#main chup rahungi 1962

[inmyworldblr]

Main Chup Rahungi (1962) | dir. A. Bhimsingh

[indiejones]

INDIES TOP 136 FILMS OF SOUTH ASIAN CINEMA’S 2 GREATEST ACTRESSES - MEENA KUMARI (77 FILMS) & SUCHITRA SEN (59 FILMS) !

A separate Indie playlist, to honour the 2 most popular, highest acclaimed, & widely regarded greatest of all actresses, of the entire Indian & South Asian diaspora – Meena Kumari & Suchitra Sen ! 2 very different actresses in style & school, yet that imbibed the same core depth & ability to penetrate audience imagination & leave them blessed with new vibrant spirit & higher ethos, & even greater admiration for the feminine energy in art. That combined with their eclectic body of work encompassing, one imagines an entire spectrum of female art & life in society at it’s very finest. And even where Hindi audiences at Indies may’ve had a fair taste of Meena jis’s work already, from the various decades lists on Indies Yt page, a great time to view it all in never-before singular artist-based perspective, as well as get enlightened on, in Indie reckoning, the 2nd greatest screen-pair of Indian cinema, Uttam Kumar & Suchitra Sen, the eternal royalty of Bangla cinema for no lesser than 3/4th century, a screen-pair that single-handedly redefined Bangla cinema & raised it to the highest respect & hysterical adulation back in 1950s & 1960s, amassing a veritable treasure house of ‘soul cinema’, a diamond era in Bengali motion art, that saw them competing for highest accolades with no lesser than Satyajit Ray’s brand of ‘life-defining movies’, a divine screen-pairing with Uttam that btw forms nearly 3/4th of Suchitra ji’s life work too. Watch the greatest, in their finest!

Voila ! - 1. .Pakeezah (1972) 2. .Sahib Bibi Aur Ghulam (1962) 3. .Daaera (1953) 4. .Bhabhi ki Chudiyan (1961) 5. .Baiju Bawra (1952) 6. .Musafir (1957) 7. .Grihadaha (1967) 8. .Sandhya Deeper Sikha (1964) 9. .Uttar Falguni (1963) 10. .Deep Jwale Jaai (1959) 11. .Phool aur Patthar (1966) 12. .Dil Ek Mandir (1963) 13. .Dil Apna Aur Preet Parai (1960) 14. .Bahu Begum (1968) 15. .Dushmun (1971) 16. .Datta (1976) 17. .Mamta (1966) 18. .Daana Paani (1953) 19. .Aarti (1962) 20. .Chitralekha (1964) 21. .Fariyad (1971) 22. .Saat Pake Bandha (1963) 23. .Nabaraag (1971) 24. .Devi Chaudhurani (1974) 25. .Majhli Didi (1967) 26. .Devdas (1955) 27. .Harano Sur (1957) 28. .Har Mana Har (1972) 29. .Bheegi Raat (1965) 30. .Sagarika (1956) 31. .Alo Amaar Alo (1972) 32. .Hospital (1960) 33. .Chaowa Paowa (1959) 34. .Megh Kalo (1970) 35. .Smriti Tuku Thak (1960) 36. .Mere Apne (1971) 37. .Sharada (1957) 38. .Sanjher Pradip (1955) 39. .Noorjehan (1967) 40. .Suryatoran (1958) 41. .Champakali (1957) 42. .Amar Bou (1956) 43. .Baharon ki Manzil (1968) 44. .Kaajal (1965) 45. .Madhosh (1951) 46. .Trijama (1956) 47. .Bhalobasa (1955) 48. .Shapmochan (1955) 49. .Ekti Raat (1956) 50. .Sabar Uparey (1955) 51. .Agni Pariksha (1954) 52. .Halaku (1956) 53. .Footpath (1953) 54. .Bhagaban Srikrishna Chaitanya (1954) 55. .Chandranath (1957) 56. .Parineeta (1953) 57. .Magroor (1950) 58. .Bombai ka Baboo (1960) 59. .Bandhan (1956) 60. .Subhoratri (1956) 61. .Indrani (1958) 62. .Kamallata (1969) 63. .Yahudi (1958) 64. .Ghazal (1964) 65. .Miss Mary (1957) 66. .Pinjre ke Panchhi (1966) 67. .Baadbaan (1954) 68. .Chirag Kahan Roshni Kahan (1959) 69. .Farishta (1958) 70. .Sajghar (1955) 71. .Sahara (1958) 72. .Chandan ka palna (1967) 73. .Mejo Bou (1955) 74. .Pranay Pasha (1978) 75. .Aladdin Aur Jadui Chirag (1952) 76. .Gomti ke Kinare (1972) 77. .Rajlakshmi O Srikanta (1957) 78. .Chandni Chowk (1954) 79. .Satta Bazaar (1959) 80. .Zindagi Aur Khwab (1961) 81. .Kinare Kinare (1963) 82. .Priyo Bandhabi (1975) 83. .Benazir (1964) 84. .Shilpi (1956) 85. .Sarhad (1960) 86. .Adl-e-Jehangir (1955) 87. .Ora Thake Odhare (1954) 88. .Shatranj (1956) 89. .Savera (1958) 90. .Main Chup Rahungi (1962) 91. .Shararat (1959) 92. .Sanjh aur Savera (1964) 93. .Akeli Mat Jaiyo (1963) 94. .Abhilasha (1968) 95. .Bipasha (1962) 96. .Ilzaam (1954) 97. .Saptapadi (1961) 98. .Bandish (1955) 99. .Ek Hi Raasta (1956) 100. .Azaad (1955) 101. .Naya Andaz (1956) 102. .Madhu (1959) 103. .Veer Ghatotkacha (1949) 104. .Balaygras (1954) 105. .Laxmi Narayan (1951) 106. .Bahana (1960) 107. .Purnima (1965) 108. .Shri Ganesh Mahima (1950) 109. .Rukhsana (1955) 110. .Mem Sahib (1956) 111. .Chand (1959) 112. .Pathe Holo Deri (1957) 113. .Ardhangini (1959) 114. .Sanam (1951) 115. .Jagir (1959) 116. .Saat Phere (1970) 117. .Jawab (1970) 118. .Hanuman Patal Vijay (1951) 119. .Grihaprabesh (1954) 120. .Tamasha (1952) 121. .Char Dil Char Rahen (1959) 122. .Naulakha Haar (1953) 123. .Jeeban Trishna (1957) 124. .Kohinoor (1960) 125. .Piya Ghar Aaja (1948) 126. .Dhuli (1954) 127. .Main Bhi Ladki Hoon (1964) 128. .Sadanander Mela (1954) 129. .Hamara Ghar (1950) 130. .Annapurnar Mandir (1954) 131. .Sharey Chuattor (1953) 132. .Pyar Ka Saagar (1961) 133. .Maraner Parey (1954) 134. .Saat Number Kayedi (1953) 135. .Aandhi (1975) 136. .Kajori (1953)

[keyscity]

Main Chup Rahungi [1962 – FLAC]

——————————————————————— VA – Main Chup Rahungi ———————————————————————

Artist……………: Various Artists Album…………….: Main Chup Rahungi Genre…………….: Soundtrack Source……………: CD Year……………..: 1962 Ripper……………: EAC (Secure mode) / LAME 3.92 & Asus CD-S520 Codec…………….: Free Lossless Audio Codec (FLAC) Version…………..: reference libFLAC 1.3.2 20170101 Quality…………..: Lossless, (avg. compression: 42 %) Channels…

[chutneymusic]

Chaand Jaane Kahan By Avinash Maharaj & Nadia Madoo (2019 Bollywood Remix)

Chaand Jaane Kahan By Avinash Maharaj & Nadia Madoo (2019 Bollywood Remix)

Description

Avinash Maharaj & Nadia Madoo Does A 2019 Bollywood Remix Of Chaand Jaane Kahan, Orignally Sung By Lata Mangeshkar, Mohammed Rafi Taken From The Movie Main Chup Rahungi (1962). This Track Was Arranged, Produced And Mixed By Rishi Gayadeen, Mastered By Rishi Mahatoo. (more…)

[hotnews69]

She was the self-anointed tragedy queen of the Indian marquee, what with her roles mirroring her life and vice-versa. Meena was born as Mahjabeen Bano in 1932 to a family of poor theatre artistes. She was made to act as a child artiste and was the sole earner for her family from the age of six. Her first film was Vijay Bhatt’s Leatherface (1939). It was Bhatt again who gave her Baiju Bawra (1952), the film which catapulted her into the limelight. She became the first recipient of the Filmfare Award for Best Actress for her performance. She’s popularly known as the ‘tragedy queen’ after playing a suffering woman in films like Parineeta (1953), Daera (1953), Ek Hi Raasta (1956), Sharda (1957), Dil Apna Aur Preet Parayi (1960), Dil Ek Mandir (1963) and Kaajal (1965). She created history during this period by being the only nominee for the Filmfare Award in 1962, for her roles in Aarti, Main Chup Rahungi and Sahib Bibi Aur Ghulam. She won the award for Sahib Bibi Aur Ghulam. Despite the tragedy queen tag, she was also noted for light-hearted comedic roles in films like Azaad (1955), Miss Mary (1957), Shararat (1959) and Kohinoor (1960). Her personal life was fraught with heartburn. She married director Kamaal Amrohi, her senior by 15 years in 1952 when she was just 20. The initial awe she felt towards the intellectual Amrohi soon faded and the couple started having problems. It’s said that Amrohi couldn’t stand his wife’s rising popularity and started mistreating her. The differences led to separation in 1960 and finally to divorce in 1964. The couple did reconcile to finish Pakeezah (1972) (which was started way back in 1956) but the relationship had lost its charm and they separated again. The actress died amidst penury due to complications arising from liver cirrhosis in 1972. Filmfare awards 1954 Filmfare Best Actress Award - Baiju Bawra 1955 Filmfare Best Actress Award - Parineeta 1963 Filmfare Best Actress Award - Sahib Bibi Aur Ghulam 1966 Filmfare Best Actress Award - Kaajal

With Raj Kapoor in Sharda Sharda (1957) This is one of those films where the filmmakers were really ahead of their time. Meena Kumari excelled as Raj Kapoor’s lover forced by circumstances to marry his father (no kidding!). How she reforms the heartbroken and alcoholic stepson might seem a bit melodramatic but is saved from being a farce by forceful acting by both Meena and Raj. Baiju Bawra (1952) Meena Kumari started the martyred woman journey with this musical bonanza of a movie. She was so much in love with Baiju that she even separated from him so that the pain could elevate his music. That’s taking the ‘pain, no gain’ maxim to its limits. A young Meena Kumari played the perfect foil to the debonair Bharat Bhushan and won plaudits for her performance. Parineeta (1953) Move over, Vidya Balan. Meena Kumari was the original Parineeta in the Bimal Roy classic and won her second Filmfare Award for her power packed performance. Her body language, her hurt and anguish when judged wrongly by her fiancée (Ashok Kumar) and the confrontational scenes between the two lead actors formed the crux of the film.

Ek Hi Raasta (1956) Made by the progressive director BR Chopra, the film dealt with the sensitive issue of widow-remarriage, quite a bold theme at the time. The complications that arise when Meena goes into a new relationship with Ashok Kumar are thoughtfully portrayed. The actress’ interactive scenes with her young son (played by Daisy Irani) are a delight.

Miss Mary (1957) People who perceive that Meena Kumari is just a tragedienne will do a rethink when they see Miss Mary. She was paired opposite Rekha’s father Gemini Ganesan and Kishore Kumar also played an important role in the film. It centered around the lost-child-found-again formula and it’s good to see Meena doing a happy-go-lucky role. Her comic timing is impeccable.

Dil Apna Aur Preet Parayi (1960) Doctor-nurse romance anybody? This film was straight out of some Mills and Boon novelette. Meena Kumari played a nurse who suffers unrequited love. Raaj Kumar plays a hard working doctor who marries Nadira for the love of money. And Nadira plays a scorned wife who makes everyone’s life a merry hell. It’s what we call a 12 hanky film. Ajeeb daasatan hai yeh from the film still rules the air waves. Main Chup Rahungi (1962) It’s another of those unwed mother dramas. Sunil Dutt plays her paramour who later suspects her of being a woman of loose character. How the misconception is cleared and the lovers reunite and the child gets a fresh pair of parents forms the crux of this overemotional film.

Kohinoor (1960) It’s a regular Errol Flynn swashbuckler set in India. Dilip Kumar was advised to play light-hearted roles by Harley Street shrinks and Kohinoor was the answer. Both Meena and Dilip had a glad time letting their hair down and it shows. The film confirmed that the tragedy queen and king can act better than anybody else against the type too.

Aarti (1962) If Dil Apna Aur Preet Parayi was about a scorned wife raising hell, then Aarti is about a jilted lover creating misery for his ex. Ashok Kumar brought his villainous side to the fore and Pradeep Kumar played the suffering husband. Meena Kumari played the emotional punching bag which both men abused with much gusto. It’s a weepy to end all weepies.

Sahib Bibi Aur Ghulam (1962) This film came close to mimic Meena Kumari’s real-life trauma. The attraction to younger men, the apathy of the husband, rampant alcoholism – you couldn’t decide where Choti Bahu ended and Meena Kumari began. It gives one goosebumps every time one watches a rerun on TV. It’s considered her best performance till date. She won a well-deserved Filmfare Award for it.

Phool Aur Patthar (1966) He removed his shirt and a nation sighed. Dharmendra’s licence as a sex-symbol got stamped anew in the scene where we think we might get to see some hanky-panky between Meena and him. There were rumours that there was real-life romance going on between the actors during the making of the film. Dil Ek Mandir (1963) Meena Kumari seems to revel in doctor dramas. Here, Rajendra Kumar plays a conscience-stricken doctor who is in a dilemma of whether or not to save the life of his ex-flame’s husband. Watch the scene where Raaj Kumar wants to reenact the suhagraat on his hospital bed. Meena Kumari’s face is a canvass of emotions. The film also has an interesting ham heart attack scene by Rajendra Kumar, but that’s another story. Kaajal (1965) After Sahib Bibi Aur Ghulam, Meena Kumari again falls prey to a debauched husband. This is mostly a reprise of the earlier film and this time the platonic relationship with a younger man more pronounced in the sense that Dharmendra plays her raakhi brother. Choo lene do naazuk hothon ko, where Raaj Kumar extols the virtues of alcohol to his horror-struck wife remains glued to the memory. She won a Filmfare Best Actress Award for her performance. Mere Apne (1971) Meena Kumari plays an old woman who is shunned by her family. She becomes a foster-mother of sorts to two factions of warring local youths. Her death makes them realise that violence doesn’t pay. Meena wasn’t yet 40 when she did the film but yet shone as s septuagenarian. She came up with a strong portrayal of an old woman caught between two street gangs of frustrated, unemployed youth, whose killing finally makes them realise the futility of violence in Gulzar's directorial debut.

Pakeezah (1972) Pakeezah started out way back in 1956. Then differences emerged between Kamal Amrohi and wife Meena. Even then, after all those years, the magic of the story didn’t fade. Everyone loves a golden-hearted courtesan, so you can only nod in sympathy when Raaj Kumar fell for her. And claps again when the besotted lover wants to marry her. The great music by Ghulam Mohammed is still remembered today. And so is the line, ‘Aapke paon dekhe. Bahut haseen hain. Inhe zameen par nahin utariyega. Maile ho jaayenge.’ Sigh! They don’t make such films any more. from filmfares https://ift.tt/2vyf8L1

[khaalidsamad-blog]

Main chup rahungi 1962 Starring: meena kumari, Sunil duty Rating **** I recommend this movie to any Bollywood movie fan. It has all the elements of a classic; great love story, near perfect performances, drama and an amazing soundtrack. This was the year meena kumari was nominated for all three nominations in the best actress category (she won for sahib bibi aur ghulam). Meena kumari's performance is first rate, I'm yet to come across a better actress. Sunil dutt does well but is overshadowed by the powerhouse meena kumari. Songs are all amazing esp. "chand Jaane kahan", "koi bata de" and "main koun hoon". Wonderful tracks by rafi and lata. The parody is also a plus for the movie as the child artist performs exceptionally well. The bajan pictured on the child artist is also wonderful. All in all I give this movie 4/5 stars and highly recommend it.

[indiejones]

OF 1963: THE YEAR THAT CHANGED MEENA KUMARI FOREVER! ... OF 'OPERATION MEENA KUMARI' IE THE 'OPERATION CHINESE WHISPERS' !

Pradeep Kumari once, in fact many a times, described Meena Kumari as "the nicest person he'd ever met" & "a veritable angel on earth". Even going on to add, "I don't think there is any person on earth who couldn't fall in love with Meena Kumari".

The media narrative around Meena Kumari was always very sober & dignified & respectful. Till 1962.

You see Meena Kumari was always a very big star, from 1952 (& 'Baiju Bawra') yet not in a league of her own, but in the very top rung with 2-3 other actresses.

But her cinematic career took on a whole different trajectory in 1961, when the film 'Bhabhi Ki Chudiyan' released, & "The Bollywood Goddess" was born!

In many expert & mass assessments till today, one of the greatest performances by a female on celluloid, in history ever!

This was followed by 1962, with 3 more legendary performances in 'Main Chup Rahungi', 'Sahib Biwi Aur Ghulam' & 'Aarti', & March 1963's 'Dil Ek Mandir', & within a gap of exactly 2 yrs & 5 Films, 4 of which are in The Forever All-Time Top 50 of Indian Cinema, Meena Kumari had gone from sure-shot No. 3 Of All Time, to, the most likely 'FOREVER NO. 1 ACTRESS OF INDIAN CINEMA", infact challenging the WORLD NO. 1 tag too!

Such was her craze & hold on public imagination then, that Filmfare did something they've never ever done for anyone else till today ever! - They nominated her in all the nomination slots for 'Best Actress" that year, as a mark of salutation, & as a statement indicating the "Crowning of Bollywood's First Queen nee First Female Megastar"!

Wonderful. But scary.

The reason this was or atleast should've been very scary & a warning sign for Meena Kumari, is that 'Bollywood Estt' or 'Deep state Bollywood', & the faction or rival groups that control it, akin to the criminal underworld, if we know anything till today, doesn't give free lunches, & extracts much more than it gives! .. If they were heaping away so much free historic praise upon her, were impossibly unlikely to try leave anyone even with the potential to overrule their dictat or narrative hold over the masses, & were sure to quietly bts extract more than their pound of flesh too!

AND A RANSOM WAS SOON PLACED ON HER REPUTATION, WITHIN THE FRATERNITY, WITH REGULAR REWARDS FOR THOSE THAT SUCCEEDED!

And that's when, mysteriously enuf by 1964, Dharmendra entered her film life, & via it, her life in general! Film magazines all of a sudden sprang to life, & news of "the crazy uncontrollable affair btwn Meen & Dharam" made it to all film headlines, to be continued in same vein for good more yrs thereafter. Stuff like "Dharmendra arrived at a airport one night all drunk, & upon being stopped, shouted, "Oh but I must get back to Bombay, I must. Meena is waiting for me!" were actually splashed all over the next morning's papers. Even further, of things like how Meena got so agitated in a outdoor shoot seeing her Dharmendra not sitting with her on way to the location, & having gone by another entourage car, stopped her car, & went to the middle of the road, sat on the road & started loudly repeating "Where is my Dharam! Oh where is my Dharam!", were being read by the Indian masses & classes on a daily basis now on. Going a step further, they even created fist fights & slapping incidents btwn the 2, & how she'd be regularly restraining her lover from brawling in drunken fights over her, were now the new norm. They then, took it to a tangential emotional plane, by renaming her "The Tragedy Queen", even in real life, equating her performances with some necessary strain in her own life. People began regularly being witness to Dharam entering Meena's room everytime, & leaving w/o fail in a sobbing state, & when asked about this reaction, saying things like "I just cant help it!". They even went after her husband,labeling her a wife-hater, & of how he egoistically once refused to hold Meena's purse, got publicly enraged at being called Meena Kumari's husband, etc etc. And how his secretary'd manhandle Meena & refuse her freedom. All false!

IT WAS THIS RELENTLESS MEDIA WAR DIRECTED AT THE COUPLE, WITH NOT A SHRED OF EVIDENCE TO SHOW FOR EVEN ONCE, THAT TOOK IT'S TOLL ON KAMAL OVER COUPLE OF YRS, FORCING HIM TO DECIDE TO LEAVE MEENA'S LIMELIGHT, TILL THIS OUTSIDE MADNESS CONTINUED.

Anyone with half a assessment, can see how Kamal's entire professional life,revolved around & was devoted to making her wife the best!

This was the final straw! & Meena took to drinking to numb herself to the world, determined to not lose & to continue working at her best. Do you know, 'deep state' even took away her most personal possessions, in return for her continuing career!?

Sadly,she didn't have the arms or tactfulness of Rajesh, to carry on next 18 yrs, nonetheless managing good 6-7 yrs within this 'golden solitary confinement Bolly jail' at the top!

(Watch Polanski's 'The Tenant'(76), for better feel on how this troll/suicide army works!)

Of the supreme sacrifices, India's legends made, to leave us awe-inspiring cultural history & worldly life lessons too.