#new saree design 2020

[aspirebee]

Beautiful Cotton Silk Saree With Blouse Piece For Women

Color: Multicoloured Fabric: Cotton Silk Type: Saree with Blouse piece Style: Self Pattern DesignType: Kosa Silk Saree Length: 5.5 (in metres) Blouse Length: 0.8 (in metres) Bust: 0.0 (in inches) Waist : 0.0 (in inches) Country of Origin: INDIA

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[graphaizesmm]

How Indian’s spend on Wedding?

The recent news of Anant Ambani and Radhika Merchant’s pre-wedding celebration has set the internet buzzing. Lavish decorations, A-list guests, and designer outfits – it’s a glimpse into the grandeur that often defines Indian’s spend on wedding. But for most of us, the reality of Indian wedding expenses is a far cry from such extravagance.

Introduction

So, how much do Indians typically spend on their weddings? Buckle up, because the answer can be as diverse as India itself! In India, there are two things people absolutely go out of their comfort zones to splurge. One is their child’s education and the other is their child’s marriage.

And anyone, who has ever attended an Indian wedding will agree that Indian parents always go far and beyond their earning capacity to ensure that their kids have an extravagant wedding.

According to a report by KPMG, “It’s estimated that the cost of an Indian wedding ranges between ₹500,000 to ₹50 Million. An Indian will likely spend one-fifth of his lifetime wealth on a wedding.”

This seasonal industry is dictated by a strict astrological calendar of auspicious and inauspicious days. The wedding industry is estimated to involve more than $11 billion in spending, concentrated from October to February. Some days are so auspicious that almost 17,000 weddings will be held in New Delhi alone.

The Infographic shows the total annual amount spent on different segments (from the lowest spent to the most spent).

Band/ Music – Rs 1000cr

Mehendi – Rs 1500cr

Photography – Rs 1500cr

Puja/Rituals – Rs 5000cr

Hotel – Rs 7000cr

Venue – Rs 10000cr

Invitation – Rs 10000cr

Furniture – Rs 30000cr

Clothing – Rs 50000cr

Jewellery – Rs 90000cr

Total Annual Spent – Rs 2,09,500cr

The Infographic shows per item cost per person

Dinner cost (average): Rs 700 to 2000 per person

Pandal decoration cost: Rs 10,000 to 25,000

Bridal designer saree/ lehenga cost: Rs 5,000 to 50,000

Designer Sherwani cost: Rs 15,000 to 40,000

Wedding invite cost: Rs 100 to 1500 per card

Bridal make up cost: Rs 5000 to Rs 50,000

Bridal Mehendi cost: Rs 1500 to Rs 5000

Donation/fee to priest, to advocate for marriage registration is separate.

The above Infographic image explains the difference between Indian Marriage v/s US Marriage in a presenting format.

The above shows the difference between wedding expenses and living expenses in both countries. The source informs that 30% of Americans will remarry spending more money on their second wedding. It also shows a histogram of data revealing the US GDP v/s Wedding market (INDIA).

 The Divorce rate pie graph, arranged marriage pie graph and a forecast of the population will marry in the next 15 years.

Guests are the most important theme of marriage without it the celebration is incomplete. The above Infographic image shows how couples invited their guests during the pandemic 2020-2021 era – 76% of couples used WhatsApp to invite, 39% of couples used Physical Invites and 33% of couples Invited Guests in person.

Graphaize found this interesting Infographic pie chart which expresses the type of wedding ceremonies during the pandemic era 2020-21.

90% of the ceremonies had an In-Person ceremony with family/friends.

5% of it had a fully virtual ceremony.

3% of that went to Register their marriage.

And the rest 3% simply had a court marriage.

[shivangiclothings]

Reviving the Elegance of South Indian Ethnic Wear: The Journey from Tradition to Trend with Shivangi Clothing

The article begins by delving into the rich tapestry of South Indian culture, specifically focusing on the traditional attire of girls and women, which includes the iconic 'Pattu Pavadai' and 'Half Saree'. It paints a vivid picture of the olden days, highlighting how these garments were not just clothes but symbols of cultural identity and heritage.

Pattu Pavadai: A Symbol of Childhood Grace The 'Pattu Pavadai', a traditional skirt and blouse ensemble, is described as a staple in the wardrobe of young girls in South India. The article reflects on how this attire, often made from luxurious silk, was a significant part of celebrations and religious ceremonies. It narrates how the vibrant colors and intricate designs of the 'Pattu Pavadai' represent the joy and purity of childhood.

Half Saree: Transition into Womanhood Moving on, the article explores the 'Half Saree', a rite of passage garment signifying a girl's transition into womanhood. It explains the unique design of the Half Saree, which combines a skirt (lehenga), a blouse (choli), and a draped dupatta, representing a blend of tradition and modesty. The narrative captures the sentiments attached to this attire, often gifted by grandparents or parents to mark a girl's puberty ceremony.

The Cultural Shift and Decline The article then shifts to the gradual decline in the popularity of these traditional attires. It discusses the impact of globalization and modernization, which led to the adoption of more westernized clothing, causing traditional dresses to become less common in daily life. The emotional connection to these dresses, however, remained in the hearts of many.

Shivangi Clothing: A Bridge to the Past In the present 2020s, Shivangi Clothing emerges as a savior of this fading tradition. The brand, with its deep appreciation for cultural heritage, has taken an innovative approach to bring these traditional dresses back into the mainstream. The article details how Shivangi Clothing has reimagined Pattu Pavadai and Half Saree with contemporary designs while maintaining their traditional essence.

Fusion of Tradition and Modernity The story unfolds to reveal how Shivangi Clothing has ingeniously blended traditional designs with modern fabrics and patterns, making them appealing to the new generation. It highlights how these outfits are now being embraced by girls and women not just for special occasions but also as part of their everyday wear.

Impact on Cultural Preservation The article concludes by reflecting on the significant role Shivangi Clothing plays in preserving and promoting South Indian culture. It's not just about fashion; it's about keeping a rich heritage alive. The brand has successfully created a space where tradition meets trend, and in doing so, has rekindled a love for ethnic wear among young girls and women.

The narrative throughout the article is woven with anecdotes, testimonials from customers, and insights from fashion experts, making it a compelling story of cultural revival and sartorial elegance.

[alliedcreation]

Ethnic Wear Market : Global Opportunity Analysis and Industry Forecast, 2020-2027

The global ethnic wear market is experiencing growth from the past couple of years due to rise in new fashionable trends and global reach of brands.

Ask for sample copy of this report >>> https://www.alliedmarketresearch.com/request-sample/9798

Companies covered :- BIBA, Fabindia, Rain And Rainbow, W for Woman, Melange, Global Desi, Manyavar, Aurelia, Haute Curry and Shree

Regions covered :- North America (U.S., Canada, and Mexico), Europe (Germany, UK, France, Russia, Italy, Spain, and Rest of Europe), Asia-Pacific (China, India, Japan, Australia, South Korea, and Rest of Asia-Pacific), LAMEA (Latin America, Middle East, and Africa.)

Top Impacting Factors: Market Scenario Analysis, Trends, Drivers, and Impact Analysis There has been a high demand for ethnic wear of different countries across the globe due to globalization, movement of culture & tradition along with people visiting and staying in different countries. In addition, the preference of people around the world for ethnic dresses in theme based function, rent-based models for hiring ethnic clothes, and rise in distribution channels through e-commerce are the factors that drive the growth of the global ethnic wear market. However, high price of raw materials and lack of acceptance of ethnic wear in offices and everyday clothing limit the growth of the market. Innovations in the market are related to new designs and integrated dressing with ethnic and western wear so that the dressing can be accepted globally.

The global ethnic wear market trends are as follows:

New product launches to flourish the market New companies have launched fashionable wears fusing taste and preferences of different cultures & traditions. The market leaders have designed new wear that can be worn both at parties and offices which are gaining popularity among people, which is likely to propel the growth of the ethnic wear market.

Surge in Indian Ethnic Wear Worldwide Indian ethnic wear is experiencing high demand from all corners of the world due to the variety of ethnic wear available in Indian ethnic culture. Many fashion freaks from different countries have started wearing Indian ethnic wear and global hype of wearing saree in parties and festivals has increased. The Indian ethnic trend has also been a part of fashion shows and global trending ethnic wear.

Get detailed COVID-19 impact analysis on the Ethnic Wear Market :- https://www.alliedmarketresearch.com/request-for-customization/9798?reqfor=covid

Key Benefits of the Report:

The report provides a quantitative analysis of the current ethnic wear market trends, estimations, and dynamics of the market size from 2019 to 2027 to identify the prevailing opportunities. Porter’s five forces analysis highlights the potency of buyers and suppliers to enable stakeholders to make profit-oriented business decisions and strengthen their supplier–buyer network.

In-depth analysis and the market size and segmentation assists to determine the prevailing ethnic wear market opportunities.

The major countries in each region are mapped according to their revenue contribution to the market. The market player positioning segment facilitates benchmarking and provides a clear understanding of the present position of the market players in the ethnic wear industry.

Interested in Procuring this Report? Visit Here >>> https://www.alliedmarketresearch.com/purchase-enquiry/9798

[daily-buyys]

mulmul cotton sarees

Wearing Mulmul is without any doubt the pleasant experience of staying comfortable and feeling relaxed all day long. Mulmul Batik Sarees – designed by using the Batik technique of wax-resist dyeing applied to whole cloth is a wonderful collection that will surely enhance your experience of wearing something classy and trendy. Now, you can buy the latest collection of Mulmul Batik sarees online at discounted rates. Dailybuyys brings to you the best range of high-quality and latest Mulmul Batik Sarees that are unique in them and sure to enhance your experience.

[nayumis]

Silk in photography, and how it reflects light creating an iridescent glowing visual effect.

The visual presentation style I was drawn to and had in mind from the very start of this project, was how ballerinas or dancers on stage glow as the spotlight reflects off of their body and costume.

The article discusses the history of dancewear, and mentions that satin became popular in the 19th century due to its reflective qualities, which made dancers more visible on stage. The article also notes that satin is a common fabric for ballet slippers, as it is lightweight and allows the dancer's feet to breathe.

The webpage explains that satin is a popular fabric for dancewear and performance clothing because it has a "lustrous sheen" and "iridescent appearance" that catches the light on stage. The article also mentions that satin is commonly used for tutus and leotards, as it drapes well and creates a fluid silhouette.

The article explains that satin is a versatile fabric that can be used for a variety of purposes, including dancewear. The article notes that one of the advantages of satin is its reflective quality, which makes it ideal for performance clothing. The article also mentions that satin is lightweight and comfortable to wear, which is important for dancers.

The article discusses the rising popularity of satin in fashion, noting that its reflective quality makes it a popular choice for evening wear and red carpet events. The article also notes that satin has been used for centuries in dance and performance clothing, due to its ability to catch the light on stage and create a shimmering effect. The article concludes by stating that satin will continue to be a popular choice for performance clothing and fashion in the future.

One of the key characteristics of ballet costumes (more specifically in leotards and tights) is how it is form fitting as it uses stretchy material. From this, I began to think of what the “contemporary” way of form fitting clothing may be. This is when I realised clothing textures (like with issey miyake’s clothing) not only stretch but can be form fitting.

When thinking of iconic dance wear, one of the most iconic dances of all time in both dance, narrative, soundtrack and costume is the Swan Lake by Tchaikovsky and in the modern adaptation by Matthew Bourne. Even in tutorials, when I mentioned ballet to my tutors, swan lake was always the reference point that was brought up as it embodied ballet for many, and even people who didn’t know much about ballet knew about swan lake. Therefore I thought it would be interesting to link this reference point and find a contemporary ballet visual interpretation of the classic ballet.

Therefore I purchased a top for my dancer to wear which was my interpretation of contemporary dance-wear.

This material also works well alongside the motion blur, long exposure effect I am hoping to achieve.

Sourcing Sating clothing options online:

Purchased Sating Clothing: (excluding satin trousers which I returned the day after clothing fitting as it was far too big)

All of the satin trouser options were too small, so we turned the shawl into a skirt using saftey pins. This change turned out perfect as it made the flowy movement I wanted to achieve was possible with both arms unrestrained, and I was able to manipulate the fabric to be assymetric and drape in an elegant way. 

[spakerlon]

Ram with rambox for sale

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Inside the cabin, you'll be able to choose from options like a 12-inch Uconnect touchscreen, stitched leather upholstery, and more. RamBox cargo, multifunction tailgate, and more are all ready to make the Ram 1500 easier to use. Ram designed its light-duty, full-size truck with a range of options for both utility and comfort. Plus, available four-wheel drive means you can equip your Ram 1500 for off-road duty as well. Find used Ram 1500 inventory at a TrueCar Certified Dealership near you. Prices for a used Ram 1500 currently range from 6,490 to 184,999, with vehicle mileage ranging from 5 to 341,630. Read RAM 1500 Laramie RamBox DT car reviews and compare RAM 1500 Laramie RamBox DT prices and features at . TrueCar has 15,649 used Ram 1500 models for sale nationwide, including a Ram 1500 Laramie Crew Cab 57' Box 2WD and a Ram 1500 Big Horn Crew Cab 57' Box 4WD. Whether you choose the sturdy 3.6-liter Pentastar V6, the powerful 5.7-liter HEMI V8, or the torquey 3.0-liter EcoDiesel V6, you'll be ready to take on a variety of challenges. Search for new & used RAM 1500 Laramie RamBox DT cars for sale in Australia. A choice between three engine options means you can get the kind of power that you want. For additional storage space outside of the cabin, choose the available RamBox Cargo Management System thats built into the side rails of the truck bed and is. These trucks are built with tough steel ladder frames and solid rear axles for optimal strength. Whether you need a simple work truck, off-road specialist, or towing machine, the 20 is ready to help. This light-duty, full-size truck offers versatility that serves a wide variety of needs and tastes. English: Uniforms of the Los Angeles Rams since the 2020 NFL season.

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Id read both criticism and praise for the system on various forums, and was ready to give them a full trial. Buy Pure Silk Sarees, Soft silk Saree,Bridal Silk Saree,Vipanji Traditional Silk. The Ram 1500 has been a longstanding favorite for truck owners near Keizer. As the owner of a Ram 1500 without RamBox or the in-bed cargo management system, I was eager to try out the 20 Limited with both features.

[tailoringclasses]

Beautiful Silk Saree New Model Blouse Design | Stylish Wedding Blouse Ba...

[aumibyaura]

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Banarasi silk sarees online: Buy the Latest Bridal Banarasi Wedding saree Collection, Indian Banarasi Silk Sari Online at aura shop available in various colors  & varieties.

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Top 25 blouses designs || Trendy saree blouses designs || Backless blouses designs || Kaur w

Top 25 blouses designs || Trendy saree blouses designs || Backless blouses designs || Kaur w

[womenofcolor15]

BRITISH VOGUE BITS: 80K Bees That Produce Hundreds Of Jars Of Honey A Year – This Is Why Beyoncé Is QUEEN B!

Beyoncé graces the cover of not one, but three covers of British VOGUE’s December 2020 issue – shot by 21-year-old photographer Kennedi Carter. Inside, the global superstar shares some interesting details about her personal beehive and how she’s handling the COVID-19 pandemic. Get it all inside…

          View this post on Instagram

                  @Beyonce stars on three special covers for the December 2020 issue of #BritishVogue. She speaks to Editor-In-Chief @Edward_Enninful about everything from the recent racial and social justice movements, to her personal legacy and why she has finally decided to “give myself permission to focus on my joy”. Read the full interview and see the 20-page fashion extravaganza photographed by Kennedi Carter in the new issue, on newsstands and available for digital download Friday 6 November. #Beyonce wears all @MuglerOfficial. Photographed by @InternetBby and styled by @Edward_Enninful with hair by @JawaraW and colourists @Rachel_Bodt and @ShirleyGHauteHair, make-up by @FrancescaTolot, nails by @OhMyNailsNYC, set design by @StefanBeckman and lighting direction by @_Wordie. With thanks to Beyoncé’s personal stylist @ZerinaAkers, her tailor #TimWhite and publicist @YvetteNoelSchure; Parkwood Entertainment creative director @KwasiFordjour and creative producer @LaurenLaLaBaker; Satellite414 founder @CarlitoF8; @TravisKiewel and @RobFamous for @ThatOneProduction; and Vogue entertainment director-at-large @JillDemling.

A post shared by British Vogue (@britishvogue) on Oct 30, 2020 at 9:59am PDT

  Beyoncé Knowles-Carter didn’t have to slay this hard, yet we’re here.

Mrs. Carters graces not one, but THREE individual covers for British VOGUE magazine’s December 2020 issue. And she ATE, per usual.

In the cover above, Bey rocked an elastic-nylon mesh bodysuit, which is made up of 64 panels and took more than 100 hours to sew together, by Mugler creative director Casey Cadwallader. It’s a piece the designer had been working on since Thierry Mugler handed him the reins to the house in December 2017.

          View this post on Instagram

                  “Something cracked open inside of me right after giving birth to my first daughter. From that point on, I truly understood my power, and motherhood has been my biggest inspiration.” In the December 2020 issue of #BritishVogue, mother and megastar @Beyonce speaks to British Vogue Editor-in-Chief @Edward_Enninful. See the full story in the new issue, on newsstands and available for digital download Friday 6 November. #Beyonce wears an organza coat, catsuit, and custom-made hat all @Adidas x @WeAreIvyPark, with @JimmyChoo shoes and @LorraineSchwartz jewellery. Photographed by @InternetBby and styled by @Edward_Enninful with hair by @JawaraW and colourists @Rachel_Bodt and @ShirleyGHauteHair, make-up by @FrancescaTolot, nails by @OhMyNailsNYC, set design by @StefanBeckman and lighting direction by @_Wordie. With thanks to Beyoncé’s personal stylist @ZerinaAkers, @MarnixMarni, her tailor #TimWhite and publicist @YvetteNoelSchure; Parkwood Entertainment creative director @KwasiFordjour and creative producer @LaurenLaLaBaker; Satellite414 founder @CarlitoF8; @TravisKiewel and @RobFamous for @ThatOneProduction; and Vogue entertainment director-at-large @JillDemling.

A post shared by British Vogue (@britishvogue) on Oct 30, 2020 at 10:15am PDT

            View this post on Instagram

                  “It would be difficult to experience life in a pandemic and the current social unrest and not be changed. I have learnt that my voice is clearer when I am still.” For the December 2020 issue of #BritishVogue, the powerhouse that is @Beyonce talks family, fashion and philanthropy with @Edward_Enninful and gives a rare and rounded glimpse into her world. See the full story in the new issue, on newsstands and available for digital download Friday 6 November. #Beyonce wears an @AlexanderMcQueen jacket, @AtsukoKudoLatex hotpants and @LouboutinWorld shoes. Photographed by @InternetBby and styled by @Edward_Enninful with hair by @JawaraW and colourists @Rachel_Bodt and @ShirleyGHauteHair, make-up by @FrancescaTolot, nails by @OhMyNailsNYC, set design by @StefanBeckman and lighting direction by @_Wordie. With thanks to Beyoncé’s personal stylist @ZerinaAkers, her tailor #TimWhite and publicist @YvetteNoelSchure; Parkwood Entertainment creative director @KwasiFordjour and creative producer @LaurenLaLaBaker; Satellite414 founder @CarlitoF8; @TravisKiewel and @RobFamous for @ThatOneProduction; and Vogue entertainment director-at-large @JillDemling.

A post shared by British Vogue (@britishvogue) on Oct 30, 2020 at 10:17am PDT

  For the shoot, Bey was adamant she wanted a young, black photographer to catch her angles for the shoot and that’s exactly what she received. 21-year-old photographer Kennedi Carter, a fine art photographer from North Carolina, was tapped for the shoot and she NAILED it.

          View this post on Instagram

                  a butterfly landed on me today, great things are coming

A post shared by Kennedi Carter (@internetbby) on Jun 22, 2019 at 5:56pm PDT

  In the cover story, the mom-of-three revealed she has two actual beehives in her backyard that produces hundreds of jars of honey a year. Not her fan base BEYHIVE – real beehives! She told British VOGUE editor-in-chief Edward Enniful she started the hives to help her daughters Blue Ivy & Rumi, who both suffer from bad allergies.

”I know it’s random, but I have two beehives. Real ones. I’ve had them at my house for a while now,” Bey explained. "I have around 80,000 bees and we make hundreds of jars of honey a year. I started the beehives because my daughters, Blue and Rumi, both have terrible allergies, and honey has countless healing properties.”

Yep, the REAL Queen B!

In the cover story, Bey also talked about how she’s adapting to the COVID-19 pandemic. "I’ve decided to give myself permission to focus on my joy," she sared.

Do you feel changed as a person by the events of 2020, and if so in what ways?

Absolutely changed. It would be difficult to experience life in a pandemic and the current social unrest and not be changed. I have learnt that my voice is clearer when I am still. I truly cherish this time with my family, and my new goal is to slow down and shed stressful things from my life. I came into the music industry at 15 years old and grew up with the world watching, and I have put out projects non-stop. I released Lemonade during the Formation World Tour, gave birth to twins, performed at Coachella, directed Homecoming, went on another world tour with Jay, then Black Is King, all back to back. It’s been heavy and hectic. I’ve spent a lot of time focusing on building my legacy and representing my culture the best way I know how. Now, I’ve decided to give myself permission to focus on my joy.

Have these months perhaps also changed you as a parent? How do you talk to Blue Ivy about current events, and what is your advice to parents in the same position, trying to impart the hard realities of our time to their children?

I have become a better listener. Blue is very smart, and she is aware that there is a shift, but it is my job as a parent to do my best to keep her world as positive and safe as can be for an eight-year-old. My best advice is to love them harder than ever. I let my children know that they are never too young to contribute to changing the world. I never underestimate their thoughts and feelings, and I check in with them to understand how this is affecting them. Blue saw some of the reactions to the “Brown Skin Girl” video, as well as some of the videos from the philanthropic work I’ve done this year. When I tell her I’m proud of her, she tells me that she’s proud of me and that I’m doing a good job. It’s teeeeeew much sweetness. She melts my heart. I believe the best way to teach them is to be the example.

You have been such a vocal advocate for change, offering your support during a tough time for so many families, especially those who have disproportionately suffered during the Covid-19 pandemic. It has been inspirational. How do you see your work as an artist and the way you use your voice in activism spaces working together?

I try to think of the most productive way I can help. I was able to work with my Church in Houston, Texas, my mother and Jack Dorsey [CEO of Twitter] to set up testing for a lot of Houstonians, especially those in economically challenged areas, who more than likely had no access to testing at the time. I worked with a local hospital in Houston, supported them with supplies and whatever they needed to best treat those infected. It was heartwarming to see the photos from the testing sites and to read the letters from the people who were high-risk, due to pre-existing health conditions, who were able to recover and return home safely from the hospital. I was fortunate to help even more people with funds raised from the “Savage” remix with Megan Thee Stallion. We donated the proceeds to support Covid-19 victims. I did the same thing with “Black Parade”. It’s been a year of service for me.

          View this post on Instagram

                  A surprising fact about @Beyonce? “I know it’s random, but I have two beehives. Real ones… I have around 80,000 bees and we make hundreds of jars of honey a year.” In the December 2020 issue of #BritishVogue, #Beyonce talks to @Edward_Enninful about what makes her proud, how she celebrates Christmas with her family and one very surprising – but then again, entirely fitting – hobby that keeps her busy. See the full 20-page fashion story in the new issue, on newsstands and available for digital download Friday 6 November. And click the link in bio to read the full interview now. #Beyonce wears @Adidas x @WeAreIvyPark jacket and shorts, @YSL by @AnthonyVaccarello shoes, @Wolford tights and @LorraineSchwartz necklaces. Photographed by @InternetBby and styled by @Edward_Enninful with hair by @JawaraW and colourists @Rachel_Bodt and @ShirleyGHauteHair, make-up by @FrancescaTolot, nails by @OhMyNailsNYC, set design by @StefanBeckman and lighting direction by @_Wordie. With thanks to Beyoncé’s personal stylist @ZerinaAkers, @MarnixMarni, her tailor #TimWhite and publicist @YvetteNoelSchure; Parkwood Entertainment creative director @KwasiFordjour and creative producer @LaurenLaLaBaker; Satellite414 founder @CarlitoF8; @TravisKiewel and @RobFamous for @ThatOneProduction; and Vogue entertainment director-at-large @JillDemling.

A post shared by British Vogue (@britishvogue) on Nov 1, 2020 at 8:59am PST

  And then we learn, Bey is just like us in many ways:

Beyoncé, we all believe you can do everything. Is there anything you cannot do?

I’m always losing my phone in my house or office, and I never know where my keys are. My phone is always dead. I get days and dates confused all the time, but guaranteed, I’ll remember every detail of a conversation, what you were wearing or how your hair was styled. It’s absolutely ridiculous.

This I must know – what is your favourite Texan delicacy?

Wow. That’s tough to pick one favourite. It’s good eating in Texas! I love Cajun seafood at Pappadeaux. The barbecue in Texas is mmmm. So is the Mexican food and the soul food. We ate soul food every Sunday after church. There was nothing better than when a little bit of candied yams got on your oxtail and macaroni.

          View this post on Instagram

                  “Fashion was a place of escape for me. Every Friday, my kids and I would dress up and take each other’s pictures. It became an opportunity to handle this crazy year together.” Throughout the making of #BritishVogue’s December issue cover story, @Beyonce told @Edward_Enninful she had a very important goal: she wanted to have fun. See the full 20-page fashion story in the new issue on newsstands and available for digital download Friday 6 November. And click the link in bio to read the full interview now. #Beyonce wears a @ChristopherJohnRogers dress, @AgentProvocateur crystal thong and @LorraineSchwartz necklaces. Photographed by @InternetBby and styled by @Edward_Enninful with hair by @JawaraW and colourists @Rachel_Bodt and @ShirleyGHauteHair, make-up by @FrancescaTolot, nails by @OhMyNailsNYC, set design by @StefanBeckman and lighting direction by @_Wordie. With thanks to Beyoncé’s personal stylist @ZerinaAkers, her tailor #TimWhite and publicist @YvetteNoelSchure; Parkwood Entertainment creative director @KwasiFordjour and creative producer @LaurenLaLaBaker; Satellite414 founder @CarlitoF8; @TravisKiewel and @RobFamous for @ThatOneProduction; and Vogue entertainment director-at-large @JillDemling.

A post shared by British Vogue (@britishvogue) on Nov 1, 2020 at 9:15am PST

  We also learned what Christmas 2020 will look at the Carter household:

And lastly, what will Christmas look like this year for you and your family, and are you looking forward to it? What’s your favourite family tradition?

My twins are three and now they are old enough to understand Christmas. I love Christmas. We decorate cookies and ornaments. We also collect ornaments with everyone’s favourite things. We decorate while jamming to Christmas music. Blue leaves milk and cookies for Santa, and always leaves the most beautiful letters for him. We get up early and open presents and then we have a big lunch with all of our family. I love the joy and wonderment of children on Christmas. It makes me feel like a kid.

Aww! Tooc cute.

You can read the full interview here.

  Photo: Beyonce's IG

[Read More ...] source http://theybf.com/2020/11/02/british-vogue-bits-80k-bees-that-produce-hundreds-of-jars-of-honey-a-year-%E2%80%93-this-is-why-b

[sale4fashion]

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and he is also the hero of this film. He put the bad guy Sadashiv Amrapurkar at the time because, I suspect, he kept stealing the heroine's clothes and his wigs wandering around in them. Now he also hits the baddie, Gyaan Prakash "Guruji" (Makarand Deshpande), when he appears in the gotta-patti lehnga-dupatta that the heroine may have had on a special night. Father Bhatt is back to normal after 19-20 years. In his long career,

a prominent director made Arth, Saaransh, Janam, Naam - stellar films in a large pond of boring independence. But in his life he has never made a bad film like Sadak 2. Watching Sadak 2 felt like he had recaptured Sadak's undeniable food power, which was not a good film to start with, but he worked at the time due to innocence and Pooja Bhatt's lisp, Sadashiv's evil act and catchy songs. Sadak 2, set directly in Sadak - in the sense of what happened to those characters - comes from the same journey as the heavily pregnant characters who seem to have nowhere to go except the godown where they are badly found,

the B-1980s are discarded. Aarya (Alia Bhatt) is the richest heir of the Desai Group of Industries, headed by Pope Yogesh Desai (Jisshu Sengupta) and mother Shakuntala. At the age of 21, he should inherit all of his property. But Shakuntala is dead and replaced. Nandini Maa (Priyanka Bose) is Aarya's mother and new mother. And, presumably, he is the murderer of his sister at the behest of Guruji. So Aarya is angry and committed to fighting him on Instagram. This involves wearing a hoodie and putting on his ashram to heat Guguji's cut bigger than life. Please, dear reader,

pause and think about this: Aarya in a hoodie first spray paint "BADLA" on Guguji's cut, then pour petrol on it and burn it. As it burns, he starts recording it and sends it to his account @IndiaAgainstFakeGurus, #Victory. What is the purpose of sprinkling the word "EAT" while burning? Still. A few minutes later, when armed with Guruji's armed chellas, Aarya points to two fingers and pretends to shoot, "Thish".

Aarya is considered mentally unstable by Nandini Maa and given the sequence of events mentioned above, there may be something in that diagnosis. Meanwhile, somewhere in Mumbai, Ravi (Sanjay Dutt), owner of Pooja Tours and Travels, is crying and smelling the saree. He continues to talk to Pooja under his big black and white poster brand new scented candle. She was so upset that she decided to stop. But the ceiling hinge cannot take his weight off. He was taken to the same psychiatric hospital where Aarya was treated.

When he returns, Ravi is busy trying to find another way to stop himself, but Aarya, who has run away from his luxurious house that looks like a banquet hall designed by JJ Valaya, keeps knocking on his door. It appears that three months ago Pooja took his booking to be transferred to Kailash Parvat. Meanwhile, Gyaan Prakash emerges from a small black dot and wears the entire Tribal collection of Amrapali jewelry, in gold. Her hair is cold and so is her shocking conversation like ordering the removal of a young heir.

Enroute to Kailash, Aarya tells Ravi to turn in jail. When he asks why, we are bombarded with a thousand-year-old imagination involving treadmill, dedicated activists and a meeting of the two. Only two India Fights Fake Gurus activists important to Sadak 2 - Aarya and troll-turned-ally, Vishal (Aditya Roy Kapoor). Vishal emerges from Central Jail with a guitar hanging from one shoulder and a ullu in a cage in the other. It was as if he had not been sentenced to a felony conviction but had been invited by the inmates to sing and strengthen his guitar in a weekend match.

Ravi does not like Vishal, but he likes Kumbhkaran ullu and they form a temporary bond that reminds me of Iqbal and Allah Rakha (Coolie). In the flashbacks we see Aarya and Vishal arguing over the need to fight vishwas and wealthy children expressing concern, all without getting any attention that they are on their way to Kailash Parvat to say Har Har Mahadev. Aarya discovers that at least two trusted people have been planted by Guruji to remove him, and Ravi decides to give in to Aarya's attitude and the irritating indifference shown by Vishal, one Hathkata goon (Gulashan Grover) and a loyal Bollywood's overactor (Mohan Kapoor). , should treat.

So he goes out alone, singing Ram Naam Satya Hai. She is lucky for him, all the people who need to remove them are gathered at a feast made by Valaya. After a bloody climax "thish-thish" comes a press conference. This scene, which is constantly evolving, is so bad and boring that I felt as if we had not just been given a delicious meal by a chef who had been waiting for him, but when he turned to leave, he let out a sigh of relief.

Alia Bhatt has never been so bad or looked so lost, though the same cannot be said of Aditya Roy Kapoor. As with most of his films, here he looks like he has come to the sets that will hang him, but suddenly he was told to change to two or three lines. Watching Priyanka Bose's "action" is a work in progress. It's just that she can't play Lady Macbeth mentally, over and over. The Sadak 2 drama, written by Mahesh Bhatt and Sumitra Sengupta, may have been completed with a post-it note. It is the first festoons with two small letters with random features and edges and then inc

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[ask-de-writer]

DARING DO and the ADVENTURE of the X'IBIAN VASE! : MLP Fan Fiction : Part 7 of 21

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DARING DO and the

ADVENTURE of the X'IBIAN VASE!

by

De Writer (Glen Ten-Eyck) @ask-de-writer​

And

Carmen Pondiego @askcarmenpondiego​

Cover Art by

Doctor Dimension

52630 words

© 2020 by Glen Ten-Eyck

Writing begun 08/26/15

All rights reserved.  This document may not be copied or distributed on or to any medium or placed in any mass storage system except by the express written consent of the author.

//////////////

Copyright fair use rules for Tumblr users

Users of Tumblr.com are specifically granted the following rights.  They may reblog the story.  They may use the characters or original characters in my settings for fan fiction, fan art works, cosplay, or fan musical compositions, provided that such things are done without charge.  I will allow those who do commission art works to charge for their images.  

All sorts of fan art, cosplay, music or fictions is actively encouraged.

///////////////////////

Captain Getsthere approached the players.  Gruffly, he informed them, “We have company.  Looks like one of Queen Qushi’s fleet.  They have a cannon thing.  No magic at all, so I hear.  It was a shot from one like that took my leg.”

Daring Do nodded solemnly and took up a pair of field glasses.  Studying the the approaching vessel, she observed, “One of Queen Qushi’s for sure.  They are flying her Cash and Crossed Bones banner.  That looks like a twelve pound swivel gun.”

She bounded down the stairs to a companion way and out of sight.  She returned shortly with an awkward looking long rifle.

Loading the weapon’s magazine with longish cartridges, she brought the gun over to the rail and braced it against her shoulder.

Muttering, “I wish that the ship would stop rolling.  Messes up my aim!” she started making continual adjustments of position to keep the gun level.

Out of the corner of her eye, she saw Soree looking over the rail, fascinated by the other ship. Daring Do called, “Soree!  Get down!  Go below decks!  If they shoot that big gun it could kill you!”

At that moment, the big swivel gun on the pirate fired with a huge flare of flame and billowing cloud of smoke.  The projectile blasted a hole in the mizzen gaff sail, about a meter from Soree.  She stared at it for a second, paralyzed by fear.  Then she ran for the safety of below decks!

Daring Do remained at her post, adjusting her aim to the rocking of ship.  The pirates swabbed out the barrel of their gun and started to lift a bag into the barrel.

Daring Do touched off her rifle, which also released a blast of flame but far less smoke.  The recoil lifted the weapon up and drove Daring Do back a few steps.  She was already working the action as she brought the gun back to the rail.

On the pirate, havoc ruled! Their sack of gunpowder erupted  in flame and smoke!  Daring Do’s shot pierced one of the gun crew!  He dropped the slow match as he flailed and fell!  It hit the powder sack which exploded at once!

Daring Do changed her point of aim.  She could see the junk’s wheel now.  Her next shot fractured the wheel itself, shattering the cable housing!  The ship, out of control, swerved wildly away, her sails losing the wind.

Jeremy got up from where he had plastered himself to the deck and whooped, “You beat them!”

Daring Do kicked his legs from under him and snapped, “No.  They are not beaten.  They are still faster than we are and only need to clear a few cables from the whipstaff to regain control.  They will be steering from below decks by called commands.    

“It is clumsy but it works. I’ve done it myself!”

Looking over the rail, Jeremy saw that it was true.  They were clearing away the dead and wounded from the swivel gun and the ship was turning toward them again.

Daring Do was moving forward along the rail.  Jeremy crawled after her.  “Why are you moving? That was a good spot!”

Daring Do retorted, “And a great target as soon as they get that gun back into action!”  At her new place, she took the time to shove two more cartridges into the magazine of the massive rifle.

Jeremy stared at the stock of the weapon.  Incredulously, he asked, “What kind of pony was that made for?”

Daring Do was taking aim again and muttered, “Not a pony.  Dromedary.”

They were reloading the swivel gun and filling powder bags from a cask to make shooting faster. Daring Do touched off her shot.  The exploding cask and powder bags tore a great hole in the foredeck and ripped the gun loose from its mount.  There were  no visible bodies to clear away, this time.

Her next shot took down the captain who was calling the orders.  His replacement never got to complete his first command.

There was smoke starting to rise from the gaping wound forward.  The junk fell off the wind and her crew, when last seen, were frantically pouring buckets of sea water into the hole.

The rest of the voyage to Singapone was uneventful except for the thunderstorm.  It was not too big or violent, as such storms go.  It let down rain in buckets and barrels, though.  All that could be spared were staying dry below decks.  All except for Soree!

She was gleefully cantering all over the deck, looking at the water cascading from the sails and running down the rigging!

Soree was getting totally soaked and loving every second of it!

Jeremy commented sourly, “She is nuts.  She is like this every time that it rains.”

Daring Do looked up, glaring severely at Jeremy.  “She is not.  She is celebrating rainfall because it is a rare event in Saddle Arabia where she comes from. All of the horses are like this when it rains.”

Jeremy snorted.  “She needs to learn that she’s not in the desert anymore!”

Daring Do smiled at that.  Then pointed out, “And Hong Wa, the ruins of the Imperial City are where?”

“X'ibia.”

“And X'ibia is?”

“A Desert!  OK, I get it!”

Saree bounced happily down the companionway and went into her stateroom to towel off.  Emerging, she was all smiles and delight!

“It was falling everywhere! Only the cooks and quartermaster were out filling barrels!  I helped! It was ever so much fun!”

Daring Do greeted the news with smiles.  “I am glad that your celebration went so well, Soree.”

In two more days they began to see smaller fishing junks and sampans out in increasing numbers. Daring Do, scanning the northern and westerns horizons with her field glasses nodded to herself.

Captain Getsthere saw and came over beside her at at the rail.  He commented quietly, “I missed our shadow this morning too.  I saw them keeping an eye on us at or near the horizon ever since the attack.  Wonder where they are now?”

Daring Do replied with some worry, “Getting clear of us while we come into port.  Queen Qushi’s ships may be old, and many are, but she has the best Magic Net mirrors on every one of them.  She already knows that something happened.

“If she is still the same sort that I remember meeting before, our issues with her will be settled at dockside.”

Not long after, they saw the tall twin stone towers with their traditional signal fires that marked the opening to the great hidden bay of Singapone, one of the Empire’s two busiest harbors.

The harbor pilot came to take the wheel, leaving the small motor sampan to return on its own.  

He guided the Sea Sage, under engines alone, into the harbor proper.  The bay opened out into a huge complex surrounded on all sides by docks in all stages of repair, warehouses, drydocks and even palaces whose walls came right down to the water.

There were more palaces and exclusive residences on two large islands somewhat off center to the port as they followed the shipping channels deeper into the harbor.

Soree was in a transport of delight at the sight of so many boats of all sizes and designs.  The many sea birds were an absolute fascination.  Besides just watching, and expressing her joy at every new thing, she was writing down all of her observations in a voluminous notebook, complete with many detailed sketches.  

Jeremy commented sourly, “That’s not worth much!  No pony can read scratches like that!”

Daring Do overheard him and leaned over Soree’s shoulder to read from the notebook.  “You have a lovely hoof for the Language of the Endless Sky, my dear.  That expression of yours, 'Wheeling in the distance, like a whirlwind of pearls,’ describes the gulls over some food so beautifully.”

Jeremy got the point.  He was skulking away when he noticed something wrong up ahead.  He came galloping back down the deck, calling out, “There is some other ship in our dock space!”

Captain Getsthere intercepted him.  “We already know that.  The pilot told us some time ago. That water-screw motor ship got here first and paid the Harbor Master a big bribe to get OUR reserved dock.

“We have been offered a free complimentary docking by Qushi Trading Company.  We will be there shortly.”

Jeremy skidded to a stop, nearly tripping over a big tub holding  a coiled sail line.  “Qushi, the Priate Queen!  Why would you be stupid enough to take an offer like that?”

Captain Getsthere looked out at the many small boats about them and pointed to six.  He snorted, “Those are equipped with pure tech incendiary rocket launchers.  It is called an invitation that is unwise to refuse.”

Soon, heavy twelve oared pulling boats were easing the Sea Sage to a dock in a walled complex under a flag, blue, with a Golden, square holed Cash as a device.  It was remarkably similar to the pirate flag that was black and had added crossed bones.

Waiting on the dock was a middle aged mare in the finest of silken robes, her coat, tail and mane, a yellow that could only be described as golden.  Her mane and forelock were complexly braided and held by long pins and tall combs of pure pearl shell.

The Pirate Queen Qushi Han Le was accompanied by an elderly gray stallion, equipped with document saddle bags.  He wore the robes of a scribe.  The observant might also see the seven sharpshooters with aimed weapons spaced about the dock and warehouse.

Jeremy was not among the observant.  He was snorting, “That is the fearsome Pirate Queen?  I have some choice words for HER!”

Daring Do and Captain Getsthere exchanged a glance and both nodded.  In mere moments, two burly crew ponies appeared.  “Where are you taking me?  I …”  His words and the sound of his dragging hooves were cut off by a cargo hatch, which they  sealed with a thump.

Captain Getsthere had the gangway run out to the dock and the bosun’s whistle piped Qushi Han Le aboard with the call reserved for higher ranking royalty.

When she put her forehooves together and bowed respect to Daring Do, Daring Do returned the formal bow, grave of face.  Soree saw what Daring Do did and set aside her notebook.  She too bowed, as she had seen it done.

Qushi Han Le gave a return bow of lesser magnitude.  As she straightened, she observed in Equestrian with a lilting accent, “You are keeping a journal, Honorable One. May I see that book?”

Soree promptly handed it over, commenting in broken Chineighese, “Please excuse my failure to grasp your ways of speaking.  I am studying but I find your language to be difficult.”

Qushi Han Le accepted the book with a smile that showed, under the meticulous grooming of her face’s fur, several scars.  She replied, “You share with Daring Do the willingness to admit ignorance and seek to repair it.  Now, let me see …

“Your drawings are meticulous. I can recognize the Khansi by her lines alone.  I see that you recorded the big explosion forward.  Do you know the cause of it?”

Qushe glanced through the lines of complex Saddle Arabian.  Frowning, she asked, “What is this part?  I have never seen this before.”

Soree examined the part that was being pointed to.  “It says that the Janissary was struck and thrown over the side by the shot.  I do not know a proper word for Sea Captain in Saddle Arabian.  We are a landlocked desert kingdom. A Janissary in Saddle Arabia is a leader of a military troop.”

Qushi nodded, “That makes sense of the passage.  This is a very clear account of the attack. The drawings are excellent.  May my scribe duplicate these pages, please?”

Soree put her hooves together and bowed, “If they will serve any good purpose, even to the fulfilling of your curiosity, please copy what you wish.”

The book was handed to Qushi’s scribe who examined it carefully and withdrew a stack of fine, lotus root paper.  He gently opened the book, so that the covers did not interfere and pressed the written pages of the book to the stack of paper.  How he did it, did not show, but every page of Soree’s journal was duplicated perfectly.  With the greatest of respect, he returned Soree’s journal.

With a bow Daring Do invited, “Qushi Han Le, will you honor us by sharing tea with us?”

She bowed and replied, “Please call me Han Le, and the honor is mine.”

Soree, catching on quickly, bowed too and offered, “My name is Soree Bea Shann. I would be honored if you were to call me Soree.”

They all retired to the Great Cabin, reserved for the most important business when the Captain was not using it for his own cabin.

Daring Do brought out a porcelain tea set with a traditional decoration of Clouds and Mountains.  Han Le drew a breath of admiration.  “Doctor Do, is that truly a Mon Dynasty set that is complete?”

“It is.  I have it in my personal Lading List.  Here, see for yourself.”  Daring Do handed Han Le a paper sealed by the harbor master of Milestago.  

Han Le read, “Tea set in the style of Mon, carried as  gift to Qushi.”  Looking up, she said, “A Gift to me?  This is priceless.  Where did you come by it?”

“As part of the Darkling Expedition, I had Imperial permission to excavate the tomb of Nira Ba Han, favorite concubine of Emperor Quan, founder of the Quan Dynasty of about 1200 years past.  I found in the tomb four complete sets.  

“As you do know, that expedition was under the Royal Wing.  At the decree of Princess Luna, one set was gifted to the present Emperor.  One was given to the Non Equine University Museum.  One I was allowed to keep for myself and, as you had told me of your wish to have such a set, the last time that we met, I was allowed to bring this one to you.”

Soree was listening with care and ventured in her broken Chineighese, “A fitting gift.  From the lovliest mare of ancient times to the lovely Han Le.”

While the tea was steeping, Han Le said, “Sadly, I have reports from the Khansi that you used a weapon of magical power against them.  The amount of damage to the ship almost backs that up.  There are some problems with the tale. What can you tell me of the attack?”

Daring Do replied, “I personally used a rifle of a sort that I had designed for the Dromedaries that served me so well during the Darkling Expedition. It is a repeating rifle that shoots a caseless ammunition of .75 caliber.

“After the Khansi fired their swivel gun at us without provocation when we were slowing to pay them the Passage and receive our Document of Passage, I took one weapon from storage and returned fire.

My first shot wounded the Gunner who lost his slow match.  It caught the powder bag that was ready to load.  That was the first explosion.  The second shot hit the cable housing of the wheel and shattered it.  When they cleared wreckage and bodies, they pursued, using whipstaff steering.

I shot the Captain, whose body was knocked overboard.  The first mate, I guess tried to take over and I shot him also.

The replacement gunners brought up a whole cask of powder from the armory and were loading powder bags for quicker firing.  That carelessness gave me the cask for a target.  That was the second explosion.  It was the one that wrecked the gun mount and started the fire.  The last that we saw of them, they were fighting the fire in the forecastle.”

Grimly, Han Le nodded,  “If it is not secret, I should like to see how these rifles and ammunition are made.  I now understand the whole of the Khansi incident.  There was one thing that I withheld from you.”

She held out a hoof.  The scribe put a business card in it.  “Besides this card from an Equestrian law firm, a bag of Equesrian gold was found in the Captain’s cabin. He failed to report the bribe, as required by our rules.  If he had, he would have been allowed to keep the money but forbidden to attack any vessel that properly paid the Passage.”  She shook her head sadly.  “We have those rules about bribes for a purpose.”

Daring Do nodded and poured the tea.  As she hoofed over the cup to Han Le, she said softly, “I know that.  There is little more honest than the fleet of the famous Pirate Queen Qushi Han Le.”

Soree smiled around her tea. “That sounds so backwards until you understand how and why it works.  Then it makes perfect sense.”

Soon they were discussing the expedition and much of what they hoped to find in the lesser parts of the “Weeping Dragon” complex.

They did not finish the tea until nearly dark.  The precious tea set carefully packed, Han Le offered, “So long as you are near to the Dunn See river, I shall offer you full protection.  I have monitor ships near the full length of the river.  If you have trouble, make for the river.   I cannot give you more.

“I have now fully cleared your run to Cantrot.  Captain Getsthere, I would have you wait and return Daring Do to Equestria.  To keep you from loss while sitting idle, I have much cargo to move between Cantrot and Singapone.  You will be paid your full usual rates.  Is that a fair arrangement?”

He practically fell over his hooves saying, “It is indeed!  It would be my honor.”

“Good.  Expect my coal loaders to refill your bunkers at my expense.  I have learned much and received a priceless gift as well.”

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[urswellwisher-blog]

To

My weeping heart

I'm telling you for one last time. Please Stop crying and wipe off your tears. I hate seeing you like that my dear. I understand, it'll be very tough for you to handle one more heart break. But don't forget that you were very strong, handled all the past bitter experiences bravely. You learned your low points, helped yourself to overcome them. This very incident shouldn't fade away the new version of YOU. It must only make you better and it'll, only if you let it with a broad smile.

........

Do you remember your ex who has cheated on you a year ago coming back to you within six months, begging on his knees for your affection and attention and then You just smiled and walked away without uttering a single word? Yes, people will realise soon how unlucky they are . Now you know how to deal things, you learned to appreciate real ones and let go off fake ones that too happily. I know, it's bit difficult to digest the fact of losing your loved ones forever. But remember, you tried your best to keep things and rest should be left to the destiny. I'm sure your future is very well designed that even you can't design it better if given a chance. Trust me, you are going to have a colorful life and it'll soon begin. Now just smile buddy.

........

OK, do as I say. Imagine yourself wearing a beautifully designed red Saree, a birthday cake in front of you, everybody singing birthday song for you, receiving your 50 th birthday card with true emotions penned on it from your loving and caring husband, and thanking him for such a sweet surprise though you discovered it last night. Your daughter putting restrictions to have smaller cake piece as you are having terrible cough for the past one week (because you deny having cough syrup) but you somehow managed to have more secretly . Your son pulling you to join your husband on the dance floor, your best friends with their families cheering the cutest couple of the day and later joining them with their dance moves. Finally the day ending up with warm hug and kiss on the forehead.

*Heart smiles*

Hurrah! At last you smiled. Thank god, my efforts didn't go in vain. Okay enough of imaginations. You are just 23 and there's long way to go. Now just dress up yourself, put some make up on and get ready for the new year party. You need to click some beautiful pictures and post it on instagram. What else can give more happiness on this 31st night than making people feel regret of making excuses to join the party. But before that, smile at the pretty soul in the mirror who is longing to see that and tell her that u are ok and ready to rock this 2020.

Love

Brain

Ps: Nobody can motivate you better than yourself and trust me, your brain has better solutions for every problem your heart brings.

Welcome new year with some hope of betterment and more joy. Happy New Year