How Merve Emre became the hottest — and most divisive — name in literary criticism
Wherever Emre goes, for better or worse, she tends to turn heads. "Merve is the kind of literary 'it girl' of the moment," the senior editor, who's worked with Emre, said. "Everyone's jealous of her because she's extremely prolific, extremely productive, extremely beautiful. And she also is very polarizing. And I think that she is polarizing in great part because she is so prolific and so beautiful."
[...] "She's somebody who shows you why you might really love something rather than show why you shouldn't love it at all," Michael Roth, the president of Wesleyan University, said. Reading Emre on an author she loves is like listening to someone describe the honeymoon phase of a new relationship — her criticism has an erotic charge to it.
[...] Over the past few years, Emre's reach has grown such that she has the power to represent her field in the public imagination much the way Alison Roman has become shorthand for "cookbook author" or Frank Gehry for "architect." It leaves her in both a prestigious and precarious position, with seemingly as many people in the cutthroat literary world cheering her on as rooting for her to fail. "Academics can't bear it when someone does popular work," her friend the philosopher Jason Stanley said. The stench of misogyny, too, is hard to ignore. As trite as it is to dismiss someone's haters by saying "they're just jealous," her friend Anna Shechtman, the writer and crossword designer, noted, "it may actually be true when it comes to Merve."
Courting an audience and wearing one's ambition as openly as Emre does is "a complicated variable for a lot of academics," one Ivy League professor noted. "It's a moment where your weird little closed world suddenly gets cool on the outside, and is it gonna get cool in a way that ruins what you love about it?"
[...] Emre sees her role as part of a larger mission to democratize criticism beyond the walls of the academy. She wants to be "the Avon Lady of criticism," she joked.
[...] Emre is the eldest of three girls born in Adana, Turkey, to two doctor parents who emigrated to the US when she was 3. [...] In 2007, she graduated from Harvard and went to work as a management consultant at Bain & Company in New York. She made a lot of money and was "very, very, very bad at it," she said.
Her ex-colleagues remember it differently. "Of all the people I've recruited to Bain in the 30 years, and this is in the thousands, she is one of the brightest," said Chris Bierly, her mentor at Bain, who called her "other-level intelligent." Still, he said, "she was impatient with learning the job from the bottom up." When she was toying with leaving the industry a few years later, he asked her why. "She said, 'I want to do your job. I just don't wanna do all the jobs in between,'" he recalled.
After a year and a half, Emre fled the consulting world and applied for a Ph.D. in English at Yale. "Going to graduate school in literary studies was a form of rebellion," she said. "I suspect I got as much pleasure from it as I would have been if I'd been getting wasted in high school." [...] It was there she developed the sociological approach to criticism that informs much of her work; her thesis, "Paraliterary," was about the idea of "good" and "bad" readers and how literary critics need to draw the circle wider in order to keep their field relevant.
[...] She reads as many as two books a day. For every book she writes, she gets a tattoo of its call number in the Library of Congress on her side.
[...] She moved to Montreal to teach at McGill in 2016, with Nakarado and 1-year-old Aydin in tow. "The students loved her. She had a line outside her office door," her former colleague Ara Osterweil said, recalling the excitement that surrounded her glamorous, brilliant colleague who wore stilettos to her lectures.
She also rubbed some people the wrong way. "She thought she was Beyoncé coming into the department," one former colleague said. "She didn't want colleagues or students. She wanted an audience."
Even more so than in consulting, there is a fixation in academia on bureaucratic rank that Emre has little patience for. "I was never someone who was going to be comfortable with highly hierarchical and patriarchal institutions," she said, explaining that one of the reasons she never learned to drive was because she couldn't tolerate being taught by her father. "So now my husband drives me," she noted with irony.
[...] "She should not be in academia because there is a measure of burying your own opinion in order to mentor, and she does not have that capacity," the colleague who thought she acted like Beyoncé said. "She liked to talk about the money she was getting for the book on personality traits, and that was just so hilarious to everyone, because she was so un-self-aware of her own personality."
[...] But not everyone liked Emre's way of doing things. Last year, someone sent an anonymous note about Emre to half a dozen professors around the US with no return address. It's titled "ME, a short biography" and reads: "Daughter of rich doctors with vacation homes in different countries claiming poor immigrant status tears through Ivies like the Ivy pricks she denounces finds tall, useless pretty boy husband to have some children to lie about." Typed out in flowery word-processor cursive, it continues: "Lives eats breathes shits on social media for a decade, wanted by no university in the United States, writes click bait books to become filthy rich to buy followers and bribe half her profession to pretend the emperor has clothes on, badmouths every place she's worked" and "still cannot shake the absolute thirst."
[...] "People in this business can be really weird," [Michael Berube, a professor of English at Penn State] said, though he noted that they generally don't resort to real violence. "They just tend to be sort of textually obsessed."
Emre was shaken by the incident. "It was hard for me to imagine how thwarted" someone must feel to send something like that, she said. Still, she tried to have a sense of humor about it. "The author probably meant to use the word 'slake,' not 'shake,' since thirst is not something you shake." She has no idea who's responsible. "My sense is that only an academic could imagine that essays on James Joyce or Simone de Beauvoir were driving The New Yorker's advertising revenue," she remarked, noting that the postmark on the envelope suggests it was mailed from near Fordham University. At least, as one of her friends noted upon receiving the letter, "even your haters can't deny that your man is hot."
[...] As Emre became increasingly frustrated with academia, she began pouring herself into her writing career. "When I imagine the way that Merve thinks, it's like the spreading branches of a tree — everything can take you somewhere," her friend the writer Sarah Chihaya said. "She's not always interested in getting from point A to point B but rather in helping to open up all these expanding questions." She did the edits for her first New Yorker web piece in the hospital the day after giving birth to Altan back in 2017. Other academics resented seeing Emre's byline everywhere. There was a bit of a feeling, like, "Why does she get to write for The New Yorker?" her friend Anna Shechtman said.
The media world first really started paying attention to Emre after she panned writer Durga Chew-Bose's 2017 essay collection, "Too Much and Not the Mood." That piece "put her on everybody's radar," said the critic Christian Lorentzen, which is "rare for something in the Boston Review." In it, she laid out her concern that today's personal essayists are concerned not with judgments about "the formal or stylistic features of prose" but with "pretty phrases that mean nothing and teach nothing," whose only purpose is to confirm the "author's status as a beacon of complex selfhood."
Emre was blasted for being anti-feminist; Lena Dunham, a friend of Chew-Bose, tweeted that the review was "rude, patronizing bullshit." Nowadays, Emre is trying to move away from writing about books she doesn't like. "The easiest way to get attention is to have a kind of contrarian take about another female writer," she said. "It is not challenging to get people not to read something. People are not reading things all the time."
[...] The discussion segued to her Twitter presence. Did she feel there was any tension between her philosophy of criticism, which encourages the evacuation of the personal, and her more confessional use of social media? "These are two totally different genres that we're talking about," she said, as we scaled the steps outside the Yale Science Building. The idea that "high-quality criticism" and "canny self-promotion" are trade-offs "seems to rely on an error, which is the belief that just because something is popular, or is marketed well, it can't also be good."
"But the other thing is like, I don't actually think that the work relies on the evacuation of subjectivity," she continued. "It is impossible. So then I think the question becomes, what does it mean to make style charismatic through an act of withholding access to the personal in one genre, and then giving or creating the appearance of giving people access to the personal in another kind of genre?"
"So are you saying this is all a calculated dance?" I asked.
"Everything's a calculated dance," she shot back. "It would be foolish for anyone to think that what happens in a form of writing, whether it's a long-form magazine piece or 140 characters, isn't in some way calculated. I wonder what pure authenticity would even be."
[...] Emre's calling, as she sees it, is no less than the wholesale reform of higher education from the ground up. She is preoccupied with two interconnected crises. The first is an economic crisis of the humanities: Higher education is overpriced yet underfunded, there aren't enough jobs, and college degrees are increasingly devalued. The second is what her friend John Guillory has dubbed a crisis of legitimation within the profession: that literary criticism has become trapped in English departments, talking only to itself, rendered useless and separate from the reading public. Her goal is to make the practice of teaching criticism, which she sees as a public good, accessible to the wider world.
"I understand the purpose of literature as a kind of meeting place between reader and writer. It's the romance of that imagined meeting place, and it's the romance of all of the possibility that still lives there," Emre said. "One very cynical way to think about life is that it's a series of reducing possibilities. And one way to think about what criticism does is that it's a place where possibility is left really open-ended."
[...] These grand ambitions, she suggested, are why she has let herself be profiled, despite her distaste for the endeavor; she's savvy enough to know that building a brand is necessary to her larger mission. Twitter, for instance, "is a way of addressing a very different kind of public" than one gets to address at Yale or Wesleyan or The New Yorker. "We are people who are supposed to be preservers and disseminators of literature or literary culture, and we're not actually engaging people to read," she said. "If you're not trying to get people excited about it, then why are you doing it?"
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hi everyone! it's been a while & finally i'm making my comeback. work has finally left me some room to breathe so i'll be reappearing on your dash and hopefully getting back into the swing of replies. down below there's a full list of everything currently in my drafts. please let me know whether you'd like to continue or drop these threads. whichever scenario is completely fine and understandable (it's been a hot sec after all), just let me know. if you'd prefer to start something new, we can also do that. feel free to message me or reply to this post anytime. there's no rush at all to make up your mind, but just to start off i'll start with replies for threads people do actively express interest in. so if anything from this list is something you're still excited about, let me know and i'll prioritize. we can always waitlist the other stuff while we feel it out. anyway, let me know, come chat, let me love u down and can't wait to continue writing together. love u all! 💗🥹
with @persephonyed.
carlos x lorenzo
marley x camille
with @silvrmoon.
nadiye x milo
axel x kadri
zehra x sierra
with @lilacwiine.
drew x felice
amara x maya
with @invcntions.
alec x lucas
mateo x saxon
devrim x leo
beau x koa
emre x noah
luca x jaiden (smth new?)
jesse x finn
peyton x vance
soren x lincoln
with @horrorphase.
dominic x percy
milan x kendall
with @slumpcd.
max x theo
kendall x nolan
jinny x gwen
with @gcldcnhour.
eden x mathias
rhys x bodie
isabel x tate
alina x priya
zoe x knox
ethan x violet
marisol x miriam
with @temptedfates.
emmett x aydin
noor x solana
with @spectraled.
maddie x rory
tbd x dallas (thought abt replying if u would like replies <3)
with @vacationeyes.
marco x conrad
julian x callum
emre x frankie
xavier x tyson
jude x forest
with @lovecharged.
jonas x antonio
aleksei x drake
bridie x quilo
tbd x amie
jonas x antonio (part two)
julian x zayn
felix x robin
nadiye x rasim
tatum x uziah
carlos x gabriel
with @fruitpoem.
ambar x joel
with @inkiidreams.
aera x selin
davika x esra
carlos x mallory
merve x yaritza
robin x aurelia
lais x nova
casper x knox
lachlan x olivia
with @wutheringdevotion.
lachlan x oliver
rowan x ginny
connor x evan
meera x monique
carlos x gabriel
gwen x jonah
margot x adrian
with @gardenwalls.
meera x paloma
alec x mack
naiyana x nadine
daniel x minako
laura x andrea
fabien x mei li
nazli x rhys
with @felteverywhere.
alina x rowan
with @sunstvne.
santiago x constantin
with @gvngsigns.
gabriela x lucas
kai x mateo
florence x liam
tobias x zuri
andrea x cruz
ricardo x vincent
with @scbrvght.
all of our formula one threads (don't think i owe u the replies but let me know if you'd like to continue them <3)
lale x finley
soren x everly
mAYBE im missing things. if there's anything i owe you that isn't on this list, feel free to point it out to me! and also vice versa, if you owe me something & you want to discuss continuing or dropping it, just come message me and we can chat about it!
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Doç. Dr. Abdulkadir TEPELER
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Op. Dr. Faig İSAYEV
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Dr. Faika AKTUĞLU
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Dr. Fırat BARBOROS
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Uzm. Dr. Güray ULUTAŞ
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Uzm. Dr. Gülcan KAYA
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Dr. Öğr. Üyesi Hasan AKBULUT
Op. Dr. Hakan ÇİFTÇİ
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Op. Dr. Hafize ÇAMDERE
Op. Dr. Hasan CAZIMOĞLU
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Dr. Hemra CHERKEZOV
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Dr. İsmail AKYOL
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Doç.Dr. Lale BAKIR
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Prof. Dr. Mustafa Kemal EROL
Prof. Dr. Mustafa YAYLACI
Dr. Öğr. Üyesi Mustafa BİLİR
Dr. Öğr. Üyesi Mehmet DOKUYUCU
Op. Dr. Murat BEKSAN
Op. Dr. Mine Kanmaz SÜTHAN
Op. Dr. Münübe AYDOĞAN
Op. Dr. Mustafa ÖRNEK
Op. Dr. Mehmet ÖZEL
Op. Dr. Mustafa Murat ÖZTÜRK
Op.Dr. Mehmet Serdar BALKAN
Op. Dr. Mehmet ÖZER
Op. Dr. Mehmet Aydın BİLİMER
Op.Dr. Mehmet ERDOĞAN
Op. Dr. Mehmet Özgür ÇETKİN
Op.Dr. Matin SÜLEYMANZADE
Op. Dr. Mustafa YEKTAOĞLU
Op. Dr. Metin Yüksel KERİMOĞLU
Op. Dr. Mehmet Remzi ERDEM
Op. Dr. Mehmet GÜREL
Uzm. Dr. M. Fatih AKYÜZ
Uzm. Dr. Menekşe ÖZTÜRK
Uzm. Dr. Mahmut ÖZDEMİR
Uzm. Dr. Mehmet Arif TANCER
Uzm. Dr. Mehmet GÖK
Uzm. Dr. Mustafa ÖZCAN
Uzm. Dr. Müjgan TALIBOVA AKDÜZ
Uzm. Dr. Metin Mehdi AZARBAZ
Dr. Mustafa GÜLSOY
Dt. Merve AÇARİ
Dt. Mustafa ÖZKAYMAZ
N
Op. Dr. Nihat ERSÖZ
Op. Dr. Nurettin KAPUCU
Uzm.Dr. Necdet FİLİZKAYA
Uzm. Dr. Nihan ERDOĞAN EKTİ
Uzm. Dr. Nil YILMAZ DİNÇER
Uzm. Dr. Nurçin TÜRKELİ
Uzm. Dr. Nurşen TANRIKULU
Dr. Nagibullah AFZALİ
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Prof. Dr. Özer SELİMOĞLU
Doç.Dr. Özkan SEVER
Op. Dr. Ömer AYTAÇ
Op. Dr. Özge YILMAZ
Uzm. Dr. Özgür GÜRBÜZ
Uzm. Dr. Önder ELİTAŞ
Uzm. Dr. Özgür Çağla CENKER
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Op. Dr. Orhan KARASU
Dr. Orkhan ULFANOV
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Prof. Dr. Pınar SEYMEN
Uzm. Dr. Pervin FEVZİOĞLU
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Doç. Dr. Ramazan YILDIZ
Op. Dr. Recai KADAKAL
Op. Dr. Rıza ÇAĞLAYAN
Uzm.Dr. Rodi Sarı POLAT
Uzm.Dr. Remzi GARDİYANOĞLU
Uzm. Dr. Ramazan Yüksel GÜRSEL
Uzm. Dr. Recep TUNCER
Dr. Refik MUTLU
S
Prof. Dr. Sabri Kürşad ERİNÇ
Prof. Dr. Sadık YILDIRIM
Prof. Dr. Süleyman Lütfi DİNÇER
Doç. Dr. Selda KORKMAZ
Op. Dr. Sinan EKEN
Op. Dr. Samet MENGÜÇ
Op. Dr. Salih ŞAHİN
Op. Dr. Saleh ABDULLAH
Op. Dr. Selver KOLAN
Op. Dr. Serkan BOZAN
Op. Dr. Süleyman ÇATALTEPE
Uzm. Dr. Serdar Osman NALÇACI
Uzm. Dr. Sevda DİKER
Uzm.Dr. Samaya Mirzayeva
Uzm.Dr. Süreyya ATAUS
Uzm. Dr. Savaş BAYDAR
Uzm. Dr. Sait KENAN
Uzm. Dr. Sedat UYGUN
Uzm. Dr. Sedat YİĞİT
Uzm. Dr. Serdar GÜVEN
Uzm. Dr. Suat KARAASLAN
Dt. Sevim ÇAKILTAŞ
Dt. Sibel EREN
Dyt. Seda YAĞIZ
Dyt. Seren AVCI
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Op. Dr. Şefik ÇİTÇİ
Op. Dr. Şafak SAYAR
Dr. Şilan KOLAN
Dyt. Şeyma TAŞDEMİR
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Dr. Öğr. Üyesi Tunis ÖZDOĞANOĞLU
Op. Dr. Tamer YAZICI
Op. Dr. Tayfun BEYATLI
Op. Dr. Turgay Osman ARDA
Op. Dr. Turgut KÜÇÜK
Uzm. Dr. Tanju BİLGİN
Uzm. Dr. Turgut ÖZTUTGAN
Dt. Türkan KAYHAN
Ü
Prof. Dr. Ümrah AYDOĞAN
Op. Dr. Ümit BEYATLI
V
Op. Dr. Veli ŞİMŞEK
Uzm. Dr. Vahap BAKLACI
Uzm. Dr. Vusal KHANKİSHİYEV
Uzm. Dr. Vahit MÜLTECİHAK
Uzm. Dr. Volkan DEMİR
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Y
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Uzm. Dr. Yaşar KAHRAMAN
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Op. Dr. Zafer SÖYÜK
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SİLİVRİ KOLAN HASTANESİ HAKKINDA YAPILAN YORUMLAR
Avrupalı Asya - 2 ay önce
2020 şubat ayında kulağımdaki inanılmaz basınçlı ağrı yüzünden başka bir hastanede acile zor düşüp iğne vurulup ilaç almaya başlamıştım.Birkaç hafta sonra ağrım hafifledi ilacı kesmem önerildi,kendi kendine iyiye gider dendi ve denildiği gibi de oldu.Ta ki özel hastane daha iyi olur belki diyerek Kolan hastanesine KBB'ye gelişime kadar.
Henüz sorunum bile dinlenmeden kaç kez
"Doktor bey böyle böyle birkaç ay önce enfeksiyon geçirdim ama ara ara kulağım tıkanmaya devam ediyor,su kaçmış gibi hissediyorum…" vs.vs. diye tabiri caizse acizce kendimi açıklamaya çalışmama rağmen doktor bey ne söylediğimi umursamadan sürekli ''Kulağını temizleyelim'' diyerek üstelediği cümlelerini kurmaya devam etti.Zaten yeni enfeksiyon geçirmiş bir kulağın yeniden tıkanmasından,hassaslaşıp banyoyu bile rahat aldırmamasından ve kulağımın içine cisim sokulmasının acı vereceğinden bahsederken,ben ne olduğunu bile anlayamadan inanılmaz rahatsız edici kulak temizleme cihazı kulağımın içindeydi ve sadece kulağımı değil adeta mideme her şeyi kadar vakumluyordu.Yaşadığım ağrıyı bir kenara bırakıyorum,hiç alakasız şekilde bir de duyma testine girmemi söylediler ve ekstra da ona para ödedik.
Tek kulağım enfeksiyonlu gittiğim hastaneden; iki kulağıma da sancı girmiş,duyma yetim azalmış ve üzerinden 1 sene geçmesine rağmen hâlâ,banyo yaparken ellerimle kulaklarımı kapatmak zorunda kalacak,kulağım eskisinden 5 kat daha çabuk ve fazla kirlenecek,bir şeyler çiğnerken kulak tıkanmaları yaşayacak,kulağıma hava girmesinin bile acı vereceği konuma düşecek şekilde çıktım.Bunu yeni yazmamın sebebi de aynı doktora bir yakınımın da yakın zamanlarda gitmiş olup,aynı üslupla,aynı tarzla,aynı tavırla,aynı kulak temizleme cihazıyla,aynı ağrıyı çekerek,aynı prosedürden geçerek bana bu tecrübesini anlatmasıydı.Doktorlarımıza duyduğum saygıdan hem isim vermedim,hem de bir sene boyunca acı çekmeme rağmen hiçbir kimseye bir şey demedim, hiçbir yerde olumsuz yorum yapmadım.Farklı sorunlarla gitmiş olmamıza rağmen aynı şekilde "tedavi" edildiğimizi yakınım sayesinde öğrenince ise şok oldum ve yazma gereği duydum.Lütfen o kulak temizleme cihazını pat diye her gelen hastanın kulağına sokmayın.Tanrı'ya şükür kötü tecrübeler,kötü hastalıklar yaşamadık,çok daha kötüsü de olabilirdi ama umursanmayan kulağın bile ne kadar değerli olup,acı verdiğini ve hayat kalitesini düşürdüğünü farkettik.Umuyorum yazdıklarım ufacık da olsa yardımcı olur ve dediğim şeylere karşı tedbirli gidersiniz.Teşekkürler.
İşletme sahibinin yanıtı - 2 ay önce
Merhaba, bildiriminizle ilgili sürecin incelenebilmesi için iletişim bilgilerinizi ve konuyu
[email protected] adresinden bizimle paylaşmanızı rica ederiz.
osman kurt - bir ay önce
Ğöğüs ağrısı şikayetiyle cumartesi akşamı acile gittim.Doktor bey sağolsun ilgilendi kan tahlili ve egk çektiler .Herşe buraya kadar çok iyi fakat vezneye geldiğimizde göğüs ağrim ikiye katlandı.Ücreti sordum.nekadar diye 220 tl fiyat çıkarttılar.Normal muayene nekadar diye sorduğumda 160 tl olduğunu haftasonu geldiğim için fiyat buymuş.Kisacası benim. Tavsiyem Devlet hastanesi daha fazla test yapıp en azında hastaliğa care oluyorlar.Kolon hastanesine iyileşmek için gidip hasta olup gidersiniz.
İşletme sahibinin yanıtı - bir ay önce
Merhaba, bildiriminizle ilgili sürecin incelenebilmesi için iletişim bilgilerinizi ve konuyu
[email protected] adresinden bizimle paylaşmanızı rica ederiz.
Derya Şahin - bir ay önce
Göz doktoru Mehmet bey den çok memnun kaldık. Eşim ve benimle o yoğunlukta çok güzel bir şekilde ilgilendi. Tesekkürler 🙂👍🏻
Yasar Caglayan - 2 ay önce
Acil ambulansı ile bu hastaneye getirildik.babam felçli ve konuşamaz.hastane hakkında yorumları okuyunca gözüm korktu açıkçası.ve 1 gece yoğun bakımda!kalan hastamızı almaya gittim.babam soğuktan büzülmüş ,gözleri kanlanmış olarak gördüm.yeme güçlüğü olduğu için yemek verememişler.babam açım dedi .oruç tuttum dedi.bizi görünce çok sevindi.şimdi evde huzurla uyuyor.üşümüş ve ateşi var.Özel hastanelerde Malesef siz sadece müşterisiniz!devlet hastanelerinden şaşmayın!..ne devleti nede kendinizi soydurmayın!..
İşletme sahibinin yanıtı - 2 ay önce
Merhaba, bildiriminizle ilgili sürecin incelenebilmesi için iletişim bilgilerinizi ve konuyu
[email protected] adresinden bizimle paylaşmanızı rica ederiz.
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