#mostly bc you know. the empire had the red lion in canon. so its fun if they don't in this reality

[discordiansamba]

Allura-centric AU where she stops Honerva's plan in its tracks during Genesis, but Honerva uses the energy she's absorbed for the ritual to forcibly rewrite their reality.

King Alfor and Queen Melenor never had a child. Honerva is satisfied that she has wiped Allura from existence, but what she doesn't know is that her existence was preserved- and sent ten thousand years to the future on Earth. Allura Anderson is born to normal human parents, and grows up as a normal human girl... except she remembers. She knows that this reality has been forcibly altered.

She sets the Galaxy Garrison as her goal. Surely there, she can find the paladins and connect with the blue lion. She has... a dreadful feeling when she never hears anything about Shiro nor even Sam, two well known figures at the Galaxy Garrison. Her worst fears are confirmed when she enrolls and finds that not only are none of the paladins there, but the blue lion is also missing.

At least Coran is at the Garrison. He's human now too, an instructor for the general education history course, as well as an engineer. He doesn't remember her, but they still forge a new bond. Coran is very fond of Allura! She's whip smart and very talented. Almost like the niece he never had!

But this... creates complications. The paladins aside, if the blue lion here, she's uncertain as to how she'll get off the planet. Except... there is one way left available to her. It's the Kerberos mission. For the next few years, she devotes all of her energy to preparing for it, in hopes of being chosen. It pays off- she's selected, alongside Coran which is... less then ideal.

But she's right. The Kerberos mission is still captured by the Galra Empire. Only once she finally gets there, she discovers the situation is much, much worse than she feared. Not only does the Galra Empire possess all but one of the lions- they have all but one of the paladins as well.

None of them are human any longer. But that's barely a blip on her radar compared to the fact that they are all working with Zarkon. There is a glassiness to their gazes that suggests they are not in control of their own actions, but...

...but she is no longer Altean. She can no longer simply use alchemy to break them free. She's going to have to find another way-

-and she will.

[f-117-nighthawk]

Playlist Update? From MY Brain? More Likely Than You Think

can't remember the last time I posted these all together but I just put a few new songs in. I've been playing Arknights bc STARSET songs keep being used in the trailers, and then I was listening to Transmissions while making dinner, and uhhhhh there's two new Transmissions songs on the playlists, plus whatever else the spotify links needed to update to my ever-changing apple versions.

This is just the main playlist, because this one is now 3h 40m, and the other three playlists are about an hour each. I’ll give them their own post tomorrow. Under the cut, because it's also Write Random Snippits and Include Important Lyrics time

Dark Matter

Surprise surprise, this one’s got probably the most work done on it. A lot of that is moving things around, a few deletions, and the additions.

DM now starts with Your World Will Fail, Dark Matter, and Eater of Worlds. Turn the Lights Out still kinda applies, but I stopped vibing with it starting everything, and wasn’t really sure where else it should go so it got dropped. It’s role is sort of picked up by a UtA song later? Anyway, the opening three are still very much about not only the birth of [REDACTED], but the birth of the universe itself. And that’s why it feels better to start out with YWWF. Because it is the start.

(Your world will fail my love/It’s far beyond repair/Your world will fail my love/It is already there)

(Bring me your soul/Bring me your hate/In my name you will create/Bring me your fear/Bring me your pain/You will destroy in my name)

(Can’t imagine the violence/The rage and the love in my madness/I am the eater of worlds and I’m looking for someone to feed me)

Remnants of Stars is a hook to Filaments at this point, but stays way up here because the thing it’s about connects back up to those three ^ and is something slowly realized by the Paladins throughout the series. There’s kinda three different points that they realize something new about this (at the moment, I Am the One, Cosmic Vertigo, and Centigrade).

(Shed all you know and make way for a galaxy of light/Answers found hidden inside the smallest stone/Bringing forth a new way of life/Open your heart to the sky)

Apocalypse 1992 hasn’t changed. Still about The Fall, still the turning point for the entire damn war. Still about poor Krolia. Still the Rogue One of DM. It happens between parts of Awakenings, detailing the rise of [REDACTED] and the final hours before the destruction of everything sentient species knew beforehand.

(Fly high through apocalypse skies/Fight for the world we must save/Like tears of a unicorn lost in the rain/Chaos will triumph this day)

Apex is the final moments of Apocalypse 1992 from the Red Lion’s perspective, and connects nicely (just as in the albums lol) to the next UtA songs. Which we’ll get to in a bit.

(Brother mountain/Now we sleep/For a thousand years/I will see you again/Something is coming/Coming for me)

You Keep What You Kill covers the slow degeneration of the Empire between The Fall and the Battle of Arus. The knowledge harshly taught by the Thuanial War is forgotten under the influence of Zarkon, Haggar, and [REDACTED]. Marzin and Galraasa quickly rise the ranks as the Empire’s left and right hands, like omens of destruction before them. The four are the ‘holy half-dead,’ the ones who shape the devouring of the universe before them.

(Defying dimensions/These ruthless creatures will steal your soul/Breaking away from the chains of mortality/They won’t be taken down/Bow now to the holy half dead/The master to death mongers calls)

The Glory and the Scum is partially here bc I missed having Delain, I’ll freely admit that. (Delain split up! Like six months ago! I’m still sad!) Here, it’s (most) of the reason why Krolia isn’t around until MGHM. Think Winter Soldier-ish. It’s also from Krolia’s perspective as she’s talking to Kolivan in a conversation I implied in Shatterpoint. Perhaps it shall see the light of day.

(Look at what we've done/Take a step back/Shake your head at what we have become/We're the glory and the scum)

The Seven Sisters is about Keith, mostly, and connected to Closure via its influence on Child From the Stars (Lost in the Dark) and also to Memories of a Girl I Haven’t Met. Also the thing about the Pleiades has kinda become A Thing associated with my two favorite halfbloods.

(I cast my hope upon The Pleiades/The Seven Sisters who would come for me/They’d fall to Earth to grant a child’s dream/But I’m still waiting)

Starlight is the Adashi song. Here, it’s the sad part, based around the time that the SFSS Genesis launches for Kerberos. It also is sort of about Shiro’s thoughts throughout the war as he watches ‘from distant skies’ (and influences String Theory kinda)

(At night the earth will rise/And I’ll think of you each time I watch from distant skies/Whenever stars go down and galaxies ignite/I’ll think of you each time they wash me in their light/And I’ll fall in love with you again)

Waking Dream and Abyss are Awakenings. They’re specifically the Red Lion waking up on Sendak’s ship to her new Paladin, but also sort of the rest of the Lions as they find new Paladins for the first time since The Fall (and, also, an accidental hook to the end of Filaments just by virtue of being on the same UtA album…)

(Centuries like flowing streams as years go rushing by/Waiting in the dark for afterlife)

(Open my eyes in a daze/How long has it been? Am I so out of place?/Warmth I can no longer feel/My mountain is gone, I’m surrounded by steel/The strangest of structures arises ahead/Seems to be held up by nothing/Where have I gone, do I dream?/How can the stars be all I can see?)

Who Will Save You Now is about the Paladins in First Contact. It’s the video messages they send to their families, the warning that Something Is Out Here that they need to prepare for. It’s a declaration of protection for Earth, but a recognition that the Paladins may not be able to do what they say.

(I will not take from you and you will not owe/I will protect you from the fire below/It’s not in my mind/It’s here at my side/Go tell the world that I’m still alive)

Then there’s The End of the Beginning. Which is, well, the eponymous fic. And don’t forget the String Theory connection! Fun fact: part of the last chapter leads directly into part of String Theory at the moment.

(Every night I die just a little/All this time, I’m caught in the middle/All your life, you fought with no winning/This is just the end of the beginning)

A Simple Plan is about anything but a simple plan. Lotor is making his secret bid for the construction of the Sinkline ships, but there’s one more thing he needs before it can come to fruition. Haggar has suspicions, and knows one thing that she needs to keep from both him and Voltron. Team Voltron is still struggling to fit into their new roles, especially with a Black Paladin who adamantly does not want to be Black Paladin, and is in desperate need of one thing to fix the last of the damage done during the Battle of the Sarnan Nebula.

(How long can we hold off ending?/How long can we pretend we’re ok?/No one goes on fighting it forever/I know I’m better this way)

Memories of a Girl I Haven’t Met. Such a short song for such an important fic. It skips all the way over Naxzela to the Mission to the Baaria Shipyards, the first major offensive that isn’t somehow connected to canon (even if only a very very small part of it is actually at the shipyards lol). This is also the song that solidified Keith’s very queer identity in Dark Matter. And more Pleiades stuff!

(In this lonely place, bathed in silence and thoughts of you/I can’t see your face but I’m trying to envision you/So are you really out there? Are you awake with memories/Of a boy you haven’t met yet who’s wished upon the Pleiades?)

There’s another fic in here that I’m still waiting for a song to catch my ear, but it’s pretty big so I’m putting it in here. For the moment, it’s called MGHM 2.0: Electric Paladinloo. Featuring the Whispers, Voltron, and a few mullets.

And then. Hoh boy. The beast of beats. TRIALS (reimagine), Dark On Me, String Theory, and I Am the One. We’ve got [REDACTED], we’ve got [spoiler], we’ve got the first major turning point in the entire war, and the first revelation of the true nature of [REDACTED]. Hence the honor of being the separation point of my two main DM folders. TRIALS is the first part, the horrifying realization. Dark On Me and String Theory itself are from Shiro’s perspective. I Am the One is… an image song? I guess? That’s all I’ll say on that. (I would like to note that the STARSET songs bar OWtT tend to be about the Shiroganes…)

(Hear me from the bottom/Forged in regret, I'm the silversmith/Doomsday, you we had it coming/Marching the streets with an iron fist/Obey no more in silence/The steel in our hearts will be monuments/Today, they'll hear the violence/We'll rise from the dark like Lazarus)

(You're the cause/The antidote/The sinking ship that I could not let go/You led my way, then disappeared/How could you just walk away and leave me here?/Light the night up, you're my dark star/And now you're falling away)

(You don’t believe in space/You don’t believe in light/You don’t believe that anything is well beyond your might/We walk across the sky and beneath the ocean floor/We’re never going anywhere we’ve never been before)

(I am the one/I am the architect to rule your fate)

House on Fire is the aftermath of String Theory, and a large vibe of We ARE Struggling Together! It’s about family, never letting go of something you care about, and the slow act of trusting.

(So I’ll just hold you like a hand grenade/You touch me like a razor blade/I wish there was some other way right now/Like a house on fire we’re up in flames/I’d burn here if that’s what it takes/To let you know I won’t let go of you)

Belgrade is The klance song! It is a) a bop b) always stuck in my head because it is That Good. The line in the chorus about ‘sweet songs of seduction’ is eternally funny to me bc a)they’re both ace and b)QPR’s don’t usually involve seduction. Belgrade also leads almost directly into…

(We pretend in the darkness/We pretend the night won’t steal our youth/Singing me the sweet songs of seduction/Let me be the fool, fool, fool/Who will live and die for you)

Here to Save You is about Sam. Mostly. It’s also about Pidge. And Zaivorge cannons.

(A slave for humankind/I made sure I would survive/To stay alive/Now it’s time to move on/When there’s nothing left to prove/I’m coming to get you)

Iron is the third Closure fic (the second is End of the Beginning, forgot to mention that. They’ve slowly moved away from actually being related to it in anything but name and general idea). It’s about Keith coming to terms with parts of himself, and learning how to use them to great effect. Also has a huge info dump about the Blade.

(You can’t live without the fire/It’s the heat that makes you strong/‘Cause you’re born to live/And fight it all the way/You can’t hide what lies inside you/It’s the only thing you know/You’re embracing that, never walk away)

The second major turning point in the war is Monarch, Birthright, and Firewall. I really recommend reading the whole lyrics for Monarch, because the entire thing is very much a Lotor song. I had a bit of trouble picking a lyric to use here. Monarch is here because Lotor is also the ‘singer’ of Birthright, and both songs are to a very specific high-level target of the Coalition. Firewall is a little different as it’s a Team Voltron song not a Lotor song, but happens because of the same thing the other two do. They’re all not exactly a direct result of Iron, but they wouldn’t happen how they do without it, and then [REDACTED] swings back into the fray and things learned in String Theory/the framing story for Through Apocalypse Skies hit in full force.

(I am not the person you remember from before/The one you patronized and stepped on, the one you hurt/And I have pulled the arrows, now my skin has become stone/No longer am I prisoner to your empty fucking words)

(The voices in my head have all begun to sing/(The voices in your head have all begun to sing)/And they sure as hell hope I am listening/(I sure as hell hope you are listening!))

(They come to your dreams with illusion/They come to bring shape to your mind/You know how to stop the intrusion/We all have to fight for our lives)

and then, The Day the Earth Collapsed

(How much time has been elapsed/Since the day the earth collapsed?)

Here Comes the Reign doesn’t come into full effect until several months after Birthright/Firewall, but starts with The Day the Earth Collapsed. It’s largely about Haggar and [REDACTED]

(You made something they can’t take away/Now bring the fire of the burning sun on everyone)

Supersonic is here… kinda as a placeholder? Things have shifted around since its original purpose, and frankly it’s here still as a framework for what I like to call The Meme Battle. It’s generally about the increase in Coalition support and general winning as they go after warlords in the aftermath of Feyiv, culminating in I Need a Hero which is, of course, The Meme Battle.

Yes, it’s the Shrek version. It’s the Meme Battle.

(Supersonic, polyphonic, this is our war/Mustering the armies, marching faster than before)

(I need a hero/I'm holding out for a hero 'til the end of the night/He's gotta be strong, and he's gotta be fast/And he's gotta be fresh from the fight)

But Tonight We Dance isn’t exactly a klance song, but it’s here for them. On a diplomatic mission gone wrong, the Red and Blue Paladins of Voltron uncover a literally-buried government conspiracy, a rebel cell, and nearly die. A normal days work for the two of them. But they’ve really gotta stop having relationship milestones in the middle of a warzone.

Another reason it’s here is Tonight We Dance is a very aro song to me. “A language universal, but I speak not its tongue” hits hard. I felt like I needed a bit in here to remind listeners/readers that romance isn’t a language Keith speaks. And it becomes very explicit in this fic, just like Belgrade.

(Tomorrow we might wake in servitude and silence/I will give you everything if only you would have me/Tomorrow we will sweat and toil/Our hands will quiver, caked with soil/Tomorrow we'll give it one last chance/But tonight we dance/But tonight we dance!)

But Tonight We Dance is the last of the Closure fics, which is why it’s here. Closure in general is a lot of Keith’s character development and some of the struggles he goes through to accept his place in the universe and the fact that yes, he does have people that care about him. The last fic is me shining a brighter light on Closure’s chorus and taking a ‘last goodbye’ as never needing to say it again

(I am the child from the stars/That got lost in the dark/Between heaven and hell/I am forced to live on/I am the cause when you sin/I am the demon you skin/But there is no more tears to beautify/This is my last goodbye)

Then we step back into the universe-level action with Soulbound. Revelations from String Theory and Firewall swing back in with a vengeance on a joint Whispers-Voltron mission, leaving them reeling and Krolia questioning her very identity.

(Soulbound, endlessly forever/Locked between the darkness and the light/Don’t drown in the swarming, blackened rising/Hold on to humanity and fight)

About three months after that is My Darkest Hour and Faster Than Light. Haggar realizes something and goes searching for her fifth [spoiler], sending the Blade and the rest of the Coalition scrambling. These also lead directly, and I mean directly, into…

(When the sun comes crashing down/When the world is spinning round and round/I will face what must be my darkest hour)

(Once more we’re flying fast as light/Dark matter passing in the night/Pursued by a force we can’t outrun/As we hurtle towards a dying sun/We maneuver through the remnants of a moon/On the solar winds of supernovas/There is not a place to hide, the Matriarch is close behind/It’s plain to see she’s coming for us all)

Cosmic Vertigo and Other Worlds Than These. Together they are the second of two revelations in what, exactly, is [REDACTED]

(Banish me like burned down planets/Write my fate with sparkling lies/I am the universe; you're just one sky)

(Pull the wool out from your eyes/It won’t shade your frail belief/In the end we cannot hide/There are other worlds than these)

Godhunter is Team Voltron, well, hunting for gods, even as one of them disappears.

(She’s been watching for a century/With hatred, and with scorn/If you know the hunter’s coming/Then you hide or keep on running/'Cause she’s slain the gods before)

Trophy Hunter, Ember, and Redemption are the culmination of Godhunter. I’ve been thinking of them as akin to the suicide mission in Mass Effect 2, if that gives you an idea of what the hell they run into. Also I switched which specific Redemption is on the playlist, because I was listening to Red Handed Denial again and their Redemption was vibing way more than the Hammerfall one. They link up to Godhunter and Soulbound in subject matter, and lead directly into…

(You, you won’t escape me, I’ll rise from the deep/In this final moment, no words left to say/I can’t let you be when a life fades away/You, you won’t escape me ‘cause I’ll set you free)

(Dark matter falling from the sky/Dancing flames reflecting in your eyes as you watch them burn/Watching all your riches witches burn)

(Remember me not for the mess I’ve made/But who I could have been/Finally I’m going home)

World On Fire, This is a Call, The Reckoning, The Wind That Shapes the Land, and Louder Than Words. Switched the order up a bit so it makes more sense chronologically, because the message ‘sent by forces beyond salvation’ has to get there before the reckoning can begin.

(World on fire with a smoking sun/Stops everything and everyone/Brace yourself for all will pay/Help is on the way)

(This is a call to action/This is a call to arms/All lives for one, together/There are no false alarms)

(I see your face, find peace of mind/Between the madness and the sadness and the fire burning/The end of war, the great divine/We’ll see the day of reckoning)

(Search within/Uncover the will to win/Turn against the tide that washes o'er/Find the strength to fall and rise again/Open up the gates, unleash the force/I am the wind that shapes the land/Old as time and twice as strong/Oceans arise at my command/I alone can carry on)

(We have the force to fight/We have the blinding light/A war is more than heard/Coming in louder than words)