#kyle castronovo

[ominous-mongoose]

sources: Galactic Chicken Shit I Dismember Mama Screwdriver Your mother sucks cocks in hell

[xx0acidicorchid0xx]

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[fuckyeswednesday13]

[ghostcultmagazine]

EP REVIEW: Wednesday 13 - Necrophaze Antidote - Nuclear Blast Records 

EP REVIEW: Wednesday 13 – Necrophaze Antidote – Nuclear Blast Records 

Let’s just face facts, the past year has been grueling. The pandemic affected the human race tremendously, changing life on earth. Musicians, of all genres, have started to release music they made during the shutdown of everything everywhere, and most of it echoes the angst of being on lockdown. Enter Wednesday 13’s newest release, Necrophaze, Antidote (Nuclear Blast). Although the songs were…

[hazyspacy]

I met Wednesday 13 yesterday ♥ ♥ ♥

[whorticia]

Me and the Wednesday 13 dudes 🖤🖤🖤

[scarlet-morbidity]

I do love this aesthetic, and his harkening back to the B movie themes

and the song is catchy as hell  Wednesday 13 - Blood Sick

[gigsoupmusic]

Static-X - Wisconsin Death Trip tour (+ Soil, Wednesday 13 and Dope) - Leeds, Stylus gig review (28/09/2019)

"Wisconsin Death Trip" is the first studio album of Static-X that came out in 1999 and helped the band gain the following of industrial rhythmic metal fans. In 2014 Static-X leader Wayne Static (Wayne Richard Wells) tragically passed away which shocked and saddened their fans and followers. This year due to high demand and 20th anniversary of their first record the original members of Static-X - Tony Campos, Koichi Fukuda and Ken Jay - decided to go to tour with a help of a nameless guest vocalist (named Xer0 on their Wiki page). This autumn they are also visiting the UK together with three other bands that also gained their loyal fan bases back in early 2000's - Soil, Dope and Wednesday 13.

To give enough time to all four bands the concert started unusually early - at 6pm. First on stage came Dope. The set list was short but extremely satisfying as they played their most successful tunes such as "Die MF Die", "I'm back" and cover version of Dead or alives'  "You spin me round (like a record)". The band - Edsel Dope, Chris Warner, Andre 'Virus' Karkos and Daniel Fox - interacted with the audience sharing their excitement of being a part of the tour, how unusual it is for them to perform this early and how f-up America and the whole world currently are. The whole performance was professional, energetic and showed that Dope is still going strong.

Next performed Wednesday 13 together with Roman Surman, Jack Tankersley, Troy Doebbler and Kyle Castronovo. All band members were wearing gothic/horror/vampire-like make up. Vocalist's skin was all covered in black paint that perfectly suited a number of different costumes that he was changing during their performance. Music and entourage took the whole tone of the concert to a different level making it more theatrical and unpredictable. Towards the end of their set all of the band members were covered in neon pain that contrasted with low light and their gothic appearance. During their last song "I love to say F--k" Wednesday performed topless with an umbrella that flipped everyone off. With their performance Wednesday 13 created one of the most visually interesting shows to this day. The third band to perform was Soil - Ryan McCombs, Adam Zadel, Tim King and T.J. Taylor - with energetic, deep, heavy songs. The band also interacted with people in the audience, mentioned Wayne Static and gave inspiring speech of how "Everything starts with YOU, and everything ends with YOU". While performing "Halo", the last song of their set and at the same time their most well-known single, Ryan joined the audience and his dancing fans in the middle of the pit with his old school mic. After Soil left the stage people were still buzzing as many of them did not expect to be this close to the vocalist. And last but not least it was time for Static-X to come on stage. Pictures of all four original members, including Wayne, were appearing on the screen emphasising that their performance is a big tribute in honour of their lost brother. From the first song "Bled for days", to the middle of the performance during a short pause when a tribute to Wayne Static with his picture appeared on the screen, right until the very last song "Push it", every corner of Stylus was filled with dancing people. Mysterious anonymous vocalist perfectly suited the band's aesthetics with a mask and Wayne's iconic hairstyle and similar singing style. All four members were full of infectious energy. It was a memorable performance filled with nostalgia, excitement and heavy industrial rhythm. The fact that fans of Static-X are still asking for the band to perform shows that the band has a uniqueness that is hard to find even nowadays. And their decision to tour with three other rare-to-see bands is a true gift to all music lovers. R.I.P. Wayne Static - 1965-2014 ----- All photos taken by Alina Salihbekova https://www.instagram.com/asalihbekova/ Read the full article

[megarockradio]

WEDNESDAY 13 - Drummer JASON WEST Temporarily Fills In For KYLE CASTRONOVO

WEDNESDAY 13 – Drummer JASON WEST Temporarily Fills In For KYLE CASTRONOVO

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WEDNESDAY 13 – Drummer JASON WEST Temporarily Fills In For KYLE CASTRONOVO

WEDNESDAY 13 – Drummer JASON WEST Temporarily Fills In For KYLE CASTRONOVO

"Soooooo, right now I happen to be on tour playing drums for Wednesday 13," says drummer Jason West. "Kyle (Castronovo) had to leave for a week due to a family emergency so I got called very last minute to come do this. Last night (March…

[devils-gatemedia]

The Wednesday 13/Combichrist co-headline tour has been blitzing the retinas of audiences throughout mainland Europe for a few weeks now. Prior to both bands appearing at Bloodstock Open Air Festival, they were kind enough to lay waste to Dublin and Belfast before catching the ferry over to Scotland for a killer gig in Glasgow. The term “gig” is used loosely. Less of a gig, more of an all-out assault on the senses.

Opening the show, and popping their Weegie cherries, were LA electronic duo Night Club. Can a guy at a table top, and a vocalist out front do enough to grab your attention, and hold onto it for thirty minutes? A resounding yes. Mark Brooks is the man at the tech-covered table top, Emily Kavanaugh is out front and she is working hard. She is non-stop, side to side, back to front, making sure that those in early doors are paying attention. CHVRCHES are a synth-based Scottish group currently packing them in, mostly pop orientated, but one of the freshest electro-pop acts out there. Night Club have more of an edge to them, and they are way more dark and sinister. ‘Freak Like Me’ has a deep, pulsating electronic drum groove that recalls classic Reznor; deeply hypnotic with wicked lyrics…”Think you’re so fucking cool but don’t have a clue and you show it”. Kavanaugh is dizzying to watch as she never stands still, constantly cajoling the crowd on the barrier into some participation. Arms are raised on her command as she takes over. ‘Dear Enemy’ has a great mix of nasty, sleazy beats with a super-clean vocal from Kavanaugh, almost like she is whispering at times. The beats are infectious, and before long, you are moving in time without really knowing it. ’Bad Girl’ brings the short set to an end, and afterwards people are downstairs seeking out some Night Club merch. Check them out here.

Combichrist have been kicking in doors now since 2003. Their style of aggrotech really needs to be witnessed in a darkened club, and it doesn’t get darker than tonight. By the time that Andy LaPlegua leads the band out, the place has filled quite considerably, and the amount of Combichrist shirts in the crowd has risen. Aggrotech is often seen as the bastard offspring of industrial music; it’s more electro driven, with less emphasis on guitars. Combichrist put their emphasis on the percussive side of industrial. They have two drummers, each perched on risers, facing each other from opposite sides of the stage. Watching them through the darkness is incredible. Any self-respecting old fart will remember the glory days of Glam Rock when he-who-shall-not-be-named had two drummers in his band (as did Adam Ant). Combichrist have Nick Rossi on one side and Joe Letz on the other, and neither are content to give up the spotlight to fellow band members unencumbered  by a drum kit. Rossi is everywhere, playing standing up, climbing on his kit to fire up the faithful. Letz is in make up and wearing mouth guard that makes him look like a fucked-up Aardman Animation creation… like Nick Park had a vision to scare the shit out of kids everywhere. Watching them throw drum sticks to each other, from opposite sides of the stage, and catch them while continuing to hammer out the skull-crushing beats, is spell binding to watch. A real lesson in showmanship.

The early airing of monsters such as ‘Electrohead’, ‘Throat Full Of Glass’ and a gonzo version of ‘Exit Eternity’ have the crowd surfers up and the pits open. Combichrist are fucking relentless. LaPlegua has a riser at the front of the stage, and uses it well to make him seem like he is towering over the audience. He stands back and watches as the chaos of ‘Maggots At The Party’ and closing track, ‘What The Fuck Is Wrong With You’ ensues, pausing to pay tribute to security at the front who are looking after the surfers as they come over. Combichrist are not to be missed. Prepare to be dazzled.

The Duke of Spook, Wednesday 13, always puts on a killer show, but having Combichrist pummel the crowd beforehand seems to have given him added impetus. After quite a lengthy change over (considering the venue has a strict curfew), the lights dim and the band crash into ‘What The Night Brings’. Wednesday 13 appears with the first of many visual props, a double-headed axem and he cuts quite a figure as he swings it around over his head. The band are heavily made up in ghoul face paint and the spooky backing music adds to the eeriness. It’s dark, but you can still make out drummer Kyle Castronovo, his skills no doubt making his old man, Deen Castronovo, a proud father. As the band have got to get to Bloodstock, there’s not much time for chit-chat. When Wednesday 13 greets the crowd with, “Good evening, people of Earth“, it’s practically the only time he talks. I’m fine with that, and, like Alice Cooper, he stays in character most of the show. ‘Blood Sick’ slides into ‘Scream Baby Scream’ and the old neck muscles get a good workout. That is nothing compared to the rollicking run through of the Frankenstein Drag Queens From Planet 13 nugget, ‘197666’. Horror-punk at it’s very best.

The props that Wednesday 13 uses are simple, and very effective. Whether it’s a flashlight strafing through the crowd, or the white suit and horned face mask on ‘Condolences’, this is the best show without a massive production that I’ve seen in a while. It’s best exemplified when Wednesday 13 appears on ‘Prey For Me’ wearing a blood-stained butchers apron, and a white face mask on the back of his head. It’s freaky as hell having the frontman performing with his back to the crowd, yet a dead face mask staring right at you. This continues for ‘Put Your Death Mask On’. It’s hard to describe the effect, but there are plenty examples of it online.

Encore time is short and sweet. Wednesday 13 is back out wearing a skeleton costume for another Frankenstein Drag Queens From Planet 13 classic, this time it’s, what else but, ‘I Love To Say Fuck’. He has a large umbrella, with which he ignores the old superstition, and opens it indoors to reveal a large print of a fist with the middle finger raised in defiance. Simple prop, cleverly used to great effect. By the time the crowd had got last orders in next door, Wednesday 13 was probably tearing South on the M74 to a sun-soaked Bloodstock, but for optimal effect, this is a show for a darkened venue. Easily one of the best Wednesday 13 shows I’ve caught.

Review: Dave S

Photos: Dave J

Review: Wednesday 13/Combichrist – Glasgow The Wednesday 13/Combichrist co-headline tour has been blitzing the retinas of audiences throughout mainland Europe for a few weeks now.

[rockzone]

Tracklisting: 24 Jul 2018

9-10pm Rainbow - Lady Of The Lake (1978) Gioeli-Castronovo - Set The World On Fire (2018) Two Of A Kind - Wheel Of Life (2018) Led Zeppelin - Black Dog (1971) Theia - Mask Of The Day (2018) Mad Max - Beat Of The Heart (2018) The Goo Goo Dolls - Sweetest Lie (2010) Leontas - Rhythm & Blues (2018) Gioeli-Castronovo - Run For Your Life (2018) Beth Hart And Joe Bonamassa - Well, Well [Live] (2014) Gloomball - (Don't) Surrender (2015)

10-11pm Stampede - Send Me Down An Angel (2011) Gioeli-Castronovo - Ride Of Your Life (2018) Graham Bonnet Band - We Don't Need Another Hero (2018) Diamante - I'm Sorry (2018) Night Demon - Flight Of The Manticore (Live) (2018) Roterfeld - I Want More (2018) Black Sabbath - Die Young (1980) Enuff Z'nuff - Where Did You Go (2018) Gioeli-Castronovo - Remember Me (2018) Martina Edoff - Sound Of Thunder (2015) Kyle Gass Band - Tremendous (2015) The Poodles - Into The Quiet Night (2011)

[xx0acidicorchid0xx]

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[fuckyeswednesday13]

[whorticia]

Wednesday 13 Adventures July 12, 2015 ❤️

[fyeahjasonwest-blog]

[xx0acidicorchid0xx]