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eddycurrents · 5 years

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For the week of 11 November 2019

Quick Bits:

Batman & The Outsiders #7 throws some further ramifications of Ra’s al Ghul and his minions meddling with Duke and Sofia. Some particularly disturbing transformations going on with Duke that should be interesting. The level of intrigue that Bryan Hill is keeping in the story is gripping.

| Published by DC Comics

The Batman’s Grave #2 is another excellent issue. A little more packed with action than the first one, allowing Bryan Hitch to cut loose with some of the sequences. Also, I’m loving the humour that Warren Ellis is giving us between Alfred and Bruce. That acerbic wit is something we’ve seen from Alfred a lot and Ellis just nails the voice.

| Published by DC Comics

Battlepug #3 is more fun from Mike Norton, Allen Passalaqua, and Crank! Some really nice stuff here as Bryony cuts loose on Nobody’s Ponies. I absolutely love the mix of traditional sword and sorcery storytelling with rather over-the-top humour that basically lampoons it at the same time.

| Published by Image

Black Cat Annual #1 is a fun tale of a heist on the Maggia by Black Cat and Spider-Man from Jed MacKay, Joey Vazquez, Natacha Bustos, Juan Gedeon, Brian Reber, and Ferran Delgado. It features the usual humour and action that we see in the series and I quite like how the artists are broken up each following one particular aspect of the story. Though it’s all one narrative, it gives a nice differing feel to each part.

| Published by Marvel

Black Hammer / Justice League: Hammer of Justice #5 concludes what has been an excellent series from Jeff Lemire, Michael Walsh, and Nate Piekos. Ultimately, this has reminded me of the old JLA/JSA crossovers of old, and just feels great as an overall story. Plus the possibility of seeing a sequel.

| Published by Dark Horse & DC Comics

Black Panther and the Agents of Wakanda #3 begins “God Loves, Moon Kills”, another two-parter for this series, from Jim Zub, Lan Medina, Craig Yeung, Marcio Menyz, Federico Blee, and Joe Sabino. I love this story format, giving us essentially quick-hit missions dealing with a problem and then moving on. It’s yielded some pretty tight storytelling and some fascinating situations.

| Published by Marvel

Black Stars Above #1 is another incredible debut for Vault, with Lonnie Nadler, Jenna Cha, Brad Simpson, and Hassan Otsmane-Elhaou delivering an incredibly deep and unique horror story. It centres around a young woman in a family of fur traders, as the trade itself begins to die in Canada, and it’s impressive as to how real the characters and their struggle feels. The artwork from Cha and Simpson is exquisite.

| Published by Vault

Buffy + Angel: Hellmouth #2 continues Buffy and Angel’s descent through hell. It’s much more cerebral than you’d expect, with the demons trying to get into Buffy and Angel’s respective heads in order to manipulate and destroy them. Plus, a rather interesting surprise. Jordie Bellaire, Jeremy Lambert, Eleonora Carlini, Cris Peter, and Ed Dukeshire are doing some great work with the core of this event.

| Published by BOOM! Studios

Collapser #5 somehow gets even stranger in this penultimate issue as Liam creates a “perfect” world to run away from the problems he’s having in the real world. The real world bleeding through and a revelation of his girlfriend’s true intentions just ratchet up the strangeness further. Mikey Way, Shaun Simon, Ilias Kyriazis, Cris Peter, and Simon Bowland are just doing amazing work here.

| Published by DC Comics / Young Animal

Detective Comics #1015 takes an interesting turn as Nora decides that she likes being a villain. Through this, Peter J. Tomasi is definitely showing an interesting side to Mr. Freeze, emphasizing again that he’s a rather conflicted villain, only doing the various heinous actions to save his wife. Who now doesn’t need him.

| Published by DC Comics

Doctor Mirage #4 features more incredibly beautiful, inventive artwork from Nick Robles and Jordie Bellaire. The visual storytelling as Shan faces the Embalmer is just incredible. Magdalene Visaggio, Robles, Bellaire, and Dave Sharpe continue to deliver magic with this penultimate issue.

| Published by Valiant

Edgar Allan Poe’s Snifter of Terror: Season Two #2 is another entertaining issue. The lead tale from Tom Peyer, Greg Scott, Lee Loughridge, and Rob Steen has traditional EC Comics horror vibes, as a scientist tries to communicate with our worm overlords. In one of the comics back-ups Mark Russell, Peter Snejbjerg, and Steen revisit the world of the breakfast cereal monsters. And there’s the usual prose pieces, poetry, and Hunt Emerson’s Black Cat.

| Published by Ahoy

Event Leviathan #6 concludes this series from Brian Michael Bendis, Alex Maleev, and Josh Reed. How much you enjoy it will hinge on how much you enjoy Maleev’s art and the realization that most of this tale is about moving one person off the board and the reveal of Leviathan to set up further stories. Also, Bendis paints a Batman who is ridiculously terrible at hiding his secret identity.

| Published by DC Comics

Fallen Angels #1 is the final new first issue of this first wave of “Dawn of X” titles and in many ways it’s more personal than the other X-titles, even Excalibur, delving into Psylocke (the former Kwannon, not Betsy Braddock) and her past. Bryan Hill, Szymon Kudranski, Frank D’Armata, and Joe Sabino deliver an interesting story with hooks on the darker side of the X-world, including some ominous bits from Magneto and Sinister, but I question the inclusion of X-23 and Cable. They don’t exactly seem to fit the roles they’ve been put into here.

| Published by Marvel

Family Tree #1 is a phenomenal debut from Jeff Lemire, Phil Hester, Eric Gapstur, Ryan Cody, and Steve Wands. This first issue perfectly captures that insidious nature of family drama mixed with creeping terror and body horror as a bizarre plague begins spreading across America.

| Published by Image

Far Sector #1 is one of the most impressive debuts I’ve read in a long time. NK Jemisin, Jamal Campbell, and Deron Bennett create a rich new world in the City Enduring and a compelling character in the new Green Lantern, Sojourner Mullein. The murder mystery that ties everything together is just the icing on the cake. Incredible world-building here and drop dead gorgeous artwork. Do not miss this.

| Published by DC Comics / Young Animal

The Flash #82 is part one of “Rogues’ Reign” from Joshua Williamson, Rafa Sandoval, Jordi Tarragona, Arif Prianto, and Steve Wands. It features a Central City taken over by the Rogues, transformed into their own personal playgrounds, as the Flash is nowhere to be found. It’s not bad, but the amount you’re going to like it may be relative to how much you’re also enjoying “City of Bane” and the recently concluded similar arc involving the Trickster.

| Published by DC Comics

Folklords #1 is off to a fantastic start from Matt Kindt, Matt Smith, Chris O’Halloran, and Jim Campbell. It starts off with a precocious kid in a fantasy world who’s been having visions of what essentially amounts to our world, whose quest sets out a rather draconian lockdown on their society when the Librarians rein in everyone from illicit action, like finding the Folklords. Highly recommended.

| Published by BOOM! Studios

Forgotten Home #2 reveals more about Jannada, its history and society, and how an unjust queen was brought to rule through racial warfare. Love the artwork from Marika Cresta and Matt Emmons.

| Published by Vices Press

Gideon Falls #18 unleashes the Laughing Man on reality in part two of “The Pentoculus”. Jeff Lemire, Andrea Sorrentino, Dave Stewart, and Steve Wands are beautifully unfolding this twisted and horrific flower of a story.

| Published by Image

Gotham City Monsters #3 adds another element of DC lore to the series as Melmoth claims a particular prize. I really quite like how Steve Orlando, Amancay Nahuelpan, Trish Mulvihill, and Tom Napolitano are pulling together disparate bits of Gotham and beyond to craft this story.

| Published by DC Comics

Guardians of the Galaxy #11 is the penultimate issue of this series from Donny Cate, Cory Smith, Victor Olazaba, David Curiel, and Cory Petit. It’s basically a big fight between the remaining Guardians and everyone else. It doesn’t go so well.

| Published by Marvel

Hawkman #18 takes a somewhat different approach to Hawkman’s infection than what we’ve seen of the others so far. Rather than being a dark reflection of Hawkman’s own desires, he’s taken over by an Earth-3 incarnation in Sky Tyrant. Robert Venditti, Pat Olliffe, Tom Palmer, Jeremiah Skipper, and Richard Starkings & Comicraft instead use that to play the spirit of our Hawkman against.

| Published by DC Comics

Hit-Girl: Season Two #10 is part two of “India”. The artwork from Alison Sampson and Tríona Farrell is impressive, given an amazing level of detail to bringing Mumbai to life. Brutal and rich in colour.

| Published by Image

House of Whispers #15 takes a new twist as the Corinthian finds the House of Watchers, takes over, and everything changes. Nalo Hopkinson, Dan Watters, Dominike “Dono” Stanton, Zac Atkinson, and AndWorld Design kick off some new terrors as even Erzulie’s status quo is upended, and we get another guest appearance of John Constantine’s homecoming.

| Published by DC Comics - Black Label / The Sandman Universe

Invaders #11 pushes deeper into Steve and Namor’s history and relationship, as Steve refuses to give up on his old friend. There’s some very heavy, very good character work here as we head into the final issue. Chip Zdarsky, Carlos Magno, Butch Guice, Alex Guimarães, and Travis Lanham continue to astonish at the incredibly high bar they’ve set for this story.

| Published by Marvel

Justice League Odyssey #15 is a fun tale from Dan Abnett, Will Conrad, Rain Beredo, Pete Pantazis, and AndWorld Design. Jessica Cruz leading a rag tag band of villains (and Orion) against Darkseid and the previous JLO turned evil is unfolding as a very entertaining story with some interesting twists. Also, Dex-Starr is awesome.

| Published by DC Comics

Morbius #1 isn’t a bad start from Vita Ayala, Marcelo Ferreira, Roberto Poggi, Dono Sánchez-Almara, and Clayton Cowles. This first issue is largely just action as Morbius sets out on his quest to cure himself, again, but it’s not bad. The art from Ferreira, Poggi, and Sánchez-Almara is very nice.

| Published by Marvel

Oblivion Song #21 continues the slowburn investigation and reconnaissance of the Faceless Men’s base, as Marco tries to map it out and discover where they’re holding all of the people who decided to stay in Oblivion. Gorgeous artwork from Lorenzo De Felici and Annalisa Leoni as we see more of the Faceless Men’s technology.

| Published by Image / Skybound

Psi-Lords #6 does a bit more world-building as we find out more about the Psi-Lords and the Starwatchers, even as the four Earthers are beset by the other Marked in a bizarre farce of a trial. Fred Van Lente, Renato Guedes, and Dave Sharpe are telling a pretty great sci-fi adventure tale here. It largely stands alone in the greater Valiant universe framework and deserves more attention than its getting.

| Published by Valiant

Punisher: Soviet #1 is another welcome return to the Punisher by Garth Ennis, stepping back into Frank’s adventures like he never left. Ennis, Jacen Burrows, Guillermo Ortego, Nolan Woodard, and Rob Steen deliver a brutal and bloody beginning as Frank chases down someone who everyone seems to think is him.

| Published by Marvel / MAX

Reaver #5 is a fairly impressive spotlight for Breaker as he does what he really didn’t want to do again in order to help his “friends”. Justin Jordan, Rebekah Isaacs, Alex Guimarães, and Clayton Cowles present a number of twists and surprises in one of the most brutal issues yet.

| Published by Image / Skybound

Ronin Island #8 sees the remaining islanders largely stand together as they try to both stand up to and flee from the Shogun’s soldiers and madness. With a terrible occurrence that looks like it’s going to cause even more problems for the survivors. Giannis Milonogiannis and Irma Kniivila’s art continues to be everything.

| Published by BOOM! Studios

Sea of Stars #5 very nicely puts the pieces together as a disconsolate Gil has been captured and basically given up thinking Kadyn dead is brought to the world where his son is about to be gutted. Jason Aaron, Dennis Hallum, Stephen Green, Rico Renzi, and Jared K. Fletcher are telling an incredible story here and this issue throws even more twists at the reader.

| Published by Image

Seven Days #2 unfolds some of the fallout of people learning that they only have seven days left, as the superhero community is enlisted to try to stop whatever the shiny harbinger things are. Gail Simone, José Luís, Jonas Trinidade, Michelle Madsen, and Saida Temofonte are continuing to build an intriguing story here as we get more and more of the breadth of the Catalyst Prime universe.

| Published by Lion Forge / Catalyst Prime

Superman #17 is kind of a housekeeping issue from Brian Michael Bendis, Kevin Maguire, Paul Mounts, and Dave Sharpe, acting as a prologue to “The Truth”. A bit of reflection on the Unity Saga, Event Leviathan, and Year of the Villain.

| Published by DC Comics

Tales from the Dark Multiverse: Blackest Night #1 might well be the best of these one-shots yet. Tim Seeley, Kyle Hotz, Dexter Vines, Walden Wong, Danny Miki, David Baron, Allen Passalaqua, and Tom Napolitano give us a bleak look at a world where Sinestro chose not to share the power of the White Lantern light and essentially everything fell to Nekron and the Black Lanterns. It’s a very unique take on the zombie apocalypse on its own, made more interesting as a fallen Sinestro, Lobo, and Dove try to save this universe. The art from Hotz, Vines, Wong, Miki, Baron, and Passalaqua is perfect.

| Published by DC Comics

Trees: Three Fates #3 continues to build up the weird atmosphere from last issue, then turns around and focuses on more of the gritty aspects of Oleg, Mik, and Nina. Gorgeous artwork all throughout from Jason Howard and Dee Cunniffe.

| Published by Image

Triage #3 shifts to Commander Marco’s reality as the group flee from the Hunter. I really like what Phillip Sevy and Frank Cvetkovic have been doing with this story. Great high concept, but the interpersonal relationships are where it’s really at.

| Published by Dark Horse

Usagi Yojimbo #6 is a beautiful updating and embellishment of the very first story of Usagi from Albedo by Stan Sakai and Tom Luth. This single issue story really captures the spirit and magic of all of Sakai’s stories, wonderfully portraying his mix of action and folklore.

| Published by IDW

Vampirella/Red Sonja #3 explores more of what the Russians were doing in regards to Drakulon and more. More very nice humour from Jordie Bellaire in the interactions between Vampirella and Sonja.

| Published by Dynamite

Wonder Woman #82 begins “The Wild Hunt” from the new creative team of Steve Orlando, Kieran McKeown, Scott Hanna, Romulo Fajardo Jr., and Pat Brosseau. It very much continues on from the plot threads and elements of the previous run, continuing to build on the current conflict between Wonder Woman and Cheetah.

| Published by DC Comics

X-Men #2 is pretty damn great, going back to the big and wild ideas bringing new elements into the X-universe, all while Cyclops gives some of the strangest parenting. Jonathan Hickman, Leinil Francis Yu, Garry Alanguilan, Sunny Gho, and Clayton Cowles give us a new mystery with the arrival of Arakko and the first of -|A|-’s missing original horsemen.

| Published by Marvel

Other Highlights: Age of Conan: Valeria #4, Agents of Atlas #4, Catwoman #17, Doctor Who: The Thirteenth Doctor Holiday Special #1, The Dollhouse Family #1, Elvira: Mistress of the Dark #10, Firefly: The Sting, Future Foundation #4, Ghosted in LA #5, GI Joe: A Real American Hero #268, Girl on Film, Go Go Power Rangers #25, Harley Quinn & Poison Ivy #3, History of the Marvel Universe #5, Marvel Action: Spider-Man #11, Midnight Vista #3, Moonshine #13, Runaways #27, RWBY (print) #2, RWBY (digital) #6, Savage Sword of Conan #11, Star Wars #74, Star Wars: Jedi - Fallen Order: Dark Temple #4, Star Wars: Target Vader #5, The Unbeatable Squirrel Girl #50

Recommended Collections: Babyteeth - Volume 3, Dark Red - Volume 1, Fallen World, GLOW - Volume 1: Versus the Star Primas, Justice League - Volume 4: The Sixth Dimension, Savage Avengers - Volume 1: City of Sickles, Star Wars: Age of Resistance - Heroes, Star Wars Adventures - Volume 7: Pomp and Circumstance, Wonder Twins - Volume 1: Activate

d. emerson eddy can hear the scratching at the walls of reality.

#This Week in Comics

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paulsiethecontentwriter · 3 years

Text

An unpaid work for one of my previous clients

About the Founder

In 2014 Artypen Designs was born as a Branding & Graphic Design Company by Ishita Shah, Founder & Graphic Designer. She herself being a distinguished creative person, knows what it takes to elevate a brand’s identity and outstretch a lasting impression around every corner of the world. The Founder is a young lady who anchors the entire design process with her knowledge and experience she has accumulated over the past years.

About the Company

We are based out of Mumbai but you can find our vision and signature touch imprinted on brands worldwide. We are a creative boutique and excel in Branding, Packaging, Graphic Design and Digital Communication. As a team of creative minds, we use our expertise to the best and achieve an aesthetic balance between strategic thinking & visual execution.

As a professional creative design studio, we believe that, to conceive remarkable designs that can make a brand outshine in the highly competitive market, one has to apply both his brain and heart to the design. Hence, we first understand you, your business, your vision and then conceive the entire design and apply our creativity to give it a proper shape.

Our more than six years of experience with eminent brands has gifted us with the knowledge that every brand, project and creative challenge is unique and different from each other. So the entire process of our design is bespoke, tailored specifically around your brief and connects your brand with your essence.

At Artypen Designs we deliver designs that not only satisfy our client’s imagination but also meet their expectations even better than their conception. Our digital craftsmanship is all about ensuring that the designs we conceive help your brand make a statement. So if you are looking for stunning designs that make you look good in person and in pixel, just drop a line to us!

U GRO Capital

brand identity, brochure design, corporate branding

U GRO Capital Limited, (formerly known as Chokhani Securities) is a BSE listed NBFC with a mission to solve the unsolved. As Artypen Designs took over the project of designing the complete Brand Identity of a company that strives to build a strong financing platform for small businesses that is entirely based on sectoral understanding enhanced by a totally integrated technology and analytics platform, it’s obvious that we had to conceive some unique designs that help the company to symbolize horizon and energy and foster recognition.

Since the establishment in 1993, U GRO Capital has focused on addressing capital needs of small businesses that operate in selected eight sectors like Healthcare, Education, Chemicals, Hospitality etc. by providing customized loan solutions. Hence, the entire branding system is designed with an overtone of orange. Not only that, the creative and innovative designed solutions of our expert graphic design team has personalized the corporate branding with a formal tone only to underline the corporate communication and collaterals.

The robust and structured website is a vehicle for the brand’s aspiration. As its powerful look reflects the on-point approach and company’s value of being REAL, EXPERT, CURIOUS and YOUNG, its imagery of dynamic clouds conveys the brand story, of going higher with intelligence. The brochure design has also been planned to transfuse the company’s endeavour and help them fulfil their ambition.

The visual vocabulary is extended to a playful expression of the word GRO borrowed from the identity which has become a part of the brand language. The focus corners are used as a brand symbol, creating a language unique to U GRO CAPITAL and subtly reinforcing the brand. (274 words)

Meta: Check out our winning graphic design portfolio & how we’ve designed the best brand identity, brochure & materials of corporate branding for U Gro Capital (153)

Snowcem

packaging design, print design, creative design

Over the last 5 decades Snowcem Paints has been the first choice as the Paint and Emulsions Company for the consumers and painters across the country. So being the most trusted creative design studio, Artypen Designs was being approached with the project of developing a strategic portfolio solution for SnowCem Paints that would accentuate the brand’s ethos of owning and spreading the true colours into people's lives.

Artypen Designs has worked with such a brand that believes that lasting protection must be rewarded with beauty and develops products with such intention. With a strong notion to reform with the emerging technology, the brand has delivered a line of innovative products like water based liquid paints, unigloss, eco friendly products etc. that are totally value for money. A simple yet dynamic look and feel that our knowledgeable and experienced creative persons had conceived as the best pattern for planning this brand’s identity and print design, also helped the brand demonstrate the genuine colours of its ethics and maintain a high level of consistency across a wide and evolving range of products.

With the right unification of creativity and technology we have learnt the brand’s vision of delivering a pathbreaking approach to painting and then placed innovative and smart solutions for packaging design to define the brand’s unique propositions and help them make a statement. The clarity, purity and resonance that our talented and professional team of graphic designers contemplate has provided the brand with exemplary illustrations and also complements the brand’s mission, vision and aspirations of leaving a touch to every other drawing room of its target customers. (267 words)

Meta: As the top creative design studio, we have conceived packaging design & print design solution that boosted the brands ethos of spreading colour into lives (154)

NMIMS

graphic design, motion graphic designer

NMIMS is one of the most famous among the globally reputed universities that offers the utmost demanding degree courses after school education. As the best graphic design company, Artypen Designs received the project of creating exceptional corporate designs for the brand.

To satisfy the emerging demands for management institutions in India, NMIMS initiated its journey in 1981. Since then, the meteoric growth has kept pace with the ever-evolving education scenario by offering major initiatives in terms of programs, curriculum, developments etc.

Artypen Designs is rewarded with the task of designing the presence of this broad vision to carry forward and spread among the generations. As the most trusted creative design company we know that innovation is the key to progress in the recent days. Accordingly, our pursuit of excellence has enabled the brand a constant upgrade and added desired success to its crown.

The team of professional motion graphic designer at Artypen Designs has designed the How to Apply video for The School of Performing Arts in the Department of Music of NMIMS. As creative designers our aim was to align our design with the thought of the university whose basis was diversity, innovation and progress.

Ensuring a complete knowledge to the students and easing out their concerns for applying in the school of performing arts in this university with attractive yet simple designs was what we aspired for. And today we are proud to admit that the creativity we possess knows no limits.

And as per the brand’s aspirations it has let them nurture the scientific spirit of enquiry among the students and outshine in the field of college education. The stunning designs and smart ideas we conceived for creating the video for the brand has successfully helped them provide opportunities to students and realize their full potential. (299 words)

Meta: Learn how the expert motion graphic designer at Artypen Designs has rendered the How to Apply video and other graphic design stuffs for admission in NMIMS (154)

Rhythmic Squad

logo design,stationery design,business cards

Rhythmic Squad is the most renowned dance studio based in Mumbai that provides the talents with training and opportunities for growth and establishment in their desired dance profession. Artypen Designs crafted remarkable stationary design for the brand. With a mission to create a hub of excellence where talents in dancing get truly nurtured, professional exposure and immediate recognition, the studio commenced its journey a few years ago.

So being the top logo design company in Mumbai we took the task of designing the face of the brand Rhythmic Squad. And we have successfully delivered the brand’s recognition and a logo that represents its values, aspirations and desires. The logo resembles the brand’s forward-thinking visual identity while integrating R & S as the logo icon during the brand creation. We have developed a bold, strong and edgy visual identity system with black and golden as primary colours. Also, while conceiving the exquisite designs for the logo our knowledgeable designers keep in mind that it must be coherently relevant and in line with the trends and fashions.

Apart from the logo we have also given shape to stunning business cards for the brand that is enough to nail the first impression and make the brand unforgettable as well. Our professional graphic designers are adept at framing custom business cards that are a perfect fit for all budgets. We, at Artypen Designs, always keep an eye for crafting eye-catching designs that speak for itself. We ensure that the remarkable designs that we conceive is unique, hit the bull’s eye and let the brand outshine. (260 words)

Meta: Explore the business cards, logo design, stationary design service that the graphic design professionals at Artypen Designs have provided to Rhythmic Squad (155)

Enpee Group

letterhead design, poster design, creative logo design

Since its establishment in 1961 Enpee Group has been venturing as a manufacturer of woven, printed and dyed textiles as well as embroidered laces and fabrics. This brand has given us the responsibility to craft letterhead designs and other such items. Now, for more than five decades the brand has grown into a multi million dollar transnational business joint with a mass of market-leading businesses across five major industry segments like packaging solutions, construction products and services, FMCG, energy and chemicals and has footprints across the global market.

Artypen Designs was rewarded with the responsibility to craft creative logo designs and also designs for presenting corporate identity for such a brand that aims at preserving the past to create the future. In the logo The vector icon symbolizes the Enpee force backing its diversified businesses and the unified values flowing among them. The logo font was given a clean and minimalistic look to balance with the dynamic logo symbol.

Our professional graphic designers crafted stunning letterheads for the brand that work with its identity along with adding dynamism to every touchpoint. We know that letterheads are the most coveted official stationary for any company and having a custom letterhead is one of the best ways of branding. So while creating the letterhead for the brand we have taken optimum care to ensure all the credentials are put in and designed in a manner to display the brand values properly.

Apart from that our team of creative designers have created excellent poster designs that easily meet the promotional needs of online marketing of the products and services of the brand. We know that posters always play a key role in showcasing and creating brand awareness among the customers. That’s why we create bold, precise and catchy posters to meet your marketing needs. (301 words)

Meta: Glimpses of the graphic design services like letterhead design, creative logo design etc, by Artypen Designs, for Enpee Group, has been shared. Have a look (155)

Frutea

creative brochure designs, graphic design portfolio, brand design

Frutea is a renowned brand producing high quality and healthy fruit drinks in India that has always ensured quality and freshness from orchards to the bottle. They aspire to provide superior quality products that improve the lives of their customers and community. So for such a brand we have crafted impressive and creative brochure designs that evokes their reliability and trustworthiness to the potential clients. Our exclusive and customized brochures have given the brand an edge over the competitors and also helped them beat the curve.

At Artypen Designs, we know that a well-built graphic design portfolio is a token for every brand to earn professional success. So the visual representation of all that a brand has accomplished has to be mind-blowing, stunning and kick-ass. That’s why we have inscribed the best projects in our portfolio. And Frutea is one among them.

The knowledgeable creative artists at Artypen Designs believe that simplicity is the key that brings clarity of thought. And the work we have produced by that clarity of thought has brought desirable results to the brand. Our research-driven, creatively- armoured and thoughtful creative artists have also crafted the entire brand design items for the brand and have dug out its true potential. Creating a brand strategy is like a blueprint and the way we have planned it, has transformed the brand into an exceptional one in its trade. Our exclusive and customized creative solutions have helped the brand touch every possible part of consumer emotions, needs and the competitive market. (252 words)

Meta: Catch a glimpse of the most stunning graphic design portfolio of the best creative studio Artypen Designs, organized with brand design stuffs for Frutea (152)

Touch A Life

brand logo design, web design, corporate identity design

Touch A Life is a HongKong-based non-profit organization with a mission to help the underprivileged children in India and provide them with proper guidance, opportunity, and financial support so that they can turn their dreams into reality. We have crafted creative designs along with web design for the company. With a vision to perceive a world where there is no obstacle to education and health facilities and every child is protected and ensured their fundamental rights, the brand works for the betterment of the deprived society.

At Artypen Designs we know that every brand has some unique characteristics that they want to define with proper use of colours, sizes, typography and all. We simplify the process of corporate identity design by providing customized solutions to cater the business needs. With our designed solutions we ensure the brand develops a unique identity and outshine among the competitors. Our team of passionate and creative directors and graphic designers are devoted to craft the most exclusive designs and highest quality services to the brand.

We know that a logo is the first visual intimation of a brand that makes it an essential and effective tool for brand awareness. Our brand logo design procedure has few layers and we ensure the final product is unique, iconic and eye-catching. Now, after designing a bright and sharp identity, our goal for the website design was to create a structured website and engaging brand experience that allows users to dive deep into project content, browse real pictures and explore multiple ways of taking action. Thus we have provided them with customized and highly effective creative strategies that help them build their brand and recognition. (264 words)

Meta: The professional graphic design artists at Artypen Designs have crafted brand logo design, web design, corporate identity design services for Touch A Life (154)

Apollo

business card design,company logo design,graphic design work

Apollo Ingredients is a science oriented organization that has a global recognition in the arena of nutrition and hired Artypen Designs for their graphic design work. By harmonizing its business strategy and exceptional skill sets, the company has been making a significant and crystalline contribution to the elevation of economy, ecology and society.

The company believes in building and delivering innovative solutions that not only nurtures the spirit of human beings but also improves their performance and productivity simultaneously. Thus Apollo has successfully achieved its credibility as trustworthy sources in the market of dietary supplements and natural edible colours.

So, for such a brand with magnificent values, Artypen Designs was accorded with the responsibility of creating the company logo design. We know that an outstanding logo has the ability to persuade tons of your prospects to reach out and connect with your brand. That’s why our professional graphic designers have designed a unique and customized logo that helps the brand to create an individual identity and form a strong client foundation.

Apart from that we have also accomplished other creative designs that include items for branding, stationary etc. The experienced team of creative artists are adept at creating exceptional and appealing designs that make your brand outshine.

Also we have delivered the most appealing business card design to make the brand unforgettable to the client. We are always vigilant to the detail only to ensure that the highest quality of work is provided within the deadline. Being the top creative studio in Mumbai we focus at endorsing the corporate culture of your brand and strengthening its public image with our services. (271 words)

Meta: Explore the inspirational graphic design work, company logo design etc. that the leading creative studio Artypen Designs has crafted for Apollo Ingredients (155)

Alpa Industries

company brochure design,graphic design, business cards,print design

Alpa Industries is a brand that manufactures a wide range of spare parts compatible with the machines that are made in America, Japan or Europe. And as the best graphic design company, Artypen Designs has designed various corporate items for the brand.

Apart from being a specialist in creating customized products for industries across the market, the brand leverages all the state-of-the-art infrastructure that enables it to adapt to the environments arising out of customer needs since 1971. The spare parts that the brand produces cater to all mills for their machines in spinning and winding and it has mastered its field of operations.

We, at Artypen Designs, have provided the brand with exclusive company brochure design to help them flaunt their legacy, demonstrate their magnanimity and mesmerize their prospective customers to become a part of them. Our creative design experts have crafted the brochure just like a physical website where everything is written in captivating words and in stunning designs that showcase the best of the brand.

Also the business cards that we have shaped for them define the brand’s personality and help them weave a story of their success. The exquisite design of the business card is also 100% custom made, trendy and appealing and has actually the power to make the brand stand out amongst the competitors.

Apart from that, the print design items that our expert creative designers have let for the brand earn remarkable appreciations. We know that a perfect design is a combination of texts and pictures to explain that illustrate the business ideas through different mediums and this insight is what we have executed for crafting items for this brand. (277 words)

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acetattoozandartstudio · 4 years

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pkstudiosindia · 4 years

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Why posters and cut-outs in Tamil cinema are much more than advertisements – The News Minute

In a panel dialogue, individuals talked in regards to the artwork and effort of constructing these posters and what they’ve come to imply in totally different instances.

Artist Jeevananthan, who began out as a banner artist in Tamil cinema, having intently adopted in his father’s footsteps, recollects a 10×10 magnificent banner he helped put collectively on a busy highway in Coimbatore someday throughout the ‘80s. It was a stunning portrait of Rajinikanth’s face carrying darkish shades along with his head tilted up. And mirrored on the sun shades, had been tall timber.

“It was a real sensation on the main road in Coimbatore, a road like Chennai’s Mount Road. People used to stop their vehicles and look towards the opposite direction of the banner to see if there really were trees on the other side of the road. That is my most favourite banner,” Jeevananthan shares.

The artist was talking at a web based panel dialogue on Saturday, organised by Chennai Photo Biennale titled “Banners, Cutouts and Posters: Tamil Cinema’s Tryst with Visual Art”, moderated by Dr Uma Vangal, Fulbright Scholar and movie professor. Other panelists had been movie historian and writer S Theodore Baskaran, writer and artwork historian Dr Preminda Jacob and cinematographer and filmmaker Rajiv Menon.

The artwork of banner making

Jeevananthan, who says that he was “born with banners”, provided that his father was already portray them since earlier than he was born, additionally spoke in regards to the laborious course of that goes into making a banner or a lower-out for movies, which was among the many highlights of the session. In reality, the banner tradition was born right here in Chennai and unfold to different components of the nation. “SS Vasan’s Chandralekha was a breakthrough in that sense. Just TR Rajakumari’s jimikki (earring) in the banner would be 10 feet high and movie-goers in Mumbai and Calcutta would stare at it in amazement and shock,” Jeevananthan shares.

The ‘gada’ fabric purchased in items is stitched collectively to make for the massive canvas. Wooden items are nailed collectively to make the body. The banner-making studio, that has at the very least 10 to 15 staff together with tailors and carpenters, is now at some extent of excessive exercise. The water coat, a very smelly gum known as ‘vajram’ combined with chalk powder, goes first on the canvas adopted by an oil coat. Barrels of linseed oil are stocked for this goal. Then comes sketching.

Artists made use of magic lantern approach, in which a rudimentary projector forged the photographs from onto the canvas. “Even until the ‘70s and ‘80s, distributors or producers (who commissioned these banners) would give us black and white stills. The stills would be copies, made into negatives that would be mounted on slides to be projected onto the canvas,” Jeevananthan explains.

Artists perched upon makeshift excessive-tables start with broad strokes, then add a contact right here and a flourish there as the total image is accomplished. After it dried and rolled, it’s transported to the theatre the place it’s reassembled with the body. All of this occurs in breakneck velocity, with the artists getting about three days to complete one banner. “You have to remember – the film industry is a very unorganised business. Even a day before the release reels are passed from one hand to another. Different theatres come with different size requirements. So this work definitely requires extraordinary stamina,” he provides.

Cut-outs, a unique ball sport altogether, required artists engaged on wood planks and becoming them collectively in the top like a puzzle. Cut-outs could typically go as much as 60 toes excessive!

The early years

Film historian Theodore Bhaskaran, who has authored books like ‘Eye of the Serpent’ and ‘History through the Lens – Perspectives on South Indian Cinema’ supplied insights into the evolution of show artwork for cinema. “Tamil cinema had 15 years of silent films during which time 124 feature films were made. But not one single document we have from that period,” he stated.

Then in a while, manufacturing homes got here up with modern methods of promoting the movie. “Flash cards were popular in the late 1930 when below the still from the film, there’d be a space to insert details about the cast. In 1942, SS Vasan made posters announcing interesting competitions. These were unique ways of promoting the film,” he stated.

Interestingly, these posters in these days had solely the movie’s actors. “Actors like PU Chinappa, TR Rajakumari were painted big to draw the crowd. The director’s name too started featuring much later. Also, later on, other departments started gaining spots on these posters. You could see Kalaignar’s name on it if he had written dialogues. Then, after a point in time, the film’s music team gained a spot on the poster. It has changed gradually over the years,” he explains. The similar art work was normally repurposed and used in posters and different promotional materials.

Bhaskaran additionally spoke in regards to the significance of songbooks. “These books would have the film’s premise and would end on a cliff-hanger. They would also have the song’s details, the raagam in which it was composed, credits, etc. The last songbook I saw was in 1993 for a film called Tirudathe Tirudathe. It came inside a cassette. The Roja Muthaiah library, we have 2,000 such songbooks. They don’t make them anymore,” he added.

Poster artwork and altering instances

Rajiv Menon, who has labored as cinematographer in movies like Mani Ratnam’s Bombay to creating his personal movies like Minsara Kanavu, Kandukondein Kandukondein and Sarvam Thaala Mayam, spoke in element about what goes into making film posters that condense the entire concept of the movie into one nonetheless imagery, to attraction to the plenty. Referring to a selected Bombay poster, he says, “How does a film like Bombay translate into poster art? There’s the geography of Bombay established by showing the Gateway of India, there’s a scene from the ‘Kuchikuchi Rakkamma’ song to show that there’s love and on the other side there’s a still from the riots. This is how it comes together.”

“The visual imagery which is a shorthand condensing and compacting an image and the whole visual medium comes down to one icon,” he added. Pointing out that stills of songs had been an necessary side of posters, Rajiv stated, “Costumes in songs are solely designed for featuring on posters. Increasingly, representation of film songs on Indian film posters is reducing. Our posters are looking more and more western. We are losing out on uniquely Indian and great artists like Jeevananthan. Our visual culture is getting closer to the international cinema but we are also losing the uniqueness.”

An unexplainable fascination

Dr Preminda Jacob, who has authored ‘Celluloid Deity’ spoke about how she rediscovered banner artwork after having moved to the US for her research. “I called my brother to send me photographs from the streets in Chennai and I was amazed to know how I failed to notice them during my growing up years there!” she says.

Going on to speak in regards to the impression these massive hoardings had on cinema followers, she explains, “The intensity of response that banners and cut-outs generated speaks to the power of celebrity. The thrills of entertainment and the pride of being part of a cosmopolitan modernity. In this sense, they exceeded their function as advertisement and became a focal point for fans to come together as a community and celebrate their star and the phenomenon of entertainment cinema.”

“The convalescence of cinema and politics that has shaped the modern history of Tamil Nadu was enabled through the visual art of banners and cut-outs. The medium produced images for film stars and politicians that towered over the city,” she provides.

“To help explain their fascination, this art form combines people’s affective response to three powerful mediums – cinema, photographs and paintings,” she concludes.

The full session is accessible to stream right here:

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