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#lol thanks for remembering I used to be a massive DC fan anon
glompcat · 1 year
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Do you watch My Adventures With Superman? I feel like you would like it
I have been, and the first six episodes very much were my jam, they felt like after years of being burnt by DC to a point where I actively trained myself to stop caring - and more recently feeling like they specifically felt queer Jews should fuck off (Batwoman followed immediately by the Harley Quinn animated show was such a gut stab and very loud announcement on their part that if any of their queer Jewish characters were to star in something outside of comics they must leave their Jewishness behind) they were starting to redeem themselves.
However I really disliked a lot of "Kiss Kiss Fall in Portal" and it makes me wary of the show moving forward. Granted I basically have been doing my best to ignore DC since the insult that was the new 52, but back when I was a superfan of DC comics one of the key events in any timeline where Superman went evil was Lois died horribly and Clark was twisted up over it. Suggesting that throughout the multiverse Clark goes evil in enough timelines where Lois is alive and well that a collective of Lois's from across the multiverse would be packing Kryptonite and refuse to give him the benefit of the doubt really left a horrible taste in my mouth.
Additionally the way the multiverse Lois's behaved towards the one we are currently following did not feel true to the character to me. That is without getting into why I disliked the League of Lois's in the first place! Lois is not a scifi hero, and the idea that she actually is one in all the other universes - including ones we have followed in the past ourselves such as the DCAU and the dang Fleishman cartoons - really falls flat for me. Lois Lane is the greatest journalist of any universe she is in, defined by her unhinged willingness to do anything to get a story and bravery in the face of danger that puts metahumans to shame. Lois does not need any sort of dimension hopping craft or kryptonite guns or anything like that to be a badass.
Obviously I have no issue with the multiverse itself, DC has had a very well established and robust multiverse ever since the Silver Age when the Silver Age characters and the Golden Age characters would travel from Earth-1 to Earth-2 to have meetings, the only way to get rid of that multiverse is a Crisis and no one wants that, but the whole episode felt badly constructed to me and a truly badly thought out way to introduce doubts in Lois's mind about Superman's innate goodness, and probably also Krypton and Clark learning more about himself. There are far easier ways to establish these things, and even tie them directly to Lois's conflicted feelings about Sam Lane while setting up the big reveal that ~The General~ is General Sam Lane, Lois's father.
What made the show a delight up to that point was a sense that the creators really got what makes these particular characters so iconic they have stood the test of time. Clark being the most powerful man in the universe and also a total sweetheart. This is a character who was literally designed by Jewish immigrants in the 1930s to be a symbol of hope! He is supposed to cut through the noise of a toxic society to show a better way while also of course being an outsider trying to fit in. Lois being tenacious in the pursuit of a story to the point where it puts herself and everyone around her in danger - and that being exactly what Clark loves about her. Jimmy being a chipper and perpetually kinda youthful figure who loves his friends and they love him too (even if, lbr, Jimmy often also kinda annoys the often much older Lois and Clark) and rolls with the punches.
However the set up of that last ep went out of its way to single these versions of the characters out and say they are different from other versions of themselves.
I am not giving up on the show yet - I am hopeful with time the writers will find a way to redeem this plot they are setting up, but for right now? I felt like that episode missed the mark in a way that casts a long shadow over the rest of the show.
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