Stream It Or Skip It: ‘10 Days of a Good Man’ on Netflix, a Delightfully Twisty Turkish Noir-Comedy
Turkish film 10 Days of a Good Man (now on Netflix) is a mystery-slash-comedy about a wannabe tough-guy private dick who idolizes the Philip Marlowe character from detective novels and noir films, specifically the Elliott Gould version. Director Uluc Bayraktar adapts Mehmet Eroglu’s novels about that “good man,” and like any good noir, the film has enough twists and complications to make you want…
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etraf kendini ryan gosling nejat isler ve issiz adam sanan erkeklerle dolu
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niye seveyim seni nejat isler misin sen
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Saygı kesinlikleee
guzel kizlae nejat isler izler🥰🥰💖💖
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Su an dünyaya cidden cok garip bakiyorum (Nihal Atsız Ruh Adam okudum ve Pusat anlayisina girdim kitabi bilmeyenler icin Nejat isler gibi bi sey ama onun daha populer kultur kolesi olmamis daha az felsefe uzerine ve daha gercek hali)
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Nejat isler issiz adam zart zurt akimi ne zaman bitecek yeter lutfen ya
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Aile Cihan kimdir? Aile dizisinde Cihan'ı Nejat İşler canlandırıyor! Nejat İşler kaç yaşında?
Aile Cihan kimdir? Aile dizisinde Cihan'ı Nejat İşler canlandırıyor! Nejat İşler kaç yaşında? - https://olaykibris.com/aile-cihan-kimdir-aile-dizisinde-cihani-nejat-isler-canlandiriyor-nejat-isler-kac-yasinda/ #kıbrıs #kktc #haber #türkiye #dünya
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cildirmak uzereyim hayatimda nejat isler kadar mukemmel karizmatik seksi bi adam görmedim amk yerim ben onu
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Mithat Esmer in 10 to 11 (Pelin Esmer, 2009).
Cast: Nejat Isler, Mithat Esmer, Laçin Ceylan, Tayanç Ayaydin, Savas Akova. Screenplay: Pelin Esmer. Cinematography: Özgür Eken. Art direction: Naz Erayda. Film editing: Ayhan Ergürsel, Pelin Esmer, Cem Yildirim.
Pelin Esmer's 10 to 11 gets its title from one of the items in Mithat's collection: a clock that he has carefully watched to determine precisely how much behind the time it runs. When he calculates that figure, he writes it on a label and attaches it to the clock, which is only one of the numerous clocks he has collected. We would call the elderly Mithat a hoarder: He lives in an Istanbul apartment with stacks and stacks of newspapers, which are only part of the various things he collects. Unfortunately, the building where he lives is in the process of being condemned, and the tenants are being pressured to sign the building over to the authorities and relocate. Mithat stubbornly resists the pleas of the head of the tenants association to do so, and finally is the only remaining resident, along with the caretaker, Ali (Nejat Isler). Mithat's story is more droll and exasperating than melancholy, partly because Mithat is played by writer-director Esmer's uncle, Mithat Esmer, himself a real-life collector. The interplay between Mithat and Ali becomes a delicately handled character study, with the naïve, provincial Ali gradually being educated in the ways of the big city by Mithat's cranky, precise demands. At one point, Mithat is visited by a nephew who, seeing a bottle of Stolichnaya vodka on a shelf, opens it to pour a drink, only to be scolded by Mithat because the unopened bottle was part of his collection and recapping the bottle isn't sufficient to restore it to the pristine state Mithat demands. The story becomes a resonant commentary on the nature of time and memory, with Mithat determinedly attempting to hold onto the past in tangible form, as the changing city tries to sweep the past away.
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aliye diye bir dizi vardi ya çok eskiden orada deniz vardi nejat isler oynuyordu hani. heh işte rüyamda o denizi gördüm uyandım diziyi izliyorum ne alaka bilmiyorum ama bir insan nasıl bu kadar yakışıklı olabilir çıldırıyorum🤤
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