#milleplateaux

[calentitomusic]

アシャ・シェシャドゥリ＆マッティン／スライシズ・オヴ・ライフ

Asha Sheshadri & Mattin: Slices of Life Mille Plateaux (RMCD-1614)

パンデミック期の日常をスライス＆エディットして作り上げた特異なサウンド・ダイアリー。電子音楽の老舗レーベル「ミルプラトー」からのリリース。

【試聴・ご購入】 https://li.sten.to/rtmcd1614

[margueritelarochelaise]

[EXPOSITION LA ROCHELLE] A l'occasion de son lancement de saison, @milleplateauxlarochelle CCN La Rochelle présente l'exposition "24 mouvements par seconde", la danse à l'épreuve de la caméra, jusqu'au 27 octobre 2022. Entrée libre les mardis, jeudis et vendredis de 15h à 19h et les mercredis et samedis de 10h à 18h #exposition #ccn #milleplateaux #larochelle #artigers #instaart #images #danse #choreography #thisislarochelle #jaimelarochelle #larochelleensemble #destinationlarochelle #fenetresurlarochelle #fenetresurlart (à Mille Plateaux CCN La Rochelle) https://www.instagram.com/p/CjqPcpAtUDg/?igshid=NGJjMDIxMWI=

[inframince-inc]

Lovebomb / Ai No Bakudan _ _ _ _ _ _ _ _ _ _

"......Events such as the September 11, 2001 terrorist attacks in New York, Washington D.C. and (lest we've already forgotten) Pennsylvania seem to divide the music industry into two groups. Most people claim we need music and entertainment now more than ever to bring people love and joy. But to others, including myself, such events seem to point out how unimportant and irrelevant so much music and entertainment is. Worse yet, in a wake of patriotic pandering, they show how many people fail to see the dangers of nationalist profiteering.......'

- Terre Thaemlitz

_ _ _ _ _

「......２００１年９月１１日にニューヨーク、ワシントンD.C.、そして（既に記憶の彼方に埋没している）ペンシルバニアで起きたテロリストによる襲撃事件のような出来事は音楽業界を２つに分割するようだ。ほとんどの人々は、愛と喜びを呼び戻すために前以上に音楽や娯楽が必要だと主張する。しかし、私を含むその他の人々は、音楽と娯楽の大部分が取るに足らない筋違いのものだということを、こういった出来事が指摘すると主張する。更には、愛国心いっぱいの仲介を行なっている間、どれだけ多くの人が愛国主義者だけが暴利を貪る危険性を見誤っているのかを明らかにするのだ。......」

テーリ・テムリッツ

[detund]

DU™️ #Repost @hisashi_saito_insta ・・・ galcid × Saito #galcid #saito #forceinc #milleplateaux #detroitunderground https://www.instagram.com/p/CBrvoJUlflD/?igshid=17k4yb9kgb5w0

[porcileorg]

Sad Mondays #5, appendix 3

Author: Magda Wisniowska - Munich, May, 2020.

When he was at the station once (at three and three quarters) he saw some water being let out of an engine. ‘Oh, look,’ he said, ‘the engine’s widdling. Where’s it got its widdler?’

After a little he added in reflective tones: ‘A dog and a horse have widdlers, table and chair haven’t.’ He had thus got hold of an essential characteristic for differentiating between animate and inanimate objects.

Thirst for knowledge seems to be inseparable from sexual curiosity. Han’s curiosity was particularly directed towards his parents.

Hans (aged three and three-quarters): Daddy, have you got a widdler too?’

Father: ‘Yes, of course.’

Hans: ‘But I’ve never seen it when you were undressing.’

Another time he was looking on intently while his mother undressed before going to bed. ‘What are you staring like that for? She asked.

Hans: ‘I was only looking to see if you got a widdler too.’ (Freud, Two Case Histories, Little Hans and The Rat Man, 9)

In this way Freud introduces us to Herbert Graf, who in 1906 was a little boy (aged three and three quarters) obsessed with his penis. Through his father’s correspondence with Freud, we get to know the full extent of this obsession, as Freud believes it has a bearing on Little Hans’s subsequent phobia of horses, for which he was subsequently treated and declared to be cured. For Deleuze and Guattari however, it is indicative of one thing only: like all children, Little Hans is a Spinozist.

For us, the steam locomotive is a kind of vehicle we know mainly from history books and film, with great big chimneys bellowing smoke. We know the dog lifts its leg while urinating. The penis is a male organ that also serves as a urinary duct. But for a child, much the same way as for a Spinozist, a locomotive is not too different from a dog, which in turn is not too different from a parent. All exist on the same broad plane of being and on that plane one being could very easily become another, depending on the relation formed between them.

In Spinozian terms, the particular train that Hans saw at the station, the horse or the dog, are finite modes that depend on a prior being for their individual existence. This prior being would be God, with his infinite attributes, the infinite number of ways in which his essence can be perceived. God is the power to actualise, and the modes are one of the effects of this actualised power. But we need to remember that as God’s being is infinite, the number of modes that follow are also necessarily infinite, each attribute expressing an infinite mode. If God is perceived as extension, this extension is expressed in an infinite way as physicality, not physicality generally, in conceptual terms, but as one physical individual, a single infinite continuum of physicality. Physical things—train, animal, parent and so on—are only temporary and changeable expressions of this one continuum of physicality.

What children know is that our world is not necessarily one of distinct individual subjects, with their own thoughts, desires, and dreams. Instead, the whole of nature can be understood as one infinite individual composed of an infinite number of individuals. These can vary in an infinite number of ways, but their variations do not alter the whole that they belong to. As Deleuze and Guattari write,

Thus each individual is an infinite multiplicity, and the whole of Nature is a multiplicity of perfectly individuated multiplicities. The plane of consistency of Nature is like an immense Abstract Machine, abstract yet real and individual… (Thousand Plateaus, 254)

This, for them, is the one plane of life on which everything stirs, the single abstract Animal. The world is this plane of absolute movement and everything on it is an individuated assemblage of movements making connections with one another. We are not speaking of trains, but of the physicality of steam, steel, coal, and fire, which when combined in this particular arrangement, expresses the physicality of a widdler. A dog can also express the physicality of a widdler as can a horse, a mother, and a father. A locomotive can become a dog and we can become a train, providing we are willing to enter into such arrangements, to form such assemblages. As we have seen already, this is how we can become rats. For despite man and rat, train and mother, being “in no way the same thing, Being expresses them both in a single meaning” (Thousand Plateaus, 258).

[fujimoto-h]

ジル・ドゥルーズ／フェリックス・ガタリ『千のプラトー 資本主義と分裂症（下）』（河出文庫）を読み終えた。 #finishedreading #GillesDeleuze #FelixGuattari #MillePlateaux (ピッコロシアター・兵庫県立ピッコロ劇団)

[utrax-blog]

That was fun yesterday @strandedfm ! A full hour Quite Deep Radio college on the history of Electronic Body Music, electric boogie, acid, techno and electro, all coming together in Arno Peeters aka Sp@sms, Voltage Control, Random XS, African Nightlight, The Implant, etc. Also celebrating the launch his first new dance release in 23 years: Titanic EP, available on the U-TRAX Bandcamp page (link in bio). Go to FB to enjoy the radioshow in Dutch now, soon available on YT with English subtitles. Thanx a ton to the lovely people at Stranded.FM, Ole and Robin! .-.-. #uareback #quitedeepradio #spasms #90s #90smusic #dutchdancepioneer #vintagetechno #classicacid #electro #techno #acid #antlersubway #djax #milleplateaux #utrax https://www.instagram.com/p/B3h4qb9AGHK/?igshid=uf8a0un0r6eg

[djmixsoup]

> Ultrasons #20 was aired yesterday on LYL Radio.

> Visual thanks to a collage by Irina Sevostyanova - check her work via instagram

> Tracklist:

MESIAS MAIGUASHCA – Ayayayayay

CLUSTER - Live in der Fabrik

ANDREAS O. HIRSCH - Steamboat Jr. (Kashual Plastik)

SVETLANA MARAŠ - 37 (Steps) (Shape / Wire magazine)

BRETT NAUCKE - Stereo Variations For Buchla 200 Series & Serge Synthesizer Systems (Amercian Dreams Records)

ARASH PANDI – Chargah (Zabte Sote)

ROJIN SHARAFI – Boloor (Zabte Sote)

FRIDGE - Drum Machines And Glockenspiels

NUMINOS - Always be Mine (Mille Plateaux)

GIANMARIA APRILE - Part VII (We Insist! Records)

MEITEI - Urameshi-ya (Kitchen label)

DOMENIQUE DUMONT – People On Sunday (The Leaf Label)

QASIM NAQVI - Ctaphone (Erased Tapes Records)

CRAVEN FAULTS - Doubler Stones (The Leaf Label)

[f0restpunk]

February is an interesting month. For much of the Northern Hemisphere, yr still frozen solid, hibernating away from the cold and the ice and the howling winds, praying for the return of the sunlight, for the thaw. Yet it’s a transitional season, wildflowers starting to break through the permafrost, blossoms shaking off their torpor, reaching for the sun. It’s the perfect time to release a Dark Ambient album. Some exceptional Dark Ambient releases last month. I collect a buncha my favourites & standout released over on the Forestpunk blog. From the malevolent #deathindustrial of Metadevice on @malignant_records to the #technoir Dark Ambiance of Dead Melodies and Zenjungle on @cryochamberlabel, to a pair of gorgeous #neoclassical DA records from T.R. Jordan on Indianapolis' @pastinside label, here are some of the best Dark Ambient albums of last month! Click the #linkinbio to read the full write-up! . #DarkAmbient #February2020 #albumreview #bestnewmusic #ambient #ambientmusic #experimental #experimentalmusic #corporatetrashland #52pickup #musiquemoleculaire #AriaRostami #DanielBlomquist #GeographicNorth #Metadevice #MalignantRecords #DeadMelodies #Zenjungle #CryoChamber #ThomasKoner #milleplateaux #TRJordan #PastInsideThePresent #JSimpson #Forestpunk (at Portland, Oregon) https://www.instagram.com/p/B9NRD-khqlo/?igshid=1im8cukfqk4ms

[liquidskyberlin]

#pierrotpremier on the @force_inc_music_works compilation „Ultrablack of Music“ - #forceinc #frankfurt #milleplateaux (hier: Santana Da Serra, Beja, Portugal) https://www.instagram.com/p/Bt0UcbVokhq/?utm_source=ig_tumblr_share&igshid=6w7fioai32z5

[calentitomusic]

トーマス・コーナー／ダイカン

THOMAS KÖNER: Daikan Mille Plateaux (RTMCD-1574)

ポーターリックスのメンバーとしてもおなじみのドイツのエクスペリメンタル・アーティスト、トーマス・コーナーの2002年作がボーナストラックを追加収録して初復刻。

タイトルそのままの凍てつくような音の波動を満載。

エレクトロニカの名門レーベル「ミル・プラトー」からのリリース。

試聴・ご購入は　https://li.sten.to/rtmcd1574

[yajnayajna]

Episodio treintaiuno ● Mille Plateaux, Adriana Petit Mix ​desde Valencia, de mi queridísima Adriana P. . —11. 0​7​. 2018.

http://bit.ly/mille-plateaux

[niconote]

Perché la filosofia, dalla canzonetta al più potente dei canti, non è altro che una specie di Sprechgesang cosmico.

Deleuze-Guattari, Milleplateaux

[detund]

DU™️ #Repost @hisashi_saito_insta ・・・ 東京交差点 Tokyo intersection #齋藤久師 #hisashisaito #galcid #eurorack #detroitunderground #forceinc #milleplateaux #トップウォーター #tokyoktokyofestival #伊勢谷友介 #genuinerecord #弁慶堀 #弁慶堀フィッシングクラブ #池袋globalring https://www.instagram.com/p/B6tYdMBFxRH/?igshid=l356frmjrr2d

[foodsic1]

One of my fav albums. , #nowplaying #ArcOfDoves #MillePlateaux #dubtechno #ambient #modernclassical #techno #electronic #foodsicElectronic http://ift.tt/2kLB26d

[fujimoto-h]

ジル・ドゥルーズ／フェリックス・ガタリ『千のプラトー 資本主義と分裂症（中）』（河出文庫）を読み終えた。 #finishedreading #GillesDeleuze #FelixGuattari #MillePlateaux (ANA 大阪(伊丹)空港 - Osaka(Itami) Airport)