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zigtheeortega · 3 years

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For the past six months, @pixeljazzy and I have been working on a playlist we felt could top last year’s, which was so well received!

We’ve broken it up into sections by individual love interests, multiple love interests, main character, and miscellaneous, which includes side characters, general vibes, etc. Underneath each song are lyrics we believed stood out to us along with explanations as to why we chose it. Like last year, the [p] is for PJ and [j] is for Jade.

Here’s the link to the playlist on Spotify, but we’ve individually linked the songs with each explanation as well!

We sincerely hope you enjoy our 2021 RODAW Playlist!

The Bay, Soft Glas. ft. Mulherin [j]

Leaving you alone is too hard (hard, hard) / I just never know where to start (with you)

I'm not used to leaving someone broken hearted / That might be what really makes this hard (It's hard) / I've never been with anyone this long / If I did it, I really miss you

The softness and apologetic tone of the song reminds me of Logan through and through. He’s so regretful for what he put MC through, both at the beginning when he was lying to her, and by the end when he thinks he’s ruined her life by simply being a criminal and dating her. And by leaving her he’s leaving the one person who’s loved him unconditionally and stuck with him through it all.

Call Me, Nav [j]

They taught me, "Don't forget where you came from" / I regret what I came from

Do you know how it feel to feel alone? / Bought myself a house, to feel like I ain't home / Driving by myself, ain't got nowhere to go / Are you really here for me, I don't know

I hope you mean everything that you told me / I'll try to come back to you, girl, I'm sorry / If you miss me, just call me

This song honestly reminded me of Logan’s backstory that we don’t know much of, besides the fact that he was thrust into a life of crime as a teen and as an adult he hates it. The other lyrics I added are kind of a glimpse into the future I think – wherever Logan is, whatever he’s doing, if he’s not with MC, the woman he loves, everything he accomplishes is gonna feel hollow. And despite him saying that he was leaving to protect her, I know in his heart he’d want her to find her way back to him.

Cold Case Love, Rihanna [p]

I’m torn apart and you know / What you did to me was a crime

We opened up a cold case love / And it got the best of us / And now prints, pictures, and white outlines / Are all that’s left at the scene of a crime / Of a cold case love

The first line reminded me of how MC probably felt after being betrayed by Logan, the one that was arguably supposed to be the closest to them, and then the second lyric is because at the time, MC left and that was the last Logan knew of them with nothing to stand for what they used to have until they eventually came back to help save the crew.

Compass, The Neighbourhood [j]

If I don't have you with me, I'm alone / You know I never know which way to go / I think I need you with me for all-time / When I need new direction for my mind

I've got something to confess / I keep you in my pocket to use / You're my only compass / I might get lost without you / (Could you tell me where to go?)

You're always there to help me when I'm down / I'm lucky you've been keeping me around / You're the star I look for every night / When it's dark, you'll stick right by my side

Like a magnet / Hard to imagine ever changing / Can't help that I'm attracted to you, I am / Could you keep on guiding me? Please

This is a quintessential Logan song – reading these lyrics, it’s like Logan spoke them himself to MC, and that’s why I included so much of the song. All of these remind me of him and his hopeless romanticism, but specifically the line about her being the star he looks for every night? Absolutely perfect. This entire song is like a love letter from Logan to MC.

Don’t Leave Me, Blackstreet [p]

I’m searching for the words to make you realize / That I really, really want you to stay

Don’t leave, don’t leave me girl

This song was giving me Logan vibes from the diamond scene where he’s like “I can’t believe I love someone” and MC is like “you don’t get to say that to me” or some shit like that because he’s trying soo so hard to explain himself to her and to make her not hate him.

Imma Dog, Ugly God ft. PnB Rock [j]

You say you love me, shawty, tell me why / 'Cause I'm a dog and I'ma probably be this way until I die / You say you always gon' be by my side / You say you trust me with your heart and I swear, I just wonder why

Okay, hear me out, I forreal have reasons for this to be tied to Logan. The only verse in this song that’s a non chorus one is related to cheating, but I’m choosing to ignore that for the sake of the chorus. I heard the chorus for the first time and it made me think of one specific moment and point in time in Ride or Die. These lyrics remind me of Logan’s attitude when he was being mean and pretending to be annoyed by MC to get her off of him – despite the facade he’s still in awe of the way she trusts him and cares about him even when he’s treating her like garbage.

Life’s a Mess, Juice WRLD ft. Halsey [p]

Uh, sometimes life’s a mess

Lookin’ for somethin’ real, then I found it

I’m too flawed to hold you down, but / Don’t wanna be here alone

Logan knows all too well how much of a mess life really is (first lyric), and the second lyric is basically what I think he feels about MC. He told MC in the beginning that he doesn’t really stay with crews or trust anyone but himself, but MC was that exception before the rest of the crew became that exception too. And then the third lyric is because Logan looks at himself as someone who probably doesn’t deserve MC, Vaughn even said he was morally obligated to tell MC that she’s too good for his cousin (yes it was a joke (was it) but it fits), but he still wants her anyway (“Look at you...then look at me. You’re going to be valedictorian. I never even went to high school...I don’t have anything, and I wasn’t anybody, and I knew that. I always knew that….Some part of me really wants you to mess things up for me.” - Logan, Ch. 3).

Unfair, 6lack [p]

Hope my mistakes don’t make me less of a man / ‘cause lately it feel like them shits really can / I’m prayin’ I don’t wake up all alone

But know I’m stuck between / What I love and who I love and / I know it’s unfair

The first lyric I feel like is pretty self-explanatory as Logan expresses remorse for his actions (him acting weird and tryna tell MC about his dishonesty in the club, him making the effort to apologize or explain in the diamond scene after the reveal) and it especially hits if your MC is romancing Logan because he doesn’t want to lose them. As for the second lyric, I was thinking about how he was probably stuck between doing what’s best for the crew and doing right by MC

While We’re Young, Jhene Aiko [j]

Baby while we're young / I think we should do something crazy / Like say, "Fuck everyone" / And just run away from the daily routine

I'm tellin' everybody you're mine and I like it / And I really hope you don't mind, I can't fight it

'Cause it's been another perfect day with ya / Wanna lay with ya / Spend the night with ya / Then spend my life with ya, alright

I'll go everywhere you go / You know I'll go, I'll go / Everywhere you go

I'm giving you my heart, please don't break it / Take it and lock it up and put me in your pocket, love

This reminds me of Logan and MC’s brand of romance that’s sweet and clumsy and a little bit reckless when it really gets going. They’re both cautious but they fantasize about throwing caution to the wind even more than they already have.

Angel With A Shotgun, The Cab [p]

I don’t care if heaven won’t take me back / I’ll throw away my faith, babe, just to keep you safe

Sometimes to win, you have to sin

And I want to live, not just survive

Lemme explain because I feel like people may think this song is really really out there for Colt but I was listening to this song one day and thought of him, esp the last two lines I chose: I think of how Colt came up with the kidnapping plan and how it was so crazy because it was like wow he really was ready for murder if it came down to it, but Colt was basically like we need to do something big to outsmart them or else we’ll just be doing shit for them forever (‘sometimes to win, you have to sin’).

Born 2 Be Great, Lil Tjay [p]

I was born to be great / And I won’t let nobody tell me I ain’t / And I can’t stop, won’t stop

Growin’ up, I’m gettin’ old, start settin’ goals / Tryna make more money off my business and shows / And everybody gon’ hate, I’m great, I know / Everybody can hate, I’m great, I know

These lyrics just scream COLT to me all the way. He knows and believes he’s destined for greatness no matter what path he chooses because no matter what he does, he’s gonna succeed in the end. “I can’t stop, won’t stop” reminds me of how Kaneko wanted Colt to choose for himself what he wanted to do, and even though Kaneko tried to shield Colt away from the family business, that’s where Colt wanted to be. The second lyric is essentially Colt just knowing he’s gonna make money and that he won’t be liked (hated by other crews, police, etc.), but that won’t matter because he’s great nevertheless.

Chandelier, B.o.B ft. Lauriana Mae [p]

They say life’s about choices / In the face of defeat I declined / Put your soul into everything, never back down / That’s how you leave a legacy behind

Let my blood keep pumping, my heart keep beating / Shining like a chandelier

Making something out of absolutely nothing / That’s the definition of a survivor

Colt definitely felt ‘put your soul into everything, never back down / that’s how you leave a legacy behind’ because of how much he focuses on carrying on what his family has built, and taking all the risks necessary to keep that legacy alive and make a name for himself. I put ‘shining like a chandelier’ because that’s how bright Colt shines, as I believe he’s destined for greatness and wouldn’t allow himself to achieve anything but.

Down Bad, Real Recognize Rio [j]

I've been out of my head for a couple minutes, for a couple miles / Made the hair stand up on my neck / On a knife edge, comin' at me for my crimes / Got a mind that can leave you locked inside

'Cause you got me down bad, down bad, your deep desire / Carve my name on your soul, then I walk through the fire / Your voice so clear, like you say my name / You got mе runnin' for my life like this shit was a game / Got mе down bad, down bad to feel your touch

This song reminds me of Colt specifically during the gambling scene when he got shot and the last car chase scene, because MC is put in serious danger but it does nothing to shake her love for Colt. She’s scared for her life and her future but she’s still willing to put everything on the line for him and MPC.

Forever Ever, Trippie Redd ft. Young Thug [p]

You gon’ really have to hold me fuckin’ down, babe / ‘Cause I ain’t with the fuckery, that playing ‘round, babe

We Bonnie and Clyde but except the shots

He don’t love you like he should, I can love you better

First and second lyric are because they’re a team, and Colt sees MC as his right hand. In the life he lives, the people on his team gotta be down fr because there’s always a lot at stake. The last lyric is more conditional, as I feel like this could be him if MC was also romancing Logan because in the reveal, Colt’s like you deserved to know and in the car in the chapter afterwards that’s when he’s like bro we could run this whole shit etc. etc.

Impala, O2worldwide [j]

I been watching you from a distance / Sitting back and acknowledging your existence / I made a couple songs but you'll probably never listen / Shooting my shot but i'm always fucking missing / Setting my ego aside / Me and you can go together just like Bonnie and Clyde / I've been tripping over you just like my shoes is untied / And I tried to hit you up its like my confidence died but

I see you everyday but don't past corners of eyes / I'm just gonna act like I didn't see you close to that guy / Not gonna lie you got me head over ears / I'm tryna find love because I don't know just how it feels

Anyone listening to this and reading the lyrics is going to hate me because… is this the perfect “Colt pining for MC because she’s getting close to Logan” Love Triangle song, or what? I listen to this song so casually most of the time that I forget how sad the lyrics actually are. The first couple verses (not the third verse) fit the narrative so well. A lot of my favorite “Colt” songs aren’t ones where they’re outwardly admitting any kind of affection for MC – they’re the ones where it reads as Colt struggling with their feelings for MC and how to express them.

PTSD, G Herbo ft. Juice WRLD, Lil Uzi Vert, and Chance the Rapper [p]

I don’t belong, I see my past everywhere

I got a war zone on inside of my head

A million dollars ahead, I’m still angry and seeing red

I’m too paranoid, I make sure all my opps, they bled

This song always guts me because G Herbo is talking about all the people he’s lost, and for Colt, I imagined this was probably him after losing his father. Reminded of his past when he saw the remains of the shop, reminded of his past every time after that probably when he was rebuilding the shop. As for the million dollars, it’s like he could pull off as many heists as he could but he would never be satisfied until Brotherhood paid, hence the last lyric because honestly I don’t think it’s over until Shaw is dead (ik there’s a line in ROD where he’s like if we were even, he’d be dead, I just know it).

Sun God, Trippie Redd [j]

Went out my way just to love you / Right at the top, no above you / Right off the top, know I trust you / Ready or not, here I come, boo / And baby, you're hot, like the sun, too / Not too hot for me, no I'm sun-proof / Follow your lead, I'ma come through / Just you and me, baby, one-two

I think this is Colt way farther down the line if MC had the chance to really fall in love with him. He’s the type to value trust and loyalty in a bond more than anything else because he doesn’t do either of those easily at all. And I think that the line about being sun-proof is a cute callback to a lot of the fandom comparisons of Colt and Icarus – the title too and the lyrics just scream Colt to me.

Where Does The Love Go?, Maria Isabel [j]

Nightly negotiations with the moon, whoever's listening / All the miles between us got me messed up, got me trippin'

They say lovin' is easy / But not when one of us is leaving

Back on a plane / Two different coasts / When we're alone / Where does the love go? / What if you go / Forget the way home? / Running in circles but never together / So where does the love go?

The more I listen to this song the more I think this song is about Colt and MC. Colt’s not a clingy type in the slightest, but there’s no doubt in my mind that deeper into the relationship, both Colt and MC would have some doubts – the reason I say this is because I’m viewing the lyrics through the lens of Colt and MC doing long distance while MC is in college on the East Coast. This whole song is long distance relationship anxiety summed up perfectly and it’s so Colt.

Yellow Lights, 24kGoldn [p]

Don’t want no yellow light / don’t want no mixed message

For the crown, ‘cause we could achieve it

Love you now, but don’t you deceive me

Second lyric resonated with me esp because of that line in the book where he’s like “But the two of us? We put our brains together, you and me could run this whole town” so he knows he could achieve an empire with MC by his side. Last lyric is because Colt definitely doesn’t trust those around him and for those that he does trust, that trust doesn’t come easy. So MC, who managed to get past that, is loved, but would automatically lose a lot if she deceived him (now imagine….snitch MC? This line would hit a lot more because she ends up deceiving him so like he had a right to be wary of her holding his heart (like if we’re looking at the pov of him saying this lyric)).

Can’t Love, Trippie Redd [p]

She say she love me, I think she love me not / She say she love me, I know she love me not

How could you do this to me? / Yeah, yeah, I thought you, I thought you loved

Another Mona and her ex song teehee but I’m imagining this from Mona’s pov while she’s in jail like wow that girl never loved me like she said she loved me (first lyric) and how could she betray me like this (second lyric).

Favorite Mistake, Giveon [p]

Is my secret safe? / Safe with just you and me / We can’t leave a trace / This is my favorite mistake

Look in my eyes / Do you mind the lies? Do you feel alive?

Even when you’re gone / The feeling just grow stronger / Should leave it alone / But you’re getting closer

So I finally did a Mona route and GOD yes this song is about cheating (Mona and Hieron can’t relate) but we gon ignore that and just focus on these lyrics specifically because wow they really hit me like Mona for one was in denial of her feelings for MC from the jump and at some point she’s like god this is so ridiculous I can’t believe I’m feeling this way again so ofc she doesn’t want people to know she’s in love (like that time Toby is like man she is NOT happy about liking you! in the club scene) hence the beginning of the first lyric but at the same time….. she’s in love… so “this is my favorite mistake.” As for the second and third, the lies are that “I don’t like you” ra ra ra she’s only fooling herself and then it’s like yeah she knows her feelings are dumb but she can’t help but fall for MC anyway <3

Gonna Love Me, Teyana Taylor [p]

Sometimes we say things that we really don’t mean / We do things in between the lines

Please wait up for me ‘til whenever I get home / I know that you’re all alone / Thinking ‘bout what you’re gon’ do / I hope that you see it through, ooh, ooh

Why is it so hard to keep in touch

For the first lyric, I was thinking of the time MC says “Being with you makes a difference to me. It feels safer” and Mona replies that “It’s just an illusion. A blanket. And I’ve told you before not to count on me.” Yeah she said that wit her chest but ik she knows it’s more than that for the both of them. The second and third lyric both have to do with her being in jail by the end of the book (making it literally hard to keep in touch), and even though she tells MC not to wait up, a part of me thinks the vulnerable part of Mona would’ve hoped at least a smidge that MC would, and the last bit ‘thinking ‘bout what you’re gon’ do / I hope that you see it through’ reminds me of the advice in the diamond scene of driving Mona to the hospital that she gave MC which was that to move on, you just gotta keep your foot on the gas and look forward and that eventually, she’ll be somewhere better than she’s ever been.

Love or Lust, 24kGoldn [p]

It’s love or it’s lust, we just need to be clear / ‘Cause if you’re in love, then I shouldn’t be here

Would you walk eight thousand miles just to make me smile on a rainy Wednesday? / If so, then you gots to go, it ain’t mutual and I’m not pretending

Basically in the beginning stages of MC falling for Mona, Mona’s like oh hell nah (“I shouldn’t be here”) and she recognizes that MC likes her a lotttt (MC would definitely walk eight thousand miles to make her smile on a rainy Wednesday) and so she’s like fuck

PLW, Leon Thomas [j]

Left my fear right at the door (ooh) / She's an animal hunting in the wild, yeah (in the wild) / Doesn't move around or groove / But she come from the depth / That's why she's down to earth / An instrument of war

Baby ain't no beginner / I got love for my little winner / Flashing or finessing / That's why I mess with her, yeah

And you don't have to worry, yeah / 'Cause I know what's she worth / No, you don't have to save me / From my pretty little weapon

Ooh my baby smart, and she sharp, and she sharp, yeah / Pretty little weapon

I’ll never ever get over how this song fell into my lap and is absolutely perfect for Mona. This is for an MC who acknowledges that Mona’s a badass and that she loves her because of her strong personality and unwavering confidence because she knows she’s good at her job. The first verse is the best approach an MC could take – leaving her fear at the door because she knows someone like Mona could sniff it out. The line “No, you don’t have to save me / From my pretty little weapon” kills me, because it’s accurate – on Mona’s route, despite any betrayal, the MC is still in love with her and knows that Mona would never actually hurt her.

Sleeping With the Enemy, BbyMutha & Kindora [j]

Creeping around corners / I don't feel like myself / Studying your movements / It's a carousel / And I can't confirm that you / Mean what you say / And I'm pretty sure / That it's / Better that way

Why can't I trust in you / Am I slipping up / Over you / If it really turned to be the way / That I think / How bad could it be?

And I know that we could go for / Round and round like 123 / And I gotta question myself / Is it coming? / Possibly / And I gotta wonder / Am I sleeping with the enemy?

I'm watching my back / Like I got nothing left / I give you all I got / Wish I knew what was next

The first time I heard this song it was a toss up between whether or not it was a Colt and Mona song (or both) but I settled on Mona pretty quickly after a re-listen. Not only is the internal conflict in the lyrics a perfect description of Mona’s own battle, but it could be easily viewed from MC’s perspective as well. The idea of knowing it’s “wrong”, and mistrusting them but pursuing it anyways is quintessential early Mona route.

The World is a Marble Heart, AJR [p]

We could have been, we should have been / What your heart couldn’t handle

Run away, girl, ‘cause I let you / Now you found some other man, you see / I’m better off without you, ‘cause the man ain’t me!

I’m going right now / To the beginning / What you denied from the start / And now you can’t go breaking my heart

The world is a marble heart / It’s bullshit and we know it

I think the first lyric is definitely MC to Mona because Mona was afraid to allow herself to be in love, and then evidently their relationship couldn’t blossom because Mona ends up arrested (“we could have been, we should have been”). This song called out to me because Mona always comments on how MC’s heart got them into the Brotherhood mess, how MC always think the crew is something they’re not, so MC’s heart is the marble heart and the last lyric (“it’s bullshit and we know it”) is essentially Mona being like girl you know we are not what you think we are. The second lyric is because in a scene after the reveal, Mona drives MC to Riya’s house and MC goes I wish we could run off together and Mona is like just say the word and MC is like I can’t :/// and then Mona is like the only one stopping you is you, and then “I’m better off without you” is Mona being don’t call don’t write don’t text

Would You, Pink Sweat$ [p]

Would you die for me? I would die for you / Would you shoot for me? I would kill for you / Would you run up the bag if I needed you to? / Girl, all the things that I’d do for you / Would you do for me too?

I wanna know when it pops off that you gon’ be right next to me

This was giving Mona and her ex from that scene where MC got a glimpse into Mona’s past. Essentially, Mona’s ex and her were thick as thieves, and when they got arrested, Mona didn’t say anything and her ex did, so Mona was always ten toes down but her ex never had her (Mona) like she (Mona) thought she (her ex) had her (Mona)

Both of Us, YFN Lucci [j]

Stay with me when there's no one else to call / If you got me then I'm in it for the both of us

Look, ayy, do you love me like you say you love me? / Ay, do you vow to keep it cute when everythin' get ugly? / Ay, if I ever leave, girl would you come lookin' for me?

I think that this song and these lyrics fit into the title of the book and how “ride or die” each of the love interests are for MC and vice versa. I think the softer parts of this song are MC for sure, and Logan at times, and the second bullet point is Colt and Mona. For them, it’s more of a promise of loyalty rather than love like the earlier lyric is (which is why I think that’s a bit more hopeless romantic like Logan).

C U Girl, Steve Lacy [j]

I haven't seen you in a while, you know I miss you babe / When you hear this song, feel flattered, it's about your face / And how I miss it and I wish that I could see it more / But you're in college now and I'm about to go on tour

I love this song because it makes me think of the possibility of MC and the LI having a “song” – one where any time they hear it they think of each other. And that when they hear it it makes them happy but at the same time they’re forced do think about the distance between them and how much they miss each other.

Collide, Tiana Major9 and Earthgang [j]

Everybody's got opinions on our thing / Say we're flying down a path with no ending / And if I die before I wake / Ooh, don't let me wake up from this dream / When we collide / When we collide, it's a beautiful disaster / When I crash into you, you, you

And I don't care about the future or the past / Riding slow, 'cause you know the world's moving too fast

Without you, I'm just a fraction / Closing in on my demise / And I love you religiously / With everything inside of me / As long as I'm alive

So I think it fits for all three because the relationship is taboo since they’re criminals and she’s a valedictorian getting ready for college. Their relationship is sloppy and dangerous and comes to an inevitable end, and they both know that, so this song for sure encapsulates how little both the LI and MC care about that. They don’t that it’s a trainwreck, because colliding is all that matters :)

Heaven, Clairo [j]

Alone, for the last time / You're just a loner / Give it a try / And you're hard on yourself / And your laugh, it just melts in my hands / Lonesome in the streets

I'll get by with you on my mind / I'll get by with you on my side

I love the idea of this song being viewed as MC’s perspective of her LI, because I’m sure the other LI’s haven’t been appreciated in the way that she appreciates them. For example, the line about the laugh melting in her hands makes me think about how they’d react to her saying that to them. None of the LI’s probably have never been told their laugh is cute, and I’m sure they’d be confused about it at first, so this whole song gives me a cute late night summer drive vibe. Like the MC is in the passenger seat of Mona or Logan’s car or draped around Colt and she’s just appreciating the things she loves about them.

Heaven Ain’t Hard 2 Find, Tupac [j]

Simply because you nervous, let me start off with my conversation / Hoping my information, elevates the hesitation / I can see it clearly now / Catch you smiling through your frown / I'm askin' Baby Boo are you down?

Heaven ain't hard to find / In fact you can have it just have faith / Just like a little kid, still believing in magic / It takes a lot of sacrifice / With all the lonely nights on tour / I need somebody I can trust in my life

Oh god help me identify me truest thoughts / Your hidden motives full of passion who would of thought / Come holla at me baby, love me for my thug nature / Far from a player hater, label me a money maker / Straight heart breaker

I originally added this song because it’s canon that Colt loves old West Coast Rap, so that makes me think he’s a huge Tupac fan. I can see him listening to this in his car driving down a California highway at like 2 a.m. On the other hand, though, the beginning of the song reminds me of the first meeting with Logan at the party, or the second meeting when they go to the car show – young love jitters and all that.

Keep Me Up, Charlotte Lawrence [j]

My heart starts beating and my hands start sweating / My chest starts sinking and sometimes will even start shaking / It's physical and emotional

And I don't want you all inside my head / And I can feel you running through my veins

When I say, and I say, and I say / That I want you in my life / But you stay, and you stay, and you stay / And you never leave my side / And you take, and you take, and you take / And you say you feel so nice, boy / And you keep me up all night

I think this fits with all the LI’s and MC and how they cope after the LI’s had to leave. Read it from both perspectives and it honestly fits so well for both of them – like the first couple months of restlessness staring at their ceiling while reflecting on how much they miss each other.

Kitchen, Kid Cudi [j]

Hmm, you wanna find somebody you trust and lay low / But it seems they all on the same mission / You wanna find somebody you trust and lay low / But can't stand the heat of my love, then stay out the kitchen

Oh baby here we are, I made a wish on shootin' stars / I ain't even mad at it, we made it this far

The attitude of this song reminds me of both Mona and Colt’s feelings about relationships – they both know they’re intense people and that they don’t trust or love easily, and that whoever’s interested in them needs to know that. They’re not going to apologize for it, but they appreciate anyone who sticks around and loves them despite that.

Meet Me Halfway, The Black Eyed Peas [j]

Can you meet me halfway, right at the borderline / Is where I'm gonna wait, for you / I'll be looking out, night n' day / Took my heart to the limit, and this is where I stay / I can't go any further than this / I want you so bad it's my only wish

I think of all three LI’s when I listen to this, because it fits into the idea of them struggling to maintain both of their lifestyles and have them mesh together. And it plays into the distance when MPC has to scatter.

Moonlight, Trippie Redd [j]

I can still be your man / I was tryna see your plans / 'Cause I was tryna have this dance tonight / Your body, girl, I'm a real big fan / And I cannot lose this chance / So, baby girl, grab my hand / This moment I'm waiting for, I fantasize / I just wanna be with you, I just wanna be with you tonight / Under the moonlight

This reminded me of the prom scene and how despite the chaos, all three love interests took the time to appreciate MC and soak up their last “date”.

out for the night, 21 Savage [j]

Five foot five (Five), she my ride or die (Die) / Never tell a lie (Lie), we like Bonnie and Clyde (Clyde) / Lookin' at her thigh (Thigh), like, "Do it come with rice?" (Rice) / She don't like FaceTime, she would rather Skype / But I'm out for the night (Straight up) / Out for the night (Straight up)

When I heard this song I could definitely see Colt listening to it, but I think the flirtiness of the song fits for all three love interests! Also, I mean… “she my ride or die” and “we like Bonnie and Clyde”? Self explanatory.

Part of Me, Teo [j]

I believe there's no one in your place / So much lovely / You can cure my mistakes / You reside in me no room for escape

You're my darling / You're my love / You're rocking all of your diamonds / All dressed up / And girl I lost my mind, no, I messed up / So now I'm knocking at your doors with my chest up

You're part of me / Come again and see / Diamonds make you sparkle

This reminds me of the prom scene from the LI’s perspective. And even more so than that, it reminds me of post prom/car chase where they have to say goodbye to each other the last time. It’s like a bittersweet tribute to MC about how much they mean to them and how much they’ll think about them when they’re apart.

Special, 21 Savage [j]

We got something special / I was finna text you / But I don't wanna pest you / Even if we ain't together (no matter we're forever) / I'm still coming to your rescue

Ride with me (ride with me) / Tell the truth and don't you lie to me (lie to me) / You know I need you on my side with me (side with me) / Tell the truth and don't you lie to me (lie to me) / Baby, roll with me (roll with me)

I'mma hold you down forever / You my round forever / They just want to use you, but I'm tryna help you

I think of Colt mostly with this song, but it definitely fits with all of the li’s in my opinion! Logan, Colt, and Mona would all approach their relationship with MC this way – constantly affirming that they’re there for MC no matter what, even if things go South with them, they’re always one call away. And especially the last line “they just wanna use you, but I’m tryna help you” that’s for sure an overprotective LI about the Jason Shaw situation and generally people taking advantage of MC’s kindness.

Drunk on Love, Rihanna [p]

Take me away / I wear my heart on my sleeve / Always let love take the lead / I may be a little naive, yeah

I feel like I’ve heard MC being described as naive, and even in the book Mona is like man it’s your damn heart that got us into this mess because you thought we were more than who we are, so yeah this song reminded me of MC.

Final Goodbye, Rihanna [p]

Thought that you would stay forever with me / But the time has come to leave

Promise you our love will carry on

Final goodbye, MC saying goodbye to their LI, you catch my drift.

The Good, the Bad, and the Dirty, Panic! at the Disco [p]

If you wanna start a fight / You better throw the first punch / Make it a good one

I feel like this lyric specifically is saying that if you’re gonna stand for something, you better give it your all, and it reminded me of how MC came up with the plan to defeat the Brotherhood in the last few chapters of ROD, and to get out of it, they really had to go all out (AKA MC telling the police everything, meaning the gang had to go on the run). Also, MC just nose-dived into this life and I feel like this lyric is like ‘well sis if you gon be a criminal you might as well do your best’ (and she did when she bodied her first heist I know that’s right, my driver forever <3).

Harder We Fall, Jessie J [p]

So, whatever path we choose to take / There will be highs and there will be lows, the same / Oh, we’ll never run from our mistakes / The harder we fall the harder we try again

I just feel like this is a good song for MC to listen to in the car on her way to Langston yk crying but the windows are down and the wind is wiping your tears so you just keep it pushing because you’ll live and you’re stronger than your lows.

House of Memories, Panic! at the Disco [p]

If you’re a lover, you should know / The lonely moments just get lonelier / The longer you’re in love than if you are alone / Memories turn into daydreams, become a taboo

I think of you from time to time more than I thought I would

I just feel like this is a perfect song for MC going through the motions of leaving their lover behind and thinking about the times they shared because her life with the crew will always be so drastically different than the life she was went to have (going to Langston, being the ‘goody two shoes’, etc.).

Let It Out, Trippie Redd ft. Myiah Lynnae [p]

I need to know, before I tell you, can I trust you?

Idk man this song really just spoke to me.

Saw You in a Dream, The Japanese House [j]

I saw you in a dream / You had stayed the same / You were beckoning me / Said that I had changed / Tried to keep my eyes closed / I want you so bad / Then I awoke and it was so sad

Haven't talked to you in months / And I thought that I might cry / But I'm not that kind of girl

All good things come to an end / But I thought that this might last / But you came and left so fast

I wonder if you'll come visit me again / You're taking your time to reappear / I'm starting to believe that when I call your name / You just don't hear me anymore / And I know that I shouldn't even try / It's a waste of time

I don’t think I need to go super in depth as to why this reminded me of MC, but I do see this as MC’s defeated approach to it in the months/years after meeting the MPC.

Silent Nite, Tink [p]

I put your joy and your feelings ‘fore mine / These days I’m angry, angry inside / No words to say (oh) / One thing to do / Move on and fall back from you / It’s gonna be a silent night / No one here to hold me tight / It’s gonna be a silent night / No one here to hold me, oh, oh I’m lonely / Lost for words (lost for words)

It’s a short song so I just put the whole lyrics in here LMFAO but I feel like this could be MC during her first few nights at Langston. For Hieron at least, I know she went through a range of emotions processing this new chapter without the people she holds dear, angry at the way this is how things had to play out, but all that’s left for her to do is get over it, move on, and get used to not having that support anymore (i.e. like if MC is used to cuddling with [insert LI], they deadass gotta sleep alone now f in the chat).

Smile, Juice WRLD ft. The Weeknd [p]

I’d do anything in my power to see you just smile / I want you to prosper and come proper / Even if that means I ain’t by your side

I spent every day right beside you (‘side you), ‘side you (‘side you) / A hundred pics of me on your phone / Now you’re someone that I used to know

OKAY so I’m absolutely obsessed with this song and the first lyric was definitely giving me Logan x MC because I feel like this is something he could’ve said during his goodbye, like saying something that vulnerable and heartwrenchingly sweet is def on-brand for him, but the second lyric I feel like fits all the LIs. Like because they were part of the crew, they spent so much time with MC, and now that they’re gone, MC has all those pictures and memories that they want to hold on to them so badly even though they can never be together again (‘now you’re someone that I used to know’)

Stuck With Me, The Neighbourhood [j]

Now I'm feeling guilty for it / Didn't wanna leave / Realized I'm less important / Than I thought I'd be, yeah / I'm not tellin' you for any certain reasons but / I just want your empathy

Our lives keep on gettin' shorter / Losin' opportunity / There might be some other ways of looking at it but / That's just what I see / I been gettin' over myself / Thinkin' about what you need / Then I realised that neither of us matter

You always end up stickin' to me / Somehow, somehow / You are stuck with me / So I guess I'll be sticking with / You are stuck with me / So I guess I'll be sticking with

So I think this song covers a lot of topics for MC. I think the vibe of the lyrics suit MC when she’s dealing with her relationship with her father, being pressured by Jason Shaw, and grappling with whether or not she’s making the right decision despite it all – homegirl was falling in love throughout all of it, too. Reading the lyrics with that lens made me think of each of the lines as a different conversation. The first part sounds like a tidbit of a conversation she could’ve had with her dad or about her dad. The next one is like a realization that despite how careful she is with her choices, nothing matters anyways, if the MC takes a nihilistic approach to it. And the last lyric is her conclusion with the LI that despite everything, she’s happy that she’s with her LI and she’s grateful for their loyalty.

worst behavior, Ariana Grande [j]

I been on my worst behavior / But, baby, I don't need no savior / I'm way outta line / But I kind of like the way I / Feel when I just don't give a fuck

This ain't no game, won't play with you / This time I know I'll stay with you / Just promise you won't say nothin' / Don't you be actin' like that, don't you be actin' like that, babe

Said baby it's just in my nature / To be a little troublemaker

Know you really like the way I / Taste when we kiss, you reminisce / But this ain't the last time / Just stay by my side

This song reminds me of rebellious MC before the gravity of the situation really hits her – the short span of time where she’s not worrying about being Valedictorian or college or her dad’s approval. She’s just living and falling in love for the first time. This could probably work for all LI’s but the specific “troublemaker” line makes me think of an MC who is trying to reassure Logan that she can make her own decisions.

1Day, PnB Rock ft. Ugly God [j]

Momma told me that I wouldn't be shit / Told her one day / I'ma be rich (huh)

One day, I'ma buy a big ass crib / One day, I'ma buy a big ass mansion / One day, all my fucking diamonds gon' be dancing / One day, I'ma fuck a bitch in the Hamptons / One day, I'ma eat the sushi with the salmon

Dropped out of college, everybody said I'm tripping / Told them be patient, but they ass wouldn't listen / Made it big time, now they fucking with the vision / Now I'm really rich, and my diamonds really glistening

The lyrics kind of remind me of the lifestyle that they live – whether or not they fell for the MC in the process, they all kind of have the motive of money and being successful in their own way. Even though the li’s and MC have their own shortcomings and wants and needs outside of MPC, I like to think of this song as an ego booster and probably representative of their attitudes when they joined MPC at the beginning. Reminds me of Logan especially since he joined the life so early and probably romanticized it for the longest time before it really went to shit. And to add to that, the last lyric is Colt all the way.

92 Explorer, Post Malone [p]

Ooh, baby, I see these muhfuckas’ glancin’ / When my whip stop, then my wheels keep spinnin’

Made a lot of M’s, made a lot of moves

This song is literally all about Post Malone’s precious car so I was like LMFAO why not because everyone in ROD loves their cars and then the last lyric is because they be making a lot of money with their transactions/steals.

Best Friend, Saweetie ft. Doja Cat [p]

Beep beep, is that my bessie in a Tessie?

Listen... I feel like we were robbed of the peak best friend dynamic that could’ve existed between Riya and MC so this whole song is for them (also c’mon MC could’ve snatched a Tesla if she reeaaally wanted too so yup that’s Riya’s bessie in a Tessie).

Lost It, Rich The Kid ft. Quavo and Offset [p]

The Bentley don’t cost shit / I walk out the bank rich

Okay, drank sippin’, lane switchin’ / I done brought my gang with me

Ooh, I might snatch the coupe

First one because they really could get any car they wanted, second lyric because gang always together yk, and last one because they really be stealing cars out here LMFAO.

Royal Rumble, Lil Tecca [p]

My life is a movie, you not ready for that clip

It’s a Royal Rumble

ROD really is a wild ride (‘my life is a movie’) and the ‘it’s a Royal Rumble’ just reminded me of the fact that it’s basically a showdown between two crews where one wins in the end but at what cost.

Runnin’, 21 Savage and Metro Boomin [p]

Runnin’, runnin’, runnin’, runnin’

We run the motherfuckin’ city

Fuck your crew, [redacted], we’ll kill your crew

First lyric is because literally everyone has to scatter by the end of the book, and the second lyric just gave me their vibes, whether or not they truly ran the city. The last lyric makes me laugh because Colt really was about to kill the other crew, the ‘we’ is a lilll bit loose in that sense though LMFAO because I know damn well Toby was not ready to go down like that.

Stuntin’ Like My Daddy, Birdman ft. Lil Wayne [j]

What we doing? Getting money / What they doing? Hating on us, but they never cross / Cash money still a company, and, bitch, I'm the boss / And I be stuntin' like my daddy, stuntin' like my daddy

Colt and Teppei don’t get along, but I like to think that Colt not only bumps this song in his car, but secretly imagines that him and Teppei run L.A. – either together or with Colt taking the reins.

Takin’ Shots, Post Malone [p]

Drinkin’ all night, but we ain’t done yet / Waitin’ on the plug, but he ain’t come yet

Already losin’ control, this is the life that we chose

The first lyric and this song overall just give me club vibes, like the underground one they went to where MC wears that neon fit. The part in the second line that always gets me is ‘this is the life that we chose’ because being a part of this crew was a choice for most, and they knew what comes with this lifestyle.

Trouble on Central, Buddy [j]

So the entire song is pretty much the idea “I wish life were better and I’m daydreaming about how good things could be for me”. And to be honest, I think that the vibes of that fit Logan when he was young and broke, but at the same time, I could see Colt bumping this song in a convertible.

VEGAS, ABRA [j]

The whole song reminds me of the gambling scene and the high stakes of it. It kind of reads like the MC trying to fit in with dangerous criminals while she’s there despite the MPC thinking she’s not ready for it

#playchoices #choices rod #rodaw #ride or die: a bad boy romance #choices ride or die #playlist

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robbyrobinson · 6 years

Photo

Happy Sugar Life is a psychological horror manga series that had received an anime adaptation that had just recently concluded. Despite the innocuous sounding title, the anime is actually set in a Crapsack World. The series concerns a high schooler named Satou Matsuzaka who —after "mingling" around with several boys had apparently ceased this after finding her "true love." With that being said, Satou is very obsessed with preserving her "happy sugar life" even if it involves amoral conduct.

For starters...there's Satou herself. To get this out of the way...she doesn't count for a plethora of reasons. For a Freudian Excuse, well it is explained in flashbacks that she had lost her parents at a young age which caused her to live with her aunt who was clearly unfit to raise her. Her aunt was someone who loved everyone — well it's more that she was a raging sadomasochist who derived pleasure from being abused — and it was ultimately her aunt that was responsible for molding Satou's perception on love. With that excuse....I personally don't think it holds up much. Especially when Satou tries to use that backstory to justify viewing others as being below her. With mitigating factors, there is her relationship with Shio Kobe - a young girl she met in the streets one time. Okay, let's get this out of the way: there is nothing indicating that Satou felt that way about Shio. The one recurring element that constantly presents itself firmly establishes that at the end of the day, Satou's relationship with Shio is one of maternalistic nature. Shio met Satou when her mother abandoned her on the streets one evening (I'll get into the why later on), and she latches onto Satou as a mother figure. Initially, we are given the indication that Satou only viewed Shio as an outlet for her emotional needs, an accessory, in other words. However, this view is proven incorrect in episode 10 when Shio calls Satou out for always keeping secrets from her, and from there, Satou treats Shio more as an equal. In the final episode as the two were trying to escape the burning building, they both jump off the roof. In her final moments, Satou realizes the meaning behind love, and shields Shio, taking the brunt of the fall for her.

As for the heinous standard...I don't feel she meets it. In total, she had a body count of 4 people. The only issue with this is that three of the victims Satou had murdered were assholes; the first was the original owner of the apartment room she and Shio live in. He was an artist who tried to kill Shio because he was enraged that Satou was now "complete" him initially liking Satou because of her incompleteness. The next two were of some thugs that were trying to use Shio as bait to lure her older brother Asahi to the park. But the issue with those murders is largely that they're mentioned in passing. We do have somewhat of a Gory Discretion Shot with one of the perps, but the aftermath is only mentioned by one of Satou's coworkers. Now, Satou does Jump Off The Slippery Slope halfway in the run of the series with her murdering her best (and only) friend Shouko after she had taken a picture of her and Shio and texted it to Asahi. With this murder, what also adds onto Satou's mitigating factors: while she considers it a case of I Did What I Had to Do, it becomes apparent that Satou felt remorseful for killing Shouko. Her lower lip was also seen trembling as if she were about to have an emotional breakdown (which is different from the manga version where it's more an Ignored Epiphany).

So, lastly there is her get away plan. Said plan involves burning the upper room of the apartment and passing off Shouko's body as her own. Clearly, she would be putting the other inhabitants in the level in danger, and she obviously doesn't care either...but the problem with this? Largely, the news mentions that there were multiple casualties from the fire. But they only mention two: Shouko and Satou. As such, these massive casualties are in reference to those two bodies that were uncovered from the arson incident. What makes this even more problematic is that it also runs under Offscreen Villainy. As such, there is no approximate number of people who otherwise perished in the fire.

On another note, Satou has several moments where she could've done worse, but she chooses not to ala Pragmatic Villainy. For instance, when she realizes that Asahi had a connection to Shio, she contemplates bludgeoning him with a crowbar only to relent upon realizing that it would be hard to hide the evidence. Even when Asahi was proving to be more problematic, she instead chooses the least lethal option of deceiving him into thinking his sister had gone to a different district. There are other examples of instances where she could've been worse, but you get the idea.

As for other characters:

1) There was Satou's boss from a restaurant called the Princess Imperial who became envious of her when she learns that one of her employees — Mitsuboshi — had asked Satou out for a date only to be turned down. So, as her way of fixing that? She kidnaps Mitsuboshi, keeping him locked in a cabinet in her room and repeatedly raping him as a means of forcing him to love her. As for excuses...there are none, unless you consider her feeling bad for her age as one. I was contemplating on suggesting her on the grounds that no other antagonist (major or minor) had stooped to this level of depravity, and that she was obviously over the Moral Event Horizon at that point, having raped Mitsuboshi for a week. This was also seen as horrific by the setting with Mitsuboshi himself being deeply traumatized by his experience.

2) Auntie: Satou's Aunt is the one who starts the fire, but the same problems plaguing Satou's involvement also fall on her due to there being no approximate body count to draw from as well as her only being charged for arson and the murder of Shouko. Individually speaking, she isn't heinous enough with only having one count of rape and attempted rape. Beyond that, Auntie also has some forms of mitigating factors such as making it clear that she loves Satou in her own warped way as well as being truly Affably Evil. She could also be seen as being too insane to consider particularly for her happily taking credit for starting the fire.

3) Shio and Asahi's father: He was a posthumous character having died before the events of the anime. For the most part, he is your generic take on a Domestic Abuser with him yelling and hitting his wife. His one unique form of cruelty is shown in a flashback where he rips Asahi's fingernails off out of morbid curiosity at seeing how much pain he could take, and it is also stated that he had always done things like that to Asahi when he chose to live with him for five years after his mom and sister escaped his household. He was ultimately the reason as to why Shio's mom left her on the streets because she feared that she would become like her husband. She later poisons his sake, and he died. The father does commit more crimes in the manga that were Adapted Out when it received an anime adaptation, so I am kind of contemplating on whether that's worth mentioning.

4) There were a few other minor antagonists that I would list, but they ultimately have little merit on the plot of the series.

Overall, those are my thoughts on the series.

Now as for the one I think could count as PE...

The Manager’s CM EP

Who is she?

The nameless manager of a restaurant named The Princess Imperial in which Satou becomes an employee of in order to make more money. At first, the manager was seemingly benevolent...but she was someone who was really self-serving and wanted all of her employees to love only her. However, when one of her employees — Taiyo Mitsuboshi — asks Satou out on a date and she overhears if from her other employees...that doesn't sit well with her. Not one bit.

What has she done?

As Satou was heading back to the apartment building after work, she notices the manager talking with Mitsuboshi about whatever, making Mitsuboshi follow her to her office. Afterward, Mitsuboshi disappears the next day which is attributed to him "quitting." As Satou continued to work for the restaurant, she received more and more work, oftentimes her co-workers would sabotage her efforts. Soon, Satou had to work longer hours, which gradually ate away at her sanity.

Eventually, paycheck day arrived, and the manager hands out the checks for the employees. Satou notices that her check didn't cover the hours she had to work, and she goes to talk to the manager to sort it out. The manager admits that she was punishing Satou with longer hours as revenge for her catching Mitsuboshi's eyes. She then goes onto explain how her restaurant was her castle, and that the employees would flock to her. When Mitsuboshi strayed away from that intended purpose, this unsettled the manager. Satou tells her that it was immoral of her to try to go after underaged employees, and reaffirms that she would get her full pay if she obliged. Satou then glances at the cabinet across the room, and correctly guesses that Mitsuboshi never quit; rather, the manager kidnapped him and repeatedly raped him as her way of forcing him to love her. The manager confesses to this...only to realize that Satou had filmed the entire thing on her cell phone. To this, Satou threatens to inform the authorities about her "discovery" lest the manager gave her the full amount for her hours. Satou then opens the cabinet door, revealing a bound ang gagged Mitsuboshi within it.

Mitigating factors? Freudian Excuse?

Nay for any excuses. The reason as to why she felt that her employees should love only her is partially because she is insecure about her age. Yeah. There isn't any tragic about it in the slightest: the employees were there to serve her only so that she could feel better about herself. When Mitsuboshi asked Satou out on a date, that bruised her ego to the point that she tried to rectify that by kidnapping and repeatedly raping Mitsuboshi to the point that he suffered trauma from the experience. As for the scenes regarding that, they are played seriously unlike with many other uses of the trope.

And I need to emphasize this: her feeling bad because of her age does NOT excuse her repeatedly raping a teenage boy and traumatizing him. The anime gives no sympathy towards her with Satou herself calling her out for going after underaged workers. In this case, any insecurity that she had is completely blown out of proportion because of her actions.

Heinous standard

Happy Sugar Life is a dark series with the Villain Protagonist herself being the least morally grey of the cast (that isn't to say that there aren't any morally upright characters; there are). Despite this, I feel that the manager does have some factors that could make her count. While she had raped one victim, what sets her apart is the fact that she repeatedly raped Mitsuboshi for a week, thus being way beyond the Moral Event Horizon at that point. The whole reason as to why she did this was especially disgusting; it is Evil Is Petty at its finest. She also has that personal tie with Mitsuboshi as because of her, Mitsuboshi developed a pathological fear of older women, an is very blatantly psychologically suffering because of her. No other antagonist in the series had stooped to this level of depravity before.

Conclusion

I feel that she does enough for a minor villain, but I otherwise feel indifferent towards her counting or not. I may go into discussing Shio and Asahi's father next since like I said he did commit more actions in the manga that were left out in the anime adaptation, but probably at some later point.

#complete monster #tropes #TV Tropes #austindr #robbyrobinson #happy sugar life #HSL #happy sugar life anime #happy sugar life manga #Mitsuboshi Taiyo #Taiyou Mitsuboshi #pure evil #heinous standard #YMMV #Satou Matsuzaka #Sato Matsuzaka #Matsuzaka #Sato #Satou

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