#let me find joy and whimsy in the mundane please

[in-tua-deep]

My cishet fellow interns when I talk about my mission to hunt down all the Garfield statues in the city limits: why would you do that? I’d rather just be on my phone

When I talk to my queer friend group about my mission to hunt down all the garfield statues within city limits: we should make a day out of it when the weather is warmer!! 👀 Have you seen the defunctland video about the garfield dark ride? we should all go out for lasagna after ✨

[construingseacats]

Umireread: Turn of the Golden Witch - Chapter 5: Guest of Honor  

Sat, Oct 4 1986 - 10:45AM

The following contains spoilers for the entirety of Umineko. Please do not read if you are yet to finish it.

I think there’s something to be said about how childlike wonder is torn away from us as we grow. The world is a wonderful place - there’s a fantastic tumblr post that makes the rounds occasionally about how something as mundane as going to a shopping mall can be an unending source of wonder, if you cast away the veneer of normality and complacency that usually clouds us when we go. Maria has been handed a cheap, mass-manufactured sweet that is utterly inconsequential to most people. And yet to her, in her fantasy - in the bliss of her youth - it is the greatest sort of treasure. And because she believes in that, it becomes her reality.

To talk about myself again for a second - with occasional exceptions, I tend to split up my working day by going out almost every time for lunch. Working in town centre, there’s no shortage of places to grab a sandwich or something slightly more exotic. Of course, this is an expensive vice; I argue that, as I don’t drink alcohol or smoke, this is an acceptable money sink that would be comparable to either of those. However, nonetheless, it is a money sink. I would save a fairly substantial amount of money by preparing my own lunches, or foregoing them entirely.

And yet… I hadn’t really thought about it until now, but reflecting on this scene in particular, there’s a sense of whimsy to it that hasn’t eluded me even as I approach 30. Perhaps it’s because eating out was a special treat when I was younger - growing up relatively poor, we could only really afford to treat ourselves to a restaurant once a month or so - but there’s a sense of joy and elation there that hasn’t been eroded by routine. It’s the wonder that you can feel by attending a shopping mall, but we choose not to. That’s something that I, personally, can’t put a price on. And I’d encourage anyone reading to also find their own way to obtain the greatest sort of treasure from the most regular of scenarios.

Eva Ushiromiya sees her chance to be a horrible person, and she takes it. Well, I suppose the entire family likes to deal with their own unresolved problems by taking it out on each other, at the end of the day.

Even if it’s only temporary, it’s nice seeing the adults being interested in Maria’s specific knowledge. Sure, maybe it’s insincere on their behalf, but to the kid who can’t distinguish the reality from the fantasy, that’s the absolute best feeling in the world. Being able to teach adults something that even they didn’t know feels great.

Criminy, Episode 2 is not letting up on this. I suppose that’s to be expected from the “Rosa” Episode, but still.

Rosa trampling on the hearts of everyone reading this Episode, old and new.

Hilarious subversion of the rose incident from Episode 1. Does it still count as dramatic irony if you’re lying about the truth by saying what happened in the previous game? I think it’s also worth highlighting this moment as another notch for suggesting that you should always be wary of what people say if it hasn’t been witnessed personally - we know that Rosa’s not telling the truth here, so what other falsehoods have we been fed thus far?

News just in: resident tragedy enjoyer loves how sad this scene is, and how much it hurts. More at 11.

Very funny moment where Kanon goes “wait a second, I know how I can fix this for you.”

I’m constantly amused by how much Nanjo just doesn’t want to be in this novel at all. Does not enjoy going along with the family’s nonsense, doesn’t want to talk to any of them, does not want to get involved with the murders. I know Gohda is a community favourite for not really having anything important to contribute to the story, but I’m kind of digging Nanjo for similar reasons.

“Worthless” male pride, you say? Interesting commentary.

It’s almost like the people you surround yourself with could cause you to perceive the sky as grey instead of blue.

I don’t have an awful lot to add to these Maria-Rosa moments, but I can’t not acknowledge them. It’d be a crime to skim over such potent writing, even if there’s little for me to add that I haven’t said already.

An island detached from common sense and reality, you say? Sounds like the perfect setting for a new generation of fanfiction.

I don’t necessarily think this is a “with hindsight” moment because it’s still fairly clear what is going on here - you tell a child to close their eyes and then swap out the candy while they’re not looking. One of the oldest tricks in the book. What I do find interesting is how this parallels the final choice in Episode 8 - how do you approach this scene? Is this just a trick, because of course it is, or is this magic? Whatever you choose here, will you still hold the same opinion 6 episodes from now?

Obviously, this scene is noteworthy since you can read Rosa’s reactions as being uncomfortable with the blackmail forced upon her (using the term blackmail tenuously since she could arguably have been bought out without much threatening). But, with that in mind, I wonder when exactly she was roped into this? The adults at the guest house did say that she had been gone for quite a long time - we just assumed this was due to her being stuck with Maria, but did she actually visit the secret room with Yasu during this time?

I’m sure she knows the inside of the mansion better than anyone.

The scene where Yasu as Beatrice meets Kyrie is really good, and I kind of wish we saw more of this in Umineko? I love the fantasy scenes a lot, but when you’re being presented with partial truths (that lean closer to fact than fiction) that are only slightly adorned with fantasy, they’re a lot more interesting to read than the ones that are drenched in outright fabrications.

Also, Yasu was born 30 years too early, she’d have made an absolute killing as an online voice actor with the way she can go between all these different personas without being found out.

Hey! New portrait!

One day I’ll be joining the hordes of Umineko fans by getting a giant framed picture of Beatrice for my house. I was kind of hoping that they would have been offered as rewards from the Umineko Gold Kickstarter… But we all know how that’s gone.

And so the reunion with Kinzo is delayed because he locked himself up in an anti-magic bunker. Of course, what we’re probably seeing here is Yasu considering the study as a base of operations, before realising that could cause some complications given Kinzo has been the opposite of alive for quite some time, and deciding to set up in the guest room instead where she doesn’t need to worry about dealing with matters arising from Krauss/Natsuhi/Jessica’s additional knowledge regarding Kinzo’s current status.

End of chapter! I kind of wish we had a meta section here for the moment when Beatrice’s piece arrived on the gameboard? It feels odd that Battler wouldn’t immediately jump on that with a “hey wait a second”. Alas!