#like yknow when its super obvious an actor has had to do something to get teary eyed before the cameras roll

[ovenproofowl]

honestly the hot sauce in the eye part was brilliant. I was legit sat there joking about how daniel craig must've had some difficulty crying on cue and had to force those tears with a lil something and then that turned out to be a part of the reveal too

[hamphobicbasil]

Could u elaborate about the dsmp story being bad? Not a rabid/brain dead fan, just genuinely curious and I enjoy reading people's rants lolol

oh you dont know the floodgates you just opened

a few things:

1. despite not liking the creators of the dsmp anymore, I don't actually hate most of them. [the ones that are particularly unsavory fall outside of this of course] so all that I'm saying i truly mean in a critical sense towards the story, its also just all purely my opinion as someone who enjoys fictional and fantasy stories and who like criticizing works to see what it does well and what it doesn't do well

2. for clarification I'm going to use the c![name] to indicate when I'm talking about the characters. Don't get me wrong, I think its annoying too but its the only way I'm gonna be able to write this thing without getting something across the wrong way yknow?

3. I stopped watching the streams after November 16th, [save for one Techno one but I closed out after a particularly bad story beat lol] and so all information coming afterward is all second hand from either me seeing people on twt talk abt it or people dming me. All i really know is up to dream's imprisonment and some stuff past that.

4. This is mostly aimed towards the "main" story, so stuff abt the badlands, eggpire, and whatnot are briefly mentioned.

anyways uh, i'll try to be brief but also include enough information to get why i feel the way i do on some stuff across

A. Performances Alright obviously these people are all streamers, so obviously they might not be the best actors, and hell no one is even asking that of them. However, when you're telling a story that's based on the audio with the visuals kinda coming to a second, it's gotta be pretty strong. I will say, some of the best actors in my opinion are Wilbur, Tommy, and Tubbo. I would include Ranboo but I never watched any of his story bits or story streams so I can't say much. Wilbur and Tommy are excellent in selling their character's emotions and feelings, when I watch the stream I don't feel like I'm watching an rp but an actual thought-out story yknow? And one of my favorite Tubbo examples was in the Hog Hunt video whenever Techno attacked him, he sounded genuinely afraid and I believed everything his character was feeling.

However, unfortunately, not everyone is gonna be that good. And I'm gonna say it; Dream and Techno have to be the worst out of the entire cast. I understand Techno's whole character is this monotoned badass, however, when really emotional moments hit I feel like he never lets that fall, and a lot of intense moments just ring hollow. And I'm sorry but Dream's attempts at being intimidating leave me laughing whenever I watch them. It feels like he watched that one scene from The Marriage with Adam Driver and Scarlett Johannson and said "Oh this is what good acting looks like! Just yelling." His whole "I don't give a FUCK about Spirit!" speech isn't as great as people keep making it out to be. And whenever he tries to act coy when being a villain it feels like a guy reading the script for the first time, a bit like he's trying too hard. I have more problems with his character but his portrayal certainly doesn't help.

Everyone else is fine, and I don't feel strongly either way about a lot of them.

B. The "Lore" Okay first off, I can't be the only one who thinks it's silly that people are calling the dsmp's story "lore" when it's not, it's the fucking story. Lore indicates backstory to either the world or the characters, which a lot of the streams don't really pertain to. This is a really petty section but god it's a weird pet peeve of mine.

Other than the misusage of "lore" vs "story", the actual lore and world-building of the world are so lackluster that new elements can be introduced whenever and it often feels cluttered or not well thought out at all. And here's the thing, I feel like if the writers sat down just for a few minutes to establish world rules and general history, a lot of this could be solved! but so much is made up on the spot that it starts to feel like they're grabbing at straws to keep people invested, trying to reach that next high and intense story beat without actually earning it.

C. The Egg / Eggpire This is a pretty minor note since I was only invested in the Egg storyline for a little bit, but god it's so underused that it's almost embarrassing. Bad has provided this super interesting antagonistic force that's infecting the SMP, can control people, and who one of our main character is immune to, and it's just never used or even talked about again? Now I understand if he wanted to keep it to a side storyline only, however, to introduce this borderline eldritch creature and force within the world and then never have it dealt with is so weird.

D. The Writing Oh boy this is. kinda a big one. Now I'm not gonna lie, it's pretty obvious I have a bias for the Wilbur writing over the current team [that consisting of Dream, Quackity, and Tommy mostly]. I don't this his writing is perfect by any means, the characters constantly bringing up traitors got obnoxious after a while, and writing Hamilton but in Minecraft really isn't the modern Shakespeare or anything. However, I think his exploration of characters and plot progression was a lot more thought out and well planned, like he actually had two brain cells behind the story yknow? The current team I think fails to be as emotional or even impactful, things happened too fast and my god was everything drowned in angst for so long.

Don't get me wrong, you gotta have your characters face hardships to make them reach their goal believable, but some of the shit they put the characters through just felt like too much. From c!Tubbo's constant comparison to c!Schlatt [who btw, fucking ordered his death and kept him from his friends in a nation he felt trapped in] and on a side note, i kinda really fucking dislike the "c!Schlatt dad!!" au's or the au's where c!Tubbo inherits some of Schlatt's features, it would be like c!Tommy getting a c!Dream mask after his exile, it's feels so weird yet people eat that shit up for some reason.

But god, did c!Tommy get the brunt of it all and in retrospect after his final death, it kinda feels really fucking gross. Now obviously, I'm not trusting any of these people to write decent mental health representation, but c!Tommy's PTSD and how it was explored was just degrading. [Specifically the scene in that one Techno stream where he saw the final control room from the first war, and had a flashback / panic attack where he started calling out for c!Dream. I understand this is an actual thing people with PTSD will experience, but it felt so fucking stereotypical it got on my nerves. I actually had to close out of the stream because it made me feel sick, fiction shouldn't leave you feeling that way.] And don't get me started on how they basically reused the formula from the previous arc. [Problem introduced -> Tensions rise as things start to fall apart -> Big confrontation -> Exile -> Return from Exile -> Blowing up L'Manberg, again.]

And speaking of characters-

E. Character Arcs, or the lack of them In my genuine opinion, some of these characters' arcs are so disappointing. Especially c!Tommy's. I'm not one to believe that he was a "selfish" character or anything, however, his goals were simply set on his discs and maybe c!Tubbo, he didn't have much outside that. However, L'Manberg gave him something to care about, he gave up his discs for it and he fought for it tooth and nail, I think it taught him to open up to others and trust more. It was a great character arc for him to have, seeing him still fight even after his first exile alongside c!Wilbur, to return safely to the nation that he and his found family had built.

But then his second exile happened, and I feel like all of that was undone.

c!Tommy's exile genuinely pisses me off for so many reasons. It's not that characters can't have their low points after reaching a major change or feeling like they've "completed" their arcs or anything, but it's more of the fact that it seems like he's never going to heal that feels like a spit in the face, especially to people who might have had setbacks like that before. Progress isn't linear, sometimes things happen and you get knocked back down, it can take a while to get back up, but I don't think c!Tommy's character is ever going to be allowed to get back up. From c!Dream, who pretty much was a constant abuser in his life, killing him then reviving him, and his still fractured relationship with c!Tubbo, which by the way I have a had time believing they would still be friends after all that happened, it feels like he can never get a win and it's generally kinda a shit way to treat your characters who have been abused. Of course, not all abused characters are going to get happy endings, I'm not trying to dictate that they all should, but c!Tommy deserves one and the fact that it's so obscure feels shitty.

Side note: we still don't have a canon reason to give a shit abt the discs. Like I'm sorry but without some sorta connection to the MacGuffin why should we give a shit about him getting them other than "he wants them lol". Like hell, I would even accept the classic "they were the last gifts from his parents" or something, but we still don't have a reason.

c!Tubbo also lacks a fulfilling arc as well, from someone who started out as a yes man, he has progressed a bit into having his own interests first, but besides that sometimes his character makes me so. depressed. He's easily one of the most pushed around and hated characters within the story, all for being a kid who didn't know what to do and he's in the same vein as c!Tommy; these kids can't get a break. Also, his anti-violence beliefs morphing into the "lets kill c!Techno lol!" bit was so out of place and without proper build-up it was like. what. And now he's building nukes?? god c!Tubbo makes me so sad because he's kicked around constantly and never given a chance to grow.

Another small note, I also don't really enjoy c!Techno at all. Besides the previously stated reasons of lack of emotions when they're really needed, I find his character to be weirdly pretentious. He talks as if he's constantly been betrayed and hurt but I personally, don't see it? Like, I think one of the main examples was the Pogtopia vs. Manberg war, yknow he wanted to end the government but they just reinstated it after they won = c!Techno upset. But this doesn't make sense to me because why did he think otherwise? The entire time c!Tommy had talked about taking back their nation and starting again, so the fact that c!Techno suddenly thought there would be a sudden change is, to put it bluntly, kinda fucking stupid. I don't want to say that he "plays the victim" or anything because that feels a bit harsh, but his character feels so far up his own ass that I can't enjoy him.

I have a major grip with c!Dream as well, but that's getting it's own fucking section.

F. L'Manberg This is a quick note before we get into the, forgive me for this, endgame, of this entire rant, since the next two sections are tied together. But god, L'Manberg makes me upset because it feels like they gave up on it.

Don't get me wrong, I understand that it is supposed to be c!Wilbur's "unfinished symphony", the thing that destroyed a once charismatic and widely loved man, his attempt at power that utterly ruined him. But the fact that it just got blown up in the end after everything and left to rot felt like such a waste of time. From the first war, to Pogtopia, to even c!Tommy's exile, it all felt fucking worthless in the end, and the story is actively closer to how it was when it started now more than ever. I wished it was actually allowed to exist and continue to be a peaceful place in what is a chaotic world, but no it was just snuffed out because why dedicate to this concept of finding others you can band together with and feel safe. fuck that noise apparently?

G. The Villains Now villain-wise, I'm only talking about c!Dream [during the first war], c!Schlatt, and c!Wilbur. And believe it or not, this is actually mostly positive.

Now I'm not gonna lie, c!Dream as a staring antagonist wasn't bad actually, he posed a genuine and threatening opposition to L'Manberg, even if we didn't know his real intentions or motivations as to why he was against it. He's lucky in this sense because he didn't have to be good, he had to be passable. If anything, he felt more like an anti-hero than a tyrant or traditional villain, and my god do I wish he kept this theme going forward.

Now quick disclaimer, I don't like JSchlatt as much as the next guy, he's an adult man who should know better than to joke about some sensitive topics and act the way that he does. But the one thing I'll ever give him is that damn, was he a good actor for his character.

Now here's the thing, c!Schlatt wasn't particularly deep at all. He had no real motivations behind his exile of c!Wilbur and c!Tommy other than getting competition out of the way, had no reason to act the way that he did and yknow? that's fine. The reason why he worked was from his performance alone, he was actually intimidating. When he came onto the stream and was doing his typical bad guy stuff, it was actually intense to see what he would do. Whenever he would almost catch c!Tommy back in Manberg, whenever he would begin to pressure c!Tubbo, it put you on the edge of your seat and it felt like everything would change at the drop of a pen. He's a villain to be a villain, and this works out because he's just charismatic and well put together enough to make it interesting, even without the backstory or motives.

c!Wilbur however, is much more tragic, and the best villain of the story. He essentially was the "mentor turned evil" trope and it felt terrible watching him descend into madness, unable to trust barely anyone except for c!Techno and c!Tommy. Hell, in the end I think he still cared about them both, despite losing everything. Sure, he blew up L'Manberg, but there was still a smidge of the old c!Wilbur in there made everything he did feel melancholic. His death at the hands of his father after achieving his final wish was chilling, and something I still think about.

Until yknow, Ghostbur came back way too soon to let people feel his loss as a character within that world. And then he got revived, pretty much-undoing everything that moment meant for his character lol.

And then there's the worst one:

H. Dream. I'm going to be completely honest, c!Dream is one of the main reasons why I dislike the current dsmp stuff so much. Outside of his actions as a person, the way Dream decided to write his character as this overpowered madman of the dsmp really just. destroyed any intrigue that he could've had. Perhaps this is from my growing dislike towards him, manifesting into a bias towards his character, but god I cannot fathom why people try to insist he's interesting when he has as much depth as a fucking puddle.

And here's the thing, I'm not even entirely against c!Dream being a villain, hell I think he would've been great as an anti-hero if anything. Make him sympathetic but not through c!George to get your precious "DNF" points or anything, but show him actually caring about the people within the dsmp, including c!Tommy and c!Tubbo. This would make his rival status with them just a bit more complicated, sure they're enemies, however, he doesn't want to hurt or kill them, and there's still a level of friendship there that keeps them bonded when things get super bad. This could've been super interesting to see, the first villain of the story receiving a sorta redemption arc then descending into madness as he started to fixate on being a god. This is all how I feel personally, but god do I feel like it would've been better than his current character, and hell would've worked with how he was during the Pogtopia arc, before the war that is. I'm not trying to tell Dream how to write his own character, but there are so many other ways he could've done the madman seeking to become god rather then. whatever the hell we got.

Because instead, we got this power-mad asshole who does things... because he can? And that's one of my major issues: he tries to surround his character in mystery to make him "intriguing" but it's kinda like c!Techno, it comes off as pretentious. Not only that, but you cannot keep waving around this mystery of a backstory without ever actually revealing it. I know the story isn't over, but c!Dream is effectively at his lowest point, now would be the time to reveal his backstory. But no just keep it in the dark and keep everyone guessing, that's totally fun and not at all tiring and annoying. (sarcasm, if anyone needs it)

And back to his performance, he doesn't sell this aloof, cynical and strategic warrior that has perfected the blade or some shit, he comes off as some angry guy yelling on reddit. which i don't need to tell you, isn't intimidating. It feels like he's trying to have c!Schlatt's intimidation combined with c!Wilbur's depth, but instead he's like a little brother who's trying to hard to mimic his older brother and is kinda embarrassing himself.

but other then that i dont feel too strongly abt the dsmp lol

but seriously, these are the main complaints I have abt the story tbh, I could probably talk about more but I wont because man. this is probably gonna get me in trouble if any of the hyper-dsmp fans actually read it.

[astrologista]

jason stop dying

ooooook i just watched ditf. it was PRETTY GOOD.... i only wish there was MOOORE! watching this REALLY brought me back to 2011 times to see it and i think they did a good job with most of the character design and animations insofar as matching it to the original. (maybe i’m totally wrong but i thought it looked good for the most part... also i just really love these character designs in particular). obviously the budget is not what it would be on a feature, so there are a LOT of places where animation gets recycled and many still frames. some parts are basically a slideshow lol. but i only sort of came to that realization awhile after watching, so i think they did a fairly good job of masking this... ymmv

so let’s get into it!!! 

SPOILERS a-head! do not read until you’ve watched it because i’ll spoil everything

now obviously the thing to be aware of if you are not is the fact that this adaptation is not a panel-by-panel adaptation of the original death in the family comic. all references to jason’s mother (save one mention of her dying of illness) are completely removed, they go to bosnia instead of africa, and the circumstances around jason leaving are also heavily altered to fit the new narrative. this adaptation does slot perfectly into the universe established by the under the red hood animated movie from 2011 though, without which one would be pretty confused when watching this. it’s kind of a mystery as to why they didn’t just package this with utrh and release the entire thing as a collectors edition. instead they package it with like 4 or 5 unrelated dc showcase shorts which makes absolutely 0 sense but go off i guess. anyway

i liked that they took the time to adapt the scene from the original ditf where bruce is talking to alfred about jason! (i do not like that alfred didn’t get any lines. bad choice). tbh i can’t understand why they bothered showing us alfred, barbara and dick if they weren’t gonna give them any lines..... like come on........??

HOW INTENSE BRUCE LOOKS WHEN HE FINDS JASON IN SARAJEVO and just. grabs him lol. hes smad :)

ok so one two skip a few and we get to the first branch. instead of calling 1-900 we now get to choose whether jason lives or dies. there are 7 possible endings i think i got em all so let’s see what we got here.

“Hush” Route - Robin cheats death

hgrgdggr. i definitely think this is one of the more interesting endings, if not the most interesting one. this is also the only ending in which both bruce and jason survive the bombing. bruce is still too late, but this time jason barely clings to life and survives. as a hurt/comfort fan i was 100% on this shit from the word go but then jason? runs away from home lmao lmao i thought that was SO funny because 1) hes super messed up, how is he able to just literally run out the house that is SO funny to me and 2) implying that bruce would ever not be keeping an eye on him after that is just, lmao. it’s so zany. i call this the “hush” route because of the bandages but there are no other references to hush so ok. that’s fair. so anyway jason is now angsty for loosely explained reasons but the most fun part is yet to come.

when talia showed up, i really thought / was terrified for a second that they were gonna bring up certain “events” regarding damian��s parentage / who damian’s father is but then she mentioned bruce and i was like OH THANK GOD WE CAN STILL GO TO HEAVEN. i am so so grateful to the writers for NOT going there. cuz it was damn close ok. im not sure what the implication of this route is in terms of talia, jason and damian being a family unit but i want to believe talia sees jason as a son and damian’s brother (which is how she refers to him, damian’s brother) and not... yknow. i mean. jason raising a baby is kind of like a baby raising a baby...

no actually the reality of this scene is really dfuckin interesting like. they actually go with the “birth of the demon” (forget if it was birth of the demon or bride of the demon. one of those.) explanation for damian and that is something i’ve NEVER seen adapted so whoever wrote this can have a cookie and i kNOW this is something a certain someone will appreciate :)

not only that but the implications? are interesting? so talia’s claim is she miscarried so bruce won’t have to “choose” between damian and jason and idk if she’s supposed to be all on the-up-and-up in this universe but. i’m sitting here like GIRL YOU DON’T GOTTA DO THIS HE HAS A PRIVATE JET HAVEN’T YOU HEARD OF SHARED CUSTODY and BETTER YET HE HAS A MANSION JUST GO ON MAURY AND GET THIS SORTED OUT RIGHT NOWwwww

i’m also LAUGHING at the implications of jason thinking theres anywhere on earth that he’s going to go and hide damian’s existence from bruce. because you already know he’s just going to be tearing the planet apart looking for jason so this is actually hilarious. imagine he finds jason in one piece and also a baby. his baby. he’d be like (@ talia) “OMG WHY WOULD YOU THINK I WOULDN’T WANT THEM BOTH u are tearing me apart talia......” BUT THEN HE WOULD BE SO FREAKING HAPPY BECAUSE HE HAS TWO ALIVE SONS AND HE THOUGHT THEY WERE BOTH DEAD / (lost to crime)!!!

please lord imagine all of jason’s angst probably just originating from the fact that he has a brain injury that hasn’t fully healed and the trauma of going through all those surgeries probably gave him a lot of fear / paranoia about bruce and associating him with the joker because his neural pathways are all messed up but after he leaves he starts slowly healing back and regaining some of his lost sanity and thats when he realizes he misses bruce so much... but hes also raising his child... and every day it gets more difficult for him not to just take damian and bring him home and i ;v;

anyway i thought this route, while it had a few inconsistencies in it, was really freaking interesting and it gave me feels and plot bunnies and is probably the one i want to write about the MOST despite the fact that baby damian looks like a character from one of those web flash games in this lol

“True” End - Jason Dies

now if you select that jason dies the route basically defaults to the canon of under the red hood and the fact that utrh does not come packaged with this movie is a rather mystifying choice to me as i don’t think this adaptation would stand on its own very well. like you need quite a bit of background to really get anything out of watching this on its own, which is probably why it’s classified as a “short” and not as its own movie.

instead of showing all of utrh, it seems they took the opportunity to give a ~30 minute recap of utrh with basically entirely reused animation but they allow bruce to sort of. give his dvd commentary over it.

the biggest feeling i have on this is that it’s sad that they had to waste 30 minutes like this that could’ve been used to do something new and much more interesting, but honestly i’m not mad. it seems kind of obvious that this choice was probably made for budget and/or runtime reasons because a short does not get the same budget set aside as a full length feature film does. so they basically took the option of recycling 30 minutes of animation from the movie and dubbing new audio over it.

in evangelion they ran out of budget and that’s why the last two episodes consist of nothing more than still pencil drawings and frames while the characters engage in philosophical debates concerning the nature of reality and human connection. and i really enjoyed that. and for the same reasons, i also really enjoyed this.

i enjoyed seeing the clark kent of this universe. i enjoyed that he was basically out on a date with bruce. i enjoyed that bruce was willing to open up for once and tell clark all of what happened with jason. but what really makes this segment shine bright are bruce greenwood’s line reads. there are SO MANY good line reads in here. and i LOVED how many times he said the word “son”. very wholesome. the way he describes how he felt during the final fight with jason? probs my favorite FUCKING part.

and then him and clark joking together about contingency plans and then they’re going to work together to find jason and i ;_; this is probably the closest thing to a “good” ending but as a continuation of utrh i thought it worked really well. i really want to believe that bruce and clark did find jason in this route and that there was some closure in the end even though we didn’t get to see it.

including clark in this was DEFINITELY the right move as well, considering that he played a rather large role in the original ditf so it’s a welcome nod.

The rest of the branches exist under a separate option where Bruce makes it in time to save Jason from the warehouse... but Bruce dies......... :O

let me tell you bout it... bruce’s fucking DEATH SCENE i don’t know WHAT my man bruce greenwood is on, but the freaking LINE READS in this dialogue had me making INHUMAN NOISES. LIKE NOT ONLY WAS THE DIALOGUE GOOD, NOT ONLY DID HE SAY “I LOVE YOU, SON”, but this man is just an amazing actor. not just voice actor, but actor. he really really really really gave it the most i don’t know how else to say it....... it was very very well done and punched me sideways in the heart and i haven’t recovered and i’m not going to recover. and

ok so once we get past that.... scene.... u have to choose whether you’re going to catch the joker or kill the joker. bruce asks jason to promise not to kill the joker but technically jason doesn’t promise so........

Let’s start by choosing to kill the Joker. Jason attends Bruce’s funeral and various members of the Justice League show up to talk with him and just generally hang out. He has Alfred, Dick and Barbara as his support system, but Jason has some other plans.

This leads to a scene in a cafe where Jason meets with a man who... something something Killing Joke, flashlight, more Barbara being used as a plot device when she deserves better, Jason kills the Joker with a butter knife.

Once you do this you can choose to surrender to the police, or retaliate and escape.

Jailbird Ending

basically if you surrender to the police jason ends up in prison where he can actually attack even more criminals so.... ya

If you retaliate and escape instead you go to the Red Robin route where Jason becomes a vigilante who kills people much like the Red Hood and you get a further choice in a fight with Two Face where you can control how Harvey’s coin lands. 

Tim Ending!

If you choose the coin to land clean face up, the thing rewards you by having Tim show up and I forgot what happened (wasn’t really paying attention lol) because i was so focused on TIM!

Prolly they felt sorry for him what with Jason stealing what is essentially his outfit (ok I know it was Jason’s first, but Tim made it cool) so they let a little baby tim have an appearance :) he’s very smol

I guess in this ending Jason gets reintegrated with the family somehow and Tim becomes “Bat-kid” which is hilarious to me but you know what it’s cute. CUTE.

The one ending where the coin lands scarred side up

i honestly forget what happens if you choose to have the coin land scarred side up but let me just say this is a FUCKED route to take, not only have you had jason survive and bruce die, you’ve now chosen to kill the joker against bruce’s dying wish, you’ve chosen to attack the police, and at the end of that you really are gonna choose harvey’s coin to be scarred face up???? choosing this made me feel like a DICK because here i am supporting jason’s whole fall to madness and villainy thing the way it wants me to and now he’s gonna die HERE? i hate it here.

interestingly enough he doesn’t actually die in this route. he ends up at home with barbara and dick while dealing with the fact that he killed the joker but the route ends with jason saying “i promise” so i guess this is supposed to be kinda sad. im so confused lol ok

So that is all the options if you choose to kill the joker, I believe. You can also make the choice to just catch him instead of killing him but amazingly enough, those routes are even more FUCKED up. 

If you do this option Jason goes home, mourns Bruce with Dick, Barbara and Alfred, and becomes Red Hood BUT with a twist, he’s entirely on a bloodless operation in line with Bruce’s wishes. OR.... IS HE?

Things then follow the events of UTRH until the scene on the bridge with the van and the guys. Jason finally confronts Joker, who reveals the truth. 

Apparently in this route Jason has actually been killing and decapitating his victims just like in the original movie, but he’s repressed it so as to not even realize to himself that he’s doing it.

that is FUCKED. also. i wanna cry because jason doing all of that stuff but not even realizing it ;------; jason blocking it out, because he wanted to honor bruce’s wishes for him not to kill anyone ;______; but he’s doing it anyway ;_____; he’s actually hearing voices telling him to kill ;____; like it’s a very cheap twist in a sense and also really quite cruel but.... damn, son.

There is a branch here where you can choose to spare or kill the Joker at this point (UNDERTALE???) but from what I can tell it seems to be totally meaningless what choice you pick because you end up at the exact same point either way, I think there’s a small variation in what happens after you make the choice but after that they just coalesce back together into the following two endings. Which seems incredibly cheap to me, I mean making a choice like that should alter Jason’s path completely but, it doesn’t! So... ooook....

Either way Jason ends up on the Wayne building and Talia shows up with a re-animated Bruce from the pit. Here’s another fun blast from the 2011 past with more gratuitous Grant Morrison dreck, remember that shit? Well, they’re gonna jam it down your throat here, too.

The reanimated Bruce is the Zur En Arrh Bruce and he’s already dead so this is all meaningless but basically Jason fights him and you get to choose whether everybody lives or dies.

Zur En Arrh - Everyone Lives!

if you pick this, jason actually gets the re-animated bruce back to the batcave and they lock him up down there because he’s still pit-mad and the prognosis is not great. but i’m not sure what they expected, he is the zur-en-arrh guy so I don’t think he’s getting better. 

Zur En Arrh - Everyone Dies!

pretty much there’s an explosion and all three of them die and that’s it

I think that should be all the possible endings there are.

By the way the different ways in which black mask dies in this was actually a fairly clever running gag lollll. let that mf burn we don’t need no water.

overall there are a couple of things i would have done to SIGNIFICANTLY improve this adaptation beyond some of the obvious ones.

- the fact that all of the branching options are branched exclusively under the “jason lives and bruce dies” branch is a huge wasted opportunity. imo this is the most egregious problem with this, i was really looking for a more balanced tree / explanation of different things. i am probably super biased though being a fic writer and used to fic, we’re the ones making huge ass trees every day lol.

- the fact that there is no “good” ending here is something i kind of expected but given the context of this is lackluster. i sort of get it though because granted, the original ditf ends in an unresolved manner but it’s distinctly unsatisfying here. i secretly wanted an ending where bruce, like, figures out about the different endings and hacks reality to try to find a good ending where jason lives and everything is fine lmao. like a bat mite ending.

- i was disappointed in a sense that the narrative given in here is so basically simplistic? maybe i’ve been spoiled by games like 999 and undertale where shit gets messy and that’s not what this is supposed to be but when i play something with multiple endings in this day and age, at least play with the concept a little bit and connect some of the branches together narratively. use different devices. i was also hoping some of the choices would be a little bit meatier like you could choose to “forgive bruce” or something cool like that lol. but it looks like the majority of choices have to do with who lives or dies. and i felt like they couldve been a bit more creative with that ya know? being able to control harvey’s coin was a GREAT example of having some more fun with this.

- it is a huge missed opportunity not to have a “secret ending” on something like this. like where. the fuck. is my secret ending for completing everything. come on. and in a similar vein there should’ve been at least something in terms of bruce and jason interacting in a “true ending”. even if very brief. the closest thing to an ending this has is the “jason died” route and then the ending where he’s talking to clark which i feel like was a REALLY nice good optimistic ending as far as this goes, but it comes off as kind of disappointing i guess

there were SO many interesting nuggets locked into this thing though. i can’t deny it bugs me how many wasted opportunities there were with how they chose to structure things but i guess it’s the best you can do with limited runtime. i thought it was really well done though, makes an interesting companion piece to the original utrh, and is definitely something that i will be re-watching again soon!! overall i give it a 7/10 and some parts an 8/10+!

[niennavalier]

Okay, belated Star Wars thoughts under the cut; no particular order, just as I think of them. Possibly some unpopular opinions, I dont really know, I'm not all that active in the SW fandom. So maybe I'll get roasted alive but...eh, whatever, this site is somewhere between an void and hell anyway.

Also SPOILERS BELOW (OBVIOUSLY)

[[MORE]]

Okay, so first things first: I enjoyed episode 9. A lot. It was really fun to watch, and just talking in terms of my experience in the theater, it was fantastic. It was so much fun to see the old crew back, all of those appearances were basically like happiness shots in the arm. It was really very cool. The Palpatine reveal and everything around it was pretty damn epic for the obvious reasons. And I absolutely loved seeing the trio bantering and arguing and passing each other - I always love stuff like that. I swear, just give me hours of good character interaction and I'll be happy. Kylo and Rey fighting together/him using the blue lightsaber was also some cool shit and basically like "yaasss heres the payoff for the entire trilogy let's fucking gooo"

Oh, and I need to mention that little droid that Rey fixes. That little guy was adorable and I want merch for him and I will not hear otherwise. (The droids are always great in all the movies fight me)

Also Zorii and Jannah. Badasses, loved watching them and the way they got to interact with the main cast. Just...wanna spill all the love for them in this sentence.

But there are a lot of other things I have to say about the movie - especially the more I think about it and the trilogy as a whole. Dont get me wrong; I still really loved watching the movie. There are just...certain things that feel like missteps or missed opportunities?

(Not counting how badly Oscar Isaac wanted Finn and Poe to be boyfriends, which I just discovered is a thing. And reminds me a lot of anytime anyone mentions Julian Bashir to Andy Robinson and his response is always "oh Garak wanted to have sex with him from the start". Which I literally love so much, this man is a treasure, and I'm glad that apparently the same thing is happening here. And it's not that I'm not gonna talk about it here cause I dont think Poe and Finn should've been boyfriends, but I'm pretty sure Oscar Isaac has much more to say about it than I do)

Gonna start where I always start when I have problems with writing: romance. Because IMO badly written/unnecessary romance can ruin any good story real quick. I'm talking about the kiss at the end. I'm not saying this to bash on the Rey and Kylo shippers. Generally, I dont care what you ship so long as you dont start harassing everyone else; I care even less when it comes to this fandom cause I just participate in it so little. So this isnt me bashing on the ship itself or the fans, but I just think that, in the context of the movie itself, the romance was really poorly handled. To the point that I saw the scene going that way and all I could think was "oh god please dont kiss, I'm begging you". And well...we all know where that went. But I just never got a romantic vibe from the two of them in terms of what was shown on screen. The chemistry always felt familial, at least to me, across episodes 8 and 9 in particular. I dont know if that's just the chemistry between the actors or what, but the tension between them never struck me as romantic - more like two people desperate for someone who understands the chaos around them, not lovers.

Again, granted, maybe that's just the way I read stuff, especially considering I really appreciate movies that don't feature romance arcs. I'm not sure how it read to other people, and I'm not gonna bash on the shippers who like it. I may feel like JJ Abrams didnt write a convincing romance - or just stuck the kiss in there at the end to fulfill some plan from episode 7 that didnt actually pan out - but I have no problem with the ship itself, or the people who ship it. (Because at the end of the day, this is all fiction, and I couldnt care less how anyone chooses to interact with it)

(And this isnt an entirely rated point but because I've seen it around:

In all honesty, I'm starting to think that the romance thing was just a symptom of a bigger problem with this trilogy: it doesnt feel cohesive. It's like JJ Abrams and Rian Johnson had two separate sets of notes and just refused to actually look between them. Two separate sets of ideas that they were too stubborn to compromise on.

And I have a feeling (at least, talking to my little brother, who definitely feels this way) that a lot of people are pinning this fragmented feel to the trilogy on Rian Johnson and The Last Jedi, but I honestly don't think that's fair. Because, and here's the unpopular opinion: I really don't think Last Jedi is that bad. At least, not bad enough to deserve all the flak it gets.

Won't get into that entirely here because that could be a whole separate post, but that's my opinion. Sure, it's not perfect, there are definitely a lot of parts that are pretty irrelevant and not really necessary, but that's true of everything. Frankly, its biggest problem was that it was written for the wrong audience. Which is a major problem, yes, but taken for what it is, it's perfectly decent. As I said before, I could write a whole thing on this movie and why it's not that bad (because I have my brother's points as to why it's terrible for me to argue against) but overall, my reading of 8 is that it's a movie meant to introduce wider ideas and concepts to the universe - particularly this very gray and murky area of morality and character - through stories that are closer to the characters and tied to harsher realities of war. Things aren't always black and white, people are complex, sometimes our heroes can be gravely wrong in ways that aren't glamorous.

Frankly, it feels somewhere between a super deep indie movie and Star Trek (particularly DS9, at least to me, because I love when that show gets to twisty moral stuff). So yeah, wrong audience, yet he decided to stick with his storytelling despite that. No matter I personally might fall into the audience that movie resonates with, it wasnt gonna resonate with most of the fandon.

Again, Last Jedi is far from perfect in other ways too, but it sets up some great ideas that I was really hoping to get some closure on. Honorable mention here is when Rose saves Finn when he's speeding out to sacrifice himself and because of the desire to save the people they love, which I always end up likening to the "we dont trade lives" sentiment. Mentioning this cause my brother always complains about it, but I was thinking this would be one of those virtues that separate the good guys from the bad guys and ultimately allow good to triumph. Yknow, sorta like how Voldemort's lack of understanding of love contributed to his downfall, to liken it to HP. I was under the assumption that would be the concept at some turning point in the climax, but...guess not.

Big one though, which was actually a pretty big disappointment IMO, was the whole neutrality argument, the existence of a grey area. The most interesting thing from Rey and Kylo's scenes in 8 was the notion that the Jedi and Sith could be left to die, and the two of them would essentially find a way separate from those two sides, walking a path down the middle. I know I'm not the first person to bring this up, especially because of how the Force just...works. That the scales need to be balanced. And so, given that, to have the Jedi always destroy the Sith - that's not balance. Give it a few more years and the same problem is gonna happen; if there are Jedi, there will be Sith and war is gonna break out. That's hardly resolution, so neutrality is the way to go. And, personal opinion - I loved that this ended up in 8. It's just a lot more nuanced than "good vs evil, good is victorious" and brought in new ideas to this universe that I really wanted to see explored.

But that just...never happened. Sure, Rey has that yellow lightsaber at the end, but it's really very little more than the barest hint of lip service to that entire concept. Because it's never built on throughout the movie. Kylo's insistence that they look for a different way turns into a demand that she basically become his Sith queen. Which isnt playing with the gray area - it's more firmly dividing light and dark. And as she's fighting Palpatine, he's all the Sith, while she's all the Jedi; doubt that needs further explanation. Sure yeah, she's dealing with the revelation of her bloodline throughout the movie, but that interaction with the dark side is very different than in 8; she's afraid of it (a character arc I love, dont get me wrong), not lured by it. The Sith are very clearly evil, and despite her family, she comes to embody the Jedi as a whole. The opposite of what was laid out in 8.

Which actually just makes her choice to take the yellow lightsaber make even less sense? Because...she has no reason at all to turn away from the Jedi and every reason to keep using the Light side. The only possible reason by that point is if she knows about the balance and makes that choice intentionally to prevent the rise of a Sith lord. But that choice is never shown, so I dont give that a pass. It just feels like the lamest nod to something from 8 - no buildup, no explanation, just there because it technically should be.

And that fucking sucks. What a waste. Puts so much space between these movies.

The romance might be another aspect of that - 8 didnt really give me a strong romantic vibe, and then 9 tried to benefit off of buildup of romantic tension that just wasnt there. And that romance isnt the only other one. Just the existence of Palpatine at all? Like, awesome plot yes, but not at all foreshadowed. The banter between the trio at the start? One of my favorite parts to watch, but it comes out of nowhere, and I guess we just have to live with the idea that all of the development happened off screen. Lame. The return of the fucking helmet? Fuck, i actually have more i can say about the way i interpreted the helmet, but this is getting long. So point being: it's like we just got zipped right back to episode 7 all of a sudden and didnt even get a symbolic moment of him losing the helmet in 9 (at least, not that I remember).

Really, on the whole, JJ Abrams basically did the beginning of 9 such that most of 8 could be made irrelevant. Because that's how I felt throughout the whole movie; like 8 didnt matter. And I know a lot of fans are honestly happy with that (so maybe if was actually the right choice on that front) but god does it make the whole trilogy clunky. Literally nothing flows.

And I think that's my main problem with the trilogy as a whole - or, rather, with the production behind it. It's like JJ Abrams and Rian Johnson were just so goddamned married to their ideas that they wouldnt budge from the story they wanted to tell. Like they put their individual creative visions above the quality of the story as a whole. Like they weren't willing to deal with any changes that they didn't put into play themselves. And the trilogy suffered for it.

Which is really so obnoxious to me. Because it is very possible to be flexible and improv and incorporate other ideas into what you already had; just look at D&D. That's the job of a DM. You can plan everything out perfectly, figure out the story you want to tell, decide how you want everyone to interact with your world, but the players will invariably fuck those plans over. And you just have to roll with the punches. But beyond that, those changes can be for the better, because those are ideas you never thought of, and incorporating those makes for an even richer story than anyone expected. All because the people involved are willing to see where the story naturally takes itself.

Just wish these directors could understand that.

(Also...what was Finn gonna tell Rey? I mean...? This is honestly the strangest thing about the movie because it literally felt like the writers just...forgot they ever had this plot point after halfway. Which just feels like sloppy writing, and I feel Poe when he seems to be really curious what Finn wants to tell Rey. Because...me too!)

[shewasanamericangirl]

kamen rider super-1 review

i’m sure you’ve all heard of the “joe odagiri effect”, named for the protagonist of 2000′s kamen rider kuuga. well, just because the term got its name from a heisei rider doesn’t mean it wasn’t something toei was well aware of and banking on as early as 20 years before.

not only did super-1′s face actor shunsuke takasugi get plenty of fanservicey footage and female attention, he achieved infamy in 2013 for scamming his fangirls out of millions of yen under false pretenses. that right there is the power of kamen rider sex appeal--as well as a truly disgusting case of a tokusatsu hero who failed to learn the moral lessons of tokusatsu, and indeed, who lived long enough to become a real-life villain.

now that the ugly part is out of the way, let’s talk about the show itself.

i really want to be positive about this but man, super-1 didn’t age well. obviously 1980 didn’t have anything like the super shiny visual effects we’re spoiled with by modern tokusatsu series, but super-1 was pretty recognizably low-budget and not all that well written either.

plot: the premise, while kind of goofy, endearingly brings to mind the kind of story idea an excited small child would come up with (not a bad thing!). kazuya oki, an orphan brought up in a high-tech american science lab, volunteers to be the test subject for their project to develop a cyborg kamen rider specialized for space exploration. not long after his body is remodeled, however, a monster and a bunch of androids attack and destroy the lab. unable to transform into his rider form without the help of the lab’s equipment, kazuya does the logical thing and travels to japan to spend six months training as a shaolin monk. but hey, it works! then kazuya goes to hang out at a motorcycle shop run by tani, a man who apparently knew his parents. i found it interesting that kazuya volunteered to receive his abilities, and that he had to train to develop the ability to transform.

...and from then on out, it’s monster of the week. the first half of super-1 has a special focus on martial arts, while the second goes more into introducing new ally characters who do detective work to help out super-1. a couple times the first half attempts heartfelt plotlines and relatable villains, but they all end the same way: with the obligatory flying kick and explosion. episode 22 stood out as having a decent emotional plot, at least. the second half of the series, on the other hand, distinguishes itself more with its absurd monsters and inter-villain drama, and its most memorable episodes are the ones featuring monsters and gambits too silly to forget.

characters: yknow, in the first half of super-1, i actually got attached to the silly-looking robot mooks more than anything else; i liked the bwooping noises the dogma fighters made, and the hilariously casual robot gore and dummy-based violence they suffered each episode.

however, that’s, um...in absence of any really engaging characters. kazuya’s bland. his monk buddies are generic. the rest are either comic relief or just more blandness. in the second half, the junior rider squad (an amateur detective club of super-1 fans) forms, and super-1 faces off against the new villainous group, jin dogma...which has nothing to do with the original dogma other than having reprogrammed their mooks. jin dogma has a bit of saucy infighting that reminded me of the vyram from choujin sentai jetman, but if you want fun villains with drama, jetman and toQger do it better.

honestly, masaru from the junior rider squad is the only motherfucker on this whole show who can handle me. poor little dude is smarter than he looks, but generally just gets picked on by the rest of the kids. can be hilariously deadpan at times. i’m tickled by the thought that this widdle baby here must be like in his mid-40′s by now.

music: the opening theme is a catchy and fun earworm. the ending themes are okay. insert songs, no big deal. incidentals, hit and miss.

choreography: some of it’s good, some of it’s awful. the more realistic martial arts techniques are cool, and some of the goofy weapons used in the second half are fun. (the episode where most of the fighting involves ladders was awesome!) super-1′s bouncing and midair twirling before he kicks...rule of cool i guess? most lulzily awkward is the many instances of obvious dolls getting the shit beaten out of them. super-1 does not look strong for beating up what’s effectively a man-sized sock monkey...more suit actors/stuntmen must’ve been outside budget constraints.

visuals: the main reason i chose super-1 to watch was that his suit looked cool. it does! but most other costumes are pretty miserable--especially with the preponderance of dogma/jin dogma monsters who only have distinguishing features on the top half of their bodies and just wear plain tights and boots on the bottom half. at least harumi and masako, the designated cute girls of the series, get some cute clothing to wear, and the fit of kazuya’s pants tends to be, um, flattering.

visual effects are pretty lame. i really don’t know enough about this stuff to tell how much of that is because it was 1980 and how much is because this show was made on the cheap.

all told, i’m not recommending super-1. i’m sure it was great to watch way back when as a japanese kid in 1980 with not much else on tv, but anyone watching it now is going to have a wide selection of past tokusatsu series to choose from, and super-1 just doesn’t have anything that other series haven’t done better. i’m glad i watched, though, because i really wanted (and still want) to learn more of what showa rider series were like.

if i pick up another showa rider series, i’m thinking of stronger or x, since they look like they have some awesome monsters. but for now, the next series i plan to watch is OOO! it looks like another fun and colorful series, and i was psyched to find out that the lead writer is yasuko kobayashi of ryuki and toQger, both series i loved to bits!

[isaacathom]

probably the only cool thing that came out of my stupid dr:dawn thing was the whole thing with the three traitors. they were kinda cool. technically 4 if you count the mastermind, but practically 3

like theres the 3 of them. an actor, a director, and an analyst or some kinda iirc. they were best friends while attending the school, the actor and director were basically dating, its all nice. their 4th friend was i think a computer programmer of some kind, and after a series of logic leaps, decides ‘hey time to kill everyone’. and, with a lot of reservations, the three of them go on board. the actor and director know that they can pretend to have no idea whats happening (yknow, because HE is an actor and she must have learnt something from being a director, surely). but the analyst knows she cant. she knows she wouldnt be able to pretend. so she volunteers to go under the memory wipe so she cant give the game away. a/d arent super into the idea, but she goes under, and the game is under way.

within the game, the analyst either comes to believe she has no talent, or is the ultimate luck, idr. the actor and director have to pretend that theyve never met the others, but the whole group accepts that the two already know each other (which was always true). in an effort to make sure noone tries to ask them too many questions (and thus accidentally blurt out smth stupid) the two deliberately adopt sorta awkward personas. he actor (peeeter? peter, i think) deliberately acts the giant jackass, standoffish and aloof, tho its fairly obvious the further the game goes on that he genuinely cares about everyone. its a stereotypical act but its cool. she puts on a more ~quirky~ persona, acting as though the whole thing is just like one of her movies (which isnt TOO far from the truth, technically) which honestly just pisses a lot of people off.

what hurts a/d the most is that they end up pissing off the Analyst, who finds them insufferable, despite the fact they were once best friends. it really hurts, yknow.

the game goes on, people die, all fun. but it gets to a point where the remaining group is rather tightknit (excluding a/d, naturally), and the programmer mastermind gets incredibly bored. and so she reveals the next motive - Peter, the actor, is the prime accomplice to the mastermind.

and god, how much does it hurt to see people he once called friends turned white with fear and then red with anger. watch his girlfriend struggle to convey the correct emotion and just shake in confusion. everyone anger. he just bolts. completely loses it. out the fucking door in a flash. its almost insane how quickly he leaves. mans having a fucking breakdown in that cabin man. holy shit.

so his girlfriend, the director, Ashley, stammers out something about getting the Truth from him, and she leaves after him. their discussion is tough, because what do they do? rose (programmer, iirc) betrayed them. what do they do? dont do anything stupid, he tells her, when she goes to leave. :)

now Ashley knows whats up. by outing peter, he’s been made into a target. he’ll be interrogated, or executed. his death hangs on the wall, slowly ticking along. its only a matter of time. and she wont have that.

so she sets up a plan. she leaves a note on a random table, purportedly from peter, asking someone to meet them down in one of the rooms. peter doesnt leave his cabin, so theres no risk of him finding out about her plan unless someone knocks on his door. noone does. even though she usually gets up first, she deliberately sleeps in to ensure she isnt the first to find it. if questioned, she says she couldnt sleep due to the peter thing. everyone nods understandingly.

its breakfast. the note is gone. someone has it, and wont own up. the discussion at the table is either quiet or centered around what to do about peter. Ashley insists they go easy on him..... he cant be all that bad! they should talk to him! her words fall on deaf ears. but that note didnt.

that night, she hides at the meeting spot. one of the others finally arrives, clutching it. peter? she hides as her victim enters the room. then, bam, sneak out from behind the door, club the fuckers head in IMMEDIATELY. her victim collapses to the floor. its, i think the boxer. as she sets up her crime scene, she realises the cruel irony. that she murdered to save her boyfriend, who she knows was never into the death game idea and was coerced in by herself and rose, and that the person she murdered also had a girlfriend. another player in their game. she’ll be devastated, wont she. wouldnt be the first time a couple was torn apart by murder, she supposes. it cant be all that bad.

her crime scene is meticulously set up. she wants it to be obvious it was her, but not so obvious as to look fake. she finishes, closes the door, and heads back up to her cabin. the day looms.

the girlfriend ends up finding the body, having been told by him the night before that if anything happened, she should look on that floor. its detective and trial time.

peter is practically dragged out of his cabin by said girlfriend, demanding an explanation. he, truthfully, states he knew nothing about the meeting until they mentioned it, and knew nothing about the murder until he was given the case file by monokuma. people dont believe him. Ashley appeals for calm. its rough.

the trial isnt great. the girlfriend has decided that peter MUST be responsible due to the note. the analyst (still believing thats NOT her talent) instead deduces it to be clearly in Ashley’s handwriting, and blah blah. eventually, ashley is convicted, despite peter’s increasingly desperate attempts to reflect the blame back onto himself because of COURSE he cant fucking believe it!!!!! no!!! ashley is found guilty. peter absolutely breaks the fuck down. raw as fuck. no artifice at all, begging ashley for an explanation, a reason. ashley explains to them all that she knew peter would be murdered if she didnt act, blah blah. and then drops the final bombshell. he knows who the mastermind is. and he will tell you. :) smiles directly to camera before shes dragged off to her execution. peter is still absolutely fucking bereft. and like, yea, hes an ACTOR, but its..... very obvious. everyone had already caught on that his bravado was an act, and it had been breaking the entire trial. with each new point of evidence against her his artifice shattered more, until he said some shit that made is VERY obvious he was definitely a non-mind wiped fucker. guy lost his shit. poor guy.

after Ashley’s execution, and monokumas subsequent revelation that hey, ashley was also in on it. funny, that? and, oh, theres still one more left! :3c everyone is a little bit..... stunned, i think. peter goes to leave. likely gets stopped by the analyst, who offers him a tissue of something. dude breaks down again. he’s just having a rough day.

time passes. there are no more murders. peter divulges a lot of stuff, particularly about the years they lost due to the mindwipe. he’s hesitant to talk about rose, and he’s REALLY conflicted about calling out the analyst’s real power.

later later, all the shit ramps up, the analyst’s complicity in the entire thing (and the fact she was weirdly SUPER fucking into it, and that most of the fine details were her idea) is revealed, shit hits fan, eventually everyone kick’s roses ass and leaves.

uhhh tl;dr the 4 best friends set up the death game, with one acting as mastermind, 2 acting as plants, and 1 participating as a clueless fucker with mind wiping and some other memory fuckery (which she actually didnt agree to, funnily enough, and which started to bother ashley and peter when it became obvious she had been ‘tampered’ with). 1 of the plants is betrayed and exposed to the group, and the other plant (his gf) then fucking kills a guy in order to stop the others from being too rash and killing him before he could tell them anything. that was really on it. i really liked Peter and Ashley. i think those were their names. its good fun.