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#me every time i draw batdr!ink demon: Why Does He Look Like That
magicicephoenix · 3 months
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messing around with blend modes :P
og sketch under cut:
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theepsizet · 3 years
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Let’s talk about Allison and Tom
There’s been a discussion regarding these two characters: an Alice and her Boris and there’s also been a lot of theories regarding them and/or their identities. So this post is basically me slapping my thoughts on the table. And here it is:
Allison Angel and Tom!Boris are in fact Allison Pendle and Thomas Connor. But you can’t take everything about them presented in BATIM for granted.
This theory first came from this video by MatPat, whose main subject was to discuss Henry and even had good backing reasoning/evidence for his status and what-he-is in-game. He also mentions how Allison and Tom’s names aren’t on coffins and therefore can’t be Allison Pendle and Thomas Connor. If anything, they’re actually soulless; Joey was unable to get their souls.
First problem: MatPat completely glosses over a detail confirmed by Joey in Chapter 5 from this audio log:
“Listen Tommy, I know you boys over at Gent are doing your best, but I'm paying for living attractions, not weird abominations! Whatever that grinning thing was I saw wandering around your office, you better keep it locked up tight! I realize it was a first attempt but imagine if the press caught sight of it! Might scare off investors! And in response to your previous memo: If you claim your failures are because these things are soulless, then, damn it, we'll get them a soul! After all, I own thousands of 'em!”
Did you get that? The reason Ink Bendy is off-model is because he doesn’t possess a soul. If they were soulless, Allison and Tom would look... pretty demonic. But they’re not; they’re on-model, resembling their cartoon counterparts near-perfectly (the biggest difference is, of course, their attire such as Allison’s ponytail and dress and Tom’s robotic arm)
Second problem: He never explains why their names are Allison Angel and Tom. MatPat doesn’t elaborate on this fact and just calls them that and moves on with the video.
So, my take. The game files reveal unused secret messages, and these messages do in fact reveal that Allison and Tom’s names are absent; confirming that they don’t have coffins:
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(originally posted by thedreamfisher)
So, they’re alive, right? Well...
In Chapter 4 there’s an audio log labeled “Untitled”. The entire audio log is just somebody gruesomely transforming into an ink monster, most likely a searcher if one goes off of the moaning. According to the game files, its Grant Cohen. Not to mention, in the first BATDR gameplay trailer, look what happens to Audrey’s hand when she uses her power:
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(originally posted by thedreamfisher)
When Audrey uses her power, her hand changes. It literally turns into ink. Both these scenarios confirm that killing people and stuffing their souls through a machine isn’t the only way to reincarnate people as living cartoons. My theory is that at some point, Allison Connor exchanged enough letters with Joey that he could convince her and Thomas to return to the studio. Similar to Henry, they became so exposed to the ink that it literally transformed them into perfect toons. They were then reborn from the ink produced by the Giant Machine (we’ll get back to this). The dark truth is that, Allison Angel and Tom!Boris are Joey’s best outcomes from his experiment. Not to mention, Allison says this to Henry:
“I... I honestly don't know my name. So they call me Alice.”
“He [Tom] just seems to respond to it [his name].”
It’s a fact that the ink corrupts the mind. Sammy’s Hot Topic Q&A confirms that his memory deteriorated, and considering that these answers come from when Sammy is The Prophet, it wouldn’t be too unlikely to conclude that the ink did this to him. So, when Allison and Tom were reborn, the ink corrupted their minds so much they basically became amnesiac.
Speaking of reborn, notice what Allison says when talking about the ink in general and why she can’t come with Henry for the final battle:
“...you don't want to touch the ink for too long. It can claim you, pull you back.”
“We can't! We're not like you, Henry. If we go in there, well... a drop of water in the ocean is never seen again.”
It wouldn’t be surprising that they were born out of the bigger ink machine (and we have now officially come back to this). Given its size, the smaller one — the actual one, the one that — wouldn’t be able to produce enough ink to fill entire caverns (the underground levels). It also makes a lot of sense given the context: too much ink would make them unable to fight back, and too little wouldn’t do much effect at all. Both would literally become a drop of water in the ocean if they went with Henry. Not to mention that the first phrase is similar to part of Twisted Alice’s monologue when Henry enters her lair:
“Take this little freak for instance! He crawled in here... trailing his tainted ink to my door! It could have touched me! It could have pulled me back! Do you know what it's like? Living in the dark puddles? It's a buzzing, screaming well of voices! Bits of your mind, swimming like, like fish in a bowl! The first time I was born from its' inky womb, I was a wriggling, pussing, shapeless slug. The second time... well... it made me an angel! I will not let the demon touch me again.”
Now, here’s what I mean when I say you can’t take every word of there’s for granted. The truth is that it’s entirely clear what their motivations and there are several instances where things seem highly suspicious regarding these two:
In Allison and Tom’s hideout, Allison’s graffiti contains a list of levels that are crossed out. If one reviews the cutscene at the beginning of the chapter, it is revelated that throughout Henry’s time as prisoner, the levels are listed and then crossed out, as well as more of her drawings being inscribed onto the walls. It’s almost like they’re looking for something
There’s, weirdly enough, graffiti of the Seeing Tool outside the Administration Lobby. Were they done in that level before? If not, why is it there?
Considering that both of them are pretty experienced around the studio (Allison does know what the Lost Harbor is, and is a professional swordsmaster), Allison doesn’t even use her sword to slice off the boards of the prison cell door. Tom even has an axe and doesn’t do anything.
Tom starts off completely distrustful and treating Henry through spite. He almost immediately becomes part of Henry’s side.
Allison asks Henry to lead the way down the floorless hall. Even after she calls out his name, she doesn’t really grab on top him; she just let’s him fall (although this statement is confusing on its own as Henry falls way to fast for him to look up and see their reactions; its probably not even possible to see their reactions without hacking)
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(originally posted on this page and this page of the Bendy wiki)
@thedreamfisher​ suggests that they could be manipulating Henry. and to be honest, yeah... that’s exactly what they’re doing. Why they’re doing it, though, is difficult to pin down, but my theory — yes, that is the theory part — is maybe because of one obvious fact: Henry isn’t like them at all. Allison even says this is why she and Tom can’t really trust them, and Twisted Alice confirms he’s “so interesting... so different...”. Compare this to the way Allison talks to Audrey in the BATDR trailers (this and this). She’s a lot more open, honest, more like a mentor and willing to tell her a lot more than she would to Henry, possibly because she resembles that of a lost one (why Henry’s avatar is completely invisible when hacking and what is a subject to debate for another time).
Allison knows Henry is different and may be manipulating Henry because she wants to turn off the machine. Tom too. Why do you think she calls him “the hope [she’s] been waiting for” and tells him that he “[can] set [them] free”. But, here’s the catch: this doesn’t make them bad. There’s been a number of theories that they’re bad people, but this manipulation only shows they have good intentions; if anything, they’re more of the most basic, generic definition of antihero.
And this makes even more sense when the conversation between Buddy Lewek, Allison Pendle, and Thomas Connor is reviewed in Chapter. It’s a lot of dialogue, and I’m not going to copy and paste the entire thing, but the most important anecdotes is that they hint to have more knowledge of the machine and its functions than the average employee. They also imply two things: they seem to be aware of Susie’s fate (most likely what happened after Joey gave her an offer hinted in audio logs in Chapter 4 and 5) and that they can’t stop Joey at all. It’s hinted by Allison that she and Tom both needed the job, and that they committed to his decisions because of the pay. Tom mentions how Joey treated him well, and Joey claims from a memo to clipped in the Joey Drew Studios Employee Handbook that he’s fascinated by Allison and her personality.
So... yeah. That’s it. Feel free to comment.
(One-finale note: The idea/credit of Allison and Tom being born out of the bigger ink machine and the manipulation aspect all goes to thedreamfisher. Do not give me credit for this idea) 
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