't really on the photo album in the real world. it's on the fact basil is sad and aubrey is so much different. his attachment isn't about the object. it's about the fact it means a lot to BASIL. that's why he wants it back. it makes basil happy. he doesn't understand why aubrey would do it, because his attachment was never to the album. it was "this makes basil happy and brings him joy. he loves this thing. he loves talking about it." so he memorized all his rambling about it. he isn't as attached to the album itself as aubrey is. it wasn't about the photos to kel, it was about spending time with basil. so to him, aubrey's anger seems irrational. it's honestly kinda like different love languages. hers is gift giving, his is quality time. so it doesn't make sense to him. it's basils thing. why would she steal it? it's his passion.

hero, if I'm recalling correctly, doesn't really need to be reminded of basil at the last resort. even while he's forgetting him more and more, he's keeping the group on task. he's bringing up the worry about forgetting things about basil. he looks out for basil. he's trying to keep the group positive. that's what he's trying to do. looking out for basil even when everything's becoming a blur. protecting him even when he isn't there. that's how you see heros love for basil manifest. protecting him. he jumps in to save basil with no hesitation. he tries to solve the fight between aubrey and basil. he looks out for basils health and safety. even if he doesn't know much about basil anymore, even if he's changing, he looks out for him. no matter how difficult it is, he protects him. because if basil can't protect himself, he'll do it. because basils his best friend and he loves him and he needs someone who looks out for him. if basil can't protect himself, he'll help as much as he can. even when he can barely remember him, he remembers he needs his help and THATS enough to keep going.

sunny? simple. he knows basil so fucking well. he knows basil talked to him about things he never talked to about anything else. he's terrified about something happening to basil, enough to have so many rooms of him dying horribly as worst fears. he feels like he can't save their relationship so he runs from it. he knows all of basils worst fears. he knows how trusting basil was of him. he knows how much basil cared about "who he thought he was" (despite what his mental illness makes him think, it's who he IS. not what he thinks he is.) he knows basil like the back of his own hand. he knows his worst traits, he knows his worst fears, he knows his pains and his insecurities and his guilt and his grief. THATS how sunny expresses care and his love language. knowing someone to that degree and listening.

I don't really know where I'm going with this. I just think this game and the way different characters show love is very interesting.

[crowbasils]

BASIL (OMORI) — A complete (for now) analysis

spoilers under the cut !! ٩(๑❛ᴗ❛๑)۶

BASIL is actually more nuanced than the game makes him out to be, and has hid his emotions far before KEL has, and is as tragic, if not more tragic, as AUBREY is.

HIS CHILDHOOD （＾_＾）

Let’s start off before he met the friend group. As POLLY says in-game, his parents left him when he was a toddler, with his grandmother being the only one there for him. She also does note that she’s only ever seen them once.

…This is obviously something that affected BASIL’s life a lot. Being left with only one person—an old one at that. She cares, yes, but the thing is, we don’t know how she was like. All we get is old art, old concepts, but even then, it’s how SUNNY sees her. Maybe she was pretty strict, maybe she was someone that was lax but when upset, her punishments would be severe, traumatizing, even. Even then, despite the fact that he’s left with someone that cares for him, it’s still pretty bad. Why? Because he would realize that she isn’t his parent. That his grandmother isn’t his parent. And that realization hurts. He’s left to wonder why his parents left him. Why his parents abandoned, and neglected him. Why he seemed unwanted compared to others. Was it because they found him to be weak? Was it because they hated him? Was it because they had no time for him? We never know, and he really never did, either. It does not help that canon implies that there was no communication from him to his parents either.

This can actually cause children to feel like an alien. To feel like they are abnormal in comparison to others. To feel like they aren’t human. To feel that they can’t “connect” with society. They don’t know how to interact “properly” with people, because they can’t relate to other’s experiences. Because they have not experienced interacting much with people. Because they don’t know how to relate, they don’t interact much easily. Because they don’t know how to relate, their speech and manner of expression may not be up to standard. They don't know what a “parent’s love” is, a “mother’s love”, or what “love” is in general, because they weren’t exposed to that. This is, most probably, the case with BASIL. Even though he has a grandmother, it’s not really enough. It’s not enough, because it’s not his parents, it’s not the ones who gave birth to him. It’s not the ones who others would say “would love you unconditionally”. It’s not the ones who others would say “would love you the most”.

Considering that it’s his grandmother, BASIL might’ve actually had to tend to himself and mature faster than anyone did. His grandmother is old, and old people do have quite a lot of complications to deal with. Even if they’re healthy, they’re a bit fragile. He might’ve had to run errands for her, do house chores for her, and stuff like that. A grandmother isn’t the most reliable parental figure, because they could fall ill at any moment, they could die at any moment. He probably knows this, actually. If you take the hunter thing as canon, this does kind of add to the… y’know since he does have to see carcasses. We also don’t know if she’s actually nice. We don’t know if she was a good grandmother, we don’t know if she was a bad one either.

… Anyways. All that combined probably makes you think that BASIL would turn out to be a really sad and depressed kid. As in, something like post-incident SUNNY. But… surprisingly, he’s not. He’s happy, smiling, and if you look at the pre-incident art, more than SUNNY (although, SUNNY states that he doesn’t really like to smile in the traditional sense. BASIL sees right through him though, and knows if he’s smiling or not.). He’s smiling more than SUNNY, which admittedly, makes no sense if you take it as something that indicates “Oh!!! BASIL is happier than SUNNY and SUNNY pre-incident is traumatized!!!!” when you consider both of their childhoods. Which brings us to the next point…

THE INSIDE (PRE-INCIDENT) ( T_T)＼(^-^ )

While not specifically expressed in canon (SUNNY and OMORI aren’t reliable narrators and their views won’t always be accurate), it is pretty implied that he hides feelings. Probably the most obvious indicators of that would be the fact that he vents to SUNNY, and the existence of STRANGER (who is implied to be the parts of BASIL that Sunny finds “unpleasant” while also being a positive figure and guide to him. Not to say that he dislikes BASIL, but he pretty much has this black and white view when it comes to the world because yeah, he’s young and has experienced a lot less pre-incident) and some parts of BLACKSPACE.

He probably has hid more feelings than the game lets on. Maybe he thinks of himself as “inhuman” and feels “strange” compared to everyone because he can’t relate that well to their experiences with their parents and peers, and uses smiling and laughing as a way to cope and/or cover that. Maybe he thinks of himself as “less”, that sometimes, he feels empty, sad, and even angry, and that’s why he acts the way he does. He involves himself in the activities of the friend group, because he’s so scared of being left alone again. To avoid being forgotten and abandoned, he helps everyone and tries to be the reliable friend everyone needs. Maybe because he’s never been able to make a lot of human interaction, he is the way he is. Maybe, he even exaggerated some of his emotions, for a lack of a better word. He wants to get “in” to the moment, truly feel it for what it is, which leads to his emotions being a mix of genuine and a mix of a slight exaggeration. He feels joy and does feel genuinely happy, but he exaggerates it at times. To him, it will all be but a fleeting moment, and when time comes, the friend group will collapse. He values his relationships with the friend group more than anyone, because to him, they are his true family. He takes photos of them, because he’s afraid to lose them.

They say, “opposites attract”, correct? Then perhaps the reason why BASIL hangs out more with SUNNY, is because he is the very opposite to him, by technicality. SUNNY isn’t physically expressive with his emotions. SUNNY doesn’t smile, neither does he laugh a lot, but unlike him, But at the same time, SUNNY isn’t empty. SUNNY is so full of life. He is full of dreams, imagination, often good and fantastical. SUNNY has been around people who love and trust him his entire childhood, while BASIL hasn’t. SUNNY has been loved and cherished by everyone his entire childhood, but BASIL hasn’t. BASIL wasn’t as loved and cherished by everyone as SUNNY was. SUNNY had many people care for him before the friend group, while BASIL didn’t. SUNNY experienced parental love, but BASIL didn’t, and will never experience it. In his eyes, SUNNY is perfect, because he experienced what he cannot. Because he is loved by everyone. Because he is cherished, and treasured. He is what BASIL cannot be, and will not ever be. He is the “good person” he wishes to be, yet cannot be.

With that being said, BASIL probably does have trust and abandonment issues that he hid as well. His photo album can be a sign of that. Abandonment issues, caused by his parents leaving and the fact that his grandmother can fall ill / die at any moment, and trust issues caused by the abandonment issues. The photo album is also described as a collection of “things he is afraid to lose”.

He is also implied to be depressed and/or suicidal in a certain incident which will be addressed in the next section

“THE INCIDENT” ∑(ﾟДﾟ)

The incident is a major part of the OMORI story. It is the very thing that serves as the catalyst for all the events ingame. As for this section of the analysis, it will attempt to give a reason—but not excuse—as to why BASIL did what, and what it may imply when it comes to his character. As well as clearing common misconceptions on why a character did certain things and why the misconception is incorrect.

The question “Why did BASIL hang MARI?” is a question asked by a lot of people. The answer to that is… quite simple, and that is because he didn’t want SUNNY to get in trouble, and hated by everyone. “But he could’ve called the ambulance!!! Or even his parents!!!” That is true, but consider, he was in a stressful situation, and he didn’t even know what to do, as witnessing a death of a friend caused by another friend is a hard thing to take. This and the fact that the police and medical services in OMORI FARAWAY seem quite incompetent and/or lacking, considering how AUBREY was able to get away scot-free while having a bat with nails on it. Also, him hanging MARI does also implies that he knows how to tie a noose. While that can be excused as something that comes from gardening, the thing is that. he knows that it’s for suicide, which also in turn, implies that he knows how to commit it. Which is concerning, especially when you take into consideration that he’s a 12 year old, and that it’s pretty rare for a 12 year old to know that back in the time OMORI is implied to have taken place in. The internet also didn’t exist back then, which makes it pretty impossible for Basil to know what suicide is and how to do it unless he planned to do it himself.

A common yet popular misconception in the fandom is that he is the one who scribbled up the photo album, and to that I say, “No, he wasn’t.” It was SUNNY. SUNNY was the one who scribbled up the photos, and BASIL just took the blame so that he wouldn’t get in trouble and be hated by everyone. BASIL actually says that it was SUNNY in an earlier version of the dialogue before the BASIL fight. (SUNNY even takes a step back when the rest of the gang (minus BASIL) hugs AUBREY! Which is an indicator of at least something.

Another common yet popular misconception is that this is the only reason why BASIL is depressed/sad and that after the game, he’ll go back to being happy again, and to that I say, nope. Absolutely not. It’s not the only reason why BASIL is like that. Even if he healed from the trauma the incident has caused, a lot of his issues are still left unaddressed. The feelings from his grandmother dying, the worsened abandonment and trust issues, the strong yet not acknowledged and repressed feelings from AUBREY bullying him, the feelings from SUNNY leaving him, the feelings from… pretty much everyone leaving him are still there. Him also being suicidal and scared yet again to reunite, because he feels like it will dissolve even faster than before. He’s also still scared that they hate him, and even if they say they don’t, he feels like they’re lying and inside, they hate him and want him to die.

…Also, the incident is not completely BASIL’s fault. He wasn’t the reason why SUNNY shut himself in his room and became a shut-in / hikikomori. And while yes, his SOMETHING is in the shape of hanged MARI, SUNNY became a shut-in / hikikomori due to the guilt of killing Mari, and not because of BASIL hanging her. It’s not BASIL’s fault that SUNNY became a shut-in and that the group fell apart, because the group would’ve fallen apart anyway. It’s just that it’s no longer only SUNNY’s fault that the group did. And even if the hanging didn’t happen, the majority of the group wouldn’t be mature enough to understand the situation fully. We, as the players/readers understand it, because we have almost all of the pieces of the puzzle, but they won’t.

POST-INCIDENT, FARAWAY SECTION (¬_¬)

Before I’d like to start off this segment, what the fandom fails to acknowledge most of the time is that BASIL is 16. He’s not a crybaby. He’s not scared of everything. He’s not a scaredy-cat. Most of those assumptions come from the fandom’s inability to recognize that BASIL has suffered as much as SUNNY and AUBREY have. He is as pained and hurt as them. He was hurt and in pain because of them, too.

The first time we see BASIL, we see him asking for his photo album, but getting bullied and getting told “no” instead. This makes a pretty bad first impression to younger fans and illiterate fans, and because of that, he is often watered down into this “uwu coward soft boy who cries a lot”, which he isn’t. He may seem like it, but he isn’t. The second time we see BASIL, he is at the old hangout spot, and calling for help. This… actually does imply a lot of things, one of them being suicide. He might’ve came there to die in a place where he missed, to look at the place one last time before he would commit suicide, but he was stopped by the hooligans. which most likely bullied him (even though they say they didn’t). And the last time, the sleepover, he either kills himself, or stabs SUNNY in the eye due to hallucinations and stress.

The BASIL we see here, in Faraway, is a more broken version of BASIL. He still acts and hides feelings—or at least tries. It’s not as effective as before. One thing I’d like to point out is the fact that we never really actually see BASIL do anything connected to his past interests. While yes, his photo album being missing may be a part of it, he doesn’t really take photos anymore. We don’t see him taking care of his flowers, either. Maybe he could’ve lost interest in it, as a result of the incident. One POLLY line actually does say that he stopped taking care of his flowers completely at some point before the game.

BASIL probably doesn’t eat much. We don’t see BASIL eat the food in the time SUNNY and KEL were in his house. POLLY does state that he’s been going to the bathroom a lot, too.

That aside, let’s get deeper into it. BASIL, in faraway, is most likely at the lowest point of his life. He had to see his friends leave him one by one (even KEL! even HERO!), and have one bullying him. He no longer has an outlet for his extremely bottled up emotions. He doesn’t have anyone, and his grandmother fell ill as well. POLLY is also paid to be there for him too, which means she doesn’t really count as someone he has. She isn’t close to him, either. She isn’t as close to him as the fandom makes her out to be. She cares, yes. But she isn’t close to BASIL at all. She does say it as well

The reason behind why BASIL stabbed SUNNY’s eye was because he was hallucinating, and not because he actually wanted to stab SUNNY. He stabbed SUNNY’s eye because he thought his eye was a part of SOMETHING (that… he is implied to hallucinate heavier for whatever reason), and not SUNNY. Although, it’s not completely all because of that, it’s a key part of it. His repressed anger and hatred, him being genuinely upset, as well as his desire to protect SUNNY from SOMETHING—a thing that he genuinely and wholeheartedly believes is real and something that exists in reality—is also a part of it too. This part does not mean that BASIL put his selfish desires first, this does not mean that BASIL puts his desire to keep his best friend above SUNNY’s safety. This doesn’t mean that he’s only concerned with what SUNNY can do for him and not concerned with what is best for him. BASIL was going through a breakdown, so a lot of the things he says are in this confused state where he doesn’t know what he’s feeling, what is really happening, and isn’t thinking clearly. BASIL is not doing all this with a clear head and mind. Both the safety of SUNNY and not wanting SUNNY to leave are both on the forefront of his mind, it’s just that, because of the overwhelming stress and the fact that his thoughts aren’t that clear, his method and way of protecting SUNNY is a bit “confusing”. He cares, he cares for SUNNY’s safety, but in this context, the “normal” way of caring doesn’t apply, because the situation isn’t really normal to begin with. The part where he states that he’ll end both of their pains (by murder-suicide) is most likely out of stress, because his situation is extremely stressful, and it’s sad that nobody recognizes it.

He also does use toxic positivity, saying “Everything will be okay…” even if it won’t. It’s just… less recognized.

POST-INCIDENT RELATIONSHIPS & WHAT LIES BEYOND (・・?)

BASIL, post-incident, probably also does have a lot of hidden feelings as well. This time, feelings like anger and even hatred towards his friends, an intense and deeper emptiness, and a lot more worsened negative feelings are added to it.

BASIL still thinks of himself as “weird” compared to everyone else in the friend group, especially after the incident. He feels inhuman, even worse now because if people knew what he did, he knows that they would think of him as a monster and someone unforgivable. He knows now that what he did could be considered inhuman, and feels regret for it. His problems have been intensified, his mental health took a nosedive, and so much more.

With that being said, deep down, maybe he did resent SUNNY. For leaving him when they promised that they would be there for each other. For leaving for 4 years and making him bear the brunt of the judgment. For leaving him when he needed help the most. For leaving him and letting him take fault for something he did (blacking out the photos). But he can’t help but still love him through all of that, whether you take it platonically or romantically. They are tied by a string of fate, they will find each other no matter what, and will try to forgive themselves and each other. The path to recovery is laid with hardships, and complicated feelings. BASIL and SUNNY are each other’s weakness, but each other’s reasons for going on. SUNNY’s desire to save HEADSPACE BASIL that carried on to the FARAWAY BASIL, and BASIL’s desire to see SUNNY again, if only for a while. It is not only KEL who helped SUNNY stay alive, but BASIL as well. Even if BASIL thinks that he’s too far gone to be found, if he’s someone who cannot be helped anymore, SUNNY still tries to help him. SUNNY wants to help him. It is not BASIL that forces him to, but SUNNY’s own desire. BASIL doesn’t force him to, he asks him to, but not force him. SUNNY is doing it on his own accord, because he wants to help BASIL. BASIL understands SUNNY, and SUNNY understands BASIL, both on a much deeper level than anyone else. They have hurt each other, yes, but everyone in the group has hurt each other at some point. They are each other’s triggers, but they are also each other’s sources of comfort. They are why they were able to face and accept the truth of the accident and incident. It is because of each other that SUNNY was able to accept that MARI died, and that SUNNY was the one who was at fault when it comes to MARI’s death and the accident. Even if SUNNY lost his eye because of BASIL, it is also because of BASIL that he was able to remember and face the truth of the accident and incident.

Now, to AUBREY, deep down, he probably resents her too, possibly much more than SUNNY. One thing that I’d like to mention is that bullying is, in fact, a form of abuse. I’m not calling AUBREY an abuser, but she did do fucked up things. She was a horrible person, but she wasn’t evil. He’s not calm because he understands, he’s calm because he thinks the one at fault. He thinks he deserves it. He understands, yes, but that’s not why he’s calm. He’s calm because he genuinely thinks there’s something wrong with him, and that he’s the one who needs to adjust. People who get bullied tend to think that there’s something wrong with them, that they have to be the one to adjust, especially if said person was close to you before it. Some don’t realize it’s bullying either until they reflect and think more about it, especially if they were once a friend, or a family member. Technically, what she did Is abuse, since bullying is considered abuse. It doesn’t matter if it was verbal abuse at first, it still counts as it. Verbal bullying is STILL bullying, and it is also still abuse. It’s a pretty gray area when it comes to AUBREY, because I don’t want to be too harsh and call her an abuser, but yeah. In terms of forgiveness, words and feelings don’t matter without actions, much like how actions don’t matter much without the words, which is why AUBREY does need to be treated a bit harsher by the fandom, since the bullying isn’t something you should brush off when it comes to analyzing BASIL’s character. Forgiveness from BASIL will take a long time, it’s going to be a rocky road for them to be even comfortable with each other, for BASIL to not flinch every time AUBREY tries to get close. To not feel uncomfortable whenever she even gets close. Which is not a thing that is acknowledged when it comes to BASIL.

Onto KEL. I think it’s pretty clear that KEL and BASIL haven’t interacted much before the 3 days left. KEL even acts surprised about BASIL being there, with this line.

While there isn’t much to say about them, BASIL might’ve resented him too, just not as much as SUNNY and especially AUBREY. KEL left him too, even if KEL mentioned that they wouldn’t really respond, it doesn’t stop BASIL from feeling that way. Maybe he would’ve resented the fact that he seemed to prioritize SUNNY over him, maybe he would’ve felt like he was less important to the eyes of KEL. And while yes, this may not make sense to us players/viewers because we know why KEL is knocking, BASIL doesn’t know. The mind is both rational and irrational, after all. Even if another person feels something, it does not stop someone from feeling, well, another thing. BASIL most likely doesn’t know if he should resent him or not, he knows that it might be because SUNNY’s house is marked “for sale”, but he wishes the same effort was spent for him, as well. He might’ve felt like KEL prioritized him the least, he might of thought that KEL sees him as “less”. Keep in mind, his feelings and thoughts are not necessarily true, so these aren’t facts. KEL does care, but it doesn’t stop BASIL from feeling like that. (Just thought I had to make that clear because some people might take this wrongly)

BASIL and HERO… There isn’t much to say about this segment. While it’s understandable that HERO left because of college, sometimes he does resent him for leaving like everyone else. He resents all of them for leaving, some even more because of certain factors or actions. But…

BASIL still loves all his friends. He does. He cherishes them all, but he can’t help but feel that way towards all of them. He can’t help it. He feels disgusted for feeling that way towards all of them, he feels disgusted for feeling negatively, but he can’t help but still feel it. No matter how much he tries to tell himself he doesn’t deserve to feel like that towards his friends, to think negatively of them, he will always feel these things deep down.

POST-TRUTH REVEAL FEELINGS AND POST-GAME SPECULATIONS (´ｰ｀)

Post game, a lot of BASIL’s problems go unsolved. He isn’t exactly portrayed to have reconciled with the rest. While yes, you can take the “Let’s make new memories together, okay?” line as BASIL wanting to make new memories with his friends, it’s DREAM BASIL that says that, and he, despite looking like FARAWAY BASIL, isn’t BASIL himself, so that isn’t reliable. His grandmother, his only source of comfort for those 4 years also dies, leaving him with someone who he isn’t sure he can trust due to her being there because of a job, and obligation. All that combined does just feel like instead of getting better, his problems will just fester into something worse. He’s basically alone as well. Even more so due to the reactions to the truth. SUNNY left yet again, he took the brunt of the reactions, he isn’t close to the friend group, he is still suicidal. POLLY isn’t someone who is a mother figure to BASIL. She isn’t even close to him. He doesn’t even feel comfortable with her.

… That’s not saying that the friend group won’t try to get closer to him again, because yeah, they do have a chance to try to get closer to him, it’s just that BASIL’s issues and problems go unresolved because he probably won’t open up to them for a while, or even open up to them at all. His problems still aren’t solved, either. Yeah, sure, he might admit some things, but they won’t be the closest anymore. It’ll probably take a very long time for BASIL to even warm up to them again. Might even take 2 years. Maybe he even tries to be more like himself pre-incident because he perceives it as a way for him to be redeemed in their eyes, but because of that, he hurts himself even more. He wants to be himself around everyone, but maybe he feels that “himself” isn’t who they want.

This part is mostly just speculation, although it is something that should be acknowledged more. His problems are still there, and even if you give him therapy, his problems will still be there, therapy is not something that solves your problems, it helps you until you can deal with it. It is not something that will magically make you emotionally intelligent, but more of something that helps you identify emotions better.

CONCLUSION ☆彡

Overall, I think BASIL is the character least talked about in this much depth, and often mischaracterized along with HERO and MARI. Many people fail to recognize that he’s also as tragic as SUNNY AND AUBREY are. Many people fail to recognize that his issues go far beyond the incident as well. Not a lot of people recognize that SUNNY’s issues and trauma isn’t worse than BASIL

[clegfly]

OMORI and colour- an analysis

hey, so this is a post I’ve been wanting to make for a while and never got round to doing, but here I am.

Something I noticed in OMORI and have continued to notice throughout the game is the symbolism between colours and characters, and what they say about their relationships or their mannerisms, because there’s actually a LOT there, more than I expected.

keep in mind this is a pretty basic analysis and I’m sure there’s much more to be discovered, but I haven’t fully learned everything there is to know about colour theory and so this isn’t really my field of knowledge, I just wanted to share my findings.

also, spoilers ahead, so beware!

Filling in the wheel

This is a basic colour wheel, and the model I will be referring to throughout this analysis.

in OMORI, and even in external items outside of the game like merchandise each of the main cast are associated with a specific colour.

for example, SUNNY is associated commonly with yellow throughout the game. Here’s a small chart I made to keep track of my references…

I’m sure there’s more but here’s what I’ve got.

so now we know where sunny stands on the colour wheel, in the yellow region.

the rest of the cast can be easily identified on the wheel- KEL clearly falls into orange, HERO clearly falls into blue, MARI clearly falls into purple, BASIL clearly falls into green and AUBREY clearly falls into pink.

But wait, that’s not the complete wheel.

you’ll notice AUBREY’s positioning differs from the rest of the group, and that’s because I’ve specifically put HEADSPACE AUBREY in that section. Where REAL WORLD AUBREY actually falls is on the red segment of the wheel as that colour is better associated with her emotional state and also slots her better into place on the wheel.

So that means the rest of these midtones represent the rest of the HEADSPACE counterparts, right?

You’ll notice one more blank space, but let’s put that one aside for now. We’ll fill it in later. For now let’s begin to focus on the relationships between these segments on the wheel.

Complementary colours

Complementary colours are defined as “pairs of colours which, when combined or mixed, cancel each other out (lose hue) by producing a grayscale color like white or black. When placed next to each other, they create the strongest contrast for those two colors. Complementary colours may also be called "opposite colours"”.

in other words, these colours complement each other, and are paired together as they are the most striking next to one another. They are opposites, but belong together.

so, who do we have complementing on our OMORI wheel?

Now, this is quite complicated to look at but I’m going to use what I think is probably the most important relationship in the game and use it as an example.

MARI is commonly associated with purple throughout the game, so much so that it’s constantly in our faces. The main colour for SUNNY’s headspace where he escapes the tragedy of what happened to her is purple, AUBREY laments about a lost promise of dying their hair purple and pink together, MARI gets a grape flavoured (purple) popsicle in one of the photos in BASIL’s album, etc. she’s very clearly shown to be “purple”symbolically throughout the game, no question there.

and as for SUNNY, as we’ve gone over earlier, he is represented by yellow.

so when we reference our colour wheel once having placed these two in their respective spots, what do we see?

MARI and SUNNY complement one another.

And we see this consistently for other key or contrasting relationships through the game. HERO and KEL complement both in the REAL WORLD and HEADSPACE, and so do AUBREY AND BASIL.

They are shown to complement each other, when placed with their associated colours on the wheel.

so, what about STRANGER? Who does he complement with? After all the segment opposing him is empty.

I feel as though there’s only one answer which makes sense for the game.

OMORI complements STRANGER and STRANGER complements OMORI.

but, for OMORI, this seems out of character. The character itself is typically associated with black to represent the repression of the truth and also the darkness behind his actions to keep SUNNY guarded from the truth, so this warm colour feels out of place.

but looking deeper into the symbolism, I disagree. Orange itself represents liveliness, optimism, and enthusiasm, which I think represents HEADSPACE. However red, while associated with anger for AUBREY, is more commonly associated with danger and most importantly sacrifice.

As well as this, this specific hue shows to carry more of a red pigment than an orange.

so I believe this can represent this distracting and overwhelming joy of HEADSPACE whilst having great sinister undertones just Millimeters beneath the surface, something very fitting for OMORI as he’s portrayed in the game. (Side note: I don’t think OMORI is evil, by the way. I’m talking about his actions and portrayal in contrast to HEADSPACE, nor his intentions. I view OMORI more as a robotic kind of character than anything but that’s an analysis for another day.)

so, in conclusion, there’s a lot to be told from this wheel. Here’s a finished polished version for anyone who wants to use it, including some extra notes I didn’t discuss here. If there is anything at all you want me to elaborate on or go more in depth into, or just neglected to discuss at all, please let me know! Thank you for reading!

(PS also open for criticism on the wheel- especially if you know more about colour theory than me! I don’t go into much detail about what each colour association represents within the characters themselves here so that may be for another post)

[sproutmole-supremacy]

I might be stating the blindingly obvious here but:

If this entry was in September, then Mari must have died in October, probably a little later than that. You know whose birthday would have come directly after?

Kel, who was born on 11th November.

Kel, whose older brother was so severely depressed that he probably didn’t have the energy to wish him a happy birthday, forget attending a birthday party

Kel, whose two best friends were so overwhelmed by guilt that they locked themselves away

Kel, whose other friend cut herself off from the group because she already thought they weren’t mourning Mari hard enough

Which means that Kel probably spent his 12th birthday all by himself.

Which gives an entirely more tragic meaning to this picture, where Kel had to pretend that everything was great and he was completely happy when he was spending his birthday entirely alone, the first of his friends to have to do so, since he’s the eldest (I think?) of the kids not including Hero.

I might just start crying.

[hero-deserves-to-be-happy]

Let Kel Be Sad: An Analysis on Kel’s struggles to express his negative emotions

Like Hero, Kel is also a “fixer”—he would bend over backwards to solve his friends' problems and stop the world if it would make them happy again, and both him and his brother are such big hearted and generous people who would much rather be the emotional support for others rather than talk about their own problems and make a situation about themselves and their feelings. For Hero, this often involves burying his own feelings and faking happiness, but I don’t think it necessarily means this for Kel, even if he struggles to express his negative emotions.

To me, Kel’s happiness and positivity is genuine, but he dismisses, discounts, and often runs from his sadness when he does experience it.

Let's discuss under the cut.

[Mod Sprinkles made the joke that in another universe I (mod Acacia) would also run a blog called "Let Kel Be Sad" so here are some Kel thoughts. Thanks for indulging my ramblings! 🧡]

Disclaimer: These are just my personal opinions, perceptions, and headcanons about Kel (and Hero). There are a lot of ways his character can be interpreted, and one of the great things about fandom is getting to see different points of view and differing interpretations of characters we all know and love. I know I speak for both Sprinkles and myself when I say we have a lot of respect for that, and for that reason, I want to be upfront that, while I do genuinely believe Kel struggles expressing negative emotions (thus the "Let Kel Be Sad" title), I don't personally view Kel as someone whose happiness is "fake" in the same way as Hero's. I can see the appeal of this interpretation and can understand why people interpret his character in this way, but it personally does not vibe with my personal interpretations, perceptions, and headcanons of Kel and his character, so if you perceive/headcanon Kel in that way, this post probably won't be your cup of tea. Please keep that in mind.

Warnings: OMORI Spoilers and discussion of game-relevant heavier topics such death, trauma, and grief.

Kel wears his heart on his sleeve, but this doesn't mean that he is shallow. He is a big-hearted, deeply empathetic, and incredibly loyal friend, and it cannot be stated enough that one of Kel’s biggest strengths is his ability to use his natural positivity and resilience to lift up those around him. He’s really the hero of the game because none of the healing would have been possible if he hadn’t continued to believe in his friends even after all of this time, hadn’t encouraged them, and hadn’t built them up just by being Kel.

And while I do think Kel does struggle to express vulnerabilities and negative emotions, I don't personally think of Kel's unwavering optimism as a mask. In my mind, Kel is not an emotional repressor or burier in the same way as Hero. In fact, because he wears his heart on his sleeve, he would probably really struggle to fake an emotion he wasn’t feeling (even if it was something positive like happiness). If Kel doesn’t want to express an emotion, I imagine he runs from it and avoids it, since it’s not natural or easy for him to “replace” or “bury” it with a fake one. Whereas Hero is much more reserved and private about his feelings, no matter what they are, so it’s much easier for him to convincingly mask pain and suffering under layers and layers of fake happiness. I just don’t think Kel would be able to hold back those emotions for very long. His negative feelings would eventually just kind of explode out of him without thinking and/or they’d become so apparent from his expressions and/or actions (since he does wear his heart on his sleeve) and everyone (including the player of the game) would know that he had so much negativity under the surface.

This isn't to say that Kel is perfectly fine. He isn't. He has suffered a terrible loss just like everyone else, but I think the game makes it clear that Kel has the most acceptance surrounding Mari's death and that he has made peace with what happened more so than the other main characters. Please keep in mind that this is only relative to the other main cast. Kel may seem "well-adjusted" in comparison to his brother and his friends who are, quite frankly, barely keeping it together, but he would not necessarily be considered well-adjusted in comparison to the non-traumatized townies. I genuinely believe that Kel is still in the process of healing, but relative to the other main cast members, he is farther along in that journey than they are.

And in that way, the game doesn't really give us a moment where Kel is overwhelmed by grief in the same way as the rest of the characters. Yes, there is the scene (one of my personal favorites) where Kel shares about his fight with Hero, and it is incredibly vulnerable and gives a lot of subtly and nuance to his character, but I don't think it's necessarily evidence that the player can't accept Kel as he presents himself to us at face value in the way that we can't accept Hero as he presents himself to us at face value. As I recently discussed in this post, the scene where Sunny finds Hero crying alone at Mari’s piano on the night of "Two Days Left" tells the player that Hero's attempts to appear well-adjusted and "fine" are, at least to a certain extent, all for show. There isn’t a Kel equivalent of this scene which, I personally think, is meant to tell the player of the game that Kel is the most well-adjusted member of his friend group (key words here being "of his friend group") and the one who has the most acceptance surrounding Mari’s death. Additionally, Mod Sprinkles actually made the point that Sunny is extremely perceptive and sensitive to his friends’ feelings and emotions. If Kel was still harboring a lot of negativity surrounding Mari’s death, Sunny likely would have picked up on that and been more hesitant to go outside with him in the first place.

This isn’t to say that Kel doesn’t ever have any negative feelings and that he doesn’t struggle to express those sometimes, but I think this struggle to express “the bad stuff” doesn’t stem from a pressure he feels to be happy all the time. That said, I do wonder sometimes if he is a little scared of feeling sad. He wants to be happy and wants everyone around him to be happy, and I think there is this certain helplessness that he feels when he can’t cheer other people up. We see a little glimpse of that in his account of his & Hero’s fight after Mari’s death. I think watching someone he loved so much go through such a deep and debilitating depression at such a young age probably permanently affected him, and he might have some worries about getting “stuck” like his brother, wallowing in that sadness and grief if he allows himself to feel it.

However, this is an unwarranted fear because Kel and Hero are very different. Even though Kel might feel sad, and his feelings are absolutely valid, I don’t think he’s prone to that level of despair and depression that we see in Hero. Understanding that his experiences and emotional responses are different than his brother’s is a big part of growing up so it might take him a while to realize this, and in the meantime, I could see it possibly manifesting itself as a sort of avoidance of sadness.

Everyone grieves differently. This is a difficult concept for even adults to understand, so I can't imagine how hard it would be for a 12-year-old like Kel. Because Kel didn't grieve Mari in the same way as Hero or his friends and didn’t spiral into the same level of despair and depression as the others, I think he struggles with invalidating his own feelings to himself sometimes--writing them off as shallow and dismissing them to himself as "just not deep enough." Again, I think this goes back to the one (1) fight that Kel and Hero had. We don’t know exactly what they said to each other in that fight, but it’s my personal headcanon that Hero lashed out at Kel for “not understanding” for he felt. From then on, I think Kel really does struggle with this fear that he just doesn’t understand emotions and because of that, any attempts to help his hurting loved ones will only make everything worse.

I’d really like to see him reach a place in which he can accept that even if his feelings and his grief are different and perhaps not as lingeringly overwhelming as the others', that doesn’t mean he doesn’t have them and that doesn’t mean he didn’t care about Mari or his friends. In my mind, Kel’s hesitation and worry at expressing his negative feelings and his happy-go-lucky personality can both exist at the same time. I don't think they are mutually exclusive, and I tend to think of Kel as someone who naturally looks on the bright side of things and is genuinely optimistic and uplifting. To deny this feels like a disservice to (my personal perception of) Kel, but I think it is also a disservice to pretend he never feels sadness or any negative feelings at all. There has to be a balance.

Let Kel feel sad when he needs to but recognize that he doesn’t actually need to feel sad all that often.

[prodigal-explorer]

I disagree with the idea that basil is unforgivable because the entire point of Omori is forgiveness and grief.

To say that basil is irredeemable is to go against the theme of the game

homie...

hate to break it to you but actually the point of the game being forgiveness and grief doesn't mean that every character should be forgiven. everybody has different standards and morals and values when it comes to forgiveness. some people are able to forgive basil and others aren't, but the people who are able to forgive aren't inherently better or more "right" than the people who cannot. to say that the message of omori is "you should always forgive people no matter what they do to you" is brain-dead.

just because sunny and basil smiled at each other doesn't mean that all that damage was reversed, or that true forgiveness even happened.

the point of omori is not forgiving others.

it's forgiving YOURSELF.

that's why aubrey, kel, and hero's explicit reactions to the truth weren't shown in the game. because it's not supposed to be canon that they forgave sunny and basil. and the lesson is NOT that kel, aubrey, and hero SHOULD forgive sunny and basil.

it's easy for sunny and basil to forgive each other because they both royally fucked up each other and their friends.

what's not easy is kel, hero, and aubrey forgiving them because unlike sunny and basil, they had ZERO CHOICE in the matter when it came to the presentation of mari's death. they spent four years living a lie.

hero blamed himself, believing that he was a horrible boyfriend who caused mari's death by not being there for her and he was extremely depressed for years, which caused him to lose motivation for his number one favorite thing to do:

cook. as a result of hero's depression, kel was pushed aside and ignored by his parents, becoming something like a glass child to them, which led to him viewing himself as less important or worthy of love/attention than hero.

and don't even get me started on aubrey. the whole town turned against her, and nobody cared about her. not even her friends. the only person in the world who truly understood her was mari, and seeing her hung was the worst possible thing to happen to aubrey, a mentally ill little girl who already believed she was bad for everyone who cared about her.

if basil had JUST TOLD THE TRUTH. all of his friends' lives would have been infinitely better.

and i don't mean to like rag on basil without addressing sunny, but i never see sunny stans acting this idiotic and "holier-than-thou". now since you're so up in my business, i will explain myself more.

the biggest unforgiveable thing isn't even basil hanging mari. it's basil blatantly lying, and staying silent for four years, pretending to be innocent, painting himself as some victim, when really, the whole time, he was the reason why everything crumbled and destroyed itself.

it would be fucking stupid to walk out of playing that game saying, "well, aubrey, kel, and hero need to forgive basil for what he did because forgiveness is important."

that's easy for BASIL LOVERS to say because BASIL WAS NOT THE VICTIM IN THE SITUATION. HE WAS THE PERPETRATOR.

and furthermore, the game emphasizes self-forgiveness way more than forgiving others.

things only started to get better for basil and sunny when they started to forgive themselves. sunny's hallucinations were a manifestation of his shame and guilt. and shame and guilt are a result of being unable to forgive yourself. what the other characters did to support sunny was helpful, but it didn't solve the root of the problem. the only thing that really made something go away, the only thing that really brought color back to sunny's world was him letting go of that shame and guilt and allowing himself to keep going forward.

THE ENTIRE POINT OF THE GAME IS THIS: you cannot control how others react/respond to your bad actions. you cannot expect forgiveness out of anyone, and sometimes, you SHOULDNT. but the one thing you can control when you fuck up is how you pick yourself up and dust yourself off. how YOU move on from what you did so that you can grow and become a better person in the future.

and to me, that is a way more relevant, impactful, and TRUE message than the stupid, idiotic, honestly super problematic idea that "we should forgive and forget when people hurt us because they feel guilty". that's not being a good person. that's being spineless and devoid of values. just because i personally have experiences, traumas, and values that make me unable to truly forgive basil doesn't make me a bad person or someone who failed to understand the game's message. so before you come up in my ask box and attempt to shame me and accuse me of not understanding the game, brush up on it yourself, buddy.

[humornaut]

Chef Sunny’s Kitchen: Hobbies of an Unreliable Narrator

Hey all! Just wanted to do another little post that I’ve seen toyed with but never explored to it’s fullest potential. Spoilers for Omori ahead!

So Omori as a game is no stranger to the concept of unreliable narrators, but often, I see people using that term pretty liberally to explain away situations that don’t really make all that much sense (example, I’ve seen someone say that Sunny’s fridge isn’t actually empty, he’s just refusing to see the rest of the food because he feels he doesn’t deserve it). However, if you spend any amount of time examining the game, you will find that the ways in which Sunny (and Basil) are unreliable narrators are fairly consistent.

To spend a little bit of time on Basil, there are two main reasons that he is an unreliable narrator. Firstly, he is in a massive state of denial throughout the real world sections of the game, not that that is that big of a deal, since we already know the Truth by the time he gives his account of what happened the night of the recital. However, there is another big way that Basil is an unreliable narrator.

Basil’s photo album is one of the primary ways that the player, and by extension Sunny, is familiarized (or re-familiarized) with the past. But there are several ways that Basil’s photo album can be misleading. For instance, the photo album is from Basil’s perspective, so we don’t often get views of what other characters thought about certain events. In addition, things like Sunny and Kel sneaking out to go to Hobbeez or Sunny and Aubrey talking on the swing set aren’t going to be mentioned in the photo album, since Basil would not have been present. Beyond that, unhappy memories such as the Lake Incident won’t be included. Finally, Basil is often noted for enjoying the act of keeping secrets, which is something we see highlighted in nearly every memory during Memory Lane.

To give an example of where stuff like this comes up, we should start at the Rainy Day memory, or rather, the pictures that are associated with it.

(4/29): Just KEL being KEL again... We went to HOBBEEZ, but the shop owner told KEL to leave his jacket outside since KEL was getting all his comics wet. Sorry, SHOPKEEP.

From here, we know that after the Rainy Day memory ends, the four friends head over to Hobbeez to read comics, and then Kel had to leave his jacket outside. But what we don’t see, due to Basil not talking about it in the album, is that they actually split up afterwards, with Aubrey and Kel staying at Hobbeez, and Sunny and Basil going to the secret hangout spot and hanging out at the dock.

They don’t even have the umbrellas, showing that they are intentionally in the same outfits, since they couldn't just re-use the same sprites.

Likely, Sunny and Basil split off from the group to have some kind of private conversation away from Aubrey and Kel. It could’ve been related to Sunny’s crush on Aubrey, since this would’ve been the day that Basil figured it out. Sunny clearly never talked about his crush with Mari, since Mari is shown comparing Aubrey and Kel’s friendship to her own relationship with Hero, so perhaps Sunny was feeling a little frustrated at how close Aubrey and Kel were. He does canonically just walk ahead of the group after Basil calls out his crush, after all. It doesn’t really matter what specifically they talked about, because what does matter is that this is an event that Basil purposefully left out of the photo album, so we are completely left in the dark on what actually happened in this conversation.

But I want to get on to the main thing I wanted to talk about here.

Sunny

So Sunny is such an unreliable narrator that it is sometimes painful. There are two main reasons that Sunny is an unreliable narrator:

Sunny is repressing the Truth, so things like the existence of the closet are ignored, and within Headspace, how important Basil is to Sunny specifically is being repressed until later in the game. This causes quite a few oddities. The Headspace friends (and Hero in the real world) say that Omori has a good memory, but based on things we see throughout Headspace, it seems like a lot of the things that Sunny “remembers” are actually just things about Basil. (e.g. the Headspace photo album shows that Sunny has forgotten that Aubrey’s favorite fruit is watermelon. Meanwhile the least effective smoothie is the Banana smoothie, while the most effective non-dino smoothie is the Strawberry smoothie. Basil is shown in the real world photo album to dislike a banana popsicle, and outright says that he loves strawberries during the Birthday Memory. I may do another post expanding on this concept, because I think it is incorrect to take the statement about Sunny/Omori having a good memory at face value.)

Sunny is an imperfect human that hasn’t seen his friends in nearly four years. The way that his friends are portrayed in Headspace is in many ways, an ideal, and is not representative of how they act in either the current day, or back before the incident.

However, there is one last way that Sunny is an unreliable narrator, and that’s the simple fact that Sunny hates himself.

See, Sunny hates himself on a subconscious level throughout the game. Due to this, many of the things that Sunny does for others or himself were cast away, as they were just no longer important in the face of what he did. Even if he does remember that he did things for his friends growing up, they are never brought up because he no longer sees those things that he did as important. Within Sunny’s mind, the fact that he would listen to Basil talk about anything and everything is repressed until the player enters Blackspace, when Stranger uses that information to guilt Sunny for leaving the real Basil behind. The fact that he did this for Aubrey as well is something that is kept away from the player until he’s having a version of his friends remind him of their bonds shortly before entering a battle within his own mind to keep from losing the will to live in the battle against Omori.

Due to a mixture of all these reasons, Sunny’s relationships with each of his friends can often seem one-sided, especially when it comes to Basil, since so much more of him is being repressed than the others. You will often see the idea floated around that Basil’s liking of Sunny was one-sided, and that Sunny actually considered Kel his best friend, but this simply isn’t the case, it’s just that Basil kept a photo album and Sunny is actively trying to forget everything related to the Truth.

To illustrate what I’m talking about, I’d like to expand on a topic that I briefly mentioned in my previous post: Sunny has a small cooking hobby.

It wouldn’t be surprising for someone like Sunny to have an interest in cooking and preparing food. After all, two of the people that he looks up to the most are Mari and Hero, and both of their food preparation abilities are put on a pedestal within Headspace. Also within Headspace is an extremely wide range of food. A notable exclusion from the Snack list is steak, Sunny’s favorite food (according to his mom). Within the Foe Facts! journal, we can see that Sunny knows nutritional information for cilantro (this is attributed to Kel in the journal, but remember, this is Sunny’s mind, so Sunny would have to know it), and we can also see information about ginger and celery. According to the Headspace description for chocolate, we know that Sunny knows the difference between baking chocolate and regular chocolate. Sunny also has a concept of vegan food, and seems to be preoccupied with what can be considered vegan when it comes to several of the different Bunnies that appear within Orange Oasis.

Bread and toast are also given a large importance within Headspace, which likely stems from the summer before the photo album, when Hero and Mari were working at the bakery. He knows about different types of bread, has a technique called “Bread Slice” in Headspace, and is at least somewhat familiar with the process for making bread, as seen in the area where the Bread Twins are located.

In order to get any deeper into this analysis and talk more about why this information is somewhat hidden from the player, we need to get into just who it is Sunny cooks for.

The table that Basil and Sunny always sit at is one of the most adorable easily-missed details in the game, in my opinion, but I personally find that it connects to Sunny’s cooking interest quite well. After all, there would be no other reason for them to have this table in here if it was just for eating and homework and playing, as there is a full table in just the other room. The fact that this table is seen in a version of the house seemingly taken shortly before the incident is also relevant, because Mari and Hero would have been much more busy and likely wouldn’t be cooking or setting up picnics as much.

I’d like to put forward the idea that many of Sunny’s culinary escapades, outside of the group cooking situations that are mentioned by Hero, were shared specifically with Basil. This is because there are two primary food items that are associated with Sunny’s abilities.

Tofu

Tofu appears a whole lot in Headspace. It is loved by the Sprout Moles, and it is the cheapest food item, since you can get it for a single clam. The description for it calls it “Soft cardboard, basically.”

In the 2018 demo of the game, Basil’s grandmother directly states that tofu is Basil’s favorite food. Since this does not appear in the final game, I would like to point out that Basil’s fridge in Faraway is still the only fridge that has tofu in it, so it can still be assumed that this is intended to be the case.

During the Hikokomori route, there are two books that Sunny is shown to own that are relevant to this analysis. The first is one entitled “The Food Pyramid”, which is just another piece of evidence of Sunny’s cooking interest, and the second, “The Benefits of Tofu”. Sunny having this second book is very interesting, as he himself is shown to dislike tofu greatly. The only conclusion that I can draw from this is that Sunny specifically learned how to prepare tofu for Basil’s benefit.

And indeed, despite tofu healing the least amount of health and costing the least amount of clams, it is still the most clam efficient way of acquiring better snacks in Headspace, as 10 can be traded in Orange Oasis for a random other snack. I like to imagine that this references Sunny trading tofu with Basil for other foods, with the time commitment involved in the exchange referencing the fact that Sunny could’ve just learned how to make the other foods, but he is going out of his way to make something Basil likes, for his benefit.

Pictured: a normal amount of things about tofu for someone that doesn’t like tofu themselves to know

However, the other food that we know about Sunny’s proficiency with is far more interesting...

Strawberry Cake

So this is something that I’ve seen brought up a lot recently, the fact that Sunny knows step-by-step instructions on how to prepare a strawberry cake within Headspace implying he was involved with the preparation of Basil’s birthday cake in the real world, as it is the only time one is seen in the real world, but I think this idea deserves to be examined a little bit further.

First: Sunny knows how to make a strawberry cake, one way or the other.

Second: Sunny is not given credit for making Basil’s strawberry cake during the Birthday memory.

So, here’s what we know:

Hero is given credit for making the cake by Aubrey. However, Hero never actually responds to either Aubrey or Basil’s compliments during the memory.

Aubrey did not help with the cake, otherwise she wouldn’t have given credit to Hero specifically. In addition, we can assume Kel did not help, by virtue of him allowing Aubrey to not compliment him as well. Aubrey also likely does not believe that Mari was involved, because Aubrey would’ve complimented Mari if she knew.

Not everyone would’ve been at Basil’s house while the cake was being made, as this party was a surprise party being held at Basil’s house, so a few members of the group were likely on distraction duty.

Mari teases Sunny for being “camera shy” and tells him that he will get used to it soon enough. Indeed this does seem to be the case, as it doesn’t take long at all for Basil to take a picture of Sunny once he gets his camera back.

“Hehe...” indeed, Mari.

Finally, I would like to point out that just like the visions for the Rainy Day memory, there is a vision for this memory. In Faraway Park, you can find Hero and Kel playing, while wearing their outfits from the Birthday memory, implying that Hero and Kel were not spending their time before the party making a birthday cake.

There are two adorable conclusions that can be drawn then, from Sunny knowing how to make a strawberry cake. I’ll let you take your pick.

Sunny himself made Basil’s cake, either with instruction from Hero or on his own, then was too shy to take credit for it, or even appear on camera with it, with Hero and Mari covering for him and Hero staying silent as he is complimented by Aubrey and Basil. Aubrey is either also covering for Sunny, or is just mistakenly assuming that Hero made it. Sunny may have even told Basil that he made it later, because the photo album says “My friends surprised me with a strawberry cake”, rather than Hero.

Sunny, after seeing how happy the cake made Basil, decided to learn how to make a strawberry cake later.

Either way, Basil’s smile from that day is certainly something that stuck with Sunny, considering Basil’s birthday is covered in Memory Lane, and his own isn’t.

Sunny even has knowledge that Basil doesn’t really like sweets that much, as seen through what Mari says in Orange Oasis. This is something that Sunny only seemed to do for Basil. Sunny’s favorite food is steak, and his way of preparing that is to put it in the microwave. I would like to point out that most people would learn how to cook their own favorite foods first. You don’t have to see it this way, but you could read clear romantic undertones to this behavior. Sunny and Basil’s table in the kitchen is right next to the counter where Mari and Hero like to do their homework. Sunny also looks up to Hero a great deal, and if you interact with the stove in Sunny’s kitchen, he specifically makes a big deal about how Hero is always trying to cook for Mari but makes too much and the rest of the friends get the leftovers. Not to mention that the unknown ingredients involved with the Hero’s Kitchen area of Black Space 2 are linked to Basil in the game’s data, and the sprites are all tofu sprites.

To loop back around to the central point here, due to Basil’s love of keeping secrets, Sunny’s little hobby would not have been recorded within the photo album, because this was just for Basil. Sunny, in the modern day, doesn’t think about the fact that he did this for Basil, because to do that would be for Sunny to value what he brought forward to their friendship, and he can’t do that if he hates himself. And remembering how close he is to Basil at all would be to allow himself to feel guilty for leaving him alone to deal with the fallout of Mari’s death. Sunny and Basil are two unreliable little gremlins, so you need to look a little closer to see how their friendship went both ways, but I promise you, the game does give you a lot to work with if you just look for it.

[traumafactory28]

OMORI

There are five stages of grief.

Denial- sunny

Willing to create a whole new world within his head to believe that his sister is still alive and with his friends and overall, still happy

Anger- Aubrey

This one is obvious. She feels anger over a loss that does not seem fair, leaving her feeling frustrated, trapped, and hurt with in her own vicious cycle of regret and grief.

Bargaining- basil

Willing to put behind Maris death if it means to keep sunny as a friend. He didn't only lose mari in that accident. He lost his best friend, and he's willing to do anything to stop him from leaving too.

Depression- hero

He became severely depressed to where he stopped taking care of his basic needs and withdrew from his hobbies. He stayed like that for a year until he got emotionally charged from a fight with his brother.

Acceptance- kel.

Instead of lashing out, or isolating himself, he seemed to be the one most able(not willing) to accept Maris death. Of not for himself, but for the others. He became the mascot they needed because he had to. He put all of his energy into having fun and making other happy

A lot of people don't realize that the stages of grief don't have to be in order, it's just a list of different ways people react to it. And this game shows all of them. Grief can also extend to a loss of friendship, relationship, etc. It doesn't always have to be about death. Because grief is a feeling of loss. A hole in your life that makes you act in a certain way in response to the change. Thank you, Omocat, for making this masterpiece.

[lilac-gold]

i know that this is just a part of how omori's fight system operates, but i find it very interesting that we are able to make memes like the one pictured below considering all we know about hero's character throughout omori, both in the real world and in headspace

this meme is made by using hero's "smile" skill as well as a rain cloud, sad poem or anything else that inflicts a sad emotion on him. hero's skills are primarily always either food-based healing (e.g. "cook", "fast food", "homemade jam", "snack time") or some form of charisma (e.g. "captivate", "mesmerise", "enchant", "dazzle"). it's hero's job to be the support of their team, and to use his pleasant demeanor and appearance as a distraction.

no matter which emotion hero has, he can still use every one of those skills. it is of no relevance how he feels as long as he can uphold his designated role as a charmer and a healer.

now, consider real world hero's way of dealing with things, which is that he simply doesn't. when he returns to faraway, he's there for everyone else, appearing on the surface to be completely fine and content, and simply not acknowledging his own trauma. he puts on a constant facade of normalcy and perfection. because to hero, it doesn't matter which emotion he has, he can still use every one of his skills. it is of no relevance how he feels as long as he can uphold his designated role as a charmer and a healer.

hero would bend over backwards to please others. he canonically has depression, but would much rather be someone else's shoulder to cry on than admit he's not okay. everyone puts him on a pedestal, viewing him as a sort of ideal to look up to. sunny does it. kel does it. his parents do it. even hero himself does.

i think that's part of the reason why he's so often overlooked by the fandom: hero's unrealistically perfect, but that's exactly the point. he forces those expectations on himself, forces himself to earn trophies and medals even while he struggles to even get out of bed. he smiles despite wanting to do the opposite, because he's not supposed to be depressed. he's hero.

his charm-based skills in headspace alternate between a) reducing foes' attack with a bonus happy effect and b) acting first with all foes targeting him for one turn. hero either dissolves the situation a little, acting like the mediator he always has been, or takes the blunt of the damage for his friends.

he's constantly in the spotlight, in every world.

headspace hero has done a ridiculous amount to help people, from stopping a wildfire to giving up all of his organs, has made such a profound impact on so many lives through his good deeds, and that's recognised. people in headspace adore him.

the conveyor belts at the junkyard are endeared to him. sweetheart falls in love with him. mr jawsum plans to essentially keep him trapped working at the last resort forever. medusa thinks he's "too pretty to sell". hero's worth something to so many people, even when he doesn't want to be.

and that applies to the real world too. he's the only older sibling left for his friends after mari's death. he has to be strong for them, to be that ideal, because they have no-one else to fill that role. he brings kel and aubrey together, rescues sunny and basil, says that they should have a sleepover like "old times". he's trying so hard for everyone else, he can't afford to let himself crumble.

hero's a performer. and we see canonically that he has at least some stage fright from sweetheart's quest for hearts.

sweetheart's an interesting case. i find it interesting that the image above would be found mostly in the fight against her. sweetheart is one of the bosses with a uniquely heightened emotional state, hers being that of happiness in "manic". due to the way the emotion system in battle works (explained to us, funnily enough, by hero himself), it makes sense to oppose sweetheart's mania with sadness, misery, and depression.

so that's what hero does! he has the depressed effect, he'd otherwise look incredibly morose, but as soon as time calls for it, he's got a smile back on his face. we see how uncomfortable he is about her advances, but he gives her a smile that sets into motion a whole separate stream of dialogue where sweetheart proclaims her that she would like to "make [his smile] mine".

hero's the group golden boy. the charmer, the healer, the protector, the older brother, the pillar for them to lean on when things get tough. he knows that he is, and upholds that image to the best of his ability.

that is, until mari dies.

then, he falls into a deep, serious state of depression in the real world, because he's failed. he and mari have strived for perfection their whole lives, only for her to apparently deem it all pointless and leave them behind. hero feels like he wasn't enough, like he never will be, no matter how much he's tried. the faked grins disappear alongside those which were genuine, for how is he supposed to smile when he's given up on the facade?

he stops talking to people. stops going outside. stops helping. he can't do anything but reflect on his perceived failures, and without his pillar of support, the group crumbles to pieces.

hero stays like that for a whole year, until he argues with kel and remembers the reason why he needs to stay alive. this is hurting his brother as much as it is hero, and kel's depending on him to get better. so he does, in a way.

he earns medals and trophies again, helps out again, lives up to expectations then exceeds them even more. he can't bring himself to do the things he enjoys anymore, or talk to the three kids he viewed as little siblings and he failed, but he's trying. then, he leaves, off to medical school like his parents wanted. it's a fresh start. it's a chance for him to start to move on.

he's been healing, a little, by the time he comes back to faraway. he can talk about what mari would have wanted without breaking down entirely. he can make kel and sunny breakfast. he can bring the group together like old times, and reminisce on all he used to have.

but he's still not better, and it shows. it shows in the tears he spills when alone beside mari's old piano. it shows in his refusal to visit her grave. it shows in all the little ways he can try to hide, can cover up with a smile too bright to be real. depression doesn't go away that easily, no matter how much hero tries to pretend he's fine.

all in all, i think this meme essentially sums up hero's character and arc in a single, otherwise funny image. am i overcomplicating things? oh, definitely yes. was this a blast to analyse nonetheless? absolutely! there are far too few takes on hero out there, and i hope this gave a little bit of insight as to why i adore him so much.

[daisy-daze17]

Omori Manga Thoughts cause it was uhhh

OK so like. The thing is I only got into the omori fandom in February of this year so take my opinion with a grain of salt.

1. I'm mostly a fan of the art style-- a lot of people said that Sunny always seems to have a panicked expression so it's hard to read into him, plus the characters look a lot younger than they're supposed to (Which I find odd). But other than that, I think it does a really good job representing the scarier parts with very abstract drawings of Mari/Something. They coloured it well and thank god did Kel's skintone right. There is one particular panel that I especially love:

So much detail and it captures the feeling of seeing faraway for the first time really well ^^

Some nitpicky positive thoughts:

Sunny could have looked more distinct from Omori because the only difference I see are their outfits. Maybe make Sunny's features softer and have less contrasting values so we can see an immediate difference.

I like how they did everyone's eyes-- Sunny/Omori's are just dull and black, and everyone else with dark eyes are shown to have a light in them. (Just a nice detail i appreciated)

I like how Omori is clearly less expressive compared to sunny, but I think Sunny could have benefitted from having more emotions than surprised/blushing.

2. The pacing was weird. like really fucking weird. The basic structure of the game Omori is: Omori is in whitespace -> Omori plus the gang (Hero, Aubrey and Kel) meet up with Basil and Mari in headspace -> everyone minus Mari goes to Basil's house and learn all the combat stuff along the way -> after fixing the photo album it suddenly shifts to basil in a panicked state before glitching you back into white space again. The moment when basil shifts the mood from calm to terrifying is REALLY important.

It forces the new tone on you very suddenly and also sets up a lot of mystery surrounding Mari when Basil can't finish what he was going to say about her. By now we know that something is very wrong and it has to do with Mari, but we don't know what.

The manga is kind of all over the place the whole time. First we see the christmas scene when Sunny gets his violin. But then Mari does her whole nightmare thing and we know somethings up from the first few pages. Next we wake up at night as Sunny in the real world... yet it shows the little "THREE DAYS LEFT" as well? At this point I was super confused because basically the entire nighttime sequence is shown through a sort of montage with Sunny's mom's voice message in the background before transitioning into the day when Kel first knocks on the door. A cool thing they did was parallel Kel's knocking with the creepy knocking we get from Mari Something. HOWEVER for reasons unknown they just completely cut out the fight against something on the stairs??

Something I was really excited about was seeing how they would integrate the combat into the manga. And they do it later with the Aubrey fight (more on that later), but not now? So now I'm wondering if they'll include Sunny's three fears that he has to overcome.

So next we find our boy (KEL!!!!!) and he is asking Sunny if he wants to come to Hobbies. I did find the dialogue here pretty awkward as Kel bounced back and forth in demeanor, but that's to be expected since Sunny isn't talking. (And I appreciate how he shows some kind of reaction to seeing one of his best friends after 4 years lol)

I mean compared to this when he just jumps straight into his hobbez idea without much reaction to actually seeing Sunny lol.

The most notable thing after this is the Aubrey confrontation with Basil and the other hooligans. I DONT KNOW WHY but they chose to not show the hooligans in that scene!! The hooligans are aubrey's little gang/posse who she hangs around with all the time and the people we always see when she's bullying Basil.

It's very important to note that Basil is talking to KIM here. He starts the conversation begging for her to tell Aubrey to give the photo album back. Aubrey is actively ignoring his attempts to get it back, with basil claiming "She won't listen to me."

In the manga she appears out of seemingly no where and proceeds to beat Basil directly with her bat. Prior to this we get no setup or explanation as to why Aubrey's attacking him or what the situation is. WORST OF ALL, It's only Aubrey alone attacking him and NOT her gang of the Hooligans. The hooligans are important in showing us just how isolated and ostracized from society Basil really is after Aubrey began bullying him. He literally has a whole gang of kids who call him a creep and attack him regularly. Here it seems like Aubrey is insane and is just beating him selfless for kicks. (not that I'm justifying Aubrey's behavior in the game, but the lack of context makes this situation even worse.)

I think It's also important to bring up how they switched around the order of events because in this situation, it's not working. We're supposed to first be introduced to younger Aubrey and Basil in headspace-- their younger counterparts. Aubrey is strong-willed and excitable and Basil is calm and kind. And most importantly-- they're VERY GOOD FRIENDS. So seeing Aubrey revealed to have been bullying him these past 4 years shocks the player and makes them understand how much things have really changed. Doing it the other way around will automatically villainize DW Aubrey since we already know what goes on in real life.

And then something interesting happens-- Sunny blacks out during the fight and returns to Headspace. This is SUPER weird as we've only ever seen Sunny go into headspace while sleeping, because it's an escape mechanism he uses to avoid The Truth. Does this mean he isn't aware he goes into headspace unwillingly sometimes? And what does this mean for the continuation of the real world story? Are we going to go through the entire Space Boy quest just to get back to that scene?

Anyway, I'm interested to see how they take it from here. Maybe they'll do a continuous switchover to the real world where they jump between it more frequently. But I question what that would mean for the timeline because the events of headspace happen in between the three days while Sunny is sleeping-- so he can't be in two places at the same time. Maybe they'll write more and more random ways for Sunny to black out to do this?? They defiantly are trying to take a step back from following the game exactly. I can't say I don't like it because I don't know how it'll turn out, so I'm excited for chapter 2!

[sunflowersoap]

hey y'all ever think about the fact that at the start of the game if you used kel's pass follow up, the only one it'd just hit was omori. it just bonks him and makes him sad.

but later in the game when you're going around with kel more and becoming closer to him again, as he brings sunny out of his shell again THEN the attack becomes strong. and kel is the ONLY party member in headspace that can change omori's emotions iirc? am I reading too much into this. I dunno I really like it.

sunny is extremely jealous of kel, he pokes fun at him a lot in headspace. I think that after so long of not seeing him he'd started to twist what he was actually like, even though he still loved him so so so much. but when he sees him again, sees how kind and protective he is.

that version of kel in headspace goes away. he becomes less helplessly oblivious. he's cheering up aubrey and trying to help her in the search for basil (like he's currently doing with sunny), he still has times where he does the wrong thing but he's much more mature in headspace as the story progresses.

the bitterness sunny has about the fact kel has everything he needs starts to calm down even if it still hurts. and as he really learns who he is again, his headspace version changes.

interestingly, this is also reflected in the other characters. aubrey becomes more scared and prone to crying in headspace as sunny realizes how much pain the real aubrey is in. hero starts becoming more scared and serious too. sunny tries to suppress everything and keep the line between headspace and the real world separate, so he can have his escape, but it's all starting to blur.

this is probably just me reaching because I started rambling about kel and sunny and it accidentally became a lil more, oops

[crowbasils]

BASIL (OMORI) — A STUDY & ANALYSIS ON HIS CHARACTER

(content warning — OMORI spoilers, mentions of death and hanging, mentions of suicidal behavior and suicide, mentions of self-harm, mentions of physical and verbal abuse (bullying), mentions of child neglect. please proceed with caution.)

( PARTS WILL BE REBLOGGED INSTEAD OF POSTED ALL AT ONCE. it’s needed because compared to the 7 photos of proof that the last analysis had, this one has 47 (48, when considering the thumbnail image). sorry for the inconvenience ! )

I. BASIL’S CHILDHOOD

Due to the nature of OMORI being mainly only in Sunny’s perspective, we do not have many solid and/or canon scenes of Basil’s childhood before he met the friend group. However, there are things in-game that do imply Basil hasn’t exactly had the best childhood. Starting off with what Polly says about Basil’s parents:

“Basil’s lived with his grandma since he was a toddler.” / “His parents don’t ever seem to be home”

Intentional or not—this does qualify as child neglect, which counts as abuse, even if unintentional. While they do care enough for Basil to leave him to his grandmother, and while they do care enough for Basil to hire a caretaker when it was evident that his grandmother wouldn’t hold out and survive for any longer, it’s not enough. This is not to say that they didn’t try—but, instead to say that they didn’t try enough.

Basil is implied to have been affected by this in some form or another, as seen by the comment he made on his photo album:

“I took photos of what I was most afraid to lose.”

This comment about the photo album confirms the existence of his fear of abandonment and losing the things he loved even before the incident. While you may argue that he’s too young to figure it out before that, children are curious. Before he met the friend group, he will, at some point, ask questions when he does see his other peers with their parents. He will ask why his grandmother looks different from the rest, and ask who that male figure is near their children (he never did get a father figure, after all.).

“I only knew what it was like to be alone.”

While this may have been said by Headspace Basil, it does confirm the fact that Basil never really had friends before, and does also imply Basil not having much of a connection to his grandmother. While yes, they do connect, they do at least love one another due to how she does care about him as a mother figure, it might have not been as deep as the connections he had for his friends. She does love him, and he loves her too—especially since she was his only family, but sometimes, bonds formed by connections go deeper than blood.

It’s also pretty clear that all he ever wished for was connections, which is seen through this!

“But what should I wish for? I have everything I could want right here!”

He mentions that the friend group he now has is everything he ever wished for, which does imply that since having a friend group is essentially connecting to others, and forming a strong bond with them through experiences with on another

Basil did most likely have to grow up a lot faster than the rest of the group—excluding Mari and Hero. This is evident by how he behaves more humble and polite than the rest of them—In a sense, he can be considered an “older brother” figure to the friend group, which is seen by how he does have a sense of wanting to protect them and take care of them. Which is seen even in the Basil fight, as seen by this:

The need to protect and care is seen here, and with how Sunny is the youngest of the group and with how they’ve experienced so much together, it’s most likely strengthened! How he likes taking care of things such as flowers and plants also does prove his need to care and protect! He’s also shown to want to help others, and shown to worry if his help just burdens other people, like here!

Basil also seems to worry if his issues would burden others—a negative side to being an “older brother” of sorts. Sometimes, if you view yourself as someone who needs to care and help others, you become afraid to show your vulnerable side in fear that you will become a burden to them, as well as in fear that you will be unreliable to them, which is seen here!

“Sometimes I feel like I’m bothering him”

He fears bothering others with his problems, he wants to make sure that they’re comfortable with him venting to them—he cares about them so much, even when he’s the one who needs reassurance.

Basil also does also serve as a peacemaker in the friend group, as shown by this:

While this is said by Headspace Basil, it also still does apply to Pre-Incident Basil, who does seem to dislike conflict as well. It’s also seen in Post-Incident Faraway Basil with how he asks, although it’s more wanting to avoid conflict plus fearing the person for reasons that will be explained in another part of this essay.

Most of these do imply that Basil has been at least a bit more mature than when compared to Kel, Aubrey, and Sunny! This does also provide a reason to why he’s often grouped with Mari, and Hero, who are like the ‘Mom and Dad’ of the group!

( Though this doesn’t have much of something that backs it up, another interesting thing is how the “Everything will be okay…” thing seems to stem from his childhood. We aren’t given much in-game, but a possible theory that someone suggested to me once is that maybe his family has a tradition to pretend that everything’s alright. Or it was drilled into him not to talk about bad experiences and stuff. But the theory is plausible, especially since it looks like there’s “nothing wrong” until you dive deeper into his character :3 )

[yurizuu]

Help me find this vid pls

ok so there was this really awesome omori good ending plot explanation vid on yt around 45 mins long, it was really detailed and explained the plot amazingly with the emotional scenes too BUT. I CANT FIND IT ANYMORE???????? and im getting my friends into omori rn and if i send them the vid i think they would understand the plot a bit more instead of me telling the story cuz i suck at explaining so if anyone can send link it would really help a lot 😭 ill add list of details of the vid i can remember -sunny's name in the game play was Ji (i think ji was in the channel name too? but i forgot what it was called) - vid around like 40-45 mins long and **if** the vid got deleted , (ik this is super dumb to ask and i doubt anyone has this ) but if you have to full vid saved could you dm me?

thx!!!!1!

[woodchipp]

I find this particular response I received the other day very interesting because

"what is his point of living? why SHOULD he not die?"

is a question I genuinely found myself asking by the time me and my friends finished playing the game. After thinking about it a bit more, though, I realized that the question I was really asking was not "Why should he not die?" but "Why should I care about whether he lives or dies?"

And I think the answer ties into one of OMORI's (many) problems - Sunny isn't really a character. He has no personality to speak of. At best, he's a crude checklist of #relatable traits (shy, depression, low self-esteem) you're expected to form an emotional connection with purely on the basis of him having said traits (i.e. "he's just like me fr fr") even though we're never shown or told how he became that way in the first place and these traits alone don't constitute a character's personality - they inform it. At worst, he's a meat puppet present in the game only because the player needs a viewpoint character.

Technically, the biggest amount of "characterization" Sunny gets is Omori's big LTG speech in the final boss fight. And even then, I can't call it characterization in good faith because most of the information revealed about Sunny via the speech didn't factor into the story much right until it suddenly became relevant as a weapon his self-loathing uses against him.

For example, one of Omori's points is that Sunny keeps falling back on his friends to take care of him since he's the baby of the group, which implies that Sunny is insecure about being babied around by his friends

But Sunny doesn't undergo any development to address this problem over the course of the game. The story never puts him into situations that'd force him to assume responsibility and allow him to change the perception of himself as the group's "baby". Even on the Sunny route, where he's supposedly meant to be working on his issues, he's almost entirely passive (e.g. Kel has to tell him to jump into the lake to rescue Basil even though Sunny instantly diving in himself without any input from Kel or the player would've shown him as more altruistic) and the plot gets driven forward by pretty much every other character except Sunny himself. Additionally, when put into a situation when he could at least try to comfort a close friend and thus show that he cares (i.e. Basil's breakdown on Three Days Left), the game forces you to walk away instead. What does that say about Sunny?

This brings me to another point I consider to be relevant to what I'm trying to say - Omori, Sunny's depression and irrational self-hatred who spends the entire final battle convincing him to kill himself, isn't even wrong in his criticisms of the latter. Believe it or not, the story itself actually lends credence to a couple of his points

"You've never done anything for anyone else."

Sunny's aforementioned passivity aside, most of his interactions with his friends before and during the events of the game - and mind you, they're meant to establish the group's supposedly Strong friendship - consist of his friends and his sister doing everything they can for him. Mari allows him to sleep in her own bed when he has nightmares and takes the fall for him after he breaks one of their mother's vases. Basil gets the idea to gift Sunny a violin for Christmas and the entire group pitches in to make sure the violin they buy is a good one. Basil stages Mari's death as a suicide, keeps mum about Sunny's desecration of the photo album and takes the brunt of Aubrey's abuse for four years purely for Sunny's sake. Hero takes care of all the chores around the house Sunny had to do on One Day Left.

Indeed, Sunny is never shown doing anything of the sort for them.

"Your friends are wrong about you. The person they love isn't you at all."

"You let them believe in a lie to protect yourself."

This is self-explanatory - Sunny went along with Basil's cover-up and thus lied to his friends by omission - but what interests me the most about it is the "Cherish" action, exclusive to this fight. By recalling the supportive and inspirational quotes he heard from his friends and his sister over the course of One Day Left, Sunny replenishes his HP and stamina in full, along with calming himself down emotion-wise.

There's just a problem with this, though - Sunny's friends offered him their support without the knowledge of how Mari actually died. They were convinced that Sunny is struggling with Mari's suicide, not that he's wrestling with well-earned guilt over committing manslaughter. We don't know whether they would've supported him all the same if they knew the truth, and the game doesn't provide an answer either since the group's reactions to Sunny's confession are left ambiguous.

Simply put, Sunny is twisting his friends' words, taking them out of context to make himself feel better. The support Sunny received is built on a lie.

The exact same lie Omori points out.

"Cherish" is also the only way to survive in this fight. Omori points out that the support Sunny's using is based on him lying to his friends by omission, and the only rebuttal Sunny has to Omori's solid point is to keep using said support. peak writing

And just as the cherry on top, the game's "True" ending - and the best outcome for Sunny - indicates that he dropped the bombshell on his friends shortly before moving town, consequently leaving Basil alone to deal with whatever consequences the fallout would entail... which is exactly what he did after he ruined Basil's photo album. (granted, he couldn't have known that Aubrey would see the scribbled-over photos, but still, ruining your best friend's most precious belonging like that and then essentially ghosting them is a shitty thing to do either way.)

Oh, and the method you use to obtain the additional secret cutscene is worth mentioning too - you have to water Basil's plants in Sunny's fake dream world. Sunny doesn't help Basil in the real world when he actually has the chance to and Basil clearly needs it, but seems to be content with thinking about doing something good for his dream self while the real one is suffering.

Not only is Sunny an empty husk of a character, close examination of the game's story paints a picture of him being a shitty person as well. I can't say he has a character arc - he does shitty things to the people we're meant to consider his friends and the game invents convenient ways for him to avoid taking responsibility every time despite the story revolving around his need to accept his responsibility for Mari's death.

So, really, why should I care about whether he lives or dies? Because he's a cute boy? Because he's mentally ill? The game never gives you a legitimate reason to root for Sunny and care about his welfare, yet is predicated on that.