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#like... the end of book 1 from butler's perspective is fucking WILD
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If I were Domovoi Butler, and I had very recently woken up on the kitchen floor because my twelve-year-old boss tricked me into drinking drugged champagne after a siege (by technologically advanced enemies) of the manor I was in charge of protecting had resulted in myself very nearly dying and my baby sister being in imminent danger of death by giant monster, and after we had successfully released the sentient alien creature (from a race that could easily go invisible) that we had kidnapped (and committed psychological torture on) in exchange for a large chunk of money, and I heard movement from an unknown entity upstairs while my sister was still unconscious and my boss was talking about Santa Clause of all things, and then my boss waved my concerns away, I would simply quit immediately.
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dillydedalus · 5 years
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what i read in april
in which i read two (!!) 5-star-adjacent books and also defeat my nemesis thomas mann 
the paper menagerie & other stories, ken liu
impressive collection of (mostly) scifi short stories with some fantasy elements. liu is particularly interested in historical/collective memory, historiography, textmaking and textuality, and the importance of stories. my favourites were the bittersweet title story (feat. living origami animals), an alternative history story about the construction of an underground tunnel between japan and america, and the last story, in which time travel becomes tied to politics of remembrance. some stories are not as strong, especially an honestly boring take on AI/voice assistants/surveillance, but overall these are really good, especially in how they approach SFF from asian perspectives. 3.5/5
der zauberberg/the magic mountain, by my nemesis thomas mann THE EVIL IS DEFEATED!!! after 1.5 months i finally finished the magic mountain & honestly.... i really liked it. literally all that happens is that a sweet young fool called hans castorp goes to a mountain sanatorium in switzerland to visit his cousin for three weeks and then.... just stays there for 7 years even tho he ISN’T REALLY ILL (which is both incredible dumbassery & incredibly relatable). up there he hangs out with a lot of people, has lots of conversations about politics & philosophy, falls in love w/ someone, some people die, some people leave, hans takes up skiing, everyone becomes obsessed with seances & psychoanalysis & whatever else for a time, there’s duels, and most of all, thomas mann is like HEY TIME IS WEIRD AM I RIGHT??? and it is! it is pretty weird. things i didn’t expect: a) it’s honestly pretty funny, b) i had several feelings (’als soldat und brav’), c) i kind of knew what the ending was going to be but still i was. distraught. ANYWAY. sometimes.... books that are classics.... are really quite good. 4/5
city of dragons + blood of dragons (rain wild chronicles #3-4), robin hobb i really enjoyed this series even tho i think these two are not as strong as #1-2. the central characters & relationship dynamics are great, i was happy to see malta back, and i loved the new plot points here (trader conflicts! hest coming to the rain wilds! most of all, chassim and the chalcedean women’s liberation front!!!) BUT i think all of these could have done with a bit more space; it all feels crammed together at the end & not really satisfying. 3.5/5 for both these books, series rating 4/5 
the hitchhiker’s guide to the galaxy, douglas adams like, it’s funny. maybe i was not in the mood, but funny doesn’t carry a book. 2.5/5
remembering babylon, david malouf (uni) this book is really good but it is also exactly the kind of book you read in a seminar on postcolonialism, which is what i’m doing. it’s set in a small australian settlement in the mid-19th century, where one day a strange man appears who looks like a “savage” but claims to be a ‘british object’. it turns out that he was marooned as a child and joined a native community, and his presence and strange liminal status (’the white black man’) disturb the entire community. it’s all about questions of assimilation, indigeneity, whiteness, and who owns the land, and it’s very very good, well-written, evocative of the australian landscape, dreamy and i’m probably gonna write my paper on it & end up resenting it a lil bit. 4/5
a canticle for leibowitz, walter miller jr. post-apocalyptic monks in the desert preserving knowledge!!! i ADORED the first two parts of this with all my heart (the first set 600 years after the nuclear apocalypse in a new “dark age”, showing the canonization of leibowitz, engineer-turned-protector-of-knowledge; the second 600 years later again, when during the “renaissance”, conflicts arise between church and secular scientists), the third part (a new nuclear/space age w/ mutual destruction threatening) i liked less, especially when it abandoned the themes of cyclical history, the danger knowledge presents to humanity but also its value, and the process of science and culture rebuilding itself from the atomic ashes for a digression on euthanasia, but i still loved a lot about it, particularly the monks sent to human colonies on other planets (”remember this earth... never forget her - but never come back” made me cry). it is very steeped in catholicism (obvi) which i don’t have much of a connection with but i actually loved how the book talked about religion. on the whole, i genuinely, genuinely loved this, loved francis illuminating a blueprint for 17 years, loved benjamin/lazarus (?), the apocalypse being reframed in biblical terms, loved the melancholy & despair over humanity destroying itself again and again, and the mad mad tiny hope for peace somewhere, some time. i will read this again for sure. 4.5/5 
machandel, regina scheer perfectly fine multi-perspective novel about 20th century (east) german history, all revolving around the small village machandel (a lower german word for the juniper tree). it incorporates some interesting perspectives/topics you don’t necessarily see a lot (forced laborers from eastern europe, euthanasia programs during the third reich, a sympathetic look at the promises & failures of the gdr) and it’s a pleasant read but it didn’t resonate with me in any special way. i’m more interested in scheer’s new book, which is literally set right around the corner from me. 3/5 
wild seed, octavia e. butler sooo this is a afrofuturist-y science....fantasy (??) book about two immortal beings, doro (spirit possessing bodies) and anyanwu (healer & shapeshifter) & their complicated relationship over about 200 years. also involving a magical selective breeding programm, changing your gender, slavery of different kinds and a whole lot of babymaking. it’s interesting&unique&very immersive, but not really octavia e. butler at her best imo. i think my next butler will be xenogenesis. 3/5
kokoro, natsume soseki early 20th century japanese classic about a young student and his mysterious mentor. very quiet and slow but still a good read. don’t have much to say about it tho - i’m probably missing a lot of cultural context. 2.5/5
the merchant of venice, willy shakes (uni) tbh i skimmed most of the scenes shylock wasn’t in bc in this house we stan shylock & no one else, but also like why would anyone sign away a literal pound of their literal flesh as a bond for money you don’t EVEN NEED fuck you antonio. 
shylock is my name, howard jacobson (uni) the hogarth retelling of merchant. i’ve read this before & thought it was clever & sharp re: the play & shylock, but ultimately sexist & gross. i still kind of think that but i liked it A LOT more this time around; it’s really the best of the hogarth series (that i’ve read) in terms of actually engaging with & deconstructing the play rather than just retelling it in a modern setting and it does it in a really smart & thoughtful way. everything not about shylock is ridiculous and farcical but that’s really the point - all the characters beside shylock are the worst and already were the worst in merchant. still not happy about the sexism but: 4/5
the complete maus, art spiegelman honestly it really just is that staggeringly good and given the amazing panels about beckett (x), i’m not going to say much more. if you’re interested in the graphic novel (not really novel bc it’s not fictional) and can deal with the subject matter, just like. read this. predictably, my favourite part was the beginning of maus ii, where art (post-publication of maus I) reflects on what he was doing and why (and why mice) and deconstructing the central conceit from within (see the panel linked, where everyone’s wearing animal masks and he wonders whether mentioning housepets will ruin everything). 5/5
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