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salvatoreschool · 4 years ago

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Everything To Know About Legacies Season 3

Executive producer Brett Matthews spills on what's to come in season three of the Vampire Diaries spinoff Legacies, returning Jan. 21 on The CW.

Season three is here, and there are some supes who need to be woken up.

When we last saw the Salvatore School (back in March 2020, a cursed month), the Necromancer (Ben Geurens) had made good on his promise to free acolytes Rafael (Peyton Alex Smith) and Alyssa (Olivia Liang) and bring Landon (Aria Shahghasemi) back from the dead, in exchange for being able to take Josie's (Kaylee Bryant) overflowing black magic for himself. Josie's now back to normal and everything should be well, but it's not.

Landon's still dead for some reason, and Hope (Danielle Rose Russell) never woke back up after her trip into Josie's subconscious. Once again, a season of Legacies is starting off without its hero tri-brid, and her absence is certainly felt, though that cliffhanger was not originally designed as the season two finale.

Production had to shut down last spring with several episodes left unfinished, but as showrunner Brett Matthews explained to E! News, the intended finale is still on its way.

Basically, the first "chapter" of season three is the resolution of season two storylines, and episode four is the finale we would have gotten last year. It had to be adjusted a bit to be COVID-safe and to fit into the middle of a season instead of the end, but Matthews said it's definitely a "larger" episode than usual. Post-COVID Legacies will then actually start with episode five.

For now though, there's still a lot happening before season two can fully wrap up. Here's what Matthews could say about what's to come on Legacies.

E!: How big of a deal is it that Landon and Hope are still dead and/or asleep?

Matthews: I mean, it's massive. Legacies goes through Hope. Legacies is built on the legacy of Hope Mikaelson—and the twins—but what even is Legacies without Hope? So the impact of that is absolutely massive and we certainly look forward to having her back in our world and resuming her rightful place as the lead of our show.

The joy that comes with that challenge is that we get to put some of the other characters in the spotlight, so that's been really exciting but certainly anything going on with Hope in the world of the show is just huge. What does the super squad do in Hope's absence? The monsters don't stop coming just because Hope is sleeping, so how do they rise to the challenge?

E!: Speaking of monsters, would you say this season continues to be about the "monster of the week?" Are bad guys still coming out of the pit?

Matthews: Legacies is very much built on a "monster of the week" model. That's always what it was intended to be. Some people like it and some people don't, but it's very much in our DNA, and that will continue. For us, the monsters are interesting enough in and of themselves, but it always comes from a place of character and I think the monsters allow us to shed light on the sort of thematics of an episode and highlighting a personal journey...That will continue, but I also think you will begin to see the beginnings of new mythology on the show and evolving and growing up a little. The show will grow up, but the tone of Legacies is, by its very design, a lighter, sunnier, more optimistic viewpoint on the world than The Vampire Diaries or The Originals ever were.

E!: Josie literally murdered a classmate last season and tried to kill and absorb her sister, so how are Josie and Lizzie moving on from that? How is Josie facing the rest of the school?

Matthews: You know, I think that is the question. It's exciting to see [Josie] back with the gang, but she has also done some things that have to be reckoned with. And that'll be a big deal for the character, for her role in the show. And of course it profoundly impacts Lizzie, who has always had a very clear dynamic with Josie. I think Lizzie really is at a point where she's gotta decide: is the old bag of tricks the right one, or am I, as a human being, evolving past that? I think that's part of the fun of the premiere is to see Lizzie being there for Josie in the way Josie is typically there for Lizzie.

E!: How are Rafael and Alyssa moving on from having been affected by the Necromancer? Raf had to kill Landon! How are they getting past that?

Matthews: That will have a huge impact on Raf's story and that story will unfold at the beginning of this season. It certainly raises some frightening questions and that will certainly be a very big part of the beginning of the season.

E!: How would you describe the Necromancer's role this season?

Matthews: He's just a character we love. The Necromancer has launched this grand plan, and part of what we love about the Necromancer is, you know, do we call him the Necromancer or do we call him Ted, because now we know his human side? He is obviously up to no good on a scale the likes of which he has never been able to achieve before, so we will be resolving that storyline in the first chapter of season three. That will really be something that puts our characters to the test and have a profound impact on the whole season three. He will certainly be a central figure, but there will also be some new and exciting mythology starting this season as well.

E!: Are you following up the film noir episode with any other fun themes?

Matthews: Early in season three, we will revisit the therapy box, and that will be a Friday the 13th-esque slasher environment that our characters are thrust into, so that's a fun concept episode that we'll be hitting up sooner rather than later.

E!: Will we see Emma (Karen David) and Dorian (Demetrius Bridges) again?

Matthews: Emma's on another show. That makes it difficult. We have such a great relationship with Karen David and she always wants to come back, so I wouldn't be shocked at all. If schedules align...I mean, there's this whole business side to television. When people want to know why this character is [gone], a lot of it's business. But you will certainly see Dorian and Dorian will continue to be a part of our cast. I just think he elevates all the stories he's in, so he'll have an exciting new role in the world and we'll explore that.

E!: I can't help but notice that when Dorian and Emma aren't there, there are not very many adults at this school.

Matthews: Yeah, there's not a lot of adults. You'll see as we begin the new material that, as a result of COVID, the status quo at the school has changed a little bit, which is fine. It's hard to safely do scenes with a million extras the way we normally would. You'll see that that status quo has been written into the show, so if you notice a lack of adults, there's a story reason for it and there's a reason why. But like I said, Dorian will certainly be present in the season and I do think brings that counterpoint to Ric. And we will see some new adults on the show, but the heart and soul of the show is Hope and the gang and the kids.

Legacies airs Thursdays at 9 p.m. on The CW.

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syncogon · 5 years ago

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[QZGS meta] what’s in an OP? dawning glory (pt 3)

(part 1) (part 2)

This is the third and last post in my little series analyzing the opening theme of The King’s Avatar Season 2! Honestly, this whole thing became way longer than I was expecting. I guess this is what happens when all my immense amount of love for this series, accumulated over years of no-donghua-updates, overlaps with my immense amount of love for anime openings.

Watched the first and second episodes yesterday, and they really sparked a lot of joy. :D I missed Blue River so much :D

Yesterday, they released the OST for Season 2, which includes the TV cut and full versions of the OP and ED, as well as two insert songs, and the instrumental versions of all of the above. I’ve yet to find anywhere that lets me download the audio files (hoping they’ll be reuploaded to youtube or bilibili soon), but in the meantime you can listen here. They’re really good songs! https: //www. kuwo. cn/album_detail/15792659

Anyway, let’s finish up this OP analysis!

Now here, we reach the true climax as we enter the chorus section. This next segment is definitely the highest-energy part of the entire opening. It’s a montage of Happy’s characters showing off their moves, timed to the music; there’s not too much deeper meaning, but damn if it doesn’t look fantastic. The animation flows from one character and scene to the next so smoothly, so beautifully, it’s just incredibly hype to see. This is what you get when you specifically choreograph/animate sequences for the opening instead of just reusing shots from the main show! (Parts of some of these shots appeared in episode 1, but I do honestly think that it’s more likely that the show reused shots from the opening than the other way around, just because of how perfectly the OP fits together. I also don’t think it’s super noticeable in-show; I’ve just been watching this obsessively.)

In particular I love the line that kicks this all off: “just put on your battle armor and step onto the road to the unknown.” Specifically, though, the rhythm of the lyric is, “jiu pi shang zhan jia ta shang wei zhi qian fang,” with emphasizing accents on the -ang sounds. This isn’t how you would divide the phrase naturally, but because the (syncopated!!) melody accents these notes/syllables, the rhyming effect really stands out and it feels as clever and satisfying as a rap lyric. Moreover, the emphasis times juuust right with the attacks of Soft Mist, Steamed Bun Invasion, and Windward Formation, a perfect example of how music and visuals mutually reinforce each other for maximum cool effect.

It’s generally easier to rhyme in Chinese than English, because of a smaller phonetic vocabulary. From the chorus onward, the key rhyme is on the “-ang” sound (think “ahng” or “ong”, not “aang” like the Avatar), which is a good choice - powerful, reverberant. The asymmetry of the syllable’s use in this section - the song’s lines are all different lengths at this part, so you’re kept on your toes as to when the pattern will reappear - helps add to the engaging excitement of the song. This is also the syllable used for most of the rhymes in the second half of the first OP.

jiu pi shang zhan jia ta shang wei zhi qian fang

hui qi shou zhong wo jin de na shu guang

you ni men zai lu shang__

shi li liang

I really love One Inch Ash’s design. Concealed Light had a big redesign for this season, and honestly I like it as well. And notice here that he’s holding a book - exactly how we left Luo Ji when we saw him last!

“Waving the light clenched tightly in our hand” - that is to say, brandishing our light as our weapon, no matter what form it may take - a sword, a book, our hope and determination.

On a purely musical note (ha), right at this point, specifically the measure beginning with “那束光,” you can hear a three-note ��ooo” harmony line in the background, and wow it’s so subtle but I love it so much! A similar three-note line actually appears earlier too (during the “crossing the frozen finish line,” right as the music is building up), also to great effect.

We follow Concealed Light’s gaze upward to the building to see Deception running along the wall, from which he does a flip and slashes downward with twin blades. I love that transition a lot, but my favorite transition of this entire sequence has to be the following one:

Yes! Deception’s cross slash resolves perfectly into the cross held by Little Cold Hands. It’s so fast and so natural you don’t even notice it, and that’s the absolute beauty of it. The first time I saw this, I was in awe - the animators really brought their A-game to this, far better than I ever would have dared hope for this series.

And Little Cold Hands is so pretty! When we got our first art of her official design, the comments were filled with people simping for her, and honestly, valid. I’m surprised her hair is purple instead of pink, but that’s just a minor thing.

There’s something especially powerful about how she raises her cross in time with the lyric “having you all here [with me] on this road,” and then the cross flashing brilliantly with “it’s power.” More than any other role, the healer is a team player. And this theme of team togetherness is particularly important for An Wenyi, who is deeply moved by the team’s perhaps illogical faith in him. Remember that analogy Ye Xiu tells him, of the straw tied to the deluxe mitten crab?

An aside: listening to this, I always thought the line should be 有你们在身旁 instead of 有你们在路上, because it still fits the rhyme, because my past experience has somewhat conditioned me to expect that phrase, and because the full message of “having you by my side is power” just makes me wanna tear up like what a good line! So it felt like a missed opportunity that they didn’t use that. But as it turns out, the final iteration of this chorus in the full version of the OP does, in fact, use “by my side”! And I think making this tiny tweak to the lyric the final time you here it just makes it that much stronger :’)

I’m also just a big fan of the “it’s power” melodic flourish in general, since it comes as a surprise. You kind of expect the melody to end with the previous phrase, but the extra notes here add a really nice emphatic beat to finish off the line.

So to recap the transitions: we see Soft Mist falling from the sky and get a close up of her face as she stabs her spear; this takes us to a closeup of Steamed Bun’s face facing roughly the same direction before we zoom out to his torso and he slashes from lower left of the screen to upper right; following the motion of that slash we see Windward Formation’s torso rotate in that direction as the camera zooms out farther; we follow the rays of his attack to see One Inch Ash drawing his sword; we zoom in on the flashing blade and zoom out on Concealed Light’s glowing book; we follow his gaze upward to see Deception running along the building behind him; Deception leaps and slashes and the slash becomes Little Cold Hands’ cross, which raises up and triggers an explosion. It’s just so dynamic and smooth even without taking place in one continuous setting, and it just really, really gets you hyped.

Also, starting from Happy’s team picture at the start of the chorus, which is during the day, it feels like Soft Mist and Steamed Bun’s moves are at late afternoon, Windward Formation and One Inch Ash take us to nighttime, and then you can see the first rays of morning in Concealed Light and Deception’s segments. This continuity also definitely helps with the feeling of natural flow through these scenes.

Anyway, this entire action segment is just so beautiful, I could watch it on loop. But we still have the final segment of this OP to analyze, so let’s keep going.

After the action sequences of the climax, we settle down a bit now as we approach the end. Here we see the Excellent Era team picture, in the same style as the team pics we saw earlier, but presented separately. It makes sense, as the role they play in the story is different from the roles of all the other teams.

Sun Xiang, Liu Hao, and Cui Li are at the bottom. Because we’re panning up, these three are the first we see. At first glance, the way they’re positioned is fairly consistent with the team pics we’ve seen already: Captain Sun Xiang at center-right, the largest figure; vice-captain Liu Hao, manager Cui Li in the background.

Sun Xiang’s position and expression is really the only one that fits the healthy pattern of the teams we’ve seen already - looking toward the camera, a confident (though arrogant) smile. He might be misguided, but there’s hope for him yet. Notice how Liu Hao isn’t even looking at the camera, which as we’ve seen before is somewhat of an indication of how unified and focused the team is toward its goal; instead, Liu Hao is doing his own thing, determined to prioritize his own desires over what’s best for the team. And manager Cui Li is in this image too, despite not even being a player. His sinister presence reflects the unhealthy interference of the business side in the gaming side. Excellent Era’s downfall comes about because of its prioritization of profit over victory.

As we pan up, Excellent Era’s logo comes into view. It’s larger than any of the other team logos we’ve seen so far, spanning around three-quarters of the screen whereas the others looked to span no more than half. Excellent Era’s legacy is a weighty one, to date the only team to have ever won three championships, and consecutively to boot.

It’s this immense, shining logo that seems to be casting Tao Xuan on the left into shadow. He cuts a large figure, reflecting the deep impact his actions have had upon the main plot of this story, even though he’s only now appearing for the first time in the donghua.

However, he’s also turned away from the camera, such that we can barely even see his closed eye. Because of that, it’s difficult to read his expression, but the impression given by this pose is not one of vindictive pride, but one of shame, as though he can’t quite bear to face what he’s done. On some level, no matter how he might try to rationalize it as necessary, Tao Xuan knows that his profit-driven betrayal of Ye Xiu was a pretty awful thing to do. It might be this amount of guilt that leads him to offer Ye Xiu a wish granted, a tribute to their years of friendship and partnership before their ties are severed completely.

In the end, Tao Xuan’s greed leaves him with nothing really to show for it. What had he gained? What had he lost? Those realizations are still a ways off in the story, but I like how this OP is already hinting at the depth of his character. Tao Xuan isn’t some glasses-flashing, evil-laughing, one-dimensional antagonist; he is in fact very realistic for the setting. We can condemn his actions and priorities, but at the same time we can understand how he ended up here.

As for Su Mucheng, her eyes are closed as well. She’s brightly illuminated, but pointedly turned away from all of the others in Excellent Era; she knows the direction of her future, and that it no longer lies with Excellent Era. Her loyalty was always to Ye Xiu, and as soon as he was banished, her relationship to the team was professional and nothing more.

“This light hidden in my heart is burning” - there are many ways to read this lyric and what exactly the light referenced here is, but because the line is paired with this image, I naturally think about Su Mucheng’s situation. Despite her pretty-vase, sweet-girl appearance, she holds a deep, profound anger at everything that happened regarding Excellent Era. It’s a testament to her immense strength of character that she lasted the remaining one and a half years of her contract in this hostile environment.

Yet even as she resolves to cut ties, there’s a sadness in her expression. She was here from the very beginning as well, when Excellent Era was no more than an internet cafe, and it pains her immensely that the powerhouse, championship team that they and her brother had built from the ground up would ultimately meet this tragic end.

It’s interesting to note that both of the “redeemable” characters here (namely Su Mucheng and Sun Xiang) are on the right, more brightly-lit side of the screen, so there’s a nice little dividing line you can draw there. Sun Xiang’s eyes are still looking toward the left, though, revealing how his character development still has yet to play out.

From there we cut to Ye Xiu holding Lord Grim’s account card. He’s standing back on top of the roof from the beginning of the OP, now in full daylight.

As mentioned… the animators really went ham on the bangs animation.

Ye Xiu turns away from the railing, the camera cuts to an image of Happy’s logo on a flag waving in the wind, and then we zoom out to see the current members of Team Happy gathered together in uniform, standing proud in the light of day. Left to right, Steamed Bun, Tang Rou, Luo Ji, Ye Xiu, An Wenyi, Wei Chen, Chen Guo. Presumably, this will be Happy’s lineup by the end of the season.

Up until now, we’ve only seen the real players separate from each other - they’ve all been in different places, never even in the same frame together. (This, of course, also contrasts the pro team pics that we have, which show everyone together.) Halfway through the OP, we got the group shot of them meeting in game with their characters. And now, they’ve finally met up in the real world as well.

One thing I like about this final pose is how it compares to the final pose of the OVA OP. It’s the same kind of power-pose vibe, but there we only had Ye Xiu, Chen Guo, and Tang Rou. Look at how we’ve grown since then! They’re well on their way to being a proper pro team!

And that’s a wrap! With this final image of Team Happy gathered together, we’re ready to enter the episode proper.

So let’s talk about the OP as a whole. Generally, an OP serves a couple of main roles: a) tells you a bit about what the show is about, b) gives you an overall feeling / mood for the show, c) gets you hyped and ready to watch the upcoming episode.

How well does this opening achieve those goals? Pretty well, as we’ve seen. Past OPs did a pretty good job of setting the mood, but they honestly just put some pretty visuals on the screen, only vaguely aligned to the music, and called it a day. This OP, however, has a cohesive storyline to tell, framed around Team Happy’s coming together (following the tagline of this season). Even in such a short span of time, it manages to convey so much information about its story and characters, both overt and implicit (as I hope this series of posts has managed to convince you). Paired with the music, which has its own deeper meanings encoded in the lyrics, the OP becomes incredibly effective and memorable as it makes its statement.

I mentioned an “interest curve” earlier (interest in the sense of interesting, not the money); this is part of the standard formula for anime opening songs, in my experience. I’m a little too lazy to draw a graph myself, so take a look at this image:

(source: https: //www. researchgate. net/figure/Example-of-an-interest-curve-for-a-successful-entertainment-experience_fig1_333917625 )

Although not all of the relative heights and segment lengths are accurate in this specific case, hopefully the general shape of the interest curve is enough to demonstrate my point. You’ve got the A-B peak at the opening instrumental segment, the C-D peak/arc over verse 1, the D-E-F peak/arc over verse 2, then the sharp F-G-H peak over the chorus before dropping off for a smooth landing right into the episode. This general pattern is effective at holding the viewer’s focus and managing their excitement over the course of this one and a half minutes.

Visually, the OP is just such a treat for the eyes. I’ve already talked about many of the little details I love - lighting, character designs, animations, transitions, etc. - but all in all the new animation studio is doing a really good job here. An OP is how you hook people, and I’d definitely feel comfortable using this to try and bait people into watching this show.

One comment I want to add is about the incorporation of the credits, which we didn’t see until the episode premiere. I don’t think there’s anything too exciting to say (and I also don’t have access to any images right now since the OP was only shown in episode 2), but the fonts and styling were a nice choice - it gave a gaming vibe, but if I recall it still used a serif font, so it didn’t feel overly modern - and the text positioning generally complements instead of distracting. I also liked how they showed the lyrics! I didn’t really expect them to include them onscreen, or if they did, I thought they would just be plain subs like they were in this video. But in the actual OP that plays at the beginning of the episode, they’re as much a part of the art as the credits!

If I had to make any criticism, my biggest complaint about the OP is, I think, the singers. I think having two different singers trade off can work nicely, but in this case, the switches are jarring because their voices are so different. The first singer has a lower, gravely voice, while the second singer’s voice sounds much brighter and more nasally. Furthermore, the first switch doesn’t come until we’re fully halfway through the song, which means that by that point we’re already used to this first singer. It’s also strange that they’d switch back to the first voice at the climax of the song, when I think the second voice would suit the high-energy segment much better. Switching from second to first right at this point feels like we’re actually taking a step down in energy, which is the opposite of what should be happening here.

Still, my main problem isn’t with the voice switching but with the voices themselves, and I think the voices are something I could get used to. The third switch, going from the first voice back to the second voice during the shot of Excellent Era, is much less jarring than the others - I actually like how it feels like the solo is passing naturally from one person to the next, emphasizing the ideals of this not being a single-player game and all that. For that transition in particular, I think (because of the added “it’s power” flourish) it happens too quickly for one person to sing it comfortably, so having another person pick up the line works best. And I do like how the voices sound when they overlay together for the final lines of the song.

So, overall? Overall, this OP is really damn good. It’s everything I could have asked for and more. After such a long wait, the OP, at least, does not disappoint, and I’m extremely excited to see what the series has in store for us.

If you’ve read to this point, thank you! I like this series a lot, as you can probably see, and I’m treating it as my glory :)

#quan zhi gao shou #qzgs #the king's avatar #tka #全职高手 #mine #qzgs commentary #synco talks

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orbemnews · 4 years ago

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How a Chinese website for pirated TV shows became a cultural touchstone for millennials But the site — one of China’s largest, longest-running and last-remaining destinations for pirated, subtitled foreign content — was shuttered on February 3 as part of a sweeping police clampdown on piracy. While the website is still live, none of its services work anymore. “I was heartbroken when I found out,” Liang told CNN Business. “I feel like there is one place fewer in China through which we can expand our horizons.” Police in Shanghai arrested 14 people they claim ran the website and app after a three-month investigation into suspected intellectual property infringement. At the time of its closure, Renren Yingshi had amassed over eight million registered users and was home to more than 20,000 pirated TV shows and movies. The site’s operators made some 16 million yuan ($2.5 million) in the past couple of years from ads, subscription fees, and selling hard drives loaded with pirated content, according to police. Renren Yingshi did not respond to a request for comment from CNN Business. The crackdown was lauded by state media and intellectual property experts as a sign of China’s resolve to enforce copyright protection — criticism over which has dogged Beijing for years. But it also drew a wave of backlash from fans who, like Liang, had long relied on the site for uncensored foreign content. An outpouring of support for Renren Yingshi dominated China’s Twitter-like Weibo platform in the days after the crackdown. Some thanked the site for “opening a door for us to the world.” The public outcry came, at least in part, because of how tightly the Chinese government restricts access to foreign content. It is one of only four countries or regions, alongside North Korea, Syria and Crimea, that doesn’t allow access to Netflix, the world’s most-popular streaming platform, for example. China also strictly limits how many foreign films can be screened in cinemas each year. And of the content that is allowed to air in the country, much is heavily censored. For Chinese millennials, watching foreign shows and movies is not only a favorite pastime — it’s an opportunity to learn about the world. And many of them say the roadblocks imposed by the Chinese government leave them with little choice but to turn to pirated websites, even though they are willing to pay for legitimate access to uncensored, foreign content. While the demise of Renren Yingshi and the country’s censorship crackdown suggests the status quo might not change, the reaction to its closure and the popularity of uncensored work shows that there remains a huge appetite for such content within China. Strict censorship rules Founded in 2003 by a group of Chinese students in Canada, Renren Yingshi — a phrase that means “everyone’s film and TV” — was born out of a desire to spread foreign TV shows and movies more widely within China. Young, internet-savvy Chinese were drawn to foreign content as China reformed its economy and opened up to the world. They found that such films and shows offered an edgier, more diverse alternative to the heavily censored content produced at home — as well as a way to learn about other cultures and societies. Getting access to that kind of content through legitimate means, though, is difficult in China. Since the early 1990s, authorities have allowed just a few dozen foreign films to be screened in the country each year — only nine of the 26 Oscar best picture winners were screened publicly in China from 1994 to 2019, for example. International streaming services, including Netflix, Hulu and Amazon Prime Video, have also been unable to crack the market. Netflix, for example, told shareholders in 2016 that the “regulatory environment for foreign digital content services” was “challenging” in China. A subsequent attempt to partner with a local company to distribute content failed. The content that is allowed to air in China, meanwhile, needs to meet strict guidelines. Movies or shows with controversial themes — such as those that depict China in a bad light, portray taboo subjects like the 1989 Tiananmen Massacre, or feature LGBTQ storylines — are kept out entirely. And since China lacks a film rating system, any content approved by Chinese regulators is heavily edited to remove certain scenes, such as graphic sex or violence. When the Oscar-winning Freddie Mercury biopic “Bohemian Rhapsody” was released in China in 2019, for example, any mention of the Queen singer’s sexuality — as well as his AIDS diagnosis — was edited out. And the American blockbuster fantasy drama “Game of Thrones,” which built its popularity on graphic sex and violence, was censored so heavily on Chinese streaming giant Tencent Video that some viewers complained that it was turned into a staid “medieval European castle documentary.” “There were too many ‘sensitive’ scenes deleted that I could hardly understand the plot anymore — it was so confusing,” said a fan of the show who watched on Tencent Video. The fan asked to remain anonymous because she once helped translate shows for a website that featured pirated content, and she also spoke to CNN Business about that experience. There’s little indication that these rules may change. Under Chinese President Xi Jinping, tolerance for foreign ideas and values has declined drastically. Popular Western culture is seen by Beijing as a key risk for foreign infiltration that targets Chinese youth — making such content important for the government to control. A long history of legal issues The sweeping restrictions have motivated fans of shows and movies that run afoul of censorship rules to subtitle them in Chinese and upload unauthorized copies online. They operate in loose networks of volunteer translators known as fansub groups. Renren Yingshi was among the largest of these networks, exploding in popularity as American series like “Prison Break,” “The Big Bang Theory” and “Gossip Girl” became smash hits in China. Long before the latest crackdown, Renren Yingshi was running into trouble with authorities. In 2009, it was one of more than 100 Chinese websites shut down for “rectification” after the government issued rules that banned the dissemination of unapproved movies and TV shows on the Chinese internet. At the time, Renren Yingshi vowed to give up its video downloading service, and in 2010 pivoted to translating open online courses offered by American universities. The strategy won the blessing of Chinese state media, which heralded the website as “a knowledge evangelist in the internet age.” That love-in didn’t last. The website eventually resumed offering pirated shows, and its servers were shut down by Chinese regulators in 2014, not long after the Motion Picture Association of America included Renren Yingshi on a list of pirate sites. It eventually popped back up, and at one point even moved its servers to South Korea for a time as it continued to look for ways to stay operational. Ultimately, Renren Yingshi’s interest in making money might have led to its downfall. While it began as a volunteer endeavor, Renren Yingshi eventually started accepting advertisements on videos, and charged members to view its content. “According to Chinese law, if copyright infringement was conducted for the purpose of making a profit, it is very easy to constitute a crime,” said Xu Xinming, an intellectual property lawyer at Beijing Mingtai Law Firm. Xu noted that in China, a business needs to make just a few thousand dollars in order to run afoul of copyright crime laws — well short of the millions police claim Renren Yingshi raked in. It’s not surprising, Xu says, that Beijing would want to go so hard against a platform with such a high profile. The government has worked harder over the last decade to address infringement, especially given Western accusations that copyright abuse runs rampant in the country. In 2020 alone, Chinese authorities shut down more than 2,800 websites and apps offering pirated content and deleted 3.2 million links, according to the most recent data available from the National Copyright Administration of China. ‘Using my love to generate power’ It’s not clear when the case may be resolved, though copyright infringement results in a punishment of up to seven years in prison, depending on the severity of the violation. Police in Shanghai did not respond to a request from CNN Business for more information on the case. No matter what happens to Renren Yingshi, though, it leaves behind a vast legacy of cultural exchange. “Many friends around me have grown up watching American series. They gave us a lot of extra parameters in our way of thinking,” said Lin, the Game of Thrones fan. She said she volunteered for a fansub group in high school called “Garden of Eden.” “If you’ve had so much exposure to different cultures, races and people from different backgrounds since a young age … it is easier for you to be able to see things from another perspective.” She said she was “using my love to generate power” — a phrase commonly cited by volunteers who want to emphasize that they are motivated by their passion for the shows, and not money. The translation work wasn’t easy, Lin said. “Every Friday, when the latest episode came out, the timer was on,” said Lin, who translated episodes of the American supernatural teen drama “The Vampire Diaries,” as well as sitcoms “The Big Bang Theory” and “Two Broke Girls.” Someone in the United States or Canada would record the show and send it along with English subtitles. Teams would then divide the episode into 10-minute segments and assign them to translators. “There was a lot of stuff I needed to look up,” said Lin, adding that it took her about two hours to translate 10 minutes of video. “Sometimes the characters would tell a joke that I couldn’t get, and I had to search for it online.” “It was difficult because I had to use [Chinese search engine] Baidu within the Great Firewall,” she said, referring to the government’s sprawling internet censorship apparatus. The work of fansub volunteers has effectively acted as a fourth wave of “translation activity that has had a huge impact on Chinese culture,” wrote Yan Feng, a professor of Chinese language and literature at Fudan University in Shanghai, in a widely shared Weibo post on February 3. By comparison, Yan said the other three major waves included the translation of Buddhist texts in ancient China, the translation of Western literature and social science works during the late Qing dynasty, and the translation of modern works on humanities and social sciences after the Cultural Revolution. For many Chinese millennials, fansub work is also a way to learn about the world. Many groups don’t just do translation work — they also add footnotes explaining background and context for certain dialogue to help Chinese audiences better understand historic, political or cultural references. “I think it’s a good thing for a child to be exposed to different cultures and different ways of thinking growing up,” said Joy Tian, a 23-year-old English teacher in Beijing. She said she was struck by the individualistic values at the center of many Western series and films, having grown up in a culture that emphasizes collectivism. “It helps promote diversity of thought,” she added. Xu, the Beijing-based lawyer, said it is up to the public to “do some self-reflection” following the crackdown on Renren Yingshi. “There’s no free lunch in this world, and they shouldn’t download or stream pirate films and TV shows anymore,” he said. But Tian stressed that she’d be willing to pay for the shows if they were uncensored. After all, she has paid for licensed American shows on legitimate Chinese streaming sites before — but she couldn’t get past all of the editing. Even Xu said that Chinese fans will likely continue to be tempted to watch pirated shows. People who watch such content and don’t profit off of it have not, traditionally, been punished in China. And if the government doesn’t ease up on its rules on content, the demand won’t go away. “This is indeed a problem. And as the government steps up its crackdown on copyright infringement, this problem will only become more acute,” Xu said. “With pirated access cut off, [the government and companies] should compensate by broadening legal access.” Source link Orbem News #Chinese #Cultural #Millennials #pirated #Shows #touchstone #website

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