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#not necessarily in a regular academic setting but just like..in general by talking to him and shit
thewritingpossum · 4 months
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sometimes people on rate my professors are just wrong
#this is about my one german prof who kinda looks like ben shapiro#no he's not that amazing of a prof tbh but he's nice and if you made an effort you could actually learn a lot from him#not necessarily in a regular academic setting but just like..in general by talking to him and shit#he's a lovely brilliant man and i strongly disagree with his rate on this website based on my own experience and talking to other people#we in the history and/or medieval studies programs at uni love him! ok maybe he kinda sucks as a college professor#so what? he's still smarter and more interesting than your ugly ass. and probably nicer tbh#he almost called an ambulance for me this one time! and then got me water and then gave me an A for my not that good oral presentation!#and did so many things that made him stand out with so many of my classmates AND other profs and TAs#like once one of my TA legit went on a whole tangent on how this man knows everything about everything and everyone who knows him agreed#and that one TA is extremely aloof and don't appears to care about like...anything.. so it really means a lot#maybe if y'all commenting had read his syllabus before asking him dumbass questions y'all wouldn't be giving him 2 on rate my teachers smh#like he's european! german even!! i know y'all are soft as hell i'm québécoise too so but he comes from a land where it's normal..#to tell dumbasses that they're being dumb#some of y'all (including myself) need to hear it the fuck?#y'all are paying to be in college wouldn't you rather hear the truth??
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janecrockeyre · 3 years
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scum villain is a greek tragedy disguised as a regular tragedy disguised as a comedy disguised as a danmei
this is going to be long, and this is only PART ONE.
a.k.a, Analysing the plot of Scum Villain’s Self Saving System through Aristotle’s Poetics, because I Have Mental Issues
Part One: Introduction and the Tragic Hero
Scum Villain’s Self Saving System is a tragedy disguised as a comedy, unless you’re Shen Yuan, in which case it’s a mixture of a romance and a survival horror. It's a fever dream. It's a horrible, terrible book that made me feel new undiscovered emotions when I finished reading it. 
The thing is... SVSSS shares characteristics with some of the most famous tragedies in the West, such as Oedipus Rex, Medea, Antigone, the Oresteia... if you haven’t read these, I’ll explain everything. But the gist of my argument is this: SVSSS is the perfect tragedy. In triplicate. 
Tragedy as a genre is old as balls and so it has meant slightly different things to different people over the last few thousand years. I'll be focusing on ancient Greek tragedy, which was performed at the yearly Festival of Dionysus in Athens during the 500-350s BC (give or take a hundred years). Aristotle, when writing about this very specific subset of tragedy, had no idea that one day Scum Villain would be written, and then that I would be using his work as a way to look at Shen Qingqiu’s Funky Transmigration Mistake. Anyway!
Greek tragedy greatly influenced European dramatic tradition. I have a lot of opinions about white academics idolising and upholding the classics as the "paragon of culture" but I'll withhold them for now. I have no idea if MXTX has read Greek tragedy or not, so don't take this as me saying they are writing it. 
In my opinion, tragedy is a universal human constant. We are surrounded by pain and hurt and none of it makes any sense, so we seek to process that pain through drama, art, literature, etc. We want to understand why pain happens, and how it happens, and try to make sense of the senseless. The universe is cold and cruel and random. Tragedy eases some of that pain. 
On that note: Just because I am analysing Scum Villain through a Greek lens doesn't mean that it was written that way. I'm pasting an interpretation onto the book when there's probably a very rich and deep history of Chinese tragedy that I just don't know about. If you ever want to talk about that, please, god, hit me up, I would love to learn about it!! 
Anyway, tragedy. MXTX is excellent at it! Mo Dao Zu Shi? Painful dynastic family tragedy. Heaven Official's Blessing? Mostly romance, but she managed to get that pure pain in there, huh? 
But in my opinion, Scum Villain holds the crown for the most tragic of her stories. MDZS was more of a mystery. TGCF was more of a romance. Neither of them shy away from their tragic elements. 
Scum Villain would fit right in between the work of Sophocles, Euripides and Aeschylus. How? Let me show you. Join me on my mystery tour into the world of "Aristotle Analyses Danmei..."
Part One: The Tragic Hero
What is a tragic hero? Generally, Greek tragic heroes are united by the same key characteristics. He must be imperfect, having a "fatal flaw" of some kind. He must have something to lose. And he must go from fortune to misfortune thanks to that fatal flaw. 
There are two (technically three) tragic protagonists in SVSSS and all of them are tragic in different but formulaic ways. Each protagonist has their own version of “hamartia” or a “fatal flaw”. 
Actually, hamartia isn’t necessarily a flaw - rather, it is a thing which makes the audience pity and fear for them, a careful imperfection, a point of weakness in the character’s morality or reasoning that allows for bad things to happen to them. For example, in Oedipus Rex, the king Oedipus has a “fatal flaw” of always wanting to find the truth, but this isn’t exactly a flaw, right? Note: this flaw can be completely unwitting, as we see with Shen Yuan. It can also be something that the protagonist is born with, some kind of trait from birth or very young. 
Shen Yuan
Shen Yuan’s “hamartia” is his rigid adherence to fate and his inability to read a situation as anything but how he thinks it ought to be. He believes that Bingmei will grow into Bingge, and it takes several years, two deaths, and some truly traumatising sex to convince him otherwise. 
Shen Jiu
Shen Jiu’s fatal flaw is his cruelty. It is his own sadistic treatment and abuse of Binghe which directly leads to his eventual dismemberment. This is kind of a no-brainer. Of course, it isn't all that simple, and as an audience we pity him for his cruelty as much as we fear it because we know it comes from his own abuse as a child. This just makes him even more tragic. Delicious. 
Luo Binghe
Luo Binghe’s fatal flaw is a complicated mix of things. It is his position as the “protagonist” which compels him to act in certain ways and be forced to suffer. It is his half-demonic heritage, something entirely out of his control, which sets in motion his tragic reversal of fortune when he gets yeeted into the Abyss. He also, much like Shen Yuan, has the propensity to jump to conclusions and somehow make 2 + 2 = 5. 
As well as having their respective “flaws”, all three protagonists match the rough outline of a good tragic hero in another way: they are in a position of great wealth and power. Even when you split the different characters into different “versions”, this still holds true. Yes, Luo Binghe is raised a commoner by a washerwoman foster mother, but his dad is an emperor and he also ends up becoming an emperor himself. 
Yes, Shen Jiu is an ex-slave and a victim of abuse himself, but Shen Qingqiu is a powerful peak lord with an entire mountain’s worth of resources at his back. 
Shen Yuan is a second generation new money rich kid. 
Bingge is a stereotypical protagonist with a golden finger. Bingmei is a treasured and loved disciple with a good reputation and a privileged seat by his shizun’s side. 
In a tragedy, having this kind of good fortune at the beginning of your story is dangerous. Chaucer says that tragedy is (badly translated into modern english) “a certain story / of him that stood in great prosperity / and falls out of high degree / into misery, and ends up wretchedly”. If we follow this line of thinking, a good tragedy is about someone who has a lot to lose, losing everything because of one fatal point of weakness that they fail to address or understand. 
If we look at Shakespeare, this is what makes King Lear such a fantastic tragic protagonist. He is a king in control of most of England, who from his own lack of wisdom and excess of pride, decides to split his kingdom apart to give to his daughters, favouring his murderous, double crossing progeny, and condemning his only actually filial daughter to death. He loses his kingdom, his mind, and his beloved daughter, all because of his own stupidity.
This brings us to:
Part Two: Peripeteia
This reversal of fortunes is called peripeteia. It is the moment where the entire plot shifts, and the hero’s fortunes go from good to bad. Think of it like one of those magic eye puzzles, where you stare at the image until a 3D shark appears, except you realise the shark was always there, you just couldn't ever see it, waiting for you, hungry, deadly, always lurking just behind that delightful pattern of random blue squiggles. 
Each tragic hero has their own moment of peripeteia in SVSSS, sometimes several:
Shen Qingqiu
In the original PIDW, SQQ’s peripeteia presumably occurs when he finds out that Bingge didn’t perish in the Abyss but has actually been training hard to come and pay him back. There’s really not much I’m interested in saying here - as a villain, OG!SQQ is cut and dry, and the audience doesn’t really feel any pity or fear for him. As Shen Yuan often mentions, what the audience feels when they see OG!SQQ is bloodlust and sick satisfaction. There is also the trial at Huan Hua Palace, which I will talk about in Shen Yuan’s section. 
Shen Yuan (SQQ 2.0)
One of SY’s most poggers moment of peripeteia is the glorious, terrifying section between hearing Binghe for the first time after the Abyss moment, and getting shoved into the Water Prison. 
“Behind him, a low and soft voice came: “Shizun?”
Shen Qingqiu’s neck felt stiff as he slowly turned his head. Luo Binghe’s face was the most frightening thing he had ever seen.
The scariest thing about it was that the expression on his face was not cold at all. His smile wasn’t sharp like a knife. Rather, it showed a kind of bone-deep gentleness and amiability.”
This is the moment of true horror for Shen Yuan, because he knows what happens next: the plot unfurls before him, inevitable and painful, and he knows that death awaits him at Luo Binghe's hands (lol). Compare it with the bone deep certainty with which he faces his own downfall during the sham of a trial later in the chapter (I’ve bolded the important part):
“In the original work, Qiu Haitang’s appearance signified only one thing: Shen Qingqiu’s complete fall from grace. [...] Shen Qingqiu’s heart streamed with tears. Great Master… I know you’re doing this for my own good, but I’ll actually suffer if she speaks her words clearly. This truly is the saying “not frightened of doing a shameful deed, just afraid the ghost (consequences) will come knocking”!”
After the peripeteia is usually the denouement where the plot wraps up and the threads are all tied together leaving no loose ends, but because this tragedy isn’t Shen Yuan’s but the former Shen Jiu’s, it’s impossible to finish. 
Shen Yuan cannot provide the meaningful answers that the narrative demands because 1) he doesn’t have any memory of doing anything, and 2) he wasn’t the person who did them. Narratively, he cannot follow the same path as the former SQQ because he lacks the same fatal flaw: cruelty. 
This is why Binghe doesn’t kill him - because he loves him, rather than despises him. And this is why Shen Yuan has to sacrifice himself and die for Luo Binghe in order to save him from Xin Mo: because the narrative demands that denouement follows peripeteia, and SQQ’s fate is in the hands of the narrative. 
(Side note: I believe that this literal death also represents the death of OG!SQQ's tragic arc. The body that committed all those crimes must die to satisfy the narrative. SQQ must die, like burning down a forest, so that new growth can sprout from the ashes. After this, Shen Yuan's story has more room to develop instead.)
It must happen to show Bingmei that SQQ loves him too. And this brings us to Bingmei.
Bingmei
Bingmei has two succinct moments of utter downfall. The first is a literal fall - his flaw, his demonic heritage, leads his beloved shizun to throw him down into the Abyss. From his point of view, SQQ is punishing him simply for the status of his birth. He rapidly goes from being loved and cherished unconditionally, to being the victim of an assassination attempt. 
He realises that he is totally unlovable: that for the crimes of his species that he never had a hand in, he must pay the price as well: that his shizun is so righteous that no matter what love there was between them, if SQQ sees a demon, he will kill it. Even if that demon is Bingmei. 
The second moment is when SQQ dies for him. Again, from his point of view, he was chasing after a man who was struggling to see him as a human being. Shen Qingqiu’s death makes Bingmei realise that he has been completely misunderstanding his shizun: that SQQ would literally die for him, the ultimate act of self sacrifice from love: that SQQ loved him despite his demon heritage. 
Much like King Lear holding the corpse of his daughter and wailing in sheer grief and pain because he did this, he caused this, Bingmei gets to hold his shizun's cold body and cry his eyes out and know that it was his fault. (Kind of.)
(Yes, I’m bringing Shakespeare into this, no I am not justifying myself)
Maybe I'm a bit sadistic, but that scene slaps. Let me show you a comparison of scenes so you get the picture. 
Re-enter KING LEAR, with CORDELIA dead in his arms; EDGAR, Captain, and others following
KING LEAR
Howl, howl, howl, howl! O, you are men of stones:
Had I your tongues and eyes, I'ld use them so
That heaven's vault should crack. She's gone for ever!
I know when one is dead, and when one lives;
She's dead as earth. Lend me a looking-glass;
If that her breath will mist or stain the stone,
Why, then she lives.
[...]
 KING LEAR
And my poor fool is hang'd! No, no, no life!
Why should a dog, a horse, a rat, have life,
And thou no breath at all? Thou'lt come no more,
Never, never, never, never, never!
Pray you, undo this button: thank you, sir.
Do you see this? Look on her, look, her lips,
Look there, look there!
Dies
Versus this scene in SVSSS: 
Luo Binghe turned a deaf ear to everything else, greatly agitated and at a loss of what to do. He was still holding Shen Qingqiu’s body, which was rapidly cooling down. It seemed like he wanted to call for him loudly and forcefully shake him awake, yet he didn’t dare to, as if he was afraid of being scolded. He said slowly, “Shizun?”
[...]
Luo Binghe involuntarily held Shen Qingqiu closer.
He said in a small voice, “I was wrong, Shizun, I really… know that I was wrong.
“I… I didn’t want to kill you…”
PAIN. SO MUCH BEAUTIFUL PAIN. Yes, I know Shakespeare isn’t Athenian, but he was inspired by the good old stuff and he also knew how to write a perfect tragedy on his own terms. Anyway. I’ll find more Greek examples later.
This post was a bit all over the place, but I hope it has been fun to read. Part Two will be coming At Some Point, Who Knows When. This is a bit messy and unedited, but hey, I’m not getting paid or graded, so you can eat any typos or errors. Unless you’re here to talk to me about Chinese tragedy, in which case, please pull up a seat, let me get you a drink, make yourself at home.
ps: if you want to retweet this, here is the promo tweet!
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eirian-houpe · 5 years
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Chosen, But Not Wanted
Fandoms: Stargate Universe, Once Upon a Time (TV)
Rating: Explicit
Warnings: No Archive Warnings Apply
Relationships: Belle (Once Upon a Time)/Nicholas Rush
Characters: Belle (Once Upon a Time), Nicholas Rush, Jack O'Neill
Additional Tags: Smut, Angry Sex, A Monthly Rumbelling (Once Upon a Time)
Summary: Rush needs a linguist to help on the Ninth Chevron Project. Belle doesn't necessarily want a new job, she learns the 'hard way' not to tell Nick Rush that he's wrong.
Written for the February Monthly Rumbelling image prompt (Nicholas Rush leaning against a chalk board with a cup of coffee in his hands)
Read on AO3
Chosen, But Not Wanted.
He had admired her for some time… from a distance of course, but then, no, because admiration suggested a level of engagement that he simply didn’t possess, or want in regard to this woman.  Respect then. He had respected her for some time… but again, no, because to respect her would of necessity elevate her to his level of intelligence and application, and to be frank, he doubted she would even come close.  Liked her? No, he didn’t know the girl… and at the thought he did somehow, mentally acknowledge that she had made several notable achievements for someone of such a tender age as she, but still - that didn’t make her the one he’d need to succeed in the project. No, it all still wasn’t right, and it was frustrating him that he couldn’t easily categorize her, or understand his need to.
He did need to, though, he conceded, perhaps if for no other reason than to set boundaries between them; to let them each know where they stood when they began working together on uncovering how to dial the Ninth Chevron, and so he returned to the irritating conundrum that was categorizing his feelings about, and his potential relationship with Belle French.
She received the first telephone call while she was in the shower, after a particularly hard run, and she’d been running to try and clear out the anger and sense of utter betrayal, and the frustration at everything that had happened since she’d caught her boyfriend of several years fucking one of his office secretaries, and not only that, but in their bed.
It wasn’t the first time she’d caught him cheating, but it had been nothing like that. That time he’d just had his tongue half way down the woman’s throat and his hands in some places they hadn’t ought to be.  They’d fought… for days, but in the end she had given him another chance. His last.
Which was why she found herself in a shower, in a Motel 6 close to the university campus, listening to the phone ring, again, and wondering if she should bother getting out to answer it.  She decided not to. It was probably only that sniveling worm calling again to try and get her to listen to his ‘heartfelt’ apology for his lapse, and empty promises that he wouldn’t ever do it again.  Either that, or her goddamn father who refused to keep his nose out and had sided with Aston; told her to go back to him, that she didn’t know a good thing when she had it, and if - of all the thing to say to her, this had made her the most incensed - if she hadn’t been so wrapped up with all the work for her Doctorate, and her job afterwards, he wouldn’t have felt so neglected and looked elsewhere for what he needed.
The ensuing argument she’d had with her father had made her realize many truths that she’d been hiding from herself, if she were to be completely honest.  Things between herself and Aston had been over for a long time. She was just too stuck in her ways to have moved on.
Either way, she was not talking to either of them, so stepped back into the stream of water, turning her face up to its cascade to let its caress wash away her tears of self recrimination and disappointment.
“Maybe she’s one of those people that doesn’t answer her phone if it’s a number she doesn’t recognise,” O’Neill suggested as their call went to voicemail for the second time.
Rush shook his head. “Try again,” he said.
“Doctor Rush…”
“Again!” he insisted, and looked pointedly at General O’Neill until he hit the redial on the phone.
‘You know,” O’Neill said, and looked up at him as they listened to the phone ringing. “There are more language experts in the US than just this one.”
Rush stared at O’Neill, thinking that for a man who had dealt with hostile aliens and other dangerous situations where dealing with the unknown hinged on having the people with the best skills in the right place at the right time, he was being particularly short sighted. He opened his mouth to say something of the sort, though he was sure it would come out in a more colorful and expressive manner, when the ringing on the other end ceased abruptly, and this time was not replace by the sedate and polite voicemail message they’d listened to the first time,  when they left Doctor French a message.
“Listen, you utter cockshite,” the woman on the other end of the phone was clearly agitated, and while O’Neill blinked at the greeting, Rush found himself both intrigued, and somewhat impressed by the ferocity of her ire, “this is bordering on harassment! For the last time, I’m not interested in your fucking excuses, and definitely don’t want your apologies. I’m not interested in any of your bullshit frankly, so leave. Me. Alone.”
Rush watched O’Neill swallow, and then take a deep breath before the General said, “Doctor French?” Silence. “Doctor French, this is General Jack O’Neill, United States Air Force, and I have Doctor Nicholas Rush with me. You’re on speaker.  There’s a matter we’d like to discuss with you.”
Belle clasped the towel more tightly around herself, her hair dripping down her back as she listened with growing disbelief to the complete crap Aston was spouting in an effort to get her to speak with him.
When his sad performance came to an end, Belle - trembling slightly from more than the fact that she was standing dripping wet in nothing but a towel in a motel room that wasn’t exactly the warmest place on Earth - spat back, “Fuck you, Aston!  Seriously, if that’s all you’ve got, then fuck you to hell!” and pressed the button to cut the call.
She threw the phone down onto the bed, following it a moment later and covering her face with her hands, breathing in deeply to try and regain her composure.  She had to get herself dressed, and ready for work, and she couldn’t show up at the university as agitated as she was. It wouldn’t be fair to her students.
Having partly recovered enough to go and finish her shower, she stood up and headed back to the bathroom.  Hardly able to believe the ridiculous the lengths to which Aston was going to try and get her attention, she climbed back into the shower, and turned it on as hot as she could stand it, and ten minutes later, her skin pink and tingling, she stepped out again, feeling clean and cleansed, and more than ready to face the rest of the day… the rest of her life, for while in the shower she had determined that she would not waste another minute of her time on getting upset over what her ex had put her through, and if her father wanted to take his side, then she’d have nothing more to do with him either.
She was taking back her life and no one was going to stop her.
She opened the closet, and searched through her dresses to try and find the one she wanted to wear: a blue, mid-length dress with a flared skirt, fitted, low cut bodice all with a lacy overlay. The outfit would serve her perfectly, and along with the soft lace underwear caressing her skin, she felt feminine and strong, both at the same time.
Today, she was determined she would set the stuffy academic world of the ancient and modern languages department on its head.
“Well…”
That was all that O’Neill had to offer to him as Miss French hung up on them, and Rush made a face and said dryly, “Well, she’s certainly mastered the vernacular.”
O’Neill chuckled at that, and waving a hand asked, “And this is the woman you want on your team?”
“General O’Neill,” Rush explained patiently, “Mathematics is just another language, and unless or until someone manages to crack the code written into the computer game we released into the ‘wild,’ or however it was that your technicians named that godforsaken cesspit that is the World Wide Web, she’s the best we have. Not to mention that having someone else around that could help to parse the Ancient we have on file would help to alleviate a massive time suck that has been delaying our progress. Her affinity for language makes her the ideal candidate.”
“What a ringing endorsement,” O’Neill said dryly, then sighed, “All right.  I’ll make a call, have someone local pick her up and we’ll transport her here for a face to face.”
“No,” Rush said quickly, and breathed out harshly down his nose, and O’Neill raised an eyebrow at his objection and his tone.  Then slightly more conciliatory Rush added, “If the General Hammond can spare the time, I’ll go.”
“You know damn well she’s assigned to the Icarus, Rush,” O’Neill said. “What game are you playing?  Why not just wait for Doctor French to listen to her voicemail and figure out that our call was genuine and--”
“Because you know damn well,” Rush said, suddenly becoming agitated in his insistence, “that we’re running out of time.”
O’Neill sighed, and then standing, held up a hand in what Rush supposed was a placating gesture. “All right,” he said, “but I’m coming with you.”
Rather than let the news agitate her when she discovered that her lecture had been moved from the Arts and Humanities building to the Physics department, of all places, due to an equipment malfunction in her regular lecture hall, Belle took the news in her stride, and after making sure there were notes to her students stuck on both her office door, and the lecture hall, she enjoyed the short sojourn out in the California sunshine across the campus to the science building.
She couldn’t help but chuckle to herself just a little as she crossed the no-mans-land into ‘enemy territory’ and more than a few heads began to turn. After a few moments of it she began to wonder whether she should be flying a white flag as she came.
It wasn’t until she actually reached the lecture hall that the first groan of the day - since leaving her motel room, of course - momentarily escaped her small frame as she saw the man who was down in the pit of the hall, leaning against a chalkboard that was covered in formulae, cradling a cup of what smelled like strong coffee in long fingered hands.  He was dressed in dark, belted jeans, a coordinating olive green t-shirt and vest combination, worn over a long sleeved white undershirt, the sleeves of which were pushed up to the middle of his forearms. His hair was long, and he had a scruffy beard, shot through - she could see as she descended the steps toward him - with gray. He looked as though he was either miles away in thought or waiting for something, and bored, very very bored.
“I’m sorry,” she called out to him, trying not to sound as irritated as she was becoming. “Excuse me, but I think there’s been some kind of a mistake.”
He looked up at her then, and she thought she saw his eyes widen in what could have been surprise, before they narrowed again to the same, sardonic stare as she’d noticed in them when she first drew near enough.
“No,” he said “I don’t think so.”
He had an accent, a brogue that set a warmth somewhere inside of her at its depth and at the heat of it, even in so mild a disavowal. She pushed it aside - or tried to, but had to confess that now that she was closer, and the full realization of his appearance, and intellectual presence hit her, she could not deny the early stirring of attraction toward this stranger.
“Oh, really?” she said, coming to a halt and folding her arms across her breasts. “And how do you figure that?”
She expected him to insist that the college had told him that the hall would be his that morning, and that she would just have to take up another space for her lecture.  Instead he said, “Belle French, isn’t it?”
She blinked, and then her heart skipped.  He didn’t look like a cop, and even if he were, she’d done nothing to anticipate a police officer would be confronting her in her place of work in any case, unless…
“My father...!” she squeaked, worry starting to build in her chest.
“Moe French?” the man asked, and before she could even nod her confirmation, he went on, “Useless waste of space by all accounts.  You on the other hand--”
“I beg your pardon!” she snapped, even though she couldn’t fault this stranger and shared his opinion, she wasn’t about to let him stand there and bad mouth her papa. But it seemed he could read her mind.
“Oh, come now, Miss French,” he scoffed with brittle, dry sarcasm, “Let’s not start lying to one another now . You have a very low opinion of your father.”
“That may be true,” she admitted curtly, “but that doesn’t give you free reign to speak ill of him.  If there’s any of that to be done, I’ll be the one to call him out.” The stranger sighed, and bristling still further, she demanded, “Who the hell are you anyway?”
“Rush,” the man said. “Doctor Nicholas Rush.”
For several minutes the name meant nothing to her, other than a nagging feeling that she’d heard or seen it somewhere before. So, instead of reacting to the name she said, in the same irritated tone, “And I suppose you’re going to tell me that this is your lecture hall, and that I’m going to have to go find some place else?”
“It used to be mine, but not any more,” he said, starting to peel himself from the chalkboard, and walking her way for just a couple of steps.
“Used to be?” she snapped, her already short temper shortening still further.
“I used to work here,” he said as though it were obvious.
“Well, I’m sure this little tour of nostalgia is all well and good,” she told him, “but I’m due to give a lecture in here in…” she looked at her watch and frowned when she saw it was actually past time for her lecture to begin, and there was not a single student in sight.
“There won’t be a lecture, Miss French,” he said, setting his coffee cup down on the desk and standing facing her, his fingertips resting lightly on a manilla folder that lay on the top of the desk.
“No lecture?” she snapped, “What--”
“Your students have been told that you’re feeling unwell and--”
“How dare you!” she tried to interject, but he just continued talking.
“--my friend and I would very much like to have a word with you, if you don’t mind.  It is rather urgent.”
It was only when he moved from the shadows at the side of the room that she noticed the other man in the room.  He was taller, older, his hair more gray, and short cropped in a typical military hair style. He was clean shaven, with a serious expression on his face, but the thing that caught her attention, and made her cheeks flush in sudden remembrance was the dark blue uniform he wore, over a crisp white shirt, and darker tie, and the number of decorations attached to the front left hand side of his jacket.
He approached her without speaking until he stood to her side, his hat tucked under his left arm, his right extended toward her offering a handshake.
“General Jack O’Neill,” he said “United states Air Force.  We spoke earlier on the phone.”
His words made her blush deepen as she recalled the words that had fallen from her mouth during that call.  She took his hand and looked from him to where Doctor Rush still stood with his fingers on the folder on top of the folder.
“I am so sorry,” she stuttered, looking between them again.
“No matter,” Rush said as O’Neill drew back his hand, “I’ve been called worse.”  He offered her a brief, wry smile. “Perhaps you wouldn’t mind taking a look at this for me.”
As he spoke, he pushed the folder in her direction and then removed his fingers as she hesitantly reached for it.
“What is it?” she asked.
“You tell me,” he answered.
Frowning, she opened the folder, and began to look through the photographs inside.  Every single one of them showed groups of symbols of varying lengths. Some of the symbols had a verisimilitude to the symbols of other languages and cultures she’d seen before, one or two of which she could decipher, given time, if not clearly read, Sumerian for example, or Aramaic, even Sanskrit, but she couldn’t quite put her finger on what, or why it felt so very familiar to her.
She turned one photograph first one way, and then the other, her quick mind starting to see patterns in the arrangement, consonantal clusters interspersed with other symbols, which it was safe to assume could be vowels, but if - like many semitic languages - this was also as consonantal language that couldn’t necessarily be assumed.
She didn’t realize she had been speaking her thoughts aloud until Doctor Rush softly cleared his throat, and reached to take the folder and photographs from her hands, and nodded to General O’Neill.
“Doctor French,” O’Neill said quietly, “Would you mind coming with us?  Somewhere we can actually discuss this matter a little more openly… fill you in on one of two… details that--”
“Well,” Belle hedged.  She knew she should be able to trust someone in a USAF uniform, but Rush… well, it seemed odd to her that such a man would be in the company of an Air Force general, but at the same time, she really wanted another look at those photographs. Eventually she sighed.
“Give me a moment to get my jacket and my purse.” she said.
“That won’t actually be necessary,” O’Neill said softly, “And I assure you, we’ll drop you back once we’re done.”
“Or send someone to gather your things,” Rush added, and she looked at him, unable to stop the glare from fixing on him at his presumptuousness.
Again, she sighed, and this time threw up her hands, “Fine, fine,” she said, mostly to the general. “Lead the way.”
She watched as a knowing smirk curved Rush’s lips, and he folded his arms as O’Neill tapped what looked like some kind of bluetooth device at the side of his face, close by his ear.  A small frown drawing down her brows as suddenly the world around her whited out.
It wasn’t exactly an unpleasant sensation. One moment she was standing in the lecture hall beside Doctor Rush and General O’Neill, and the next… surrounded by the most intense light she could imagine, which slowly faded, leaving spots floating in the air before her eyes, the way they would after looking too long at the sun without shades on, but around her, as her vision refocussed, she saw the darkened, blue lit, gray interior of… well… she couldn’t figure out what she was seeing, nor where she was.
A sudden wave of dizziness swept over her, and she staggered slightly as she tried to straighten herself before the warmth of slender but strong arms slipped around her to grasp both her upper arms supportively and in the next moment, warm breath passed over the space beside her ear, and Rush’s voice, low and with a hint of amusement purred in her ear.
“I find that closing your eyes helps with that,” he said, making no move to let go, which, given that she had, almost on instinct, half turned his way and was clutching at his vest and one of his arms, was likely as much her fault as anything else.
Rush sensed that her equilibrium was off almost before she began to stagger, and he recalled that the experience had taken him in a similar fashion the first time he’d been transported aboard one of the Asgard ships.  His reflexes being what they were, he unfolded his arms, and wrapped them around Doctor French, steadying her as soon as it happened. He wasn’t usually drawn to such acts of chivalry, but something he’d seen in French’s face as she studied the photographs made at least a part of him - the part that grew protective of people on his team, people under him - want to take care of her.
He found himself taken by surprise when she grasped the font of his vest and began clinging to one of his arms, almost pressing herself against him as if seeking refuge. So he leaned closer to murmur in her ear that it might be helpful to close her eyes the next time.  He didn’t put it quite like that thought, being the man he was, and it came out both entirely more sexually than he intended, and with a half a dose more snark. She clutched him tighter, and he felt himself respond to that in ways he hadn’t anticipated, a thrill of heat going through him to find a home centered in his loins.  He felt the pulse of it between his thighs, and the beginnings of a stirring that would have been highly visible in the tight jeans that he had worn that day.
“Welcome aboard the USS George Hammond,” O’Neill said cheerfully, like a man showing off a prized automobile from his collection, giving Rush a moment to disengage himself from the woman in his arms, at least enough that she wasn’t pressed against the length of him.  She still held, limpet-like, to his arm.
“USS…” French said, and swallowed hard, “Like… like a ship you mean.”
“Something like that,” O’Neill said.  “In orbit though, not on the ocean.”
Rush watched her pale, and thought for a moment he was going to have to grab a hold of her again, but this time the color draining from her face preceded the next moment when a wave of color and heat rose just as rapidly to her cheeks, and she turned from Rush - though still had not let go of his arm - to face O’Neill, and seemed to let him have it, both barrels, right between the eyes.
“Are you out of your mind! ” she snapped, “First of all you take it on yourself to cancel my lectures for the day, then you kidnap me, and now you’re trying to tell me that--!”
Her words cut off abruptly as Rush shifted slightly, and since she was still clinging to his arm, she turned with him so that there was no way she would miss, even if it were from the corner of her eyes, the sight of Earth beneath them through the view screen of the Hammond’s bridge.
“I understand it’s a lot to take in…” O’Neill began, but French’s color had drained again, and suddenly letting go of Rush’s arm she stumbled away, looking around wildly, until one of the crew directed her to the nearest head.
Rush sighed. If she was going to be of any use at all, she was going to have to get with the program pretty damn quick.  He exchanged a sour look with O’Neil when the general said cheerfully, “That went well.”
Belle sat with her head in her hands, elbows on the table in the mess hall, an a cup of brown liquid that passed for tea aboard the ship cupped between her hands. She finally seemed to have found her equilibrium, but that didn’t really make her feel any better, because she felt she’d made such a fool of herself that there would be no coming back from it.
Footsteps approaching, and then the sound of a file folder sliding across the table toward her made her lift her head, to see Doctor Rush taking a seat opposite her.
“Don’t feel too badly,” he said by way of greeting. “You took it better than most people.”
“And of course, you never thought of doing something sensible, like, warning someone?” she said letting more than a hint of pique show in her voice.
Rush gave her a grin that bordered on manic or feral, before he said, “I was never one to coddle my students, staff, or members of my team.”
“I’m not any of those things,” she snapped, and he shrugged a little.
“No, but you will be,” he said.
“Arrogant son-of-a-bitch, aren’t you?”
Again, he shrugged, “I prefer ‘confident,’ but as I said earlier, I’ve been called worse.”
“Telling me what I’ll do is not confidence,” she said. “That’s up to me, no one else, and certainly not you.”
“You underestimate me, Miss French,” he said. “Plus… I saw your expression when you saw the photographs. Besides which, I wouldn’t take you for someone to pass up a challenge.”
“You--” She began, meaning to reiterate just what she thought of him. Her irritation rose, though at the same time she felt another, uncomfortably familiar feeling flush through her.
“Perhaps you’d like to take another look,” he said, sliding the file folder closer to her, though he kept his hand on top of it.
She met his eyes, hers narrowed, and bristled still further at the smirk she saw in his. He knew he had her interest. She’d given herself away and he was using it to lord it over her..  Damn the man, but worse - and she hoped he hadn’t caught her out in this as well - she couldn't help but find him attractive.  In spite of his scruffy appearance, and his two or three day growth of stubble, his eyes were darkly brooding and full of mystery, and the verbal sparring they were engaged in was filling her with an ache of want that would be a lie to deny to herself. Add to all of that the old cliche that smart was sexy, and she knew she was in big trouble.
However, she’d be damned if she was going to let the arrogant bastard dictate what she was going to do.
“Why me?” she demanded, letting her tone speak of her annoyance as she set down her tea.
He shrugged.  “Of all the profiles I read while searching for a language specialist, yours was by far the most… robust.” she opened her mouth to question his words, but he continued, “and I’d heard of you; read one of your papers.  Seemed like you’d be a reasonable fit for the team.”
“Reasonable--” she spluttered. “Oh, my god, seriously?” She felt like picking up her now lukewarm tea and throwing it in his face. “With that warm a recommendation you expect me to just… what?  Fall at your feet like some adoring groupy?”
“Just read the file,” he said, his tone more of an order, not a request. He lifted his hand from atop it, and climbed to his feet. “Bring it back to me when you’re done.  Deck 4 Starboard 9.”
Belle spluttered again, while trying to come up with the words to tell him in no uncertain terms that she would do no such thing, but he didn’t wait for her to find them.  He simply turned and left the mess hall. She didn’t move until he was out of sight, but then reached out to pull the file the rest of the way over, and flipped open the cover.
Rush lay on the bed in his quarters, his feet bare, one knee raised, one arm thrown over his face, taking a rare few moments of rest.
Never mind that all the way back to his quarters from the mess hall, he’d thought of nothing but the look of angry challenge he’d seen in Belle French’s eyes as he told her that she would be on his team.  He maintained that. He had seen her hunger as she’d studied the photographs of the Ancient text they’d found, that he believed had bearing on the Ninth Chevron Project… and dear God she was beautiful,  even more so when she was trying not to be pissed at him.
He moaned softly at the faint stirrings of feelings that he hadn’t had since well before Gloria died; since he’d repeatedly pushed people away so that he wouldn’t betray her memory, but with Belle…  He found himself wondering how that anger he’d seen in her might be translated to passion; how her resolve might fuel her need, further his need to involve her in more than just his team on the Ninth Chevron Project, but not wanting to give in to to such wanton imaginings, he rolled over onto his belly, burying his head beneath the pillow.
Fucking hell I need to sleep!
The more she read, the more Belle became excited, invested, and the more these feelings grew, the more annoyed she became with Rush for his arrogance, and the knowing smirk he wore on his face, but most of all because, goddamn the man, he was right about her!
She frowned then. Sooner or later she was going to have to tell him; accept his invitation … not that it was an invitation, more of an expectation. She suspected that was something that rubbed quite a few people up the wrong way, and that he wasn’t a man to ‘play well with others,’ as the saying went. The intensity of the man probably put a lot of people off.  A sudden blush rose to her cheeks as, sitting back in her chair, she saw his eyes, the amber-browns staring, remembered the way the long digits of his slender hands fingered his full lips as he’d watched her. She bit her lip, closing her eyes and letting out a long breath down her nose to try and push away the tingling ache that was starting to heat her core. She stifled a moan, trying to distract herself, forcing her mind to sort through the Ancient symbology she’d been studying only moments before her rebellious mind led her astray; numbers, letters and the words she’d parsed from all she’d seen swimming in her mind - though doing little to cool her need.
It was then it hit her…
At first he thought it was his alarm, and he reached out to his bedside to try and silence it, but only moments later the sound came again, and still groggy from sleep, he rolled over and sat up, running a hand through his hair to try and tame it a little.  The sound of the door chime came again, and climbing to his feet he padded toward the door, grumbling to whoever it was to wait.
He palmed the console to open the door, and came immediately awake as if someone had just emptied a bucket of cold water over his head, and he couldn’t help glancing at himself to make sure he was decent.  He was sure he had been dreaming.
French was standing in his doorway, almost bouncing with impatience, and looked up at him expectantly.
“Miss French,” he said by way of greeting, and stepping aside slightly, gestured to her to come in.
“That’s Doctor French, and...” she said as she brushed past him, filling his awareness with the scent of her perfume, subtle notes of vanilla and rose that seemed as aroused as she herself appeared to be. Mentally he shook himself for his choice of words, but no other seemed to fit.
He palmed the door control again, and turned to face her, just as she slapped the file folder against his chest, and uttered the only two words in the entire English language that were guaranteed to get him riled.
“You’re wrong.”
His face darkened, and catching the file folder by the corner he folded his arms across his chest and leaned indolently against the door he had just closed.
“Oh really?” he said. When she didn’t immediately answer, he added, “I don’t think so.”
She stepped toward him again then, her eyes as hard as ice and she snatched back the folder, opening it to take out a photograph, waving it in front of his face as she said, “If you translate this strictly according to the matrix and existing lexicon you’ve compiled, there are parts of it that make no sense. So there’s an error, and it’s here .” she held the photograph still for a moment to point to a section of the image. “This section… these letters.”
He snatched the photograph from her fingers and peered at it, hard, before glancing up at her and back down at the photograph.
“And given that some of those characters are number placeholders, I would imagine that’s why your math is off too.”
“My math is--” Rush spluttered, then his voice turned darker as he said, “Oh, I assure you, Miss French there is absolutely nothing wrong with my calculations.”
“ Doctor French,” she hissed, “And there is if the numbers you're working with are the wrong ones.”
He thrust the photograph back into the file folder that he pulled from her hands, and tossed the whole thing toward the bed. Then rounded on her again, his voice hard as he spoke.
“You have the audacity to walk in here--” he began, but it seemed she was not for being chastened, and as her own anger flared, filling her eyes with the rare beauty of life and passion, he felt his anger shifting toward need, arousal stirring in him.
“Audacity?” she snapped, taking a step toward him.  “You brought me here, insisted, as I recall, that I was going to join your team--”
“And it seems that I was right,” he cut across her objection, stepping toward her as she had to him, nodding toward the file that had spilled its contents over the top of the covers. Spread there as he was suddenly almost desperate to spread her open… lose himself to his reawakened passion.
“I didn’t have a lot of choice!” she all but growled at him, and taking another step his way and seemingly in frustration pushed at him, her small hands like brands on his chest. “I don’t--”
He grasped her wrists, tugging her closer and trapping her arms between them, and she gasped as he did, cutting off what she’d been saying.  He dipped his head, crushing his mouth to hers, unable not to, her inner fire calling to him. She stiffened, but only for a heartbeat, before she opened to his kiss, kissing him back with equal want - equal passion even as she tried to wrest her hands from his tight grasp.
She tasted sweet.  Like summer and honey, and he moaned, turning them, pushing them up against the door, and released her hands, pressing the length of his body to hers, already hard. She ran her fingers into his hair, pulling his head back as she tore her mouth from his, her breathing labored, and began nipping along his stubble covered jaw and neck.  He trailed his hand down over her, cupping her breast through her tight fitting bodice, the lacy overlay rough against his palm where her peaked nipple pushed it against him.
She moaned, her hands slipping from his hair to tug at his shirt, her fingers seeking skin as he released her breast, his fingers sliding down over her hip, beneath the skirt, and climbing again in a heated caress against her thigh, tugging at her legs to encourage her to part them.
Belle felt dizzy with the taste of his skin, salt and sweet and bitter, all at the same time, like cinnamon sugar.  She gasped as she felt his fingers on her thigh, the light pull of his hand against her leg, and she stood on tiptoes, as she slipped her arms around his shoulders to steady herself against him, lifting one thigh to wrap it against the roughness of his denim clad leg.
He tugged at her hair with his free hand, capturing her mouth again as she looked up at him, plundering the sweetness of her mouth as she pushed her hands against the slender plains of his chest, her palms against his nipples as her tongue tangled with his, drawing a moan from him. Then he slipped his fingers from her hair and wrapped his arm around her waist, holding her pressed against him as he reached behind himself and pulled off both shirts, tossing them aside.
She gasped, pulling back from the kiss to press her lips against his chest nipping at his skin as his fingertips teased against the edge of her lace panties, slipped inside and teased in the wetness there, slender fingers gliding through her soaked softness, teasing her clit before circling her entrance and drawing a soft mew from her.  She pressed herself against his hand.
“Rush…!” she gasped, and clung to him, her fingernails tightening against his shoulders as he slipped one long finger inside of her, the side of his hand pressing lightly against her swollen nub, barely moving, but enough to fill her with an increased, trembling need.
He leaned down, his teeth nipping at her neck, her pulse, the sweep of his tongue soothing the sharpness, his arm slid from around her waist to press against the backs of her thighs, supporting her as he lifted her, and she wrapped her other leg around his waist as he turned moved the few steps to the bed, tumbling the both of them on top of the photographs - heedless, and she pressed up against him again, bucking against his hand, wanting more - needing more. She began to tug at his belt with hands that trembled with the strength of her need.
She all but whined softly, voicing that need when his touch slipped from inside her, just as his belt came loose, just as she tugged at the button and slipped her own hand against the scalding heat, and steel hardness nested within the tightness of his jeans.  Then she clung to him, to his shoulders, before pushing up against his chest, and framing his hips with her parted thighs, pressing against him through his opened fly, as he rolled them, and reached up to tug at the zipper at the back of her dress… as soon as he had it open, she snatched at her skirt, crossed her arms and lifted the dress off over her head.
Rush gasped at the sight of her as she straddled him in just her blue lace bra and barely there lace panties. He grasped her hips as she straddled him, wild and lost in passion as he ground her against him - though she seemed to need little encouragement - and rolled against her wet sex.
He reached up, sliding his palms along her sides and sweeping inwards to cup her breast; the lace all that separated her from his touch.  His thumbs teased her through that lace, and she moaned and pressed against his hands, opening her eyes to look at him. They were dark with desire, her lips parted in a soft intake of breath at each pass of the pad of his thumb before she reached behind her, unhooked the garment’s fastening, and tossed it aside to land with her discarded dress, the firm globes of her breast spilling into his waiting hands.
He pushed up against her, aching and trapped within his remaining clothing, trembled as her fingers brushed him again through the cotton of his shorts, beneath the heat of her core.  He leaned up on his elbows to take the swollen, puckered nub of one nipple into his mouth, his teeth tugging, his tongue swirling, drawing a cry from her as he nipped, and then pressed open mouthed kisses over the curving mound of her breast to reach the other, murmuring as he went, his voice rasping and ragged.
“Take them off.”
He watched with heavy lidded eyes as she moved away enough to tug at the waistband of his jeans and shorts, all in one smooth motion, pulling them down over his thighs until he could wriggle out of them, ridding herself of her own remaining garment, before she moved to let her head fall against his pillow.  She caught his hand as she did, and he entwined their fingers, taking the hint, moving with her, to briefly cover her, and tease between her folds with the heat of him, before kissing down over her belly. He released her hand to lift her thighs, to part her legs and lift them up over his shoulders, nuzzling his nose through the trim curls covering her soft folds, before plundering her sweetness with his mouth, tasting her, pulling at her with his lips, his stubble scratching lightly at her as he swept his tongue over her clit. She moaned softly, and ground against him.
“More…” she gasped, and teasing, slowly, he pressed a finger, then a second inside of her, still lapping at her, drinking the sweet nectar of her want, her need. Drawing his fingers almost all the way out from her before plunging them back inside. He closed his mouth around her clit and suckled, and she bucked against him as though trying to escape. “Oh, God!”
He moved and sucked stronger and with more rapid, gliding thrusts, feeling her body tighten beneath him, feeling her inner walls squeezing his fingers, knowing she was close. He pressed himself against the bed, seeking to release a little of the pressure building in him, the need for her touch, the need to bury himself inside of her.
He continued the rhythm of the in and out glide of his fingers, flicking his eyes up to rest on her face, to watch the tightness of sweet agony become the open mouthed beatific cry of fulfilment as she came apart at his touch, and removing his fingers he pushed his tongue inside her, lapping at her juices, drinking her sweetness as though she were water in the dessert, and he a dying man.
She lifted her hips, riding out her climax against the hungry press of his tongue, his nose against her clit, until she reached for him, her fingers clutching at his shoulders as she gasped, “Inside me…”
“Belle…!” he growled, rising over her, moaning as she reached between them and closed her hand around his length, her thighs parting to either side of him as he moved, and guided him until he pressed against her heat briefly, before he slowly gilded deep inside her, right to the hilt.
He moaned, a long, low sound, and she let out a keening cry of her own, her still burning need given voice.  For a moment they both stilled, pressed against each other, her fingers pushed into his hair, damp and tangled with her juices, and they moved together to kiss deeply, with rising desperate passion, until he reached for her fingers, entwining them with his own and pressing them to the top of the bed as he began to slowly withdraw, and thrust inside again, deeply, slowly, taking her completely with each thrust, pressing against her so deeply that his balls pressed against her, between then.  Twitching slightly, her tight, inner walls squeezed him. She moved with him, lifted her thighs around him again, and rocked with him, their shared rhythm becoming faster, harder, consuming. He knew he wasn’t going to last.
Her trembling beneath him told him neither would she last.  She gasped with breathy voiced moans with each movement, each thrust, each pull against her tightness, the sound of her pleasure only increasing his own.  He wanted to feel her come around him, to feel the pulse of her squeeze him, claim him…
“Rush!” she gasped, a breathless whisper, gripping him so tightly inside her that it was almost painful, but such sweet pain, as the trembling of light pushed behind his eyes, demanding admittance. Then, in the following moment, she fell, coming so hard around him that it stole his breath, with a sharp, almost shrill cry of fulfilment and summons that he could no more deny her than he could stop breathing, and he followed her, white light and colored sparks burst inside him, and with an almost sobbing cry of his own he spilled himself deep within her as she squeezed him… milked him dry.
Into the silence that was disturbed only by their labored breathing, spent, he collapsed onto her, nestling his head into the crook of her neck as she wrapped her trembling arms around him. She ran her fingers into his hair and he allowed himself the moment, the solace of her caress, before he pushed himself up onto his elbows, looking down on her, her eyes still closed, her face a picture of bliss.
He kissed her then, just softly, and she responded with the lazy peace of post-coital contentment. When they broke apart, he carefully left the safe haven of her body, and rolled to the side, though not yet ready to let her go.  He drew her with him, in his own turn running his fingers through her hair, drawing quiet mewling sounds from her as she snuggled closer, and laid her bent leg over the top of one of his, her arm resting across his belly.
Belle sighed softly, cherishing the moment, the warmth of his body, his arms around her, his fingers running through her hair, and making small circles against the small of her back.  It drew the occasional twitch from her, when his fingers brushed just the right spot.
“Nicholas…? Nick…?” she breathed against his neck, and felt him shift a little against her and heard the rumble of a tiny moan beginning in his chest.
“Rush is fine,” he whispered; a hoarse whisper, as though he somehow couldn’t speak.
“Fine,” she echoed the last of his words.  She sighed again, and then lay in silence holding, and being held, just breathing together. Nothing more until something occurred to her, and with a slightly teasing tone in her voice, she said, “You’re still wrong.”
That drew a low, languid chuckle from him, and he craned his neck a little to look down at her, as she looked up.
“Trying for round two…? Miss French?”
Notes: Damn it, I think I may just have had a stupid crazy idea!
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trifeca · 4 years
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Rodney Mullen --- Body Issues: Switching The Regular (2012)
No need to introduce Rodney: The early-Bones-Brigade-hero-cum-Almost-mastermind invented most tricks skateboarders have been doing for the last quarter of a century – including flat-ground ollies and kickflips –, he’s been a skate business millionaire for more than a decade, and he’s just getting started on his most recent missions: to enter the world of academia and to redistribute the flesh over his body in a perfectly symmetrical way so he can finally overcome the notion of “switch” which has been dominating the skate world for two decades now. Meet the only true mad scientist of skateboarding.
 Rodney, do you still skate mostly at night?
 I do. But my days, they vary a lot. The truth is that it’s embarrassingly little, in some way, because in the summer time, in the last months, I have spent maybe five days home, and so it’s just packing bags and going, and mostly that’s because of three or four different kinds of activities I’m doing – between Bones Brigade, the screenings, between stuff with Almost, and then Globe, and then I developed some bonds with a kind of academic crowd. I spoke at the TEDx thing, so it’s just that crowd, and I just start connecting – I get invitations sometimes to go elsewhere. So I’ve been doing a good deal of that, applying myself to that, and nurturing those relationships.
 Wow. I know you studied Math, but tell me some more about those academic connections.
 Well, I don’t know if you’re familiar with that TED stuff, I didn’t know it very well, but it’s kind of a big thing. They franchise it around the world to different universities, and it’s called TEDx, and it’s basically Technology, Entertainment, Design, and so they have various people, all kinds between scientists, design people, all kinds of people… computer people, astro guys and biological guys, all these guys get up and they speak, and they try to integrate different specialties. Me, I feel like I don’t have a specialty in anything.
 Come on.
 I can skate, yes, and so over the time I keep getting more and more bonds with some of these people. The last one was from O’Reilly Books, and Tim O’Reilly, he invited a crowd like that, a couple hundred people. You go up there, and then you speak about whatever the subject is – in fact, they have a giant grid on the wall. I think it was between 45 minutes to an hour for each, and you could choose around eight different ones, and then you could go meet with anyone, like, “Hey, let’s talk,” and then you write it up on the board, or you just go to others, and you integrate with them, and then you leave after three days, and they’ll tell you, “Hey, half of you aren’t coming back because we have to keep the flow – don’t take it personal.” Things like that. And so what does it mean? I don’t really know. It’s just getting disparate people from disparate fields together and broadening…
 So it doesn’t have any set goal or agenda?
 Not necessarily. It’s there just to see what you come up with. Lately that’s been something for me…
 Sounds quite inspiring.
 It’s so unbelievably inspiring because I feel like a little kid: it’s really humbling, but at the same time I do see how the subculture of skateboarding and having some scientific background, or at least enough of that and a computer background, and then also just running a business and getting around, those things, how they just add up, and if I can communicate the good things about our community to theirs… I see they’re quite interested, especially in terms of innovation. That’s in particular what some of them really want to study, for example the one who brought me into it, she is on a White House advisory board for innovation within the nation – so I’m just so privileged. It’s funny.
 Does all this change your perspective on skateboarding?
 Oh yeah, it changes my view on a lot of things. And it solidifies my view on some things.
 Does it, really?
 Yeah, not in totality of course. I think I’d be close-minded if that were the case – and I’m sure I am a little bit close-minded. I do look at skateboarding with a broader perspective, and to be able to communicate what makes it so special to people who would never take a second look at it, that’s such a huge thing for me. That’s such an honor, and so the more I look at it, and I abstract and put it in formulae in terms of what I see in other fields, then I can say, “Wow, skateboarding is so special.” More so, of course, than I know it at just the fundamental level of doing it.
 Is it as infinitely interesting to you on a theoretical level as it is on that fundamental almost no-brains level, as in “my feet feel the catch and land”?
 Nothing can replace that. It talks to who you are as a person, me at least. And so, no, nothing is actually that interesting, compared to that, to me.
 Nothing – in the world?
 Not in a centering way. I mean I have my faith, and I have my wife and relationships with friends – but those are separate; those are relationships.
 As opposed to activities?
 That’s right, and they aren’t subcultures of which you could be part of. No, I would think nothing is… because skateboarding itself is a blur of that: doing it connects you with the community. You can’t quite separate it completely.
 And more generally speaking: How, well, “theoretical” are you these days, in terms of structuring your life and finding new things to do?
 Less than I used to. Because all the theory and philosophy… you just gotta feel.
 Is it easy for you to find that balance between mind and gut feeling?
 Of course. Well, sometimes when you chase it around philosophically so much you actually you’re actually changing the whole… you know, quantum stuff, Heisenberg.
 Uncertainty.
 Yeah, you enter the system and once you’ve done that it’s no longer the same.
 What kind of math did you study, by the way?
 In biomedical engineering, in you can go through one of the four basic departments, and I was going through chemical because it seemed the most applicable – although electrical would be much more applicable probably, today. Mathematics was the joy I had, and I loved the pure physics; engineering was not nearly as fun because it’s just cranking through all these iterations of problem solving; there’s not philosophical richness to it. Applied mathematics is more what I liked to do, for understanding gravitation and general theory, that’s finding the Tensor Calculus, and then when I wanted to understand quantum implications after going through this big branch; then you have to go to finite-dimensional vector spaces on the Hilbert spaces, and then on into some group theory – and group theory itself has a lot of applications to how I think about tricks. It’s a phenomenally powerful and poetic kind of mathematics, and that’s the stuff that I learned.
 Wow. Go on please. What about that link between tricks and mathematics?
 Oh, just because there are all kinds of symmetries, left-right symmetries, and you know, that’s how it’s often used: You look at a crystal, and there’s all kinds of symmetries, nothing as obvious as left and right, right? So there’s all kinds that they have and they formulate, so you can start saying: if this is a symmetry with this, then knock it out and crunch it into irreducible, small and more simplistic terms: you cut out all the extra crap. And you look at the fundamental symmetries of what makes things work, and tricks are like that: There’s very much all the symmetries that we have over your different joints – it’s incredibly complex how your ankle will bend and your knee will bend, and it’s incredible because of how it’s interconnected in our system, and then how the board works… there are so many subtleties. Think about anything like a hardflip, that’s obvious; it’s kind of against the grain, that’s what makes it hard, whereas heelflip shoves, or 360 flips vs. lazers, those are with the grain vs. against the grain. And you can keep breaking these into component form; that matches extremely well with group theory – does that make sense?
 I guess. That’s a vast field though.
 Yeah, you don’t put it on paper, but if you read the stuff and absorb it and feel it, and then you go skate, it’s just a new lens through which you see things. What is a world-view? A world-view is just a lens, it’s not contained like in a box, of what you see, it’s just a lens, how you see everything. Likewise, if you just use different lenses, sometimes it will clear the field and make things much more obvious.
 Sure. Do you think you’re the only one who sees it that way, or do you think someone like Danny Way has a healthy dose of physical and mathematical calculations going on before he actually jumps over one of his huge ramps?
 I guess, though you have to feel it; that’s something else, through these guys, this more academic crowd, one of the other things that I did is they’re trying to harness what they call flow. I have to do that since I go back, and this is a guy who writes for Forbes magazine, and it’s interesting how this is working out: So he interviewed Danny Way as well, and I met him at some kind of nerd fest, you know? He’s saying just that if we can harness the zone or whatever, that semi-hypnotic, highly concentrated state of mind that allows you to do things without thinking, because all of the processing is there; you aren’t thinking, but you stand back away from it, because by the time you think about it you lose it and you’ll screw up, and so how do you get into that mode and look at things in the same light? And when you asked me are there people that do that, and do you think Danny does that – yeah, of course because he has generated a feel for all of the guys that can put this stuff into equations and get hard numbers for it, that actually are there to make sure that he doesn’t get killed.
 Yeah.
 But in the end, Danny will know and feel the nuance of those numbers in a way that they can…
 … never know, no.
 And so when you bridge those two, between feeling and doing, the numbers are crunching on the analytic side, it is a very rare person that has the combinations, and so that’s one of the reasons why I’ve been asked to be part of this group. There are other guys, they’ll study Olympiads, but what you bring up is profound and certainly a lot of people are working on it now.
 Are you willing to dedicate even more time to this?
 Maybe, yeah, yeah, I meet a lot of incredible, and you know, my wife calls me Forest Gump because it’s like my skating is ping-pong: for whatever reason I can do it. But other than that I’m just kind of retarded; I just go from one to the next, my mind just kind of works that way, and it doesn’t work that way. So, the truth is: I never feel qualified to be in a room with them; at the same time I know that I do have capacities… even doing this interview or having some kind of fame, that has given me something, being in front of an audience, that’s also a skill set that’s not so common among professors, you know? And so, the combination of those, to be able to communicate is something that skateboarding has prepared me for, I guess, that maybe they don’t have. And if I keep learning from them, maybe I’ll be a better person, maybe I can contribute to something greater. Right now, I don’t know, I’m just feeling it out. I’m just going with the flow.
 Sounds good. Speaking of the flow – and the zone: Can you go to that place, whenever you want to?
 I think anyone who… well, my father, he was the squadron leader for the group that dropped the atomic bomb; and so he had a very high level. In order to drop that thing, they don’t just give that to anyone. And that’s very much his mindset… what he did he really didn’t talk about that much, I mean this is old Korean War days, after Hiroshima and Nagasaki we were flying that thing around.
 Yeah.
 And he was up there with the button. For them, they gave them, I guess, to some degree considerable study in hypnosis; and my dad’s not a touchy-feely guy. At all. But he had a deep respect for it, which made me think his training must have had a lot of it. So, basically when he saw me practice late at night when I was just a kid, he would wake up, and he would see me in the distance. We had a lit barn, it was like 100 meters, no less than that, more like 70 meters from the house. So he could see me walking around in circles and skating. And he just goes, “Rodney, you’ve gotten really good at self-hypnosis by what you do.” I guess in a way that could answer your question, that if you do something well and long enough, you don’t even know what you’re doing; you’re just doing it, but if someone from the outside looks he’d go, oh it’s obvious, that’s what he’s doing. I don’t know.
 Does entering that zone, doing tricks, feel the same every day?
 No, it’s hard to say because I’ve come so far; it’s… well, I’m not the same person I used to be, and so you get a deeper kind of zen thing going, but at the same time I’m sure it’s basically the same as any other kid out there. I know one thing, that when I’m filming something super-hard, it’s a really escalated place you go, and that doesn’t just come naturally. I mean, it does come naturally, but not “just” come naturally. That’s definitely a distinct state of mind that I have a taste for, but you don’t just go into that.
 Are you filming right now?
 No, I haven’t filmed… my body, my bones fused together, my femur; there was a lot of scar tissue that pulled it up so tightly that the bones started to grind together. They thought that it was going to grind the head off, so the body has a natural mechanism for that, so it solidified and it welded it together, so it no longer worked as a ball and socket, it was more like a stick-shift. And that was about six years ago, five years ago, and… it took about a year and a half. I just stopped. It took me about a year and a half until I finally broke, it was like breaking your own bone: First you have to break all the scar tissue, which is a horrible thing; I did it in the wheel well of my car because I’m not strong enough; turned my body upside down and pulled against the frame until it would break – so you vomit, and you do all kinds of things. But I did it and that changed something in me. I just disappeared because I didn’t want anyone to know. I can say it now because it’s over, but I didn’t want anyone to know that that was it for me, that it was done, and so I just stopped filming. And I just didn’t want to walk with a cane. And I had a good amount of pain all the time, you know? I couldn’t walk. I didn’t run, for about one and a half years I couldn’t run more than 20 feet. So that’s what I went through, and when I got through that, and I finally broke it one night – I remember it was a cold night, and I fell on my hand because I was still caught up in my car, hanging upside down when it broke –; if you’ve ever broken a bone you know that feeling when you get kind of high from nausea. You don’t feel bad, you feel actually warm and high. I just had tears and snot on my hand, funny, but it broke, and I did it. And as I started to do that I could skate again, like: well, and I realized, “You know what? I feel like I’m polishing a turd right now.” My skating… whatever I do, what am I going to do, flip out? Another primo? Who cares. And you start looking at your skating, like, who cares? I couldn’t watch myself skate for years. Because you just look at it and you go, who cares? It gave me what it gave me, but is it really that special? No.
 It is that special.
 Thank you, but at that time, that’s not how you look at it when you go through that. And then I realized what I was doing, it opened my eyes to something that I might be able to do. It made me understand something about skating that I would have never known: how the flesh kind of works like a wet-suit. We’re flesh and bones, and the nature of stance – why there is such a thing as “switch” –, is because your body, like anything, and skating is a kind of gyrating motion, and so like anything, gyrating with layers of clothes, you get sort of bound up, and I think that any skater who’s good enough, if his body could sit in exactly the same position either way, then he would – why wouldn’t you? But you can’t, because of that process how the flesh redistributes itself over the bones; it twists. The nature of the pull of the muscles, it just naturally does it. I see little kids that have been skating a while and they’ll do a switch manual, and it’s very much a fakie nosewheelie – it’s not a manual in the other direction, you know what I mean? You don’t have the same leverage, you’re pushing it away from you, and so I thought: okay, if I can use the same process with my car and fire hydrants, the things I used to break, then maybe I can redistribute my flesh over the bones so that I don’t even have a stance, because I can put the muscles back where they started before I skated. And if that’s the case I’ll have same leverages, and then I can do a bunch of switch tricks that still people haven’t done switch because the leverages are too freaky, you know? Your margin for error is just too small. Except for Paul Rodriguez and some of these guys, they’re so good – I don’t know – but still you can see! You know when it’s switch.
 Sure.
 And who’s better than that guy, you know? And so I’m thinking if I can use this really medieval form of cheating, so that I actually don’t have a stance and do these things, then that would be a contribution – and that’s fun for me because that’s new.
 Yeah, but how does it actually look like?
 It’s a horrible process. You have to gouge things into you, and then once it sticks in there, you just keep rotating it and rotating, and do it bit by bit – ring around the rosey, for years. Maybe sometimes six hours a day. It’s horrible. And then you skate a little bit, and then you do more, and you skate a little bit, and you do more. That’s what I’ve been doing for a long time. And like I say: now I can run like the wind; I’m not going to need a cane, and if I can never do this, that’s fine, because I’ll be good, and skateboarding is giving me more than ever. And I’d rather not be filmed and just skate, as retarded as I am, it doesn’t matter. It doesn’t matter how bad I am – I still have that feel. But I work so hard, so hard, and I dream of it, and if I can do it – everything else is working. If I can do that, and even if it’s just a handful of tricks: 10 tricks that really show something, then I’m going to run like the wind.
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jeroldlockettus · 6 years
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Extra: Domonique Foxworth Full Interview
Domonique Foxworth began his career in the N.F.L. in 2005 — a torn A.C.L. in 2010 set him on a different path. (Photo: Ronald Martinez/Getty)
Stephen Dubner’s conversation with the former N.F.L. player, union official, and all-around sports thinker, recorded for our “Hidden Side of Sports” series.
Listen and subscribe to our podcast at Apple Podcasts, Stitcher, or elsewhere. Below is a transcript of the episode, edited for readability. 
*      *      *
This a Freakonomics Radio extra, our full interview with Domonique Foxworth, who appeared in bits and pieces in our “Hidden Side of Sports” series. I’ve known Foxworth for a while now; he’s one of the most thoughtful athletes I’ve ever encountered. But this conversation surpassed my already high expectations — not just his thoughtfulness but his willingness to wrestle with contradiction, and his hardcore candor. As you’ll hear in this episode, he was an N.F.L. player for several years, then served as president of the N.F.L. players’ union and, after getting an M.B.A. from Harvard, was the C.O.O. of the N.B.A. players’ union. It turns out he didn’t like that job too much; you’ll hear why. As the conversation begins, Foxworth is talking about his belief that the professional sports players’ unions should be dissolved. I asked why …
FOXWORTH: Yeah, where we are at, with professional athletes and how big a business it’s gotten, and how well they are compensated, I think it’s a product of sacrifices made by players coming up. And many players lost long seasons, were black-balled out of the league and had their careers really torn apart by their ambitions of free agency and pensions, and all those things. And they never really got to fully reap the benefits from that. And back in those days, the unions — the player unions were a lot like what we think of as traditional labor unions. But we’ve got to a point now where it’s not like that. And with the length of a player’s career, and how much money they could stand to make in a season, it’s really not in their best interest. Mathematically, logically, if you go through the numbers, it’s not in their best interest to actually withstand a lockout or to initiate a strike. They will not make that money back. It’s just physically impossible.
The reason why they would do it is to further the cause, I guess, for players in the future. But since you can’t hand your position down to your son or daughter, then it really doesn’t seem to make sense. So for me, I can use me as an example, I sacrificed from the time I was — I don’t know — probably in high school, is when I started to forgo other opportunities or other decisions to focus more on football. Then I’m in college and I wanted to be a computer — I did computer graphics and some computer science in high school, and then in college I wanted to be a computer science major, at University of Maryland. And my academic adviser was like, “That course load is going to make it very difficult for you to make our practices, there are labs, and blah, blah, blah, blah.” So I was like, “No, not going to do that.” During the summers, when there was —
DUBNER: So instead, you did — was it American Studies?
FOXWORTH: Yeah, I did American Studies.
DUBNER: And journalism, right? Which just shows how easy what I do is, that you could do it and another major while playing football. But anyway, go ahead.
FOXWORTH: No, I enjoyed those. And it was good, but it wasn’t what I wanted to do. And in the summers when people were getting internships or whatever, I was working out and getting ready for football. And I say all that to say, once I got to the league, then I got drafted and I was in the third round, so that’s — it’s money, it’s good money, but it’s not life-changing money. It doesn’t makeup for all the things that you have given up through the course of your life. And then I come up on free agency, and that’s when I got a pretty nice deal. I can’t imagine if somebody was like, “No, you’ve got to sit out right now.”
And then when you think about it, it’s competition obviously, because you are competing in this lockout or strike with the owners, whereas it does make sense for them to withstand a lockout, because they own their teams into perpetuity so if they win a lockout for a tenth of a percentage point or even a whole percentage point of revenue split, that is something that will maybe $3 million a franchise, for this season. And it will go up as things grow, and it goes on and on and on. So if you are in the old fashioned mindset of labor strikes is the only way to get anything, you are — players in all sports are severely mismatched.
DUBNER: It’s interesting to hear you say, though, that that would be the reason to maybe not have players unions, because a lockout or strike I guess — the lockout is what the owners do, a strike what the players can do — even a strike threat is rarely — is pretty rare. Once every whatever, five to 10 years, depending on when a given union’s collective bargaining agreement is up, right? so you I know — you were playing football in the N.F.L. when the lockout happened. It was 2011, right? And I know that the N.F.L. Players Association was basically telling you guys, “Put away as much money as you can, and maybe you might want to switch to regular gas from unleaded,” all this stuff. Can you talk about that experience and how you were thinking that might happen?
FOXWORTH: Yeah, I was heavily involved in the negotiations, so I remember that. I remember trying to get all the players ready. But the fact of the matter is, the players are severely outmatched if you’re going to try to match up with money, with owners. We’re not going to be able to outlast how long they can go without making money. As far as influence on the media, they have that also. And trying to fight them in that traditional way — you’re destined for failure. It would seem. The point of decertification is, as long as we have a union, we have to agree over collective bargaining. Once you dissolve the union, then you expose the league to anti-trust law, which frankly, the N.F.L. existed for several years very lucratively for the players without a union. And the league was exposed to antitrust law. That’s what precipitated free agency in football.
And the only reason why the N.F.L. Players Association was reconstituted was because the N.F.L. made it a stipulation of the settlement. You must reform a union to allow us to operate as a legal cartel/monopoly. That’s only reason why we exist, frankly and I was the president of the union. I was the C.O.O. of the N.B.A. Players for a time. And I recognize the union provides a great deal of value. But I think frankly that protection is more value to the leagues than it is to the players. In whatever job anyone has, in your job, they can’t institute a salary cap. They can’t do a draft and say like, “Hey, all the doctors that graduate this year, we’re going to draft you and tell you where you go.” You have some say in those things, because they are forced to abide by the regular laws that everyone else abides by.
DUBNER: Regular labor laws, not union provisions. Wow. So how would you have the scenario look? Every league’s different. But obviously, college football is this weird, unpaid, high risk — that’s a whole other financial ecosystem. Why don’t we just start with talking about how N.C.A.A. football works as a feeder system for the N.F.L., and what that does for or to the athletes.
FOXWORTH: I think we’re at a point now where most people kind of understand that college sports is professional sports. In select cases. So obviously, the vast majority of college sports are not professional sports. But the two kinds of big money sports, in the power five conferences, they generate a substantial amount of revenue, and that revenue goes to lots of people who are not the labor. So it goes to supporting other sports, it goes to building bigger and better facilities, it goes to paying college presidents and coaches and funding the N.C.A.A. It goes a lot of different places, but it doesn’t go to the people who are the labor on the field.
And another thing that complicates that — it would be a problem if that was the end of the story and every player then went on to have N.F.L. careers. It would be unfair, but whatever, you’re not going to lose any sleep for those guys. But the vast majority of the guys — and I have several teammates who, because it is not considered work, they’re not privy to workers compensation. They’re not privy to extended health care. So I have a few teammates who have torn A.C.L.s, separated shoulders, torn labrums and hips and shoulders, lots of injuries that — one of my best friends in college, I think it was a few years ago, his doctor told him that he was going to have to have both of his knees replaced by the time he was 50. And he didn’t play professional sports. He had three knee surgeries while in college. And there’s nothing that any college football team or governing body is going to do for him in that case. And that to me is tragic that a lot of people benefited from that.
And again, he had aspirations to play professional football. So while he was in college, he made all the decisions that people who have those aspirations do, where you don’t necessarily go after the major that you’re most interested in, or the major that’s going to lead to a career. You have the major that’s going to allow you to focus on what’s most important, which is sports, unfortunately. And I know many people would say that maybe that shouldn’t be so important, but it’s hard when that carrot’s out there, it’s hard to convince somebody to try to balance and try to do both things well, when it’s like, “No, I need to do as well as I can at this, because this is a life-changing opportunity, not just your life, but a generational shifting opportunity.” And you have a chance at it, and someone is going to tell you no? “How about you don’t go do that summer workout that’s going to get you closer to — how about you take an internship or something. How about you do take that tougher major.” You’re going to miss a few practices. The coaches may not start you. And it will stunt your development. That just doesn’t make sense.
DUBNER: So, the old fashioned argument for why this was okay and why it was acceptable was that, well, this is like what economists call a tournament model, whenever you got a lot of people competing for the top of the pyramid, whether it’s show-business or sports or, whatever, the bottom of the pyramid, there’s lots and lots and lots and lots of people there willing to do whatever it takes for practically no money. It’s this weird, unpaid apprenticeship. And I guess some people accept that as okay. Others don’t. But what strikes me that’s especially noteworthy about sports is the degree and magnitude of sacrifice, physical and otherwise, is larger, I would argue, than trying to become an actor, trying to become a writer, and whatnot. So can you just talk about that component of it a little bit more, and what you think would be a better solution?
FOXWORTH: Bringing up the tournament model is interesting, because I can understand how some people would look at that and say that it fits here and that’s why this is fair. But as a country, we’ve decided that that wasn’t fair a long time ago. That’s not — there are plenty of jobs where that’s true, just about every job. The barista at Starbucks. There are plenty of people out there who are capable of being baristas, and you could probably allow Starbucks to pit them against each other and negotiate down, down, down, down, down. But that’s not the case. We’ve instituted minimum wages and instituted lots of other laws to protect American people or American workers from these type of capitalistic urges run amok.
And the thing that’s frustrating to me is, we’ve instituted rules in professional sports, that happen to take place on college campuses. We instituted rules that are to the advantages of the institutions. But we are not interested in instituting any rules that are — that are things that we accept as just facts and fair. You’ll be hard pressed to find anyone in our society that’s like, “No, let’s eliminate the minimum wage and allow this tournament model to run amok for low wage workers.”
DUBNER: Well the other argument though, in colleges, is — again this may be a purely specious argument from your perspective, maybe partially specious. But the other argument is, wait a minute. Free education, four years of college. What’s that worth?
FOXWORTH: So there’s two major issues that jump out for me from the education. The players are brought to the school because of their athletic prowess. There are many players who I’ve been around and I know that were not prepared to benefit. So, what they’re receiving is, steps 10, 11, and 12 when what they’re building on is steps 1, 2, and 3, if that makes any sense. So that education, frankly, is worthless to them. They’re in there trying to get eligible. And then there is the other people who show up who are prepared like me and like other people that then make all these decisions.
Because you’re not even getting the same education as the people around you, because you have to travel on Thursdays and Fridays, and you are not allowed to do certain majors because they conflict with your schedule. And three times a week, during the winter session or the spring session, you have to go to 5:00 a.m. workouts and that changes your academic experience. There are all these things that are mandatory because your scholarship is year to year, and you don’t have any power to negotiate with your coach and say things like, “I want to take this so I’m not going to able to go there.” That’s just not a thing that is available. So the education that they’re receiving is not the education that people think it is.
DUBNER: This is a gigantic question and it’s such a big industry already that there’s obviously no easy, quick solution that would satisfy even close to everybody, but what solution or solutions do you think are most viable that would, let’s say, keep big-time college sports intact in a way that the market would need them to be intact — in other words, there’s massive audiences out there that really like it — but all those dollars, as you’ve noted, don’t flow to the people who actually produce the labor. So what would be a way to equilibrate that a little bit, or make more people less unhappy at least?
FOXWORTH: The thing that frustrates me about that conversation is you’re always asked to add something, to change a rule to fix it. Whereas I feel we should blow it up altogether and follow, frankly, the model that this country has followed up until now, is that you strive for a free market and then you institute rules to make it fairer. So that’s where we should go. Let’s not try to add a rule or provide a stipend for players. No, let the schools go after these players the same way anyone else would go after any other employee. And then if we notice that there are issues along the way, then we can add rules to fix those. I think trying to inch our way back is not the way to get to the fairest possible system.
DUBNER: If you were going to blow up the system, would you even connect that pre-professional sports league, meaning college, would you even connect that to universities at all, or is that an accident of history that is the root of the problem, essentially?
FOXWORTH: I think it’s definitely an accident of history. I know you and your son are big soccer or footy fans —
DUBNER: You can call it soccer. That’s all right. That’s okay.
FOXWORTH: That’s not the model that they follow. This is a purely American model. This college athletics being a feeder system to professional athletics. And it’s probably — not probably, it is more unnatural, I would think, than these other systems. So I understand that it is the way that our country developed, and I understand the allure of being connected to a college that you went to, or a college you grew up around. And I’m not saying that you — you have to dissolve that altogether. You can allow them to — many of them, obviously they are nonprofit organizations, but they understand how to exist in a for-profit environment, they do go after different professors and they negotiate over those terms, this is something that they are accustomed to.
They negotiate with coaches, they don’t have to go that far — With their coaches and assistant coaches, they understand how the free market works. So Jimbo Fisher is a good example of it. He was the coach at Florida State. He brought them a national championship, and then Texas A&M offered him a better situation and he up and left, and then Florida State went and got Willie Taggart from Oregon. This is not something — while they want to pretend that it is a completely pure system, they know how this works, and every other year Alabama has to pay Nick Saban a little bit more to keep him at the top of the list. This is not something that that is brand new to them. I don’t see why it’s any different from going into a kid’s living room and saying, well, we want you to come here. We can offer you X, Y, and Z. But it just — it makes people feel uncomfortable, but there’s nothing wrong with it.
DUBNER: So it’s interesting — correct me if I’m wrong. I probably am, but it seems like there’s a weird paradox here. You’re calling for the decertification or the blowing up of professional sports’ players unions, because you feel they don’t really work well — work in the interest of the athletes who need to make their money now, careers being so short. But it sounds like college athletes have zero collective representation, and a union for them might actually do some good. Or do you think that’s not a solution?
FOXWORTH: No, I think that they’ve tried and failed. Ramogi Huma at one point was leading that effort, and it hasn’t worked. But I do think that them having a seat at the table with some leverage would be helpful, because any time you have — and this is what’s happened in college sports for a long time now, is you have a bunch of people in a room setting up the parameters of the game. But there’s one group — there’s only one group that’s not allowed in that room. And of course that — it’s just human nature. That group is going to be the group that is perpetually slighted. So I think that college athletes are in a different space than professional athletes. So having a union — if the college athletes could organize to the point where they would just stop showing up to games, and that’s an impossible thing to ask them, because again, it goes back to this is my one chance. But if they were able to at least threaten that, that’s how they could get some significant change.
DUBNER: So given the history and the dollars and the emotions that are attached to college sports overall, how likely do you see any kind of substantial evolution or change, even in the next 10 or 20 years?
FOXWORTH: Yeah, it’s clear that the opinion in public is shifting towards wanting athletes to be fairly compensated. But I don’t know that they’re going to stop watching. So I don’t know where the pressure comes from, honestly. We’re already at a majority of society. I think it’s different across age and in racial demographics, but there will come a point, particularly as some young people get older, where all adults believe and accept that college athletes should be paid. But this ties into the union conversation. What is going to force them to act?
In the same way that a lockout or a strike is not necessarily going to force owners to act, in the same way that antitrusts or antitrust exposure would force them to act. This is true here too. I do think if collegiate athletes just stop showing up to big time games and tournaments, that would force them to act. But I don’t see them doing it because they only have four years of eligibility, which means they only have four years to show professional teams that they’re good enough to play. So it’s, again, not in their interest to do that. The only other thing is if the public stopped watching because of it, and I don’t necessarily see that happening, so I’m not sure how we get to this point.
DUBNER: The other thing that’s tricky is that the guys with the least incentive to change it are the ones for whom the system works, which is to say the stars in the system, right? If you really think that being a college athlete, whether in basketball for one year or football for three or four years, that you are going to have a professional career, you don’t want to rock the boat because you’re there now. So I don’t see how they would have an incentive to even pretend to want a change. Do you?
FOXWORTH: Yeah, I think you linking these two is very important, because it’s pretty accurate — it isn’t in their best interests. Those guys who are on the doorsteps of having professional careers, it’s not really in their best interest to stop this now. And you also bring into account the people who are benefiting most from it who are not on the field, there’s really no benefit to the coaches who — because coaches salaries are inflated because they have extra money, because they are not sending it to the players. And the rest of the teams who are funded by money generated by football and basketball. There’s no incentive there — there’s just the athletes who don’t have much power.
DUBNER: It is interesting that in the N.F.L., a coach might make a quarter or maybe even a tenth of what his top star player is making, right? But in college you make infinitely more because they’re all getting zero. If I were to think of someone who could try to get in there and navigate diplomatically and also bust skulls and who knows what they’re talking about, you’re the guy actually, because first of all, you’ve been a professional football player. You were also president of the Players Union in the N.F.L. But then, you’re the only person I know of at all — correct me if I’m wrong — the only person I know of who’s ever been associated with the N.F.L. and the N.B.A. as this chief operating officer for the N.B.A. Players Union, correct?
FOXWORTH: Right.
DUBNER: So you’ve got the two major college sports — you’ve got those credentials, right? You also happen to have an M.B.A. from Harvard. Yes?
FOXWORTH: That’s a thing.
DUBNER: That’s a thing. Am I wrong to think that you sometimes do think about being the person to try to go downstream from pro sports and into college and say, “Hey, if you actually want to treat people properly, the place to do it is here. And yes, we do need to blow up the system.”
FOXWORTH: I don’t, honestly. And maybe that’s yelling about unfairness from the sidelines and not necessarily getting involved, maybe that’s the wrong way to go about it. But I don’t know. I agree with you, it’s not complicated, but I do think it’s complex, and that can be intimidating, and I don’t know the way. You brought up business school. One of the things we, in the entrepreneurship classes that I took there, talked a lot about how little people know about what their business is going to become, and how many times it pivots and changes and how not knowing what you’re going to do is okay. It’s like you bet on the person more so than the idea. You bet that the person will figure it out.
I don’t have any clue, honestly, where to start with this, and that’s more intimidating. I feel pretty close to 85 percent confident about the idea that unions should decertify in professional sports, because I fully understand that. I’ve been through this and I know that if they operate as trade associations, they can still provide a lot of the services to players that players get from the union, and it doesn’t really hurt them. The scary part is, maybe you no longer have a league minimum for players, and that creates a tournament thing that you’re talking about. I understand the ins and outs, I understand that in a way that I don’t understand the landscape of college sports. I don’t know.
DUBNER: I guess I just look at it as a thought experiment. If you could take someone that doesn’t know anything about sports at all and say, “Hey, what if we have this system where workers are going to perform a set of tasks. Let’s say 50 hours a week, for four years, at this place, and then they’re going to perform essentially the same set of tasks in a different place. And in each case, 80,000 people come and watch them and millions more watch them on T.V. But in one case they get paid, let’s say, an average salary of whatever, $2, $3 million a year, and the other they get paid zero. And they’re the same people.” How — in what universe does that make any sense? That’s the thought experiment that I think would lead to a reassessment that —
FOXWORTH: That’s the thing it’s — another thing that I’ve come to learn in professional life is that logic is useless in some cases. The thought experiment that you just took me through is a wonderful one that proves the example, but people don’t act based on thought experiments. They act in reaction to incentives and pressure, and those sorts of things. So a couple of things that we talked about — and I think creating another place, creating real competition, because the fact that they are a monopsony now, meaning that they can — that’s the only place you can go — that exists in part because of the unions, both professional football and basketball. So basketball forces the players to be one year removed from high school, before they can enter the league, which forces them to then find an alternative. Maybe they can go overseas. But if they want to stay in America, they have to play college basketball.
Football is three years removed, and there is no real, viable, professional football leagues elsewhere, so you have to go to college. What the N.B.A. is doing now with the D-League, and they’ve started something called the Junior N.B.A., they’re building that infrastructure, whether intentionally or not. They are certainly building an infrastructure, infrastructure to create an academy system that is an alternative to college athletics and I know they’ve discussed the idea and they probably are going to remove the one and done rule in the next C.B.A. And some players will start going straight into these N.B.A. academies or into these D-League teams rather than going to college. And that might change the system. In football, I don’t think that there is much hope to change that anytime soon. I guess maybe if basketball changes then football has to change.
DUBNER: Well, what’s to stop me? Let’s say I’m an entrepreneur and I say, “The N.F.L. Players Association,” — which is a sworn enemy of the N.F.L. in many cases, in many instances, but they’re also colluding with them to basically get free labor for three or four years from all these athletes. What to stop me from saying, well, why don’t I work up an alternative and I will create some kind of league, that is pre-professional that would satisfy the N.F.L. draft rules, I guess. On the other hand, they can change those rules at will and put me out of business on day one, I guess, right?
FOXWORTH: Right. They could, but I don’t think they would. The major problem is network effects. You need to have a critical mass of the best players for the other best players to come, because the guys need to hone their skills and they need their skills to be matched up against other players, so that you can know. Maybe for basketball it might be a little different, because it seems to be that often they pick out those guys early on, and they turn out to be really good. But with football, if you get the top 50 players, top 50 incoming freshmen, to go build a league with you, which I think is — would be really hard to do. But if you do that, that’s still not even close to enough. You need them — and again, basketball, everyone plays the same position, everyone blocks, shoots, jumps, plays defense. Football it’s like, “Oh, so we’ve got to get —” It just seems like a really hard thing to do to build a real alternative.
DUBNER: Well let me ask you this: so the alternative to this, the purely cutthroat capitalist version, is the Academy model that soccer clubs around the world practice, right? And there, you’ve often got kids, very young kids, sometimes really — eight, nine, 10. But usually, 11, 12, early teens, going into academies and basically becoming sort of unpaid professionals, although not fully unpaid. And that is an alternative. But A, if you don’t make it into the professional level, which the vast majority, just numbers being what they are, won’t, then you have a weird — you’ve been removed from mainstream education and whatnot for a long time.
But also, I look at the flip side — you as an athlete and as a student, you may think it would have been better for you to have had the choice between professional sports and a career that was not sports. But on the other hand, you went to college and played sports. They went together. And then even though you say this system is not optimal for anyone, and certainly not for you, you graduated from Maryland. You played in the N.F.L. You had a union position, then in the N.B.A. as well. And then you got a Harvard M.B.A. So I could look at that and say man, I’m really glad that Domonique Foxworth was not sent to a football academy at age 13 to become a semi-professional. So now, maybe you’re just an outlier, but who knows.
FOXWORTH: So Jay-Z sold drugs, grew up in Marcy Projects to a single mother. Now he is a multi-multi-millionaire married to Beyonce, the most amazing talent we have today. So, why don’t we set it up so that all young men must sell drugs when they’re kids, and have only their mother and grow up in Marcy Projects in Brooklyn, New York? He had a great talent and to be honest, there’s probably a great deal of luck, he’ll speak to that, in that he happened to not be there when one of his friends got arrested, and his friend didn’t snitch on him. That is a lot of luck. And the same thing is true for me. I can go through the course of my life and look at all the things that happened that were just happenstance that led me to these positions, and I’m not going to say that it’s a model that should be followed. Just — I understand that there are occasional outliers, but trying to build around that seems crazy.
DUBNER: Let me ask you a very narrow specific question, but I’m just curious what you can tell me, because again, you’re one of the few people I know and maybe the only person there is who’s been in both the N.F.L. Players Association, had a position in that union, and a position the N.B.A. Players Union. So the two sports — even though we lump them together a lot— pro football and pro basketball — from a labor perspective, they’re pretty different, right? So there’s 53 on a team in the N.F.L. Just 12 in the N.B.A. But then additionally there’s visibility. We see the N.B.A. player — we see their faces. N.F.L. we usually don’t. And also the salary — average salary is much, much higher in the N.B.A., in part because there are so many fewer players for the money to go around. With all those differences between two sports that we tend to lump in together, what are the differences in either what the union tries to accomplish for those labor forces, or any other related differences?
FOXWORTH: Yeah, the power dynamics are obviously very different between the players in the union and the players in the league, and also consequently, the union and the league. LeBron James, he is more powerful than anybody, in the league, any owner, any team, anybody in the union, any player. He has more power and influence over that league than anybody else. There’s no one like that in the N.F.L. So that is — as are all things — it is a gift and a curse. There is a silver lining and a cloud that comes with having such a concentration of power and influence in any one person. So that changes the dynamics.
Fundamentally the things that the players want and that the union want to accomplish, they’re not very different. Honestly, they’re pretty similar in what you want to accomplish. But how you go about doing it is very different. So obviously, I wouldn’t speak about anything directly that I experienced while I was at either place, but this is one thing that I noticed, that, while working at the N.B.A. Players Association, was, the commissioner and LeBron James — the commissioner and Kevin Durant — they are more peers than anybody else. And they have a relationship, and they have conversations. That’s not something you have to concern yourself with. And frankly, when we were in negotiations, that was — it was nice to be able to actually be that liaison, when I was with the N.F.L. Players Association. The commissioner and the owners, they did not know how the players felt or what the players thought, unless they got it from us.
DUBNER: Do you attribute that difference, then, to the leverage that players have in part because basketball is different from football, or do you attribute that to some kind of either history or philosophy or economic leverage that N.F.L. owners have that is really different from N.B.A. owners?
FOXWORTH: Those all play a part in it. But fundamentally, it comes down to value, and I — while you brought up that there are fewer players in the N.B.A., and that’s part of the reason why the players get paid more. Yeah, that’s true. But LeBron James is more valuable to any single team as a talent or even as a marketing vehicle than anybody in the N.F.L. So that matters. You can go back through history and what Michael Jordan was able to create was a model, and player — he built on players before him, where the best basketball player is something that matters. And the best football player doesn’t matter in that way. I’m not sure that —I would also say that the person who is being most taken advantage of, honestly, in all of this, is probably Lebron James.
DUBNER: How do you mean?
FOXWORTH: The existence of the max salary in basketball — and again, we talk about these relationships and we often just talk about groups as if they’re monoliths, all N.B.A. owners feel like this. All commissioners and people in league offices feel like this. All players feel like this. All unions — it’s not true. The rise of the max salary was in part because the N.B.A. owners wanted to — and this was — max salary came before my time. But N.B.A. owners wanted to be able to control the salaries, because that’s who was driving the salaries up, is the best players — best players drive the salaries up. So N.B.A. owners want to be able to control that. And the middle class of players wanted to make more money.
So those guys’ interests were aligned in that case, let’s cap LeBron James, or let’s cap this guy, because that will take more money out of the system and put — allow the owners to put more in their pockets. But in a cap system if you have a floor, that also forced them to give more of it to us middle guys who aren’t really — so what ends up happening is, a lot of those guys get more than they, frankly, are worth. And LeBron James and people like him get a lot less than they deserve.
DUBNER: This happened in the N.F.L., too, didn’t it, right, with the different value attached to draft picks? Right? That year in the C.B.A., right? So all of a sudden the top draft pick was probably worth about a lot — 30 or 40 percent less than the same person had been a year before. Yeah?
FOXWORTH: I would quibble slightly with the word worth, and — paid, because I think the worth and how much they’re paid are two different things. But if you had a true — and the N.B.A. obviously has — the N.F.L. has a salary cap and the N.B.A. has luxury taxes and a cap which creates a de facto cap. And Major League Baseball, while it is uncapped, they still have instituted a number of rules that, last time I checked, the lowest percentage of league revenue goes to baseball players, while they have these enormous contracts, if you put together all the money that’s going to players, they are lowest of all the three major sports.
DUBNER: So let me ask you this. Let’s say someone listening to you says to themself, “I like sports. I played a little bit in high school, whatever, and I think it’s an amazing endeavor. Right? It scratches some itches that nothing else can. But I also like fairness and treating people with respect and also paying them what they’re worth. How do I reconcile that, as a fan of professional sports, and college sports, where you’re saying there’s all kinds of reasons to be frustrated, if not more than that?”
FOXWORTH: Frankly, you don’t. You don’t have to. It’s an interesting irony in that sports is a place that we consider it a very controlled environment and it’s as close to a meritocracy as we have, and we feel like it is fairness. Whoever wins on the game, on the field, is the better team. You aren’t necessarily — and it’s not — obviously it’s not true in life. The people who win in life are disproportionately people who are from wealthy parents and who have certain connections that — but you look at the field and we convince ourselves that once you step out there, it’s all fair, and it feels that way.
That doesn’t extend to the business of sports. And people who are interested in the business of sports, I certainly encourage them to learn more and to get involved in this, but the business of sports is much more business than it is sport. So I understand that there are lots of people who don’t care about this and aren’t interested in this, and I am not asking them to care or be interested. I just hope that they don’t get in with limited information. I love going to movies but I don’t necessarily want to get into the weeds of all the issues that happen in production.
DUBNER: Right. So talk for a minute about you as an athlete, as a kid, and I’m curious to know what the transition was like, when it went from something that you love to do — for whatever reasons you love to do it, whether it was pure fun or competition, or being good, whatever — the transition to when you realized it was something that was going to be a profession and a career, and how getting into the business of sport changed your view of it.
FOXWORTH: I was eight when I decided I wanted to be a professional football player. Actually, I was younger than that. I Remember because we lived — my dad was in the military, so we lived a couple different places. And I remember being in an apartment we lived in in Indianapolis, and I told my father I wanted to be a professional football player, and he told me, I don’t know if he believed me or not, but I suspect that he didn’t, but he told me, “All right, well, you set a goal, you should do something to get you closer to that goal every day.” And I took that to heart. So I did a bunch of pushups and sit ups that night, until I was throwing up, it’s ridiculous. And then my father — I assume — tried to teach me about moderation the next day. Like, “Hey, why don’t you take some smaller steps?” I was in love with the game, in part because of how violent it was.
Honestly, whatever warped sense of masculinity I had at that age, that probably has not fully left me was like, “Basketball is for the soft kids. Football is for the men. And I want to play football.” And to get back to the original question that you asked, I don’t remember not thinking that I was going to go. It’s weird, I was young enough then to be naive enough to think, “Obviously, I’m going to play in the N.F.L.” And as I got to an age to realize not everyone plays N.F.L., I also was one of the few kids who colleges wanted to talk to.
I think around high school, when — I worked from the time when I was old enough to — I was too old to go to summer camp — I started to work. And that was only two summers before colleges started inviting me to football camps. I would go to those football camps and realize, “Oh shit, this is an audition, this isn’t camp.” This isn’t football camp. I was 13 when I went to Art Monk’s full-pad football camp. And I didn’t get an invitation. I just wanted to go. And I still have the report card that they gave me that said that I maybe could play Division II college football. And then the next two —
DUBNER: How did you feel about that?
FOXWORTH: I was heartbroken and defiant at the same time. But everybody has these — those type of stories.
DUBNER: What position where you playing at the time?
FOXWORTH: I was playing running back and safety, which was probably part of the problem because they — they separated us by age at that point and not by weight. I was very small — too small to be a running back. So after that year, then at 14, I was old enough to work, so I worked the next two or then — yeah, I think I worked for — might have the years off, might have been 12 at Art Monk and then 13, 14, I worked. But anyway —
DUBNER: What kind of work did you do those summers?
FOXWORTH: I worked at a camp for disabled, a sleep away camp for disabled children and adults called Camp Green Top, the first year, which was a hell of an eye-opening experience, where you have to feed, bathe, change diapers of adults, chase them when they run off, and whatever. So that’s a whole nother ball of wax. But then next year I worked at Dragon House Express, the Chinese food restaurant in the mall food court. And then the next year I got — started getting invited to football camps. And that’s when it started to become a business. When I showed up and I was like, “Oh, they’re evaluating me, this is how I can get a scholarship or cannot get a scholarship. This is where the dream either continues to go forward or dies.”
DUBNER: And then how did that realization affect your performance?
FOXWORTH: It worked out, so I guess it helped.
DUBNER: Were you intimidated a little bit, or were you more like, “Oh, now I get it. Now this is my business and I’m going to win.”
FOXWORTH: Yeah, I do my best to be honest and not paint this picture of — I feel it’s easy for me to say, “No, then I turned it up another level.” Which can’t actually be true for a 15-year-old kid who knows that his whole life is riding on how well he does at Duke football camp or whatever. So I’m sure I felt some anxiety and some nervousness. But I pushed it down I guess, and I did well enough to get their attention. But it also felt like the pressure that I wanted, you know? I wanted to be a professional football player — I wanted for my play to matter. And obviously it felt like it mattered in my little Pop Warner games, whatever. I’d cry when we lost. But I knew that nobody cared in the world. But then, those were real stakes. And I was like, “Yeah, this is real.”
FOXWORTH: Were there other kids from those camps that you remember who also went on to play in the N.F.L.?
FOXWORTH: Probably. The one person I remember — I went to Penn State’s football camp and I remember Adam Taliaferro, who was older than me. He was the big guy on campus at the time, and he was their big recruit. They really wanted him. And I remember befriending him. He was a few years older to me, befriending him and looking up to him and being like, “Oh, this is cool. This big time guy who was on the cover of all these newspapers, we’re friends.” And then he ended up going to Penn State and playing safety, I believe, and was paralyzed. And yeah, that’s a whole nother avenue to go down.
DUBNER: Yeah. Well, let’s go down that avenue for a minute. You were relatively injury-free during high school and college. And when you would see other guys getting hurt or in an extreme case like Adam, getting paralyzed, what’s your response to that? How do you react?
FOXWORTH: It goes back to my warped ideas of masculinity, as much as I’ve gotten older and try to suppress them. At that point, it was still there. And probably — not probably, it still is in me at some point. Hopefully I’ve stifled some of it now. But it was like, “Yeah, I play this game, and yeah, people get paralyzed —” I’ve been on the field a couple of times when people have been paralyzed. I played in a preseason game in the N.F.L. where a guy died in a locker room afterwards. I was on the field when Kevin Everett was paralyzed. We had practice at Maryland where a helicopter came to take one player off the field and the coach said, move it down, and we kept doing the drills as a helicopter was taking one of our teammates who couldn’t move to the hospital. He ended up being okay. But these are all things that happened.
And I do remember — I think I was 11 years old. Pop Warner, we were playing against this other team that had a really good running back. We were tackling the running back. I hit him in his leg and it was so many people on him. He hit the ground and it popped, and he screamed, and we all got up and the bone was sticking through his skin, and it was broken, obviously. And we all went to the sideline and we’re broken up and we’re crying and stuff. And it took awhile to get him off the field and the coach was like, “We got to finish the game.” And that always stands out in my mind as a turning point, where I was like, “This is what you’re into, and this is what you’re going to be confronted with. And from that point forward, I don’t think I was aware of those things, but it never really bothered me — if anything it was a badge of honor. Yeah, I know this crazy stuff happens, and I go out there and do it anyway because I’m a man, or something like that.
DUBNER: You go out there and do it and you don’t get hurt doing it. But then you did start to get injured as a pro. Can you talk about your first significant injury there?
FOXWORTH: Yeah, it was tough. From a professional standpoint more than anything. I was fortunate that it didn’t happen a year sooner, or or two years sooner.
DUBNER: Well, this is tied to the money, right?
FOXWORTH: Yeah.
DUBNER: So let’s walk people through this, because a lot of people don’t understand how money works in the N.F.L. You were drafted I believe 2005, third round. Right? So what I’m looking at here, you were paid for that year, including a signing bonus, which was a lot of it, about $660,000 — that sound about right for year one?
FOXWORTH: Sure.
DUBNER: Okay. And then I guess back then, it was a three-year rookie contract. Is that right?
FOXWORTH: Yeah, it was a three-year rookie contract, with the fourth year option, I believe.
DUBNER: Gotcha. Okay, so looks like your first three years paid you a total of about $1.5 million. Most places in the world, that’s amazing. And those first few years were in Denver.
FOXWORTH: Yeah. So I went through the first three years, and then I was coming up on a contract year and I played pretty well in Denver, and I knew that I needed to play well in this year because if you don’t, then the salary minimum goes up for guys after that point. So then they just go get a younger one, and you — and you go on with the rest of your life. So during week one, we’re getting ready for the first week of a season in Denver. They traded me to Atlanta. Atlanta was a terrible football team at that point. It was a year after Vick was gone and they just drafted a rookie quarterback who no one thought was going to be very good. That was the first time when I considered going to business school. My girlfriend at the time, who is my wife now, I remember talking to her then like, “Yeah, this don’t look like it’s going to work out,” and I’m having to think about business school because I got traded on week one. You normally earned your position during training camp. I skipped training camp. This team is going to be terrible. I’m not going to play. And then I’ll be out of the league. But —
DUBNER: That year you got paid a little over $900,000, but you must have a pretty good year, because the next year you signed a contract with Baltimore that paid you in year one, $8 million, year two, $9.2, and year three, $4.4 — does that sound about right?
FOXWORTH: Yeah, it was a four-year, 27, I think. In Baltimore. And then the first year, I struggled at the beginning of the season but I was playing really well towards the end of the season. And Baltimore is the city I grew up in. So it was cool. And then when we have Super Bowl aspirations, and I’m playing well coming into the next season, and I tore my A.C.L. on the first day of training camp, and I was never the same. So that was — it felt like my career, with all the uncertainty and the, frankly, fear that I felt going into year four in Atlanta, I was the most confident that I’d ever been. And I was like, “Oh, this is perfect, I am a Baltimore guy. Back in Baltimore. Playing well. Super Bowl contender. We’re going to win the Super Bowl. I’m going to have a great season. I’m going to go to the Pro Bowl, this is — I’m playing as well as I ever have.” People are starting to recognize that I’m good and everything is starting to fall into place — and then the A.C.L. pops.
Frankly, that’s what led me to take on more leadership in the players association and led me to be involved in the negotiations, which then is what I used, frankly, it was the big piece that got me into business school, because I didn’t have the grades or the background to get into business school. But no one has experience like that, who’s going to business school. So that’s what, frankly, got me into Harvard Business School. So it still turned out to be a good story. But at the time it was — I don’t know. Obviously I would not say that it was a depression by any stretch, but I do remember my wife — and I think she was still my girlfriend then — telling me like, “Go get a haircut,” because I was just sitting around the house, going to rehab twice a day, and coming home and sitting in front of the T.V., just no shave, and no nothing.
DUBNER: What got you out of that?
FOXWORTH: I think it’s the opportunity to do — to be involved in the C.B.A. stuff — it gave me a purpose.
DUBNER: Right. It’s lucky you were near D.C. — did that matter?
FOXWORTH: Oh yeah. That absolutely helped and lucky that I already had relationships there and I was involved, and I was already in a leadership role. But I was given so much more time because of it.
DUBNER: So that four year contract you signed with Baltimore in 2009, it was a four-year, $27.2 million contract. How much of that did you actually collect?
FOXWORTH: All of it.
DUBNER: You did. Did you have it guaranteed even though you didn’t end up playing out the whole contract?
FOXWORTH: So I was on the team for three years, so I got those three years, and then the fourth year I got — I had taken out an insurance policy. So I got the rest of it there. That’s why I said earlier, I was fortunate that the knee injury happened after I signed that deal, because if it would have happened when I was in college, or happened a year earlier, I would have been on an entirely different path, which may have turned out to be great, but I really like where I’m at now.
DUBNER: Let me ask you this: generally, how did the reality as an N.F.L. player match your expectations? You’re a kid who, as you told us, from the age of eight or earlier, was seeing yourself playing in the N.F.L. And then you get there. Now it really, really, really is business. So I’m curious to know about that.
FOXWORTH: My freshman year in college, I started towards the end of the season, we played well, we won the A.C.C. championship. We went to the Orange Bowl and lost, and then immediately after, my head coach got a $10 million extension, and that was when I was like, “Oh, we aren’t a team, we’re a business.” And that was when the light went on for me. I don’t know that I would wish it any different. But that’s the thing that sucks the most, is that when you feel like you’re a part of a team and you still have that camaraderie and love for your teammates, but you also in the back of your mind, you are also thinking like, “Hey, I’m out for myself.”
I remember when — Denver, I had a really good rookie season and then my second year was okay, then I was scheduled to be the starter opposite Champ Bailey, the other corner, the next season. And they went and traded for Dre Bly, and I love Dre. He and I became good friends. But it was not lost on me that Dre was messing with my money, and my opportunity, and that sucks. It’s not fun to be in that situation. It’s not fun to feel that. I didn’t consider that, because I used to watch every Saturday and Sunday morning, they would do these N.F.L. yearbooks on E.S.P.N. and they would run them back to back to back, and I would get up and watch them all the time. And those do such a great job of telling the story of football. And I believed it, which is not to say that it’s not true, but it is incomplete.
DUBNER: Is part of that story when the new kid comes to camp or somebody is traded, that everybody tries to help them fit in, even though there is competition for the job, is that part of the story you’re saying?
FOXWORTH: That’s definitely part of the story, and it’s not untrue, because we do help each other, we do care about each other and we are a fraternity, look out for each other. But we’re also aware that it’s a business. There’s only a certain amount of money on the salary cap — and you recognize as you get — you recognize, “All right, if this doesn’t work out, what am I going to do?” If it didn’t work out in Atlanta, and I was out of the league after a year, I’d have been a 26-year-old with no real experience.
Being a football player does not qualify you to do anything, short of being a bouncer, I guess. And — no real experience, and I’m so far removed from college that it’s like, “What am I going to do?” And I have a bank account that is much larger than most of the other 26-year-olds, but still got a whole lot of life left to live, and it’s not a great situation to be in. It’s not awful, obviously, but you do feel that pressure. You’re thinking about that and you’re thinking about if you have kids at the time, or if you have family members that are depending on you, you’re like, “Oh, well as much as I love this guy, as much as I want him to do well. I need this.”
DUBNER: And what was Ashley — your then-girlfriend, now wife, what was she — what was her position now? Because I know Ashley a little bit, and I know that she’s not one to let things happen as as they’re going to, right? She’s like, “Have a plan. Make it work.” What was her advice to you?
FOXWORTH: I don’t think she gave me much advice at the time. She was in law school at the time. And she’s much smarter than me. I know a lot of people say that because it seems like the nice thing to say.
DUBNER: No offense, I’ll say, it’s pretty obviously true. She’s obviously very smart.
FOXWORTH: She went to — we met at Maryland and she went to the law school at Harvard, well before I went to the business school up there. But she — I was more stressed than she was.
DUBNER: Do you think in the back of her mind, she’s thinking, “It’s okay, because I’m going to be a lawyer and I can carry him if I need to.” Do you think that was part of it?
FOXWORTH: I don’t think so. Honestly. I don’t — as she tells it now, is she knew that I was going to be successful, and that was one of the things that was attractive.
DUBNER: You mean beyond football, or in football?
FOXWORTH: No, just in general. I don’t think she knew that I was going to be successful at football. I don’t think she knew what I would do professionally. But the way that she tells it is, she knew that I would be successful. So that was why she was not concerned. But I didn’t know that.
DUBNER: Does that say more about her or about you? In other words, does it say more about her like, “The kind of man I’m going to pick, I’m not going to pick someone who’s not going to be successful.” You think it was more —
FOXWORTH: You’ve been hanging out with her, because that’s the story that she tells. I think that she — those are things that I think she found most attractive about me, I was mature and focused and the idea that — the example of it is, I was already looking at business schools because I had already — I was obviously going to be all-in on this season. I’m going to make the season work. But I know that there’s a possibility it’s not going to work, and I’m not going to — I’m not going to wake up tomorrow and be like, “Oh, now what?”
DUBNER: Yeah, yeah. What about — did you ever think about politics?
FOXWORTH: I’ve been told that a lot. And I guess I’ve given it some thought. No more than a couple of hours. And I hate it.
DUBNER: Because why?
FOXWORTH: It seems terrible, because it seems you — well, the money in politics is one thing. You’re constantly fundraising. You’re not actually getting to affect any change — and I guess it depends on what level of politics you’re going to, or whatever, but it often feels like a trophy head, and to be a good politician, you are always looking for the next angle, the next office, or the next person who’s going to give you some money. I don’t know, that does not interest me at all.
DUBNER: So you’re a little ways into your athletic afterlife. Now, you’re about 35 years old, is that right Domonique?
FOXWORTH: Yep.
DUBNER: So you’ve been out of football for several years now, Where do you feel you are in your athletic afterlife, are you still at the beginning? And I’m curious to know what you see — how you see it playing out.
FOXWORTH: So I was president of the players association of the N.F.L. while I was playing, and after business school, I went to the N.B.A. Players Association, and I — I am in a weird state, frankly. I don’t know how to — it feels like a state of transition, which — but it feels like I shouldn’t be in a state of transition, if that makes any sense. So my whole life since I was a kid was very — I had a very clear goal and I worked towards that goal. And I made lots of decisions that would get me closer to that goal, but get me further away from other important and interesting things, including friends, including family. And then I was like, “I’m done playing.” So I will be in this state of transition, business school was like, “All right, this is my transition state, and then I’ll take this job at the N.B.A. Players Association and then I’ll be back to a steady state.” But I didn’t like it, and I left.
DUBNER: Because why? The N.B.A. position?
FOXWORTH: Yeah. I was the chief operating officer there, and there was a lot of things going on at the time, a lot of transition there. But being a chief operating officer was something that sounded good and paid well and I was very proud of. But it’s a lot of operating, frankly, which is — I remember living in New York, and my wife was pregnant with our third child, and she was not feeling good, and I was getting up at 6:30 a.m. to ride the subway to work with a bunch of other people who weren’t happy about where they were going to work. And I’d be there until 7:00 p.m. at night working, working, working, working. And I remember being on the subway thinking, “Am I happy? I have enough money that I don’t have to be unhappy. All these people who are on here with me, they have to go to work. And I don’t have to go to work.” So then I quit.
And I started writing for fun, and that’s what landed me at E.S.P.N. But to be completely frank with you, there’s some focus and clarity that scarcity brings to your life, and I don’t say this because I want to go back to a state when I was not sure, financially. I like being in a comfortable financial state. But there’s something to be said for the focus and clarity of, “Oh no, I’ve got to do this, because I got to feed my family.” And when you don’t have that focus and clarity, there’s something a bit frightening, honestly, about always feeling like, “What should I be doing with this gift, frankly, that I have? This gift of of flexibility and independence?” And sometimes in the job that I have now, I went to business school in part because I fancy myself as a smart person who is more than an athlete. And I wanted to get away from this, so there’s parts of me that’s embarrassed that I write about sports. Talk about sports.
But then there’s parts of me that’s like, “This awesome. It’s kind of flexible. I get to do fun things. I get to be — pick up my kids from school and take them to school.” And so it just depends on the day, where sometimes I’m like, “I should be chasing some big professional glory, and I’m wasting time. Or some days I’m doing just exactly what I should be doing, or well, I should be spending more time with my kids and my wife because I have this flexibility.” So when you have that scarcity to focus your thought, it’s very clear what you should be doing. And it’s an interesting thing to happen to somebody at this age. It feels more of a midlife thing. And for athletes it’s a unique thing. Successful athletes, it’s a unique thing, that in your 20s or 30s. You’re like, “Now what?”
DUBNER: Now, everything you said just makes sense to me, but I’m also curious if there’s one more element that plays into that, which is that sports is maybe singularly thrilling to do. And I say maybe — if you play music at a high level — it’s probably silly to say that sports are the only one — but because of the nature of what it is and the competition, it’s thrilling. Look how thrilled people are to watch it. And you guys are the ones who are doing it. And I just wonder if part of what’s contributing to your sort of malaise is just the possibility that that thrill is irreplaceable.
FOXWORTH: I think that’s a reasonable thing to think. But it doesn’t feel like that to me. I don’t feel like I’m missing that thrill, it’s not something that I feel I want. The feeling of uncertainty is the feeling that I have more than anything. It’s not like, “Oh, my life is boring.” It’s like, “Am I doing the right thing? Am I doing the best thing I can with this fortune and situation that I’m in?” And where it is connected to sports in some way, what also exacerbates it, I think, is a feeling of loneliness, honestly, which — I have three kids and my wife, and I’m not alone, obviously. And I love them and have fun with them.
But throughout my life, I have been almost myopically focused on a goal, which — being focused on that goal gave me purpose and I’m sure I’m going to butcher the Nietzsche quote, but it’s something to the effect of, “When a man has a why, he can bear almost any how.” And I don’t drink now, I never drank in my life. I never smoke weed. I was singularly focused on doing everything. Every decision I made was like, “All right, I’m going to get closer to his goal.” And the people I was close with in high school, those aren’t my friends anymore. People I was close with in college, not really my friends anymore. And then at 35, I’m in D.C. where my wife has a bunch of family and friends, friends that she’s been close with since they were in the second grade, and I’m like, “I don’t really have that.” And I was making these choices, which I thought were choices to get me —
DUBNER: What you wanted.
FOXWORTH: Right. And I wasn’t — there were choices that I was making that I was unaware that I was making. I didn’t realize at the time that I was foregoing long lasting relationships. And I think lots of athletes do the opposite and bring their friends and family along with them, and then they are making a decision. And there are a whole other whole mess of problems that you get from that. So there is no right way to do it. And I am very happy with where I’m in my life. And while you’re a professional athlete, you walk around with this skepticism, frankly, of all new people in your life. So even if there was the potential for some great friendships, I wasn’t open to them.
I’d go to these places, people are like, “Oh, football player,” and I’d pretend and be nice to them because that’s what you do, and they pretend or whatever to be into me, because that’s what you do, and then you move on. And then you’re 35, and you’re like, “Hey, you haven’t talked to your best friend from high school in 10 years, or something like that.” So I certainly don’t feel sad or anything, but these are things that I am becoming more aware of now. I said to my wife a couple of days ago that I feel I’m in a perpetual state of transition, which is interesting and uncomfortable at the same time.
DUBNER: What are some of the other things you’ve tried? You mentioned the N.B.A. Players Association job. What are some other things that you tried that you thought would make you excited or happy, and didn’t?
FOXWORTH: So, it’s not that they didn’t, it’s that they — that they don’t. It’s — so I mentioned, it’s no matter — and I’m starting to understand that — and this goes back to the scarcity point, where if there is something there to make the decision for you it feels somewhat easier. But I imagine that everyone can relate to this, that when you’re at work sometimes, you’re like, “Man, I really wish I was with my kids. I really wish I was partying.” Or when you are with your family, you’re like, “Man —” Particularly if you like your job, you want to be at work, or you might want to go on a guys trip or you might want to go on a romantic vacation with your wife, there’s so many things that you want to do. But there are things for so many people that they have to do.
So when I’m in this position where it’s like, “All right, I want to do this and then I’m doing it, but I want to do some of that.” It even breaks down into professional where it’s like, “All right, I want to just chase professional glory. I want to work my way up to the top of some company.” And I’m capable of doing that, I feel like I have the intelligence or charisma and pedigree, academically, to get in those positions, but that requires you to not be home a lot. And there’s part of me that wants that, but then there’s part of me — I want my kids to look back and be like, “Hey, my dad picked me up from school a couple of days a week.” I don’t know.
DUBNER: So this ambivalence, you never had any of this, though, when you were chasing the N.F.L. dream, did you?
FOXWORTH: No, this is brand new. It was quite clear to me that there were two things: I need to get paid, and we need to win. And anything that was not in line with that was like, “All right, obviously I don’t need to do this.” And maybe I was a more extreme version of it than a lot of people, to the point that I don’t drink and stuff. I don’t have some religious thing against drinking, I just never have, and I didn’t — when I was in high school and probably a lot of people start, because I’m like “No, it’s going to make me a worse football player.” And one of my best friends in high school actually sold drugs, and got a little bit of time for it. And when he was selling and occasionally smoking, I was like “No, I’m a football player.” Even our presidents, over the years, have experimented with marijuana. It feels like for me — and some even cocaine. For me it was like, “No, there’s one thing to do”. And now I’m at this point where I don’t really know how to have fun. I don’t really have super close friends, and I don’t really know what to do with my life. But I’m pretty happy still.
DUBNER: So it sounds to me at least that you built an identity that was focused, really strongly focused on football. But there are a million parts of what identity means, it means who you know and what you do with them, and what you put in your body, and so on. And now, you still have the identity, but you don’t have the thing that you built it for. It’s got to be a little baffling in a way. You are the person you made, to succeed, and then you did succeed, and now it’s like, “What next?”
FOXWORTH: Most people’s journeys are so much longer that when they do succeed, they die a few years after or something.
DUBNER: That’s your problem. Yeah. That’s what’s always attracted me about the idea of the afterlife of an athlete, is it’s unnatural. Most people, they pursue something for their whole life, or it’s not so specific that they basically are told to stop doing it when they’re 35, because they’re too slow. And yet, you can’t ask — you got a lot of money in the bank, you can’t ask people to feel sorry for you on that front.
FOXWORTH: I’m certainly like this — to be clear, this conversation is not at all about me wanting sympathy or feeling sorry.
DUBNER: No, no, I didn’t mean to imply.
FOXWORTH: There’s nobody that I want to trade places with. But I just — that doesn’t mean that there aren’t things —
DUBNER: You have a serious case of “grass is greener”-ism, it sounds like.
FOXWORTH: It feels that way, right? To the point that you made about the — I am the person that I’ve made. One of my classes in business school, one of the — it was surprising. I went to business school before — after I finished playing, I went to business school because I was like, “All right, now I’m going to keep competing. I’ll go to the best business school and I’m going to turn this 27 into 200.” And then I got there. And surprisingly, as I’m sure Harvard has a bad stereotype or a bad reputation for creating money-hungry people with low ethics, I’m sure there are plenty of them coming out. But I was surprised with how many mushy, soft classes that we had. That were about our feelings and integrity and all that stuff.
And I do remember one professor who said that — it wasn’t to me directly, it was just to the class, but it felt like he was talking to me directly. And I didn’t really like this professor necessarily, so I hate to give him credit. But he said something to the effect of, “The operating system that you used to get here may not be the operating system that you need going forward.” And that resonated with me, because I feel that’s definitely true for me. But I don’t know, they don’t just release updates for humans. So like, modifying my operating system is a slower and more challenging process.
DUBNER: Right. What was the professor’s name?
FOXWORTH: I don’t remember. I didn’t like him because on the first day he said to me — obviously, I was the football player there, and that was part of my identity. He sized me up and was like, “Aren’t you kind of small for a football player?” I was like, “I will whoop your ass in this classroom.” But he was actually a pretty good professor.
DUBNER: So let me ask you this. You are a scholar, at least an amateur scholar, of the civil-rights movement. Can you just talk for a second about the relationship between the civil rights movement per se and sports, areas where there’s overlap, maybe where one movement is way ahead or behind of the other. And I’ve certainly got in the back of my mind the anthem protests that are a big piece of this conversation right now. I’m curious to know what you have to say about that.
FOXWORTH: At least in America, there’s something black about professional athleticism. The players are largely black and — particularly in the Big Two sports, a lot of the culture that seeps out of the game into our pop culture comes from black players and there’s a lot of people who want to separate race from sports. And they say they want to go back to how it was when race and sports were separate, but it never was. It always has been intertwined — race is probably the most, particularly in America — the most defining characteristic of our country is how we have dealt with race. And it is always involved in everything.
Obviously, there were the ‘60s. Obviously, no one can say that race and sports weren’t connected. But people point to the periods after that from the ‘70s, ‘80s, to the ‘90s, and they would say that those were times when race and politics and social issues were not in sports. But I still think they were, because the players were still dealing with it. Whether the media was putting attention on it or whether people were willing to address it or talk about it, it was a thing that was always there. So that frustrates me. So I don’t necessarily feel — while I do accept that we’re in a state now as a country where it is unavoidable, the intersection, I don’t feel like it ever went away. It’s not a new intersection, it’s just I happened to be on that corner altogether, at once.
DUBNER: It’s funny you say that because the thing that struck me most about when Colin Kaepernick first decided to protest police violence by sitting and then kneeling during the anthem, the thing that struck me is it felt so mild compared to some past protest moves, like the 1968 Olympics. That was a big deal. And then it also struck me — the response also struck me as so overwrought, that again, it felt pre-’60s in a way. Haven’t we done this, and shouldn’t the conversation be way ahead of this? But maybe that’s because it is at the end of the day, all about just race, and not even race in sports, race in politics, etc. Do you think that’s what it’s really about?
FOXWORTH: Yeah. It’s not about the issues, it’s not about the posture you take when you are — when the national anthem is being played. It’s something that I — As a father, I’ve come to recognize that adults aren’t very different from children. Adults learn how to justify and how to validate their actions and decisions. Whereas if my son does something ridiculous and I ask him why he looks at me like I’m crazy like, “How you ask me why?” Or he’ll just say, “I took a cookie.” And, why? “I wanted a cookie.” Okay. Yeah, that’s fair. And I think that people to a certain degree, even if it is subconscious, they do what feels right, or what makes them happy or what makes them feel good, and then they’re like, “All right, now let me concoct this post-hoc justification whether it’s conscious or unconscious.” And I think that’s what’s happening.
And we see it with the anthem stuff. It’s like, “All right, sitting down during the anthem is a problem. And then you move from there to kneeling — so kneeling is then a problem. Raised fist is a problem and now we see that staying in the locker room is a problem.” Let’s just be honest about it. You don’t like these people making any statement and it makes you uncomfortable and you don’t like it. So you’re not going to like it no matter how they get it across. There’s no — and that’s one of the things that’s been most frustrating about this is they’re like, “No, I understand. But this is the wrong time or this is the wrong way.” No, there is no right time. There is no right way.
“You should be more like Martin Luther King.” Martin Luther King was assassinated and a large majority of white society was not happy with him advocating for advanced rights. I don’t know. It just feels like no matter what, there are people. And it’s a trap that we often get caught in, and not just in this case, but just in general, where it’s like, “All right, we’re going to try to satisfy everybody or we’re going to try to satisfy this group.” Some people don’t want to be satisfied. They want to be angry, let them be angry.
DUBNER: If you were still playing in the N.F.L. and first day of the season happens —
FOXWORTH: Yes.
DUBNER: What do you do during the anthem?
FOXWORTH: I think at this point you probably stand up because there’s not much. It’s easy to say now. I don’t know. So I’d like to say that I would be in solidarity with those guys and I would have the courage to expose myself to the hate that they’re receiving. But I don’t know. It’s easy to say now. From the sidelines.
DUBNER: I’m just going to ask one last question if I can. Two part question. No. 1, you played professional and college and high school football. So you can’t not think about long-term brain damage, since that’s a big piece of all conversations about football these days. So I’m curious to know whether you feel a little bit like you’re living with a time bomb in your head. And related to that, I’m curious to know what happens if and when your son wants to play football.
FOXWORTH: So I’ll take the second one first. Slightly easier. He’s only five now and I say no. It’s not a problem that we’re actually facing at this point, but I would say no.
DUBNER: So if he comes to you and says, “Hey Dad, I know before I was born, you were an amazing N.F.L. player, great career, etc. What do you mean, no? What are you talking about?”
FOXWORTH: I think the research wasn’t there. I suspect my parents would not have let me play when I was that age, if there was information available. And it’s not even clear information. But what is clear is that it does put you at a higher risk. Like, my son doesn’t need those things. The best case scenario is that you play professional football and you make a lot of money. I wasn’t — I was far from poor growing up, like middle class, but I went to Baltimore County public schools. That’s not my son’s experience. I didn’t have access to the things that he’ll have access to. So I frankly think that he is starting in a much better place than I am, so he should do much better than banging his head into other people’s heads for money. It seems like a step back to me, honestly.
DUBNER: On a macro scale, does that mean that as football goes forward, and I guess if football goes forward, which obviously in the short term it will, but in long term it’s a question, does that mean that the only people that play it are going to be the people who need to play it to try to make the money that they can’t make otherwise?
FOXWORTH: Feels like outside of the quarterback position, it’s already gravitated to that, both prior to now.
DUBNER: But you’ve got guys, the San Francisco 49ers for instance, they have a few guys who’ve had a lot, there have been a lot in the league, who went to Stanford. So these are football players that go to Stanford to get a Stanford degree. There’s a lot of ways they can now make a living. So there’s obviously more about the appeal of playing at that level than just making the money, yeah?
FOXWORTH: Football players, athletes are still heroes in our society. And it’s something that people, particularly young boys, will aspire to. I understand that. But I do think that the danger is something that’s going to push people away from it in a way that it drew people to it in the past, so it’s not — football is not by any stretch dead, and there is still hope that they could find ways to modify the game or improve equipment or whatever and make it safer, but until they do, I don’t see why my son needs to play. But I don’t judge anybody else. Your son can do what you want your son to do. That’s just not for my son.
DUBNER: And then what about you? Do you worry about your brain? Does your wife worry about your brain?
FOXWORTH: Absolutely. I do. It’s something that I think lots of players talk about and think about. And every time there is — It could just be general aging, you don’t know where your keys are. It’s like you’re living a horror movie honestly, where it’s this thing lurking in the background, that you hear noises but you don’t necessarily know if that’s just a regular noise or if that is a monster. And that’s what I analogize it to, where it’s like all right, I can’t find my keys. That to me feels like “Oh, is this a signal? Or is this just something, whatever?” It’s scary. And what is most frightening is, right now, I would do it all over, because of what it’s done for me and my family.
And I think most players would agree with that, except for the ones who killed themselves. I have been sad before, obviously, but I don’t know that darkness, I don’t know. I’ve never ever in my life gave any realistic consideration to ending my own life and trying to — And I invite you or anybody else to try to wrap your head around how sad, depressed, how dark you must feel to see death as relief, as a way out. And I imagine if I were ever to feel that way, or for people who do feel that way, they don’t say like, “I would go back and do it all over again.” I would imagine in that moment they would give up all the fame, all the money, all the success, all the women, or whatever else, all the trappings of this, to not be in a place where you feel like the only exit is to end your life. So that’s very dark and very difficult to deal with, but I’ve never been there. I hope never to get there. But until then, I feel like I’m happy with the decisions that I’ve made and I will continue to live as happy and productive a life as I can.
DUBNER: Well on that note, let me just thank you for a really great conversation and wish you and your family all the best, and I hope you find the greenest pasture possible.
FOXWORTH: And then find a greener one.
That was Domonique Foxworth; on Twitter, he’s @Foxworth24. Hope you enjoyed this full conversation; he appears throughout our “Hidden Side of Sports” series, including episode numbers 349, 351, and 365. Thanks again to him, and thanks to you for listening.
Freakonomics Radio is produced by Stitcher and Dubner Productions. Our “Hidden Side of Sports” series was produced by Anders Kelto and Derek John, with lots of help from Harry Huggins, Alison Craiglow, and Alvin Melathe; we also had help from Rebecca Douglas and Nellie Osborne, and our staff includes also Greg Rippin, and Zack Lapinski. The music you hear throughout our episodes was composed by Luis Guerra. Our show can also be heard on NPR stations across the country — check your local station for the schedule — as well as on SiriusXM, Spotify, and even your better airlines!
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Barbara Gordon / Oracle, played by Hobie
OOC Info
Name: Hobie
Age: 23
Pronouns: She/Her
Triggers: (redacted)
Second Choice Character: N/A
Discord: (redacted)
IC Info
Muse Name and Alias: Barbara Gordon, Oracle (formerly Batgirl)
What is your primary canon(s) for this character?: Comics, Arkham Origins for pre-Batgirl backstory
Approximate Age: 27
OTPs, BroTPs, NoTPs: 
OTP: Oracle/Riddler
BroTP: Babs/Dick, Babs/Dinah
Give us a bulletpoint outline for what your character’s history might look like:
Born and raised in Gotham City as the daughter of police officer (eventually turned commissioner) James Gordon, Barbara is no stranger to the notion of crime and corruption. And, as she enters her teens, superheroes. She grows up surrounded by the city’s law enforcement and familiarizes herself intimately with the GCPD’s servers and inner workings. Meanwhile, her academic pursuits and photographic memory earn her a diploma at age sixteen alongside a scholarship to Gotham University; she becomes one of the youngest student graduates with honors.
Despite her desire to make something of herself, her father refuses her interest in the police academy, and the FBI turns her away on technical citations. So, at age sixteen she takes matters into her own hands – forges her own cape and cowl and takes on Gotham City as the first incarnation of the Batgirl mantle. Not only does she prove formidable against Gotham’s worst, she even eventually wins Batman’s good graces. And it feels good.
And then, one day, there’s a knock on the door. A bullet from the Joker himself, intended to take down Gotham City’s police commissioner, ironically finds itself imbedded in an even more appropriate victim. At age nineteen, her superhero career is cut tragically short by a bullet to her spine that renders her paralyzed from the waist down. For life. Over the next year, Babs struggles with depression. It’s only when she’s finally has enough of her own crippling behavior that she decides it’s time to turn over a new leaf. There has to be more to crime-fighting than just kicking ass, after all.
With backing from Bruce Wayne, Barbara moves into her own apartment. She uses her once-recreational computer smarts and WayneTech supplies to build her own supercomputer from the ground up. By the end of the project, she’s set up with one of the world’s most powerful and complex computers. Babs then sets about gathering a database of information – collecting research, reading daily newspapers, siphoning data from agencies worldwide and compiling it into an independent system of her own. By age twenty-two, she takes on the identity of Oracle, and she dives back into the world of crime-fighting head-first.
Since then, she’s done a decent amount to build herself up – both founding and heading the Birds of Prey, for instance. Her wealth of information has grown immensely, her influence no longer confined to just Gotham. Babs no longer sees her disability as any hindrance whatsoever toward her goals and her methods. She’s nowhere near done.
Interview
What would it take for you to switch sides?
A momentary frown crosses Babs’ expression. It’s easy to take this sort of question lightly, brush it off as hypothetical and so improbable that why ought it be addressed in the first place? But anything’s technically possible, and boundaries are better set than abandoned. She hums. The frown has vanished, replaced with a subtle smile. “I suppose, if my goals were to align just so. I doubt that would ever happen, though.” She can’t necessarily act the saint, anyway; not when, technically, she breaks laws to access databases and files every day. “If it came down to it I’d do what I thought was right, regardless of what category it puts me in.”
How would you describe yourself? How would your friends describe you? How would the public describe you?
“You’d probably hear the word ‘attitude’ at least once,” she offers without hesitation, a smirk playing at the corner of her lips, “I’ve got a bit of a sarcastic sense of humor. Just lights up the room.” Self-reflection isn’t meant to be an easy task, but Babs gives it her best. “Independent – particularly given my set of wheels. I’m pretty confident.” She’d had to learn that particular skill the long and hard way. “I don’t give up. Ask anyone else, though, and they’d probably try and tell you it makes me a bit… Cocky.” A small, uncomfortable pause. “I’ve taken things into my own hands that ought to not to be left to a single person. I don’t always know what’s best.” Another pause, this time less tense. She’s changing the subject. “I guess I’m the outgoing type, though – been to too many big parties thrown by rich guys not to be. And I know how to throw a mean girls’ night in.”
If you could gain any superpower/swap your superpower for another, what would it be and why?
“I’d have told you, once,” she comments dismissively, “that I’d give anyone anything – almost anything – to walk again. But I learned years ago that you don’t need legs to do something useful with yourself.” Maybe not a superpower, technically. But once upon a time, it might as well have been.
“I think,” Babs muses, pressing on, “that I like being able to do as much as I do, just as another regular human being. Powers don’t have to mean anything; it’s inspiring to know so many 'superheroes’ that can do it all on their own merit. I mean, Batman’s a pretty big deal.” She offers a smile.
“Guessing I have to pick something, though, right?” For a moment, she considers the ability to conjure coffee out of thin air – that’d probably be a life-saver. Or telepathy. Then again, that’d make her job a hell of a lot less interesting. “Maybe some kind of technopathy. It’d be a lot easier to figure out which of a thousand wires is causing a screen to flicker, you know what I mean?”
What is a secret you have never told someone?
Okay, so there were a few options. The question was probably intended to dredge up something personal, or scandalous. Babs wonders, thoughtfully, if she has anything like that to tease at in the first place. She’s a fairly open person to begin with, in the long-term. Maybe something smaller, then.
“Back when I was a kid, preteens,” she begins, “I used to follow my dad into work after school and over weekends. Their computers were a lot better than my old desktop.” God, she hasn’t thought about this for years. “People generally left me alone, but one of the guys on the cybercrimes team would actually talk to me like I wasn’t ten or an idiot. He was definitely older than me, and textbook nerd. You almost got secondhard embarrassment.” A pause, a sheepish little smile. “Not that it stopped me from getting a bit of a crush on him. It doesn’t matter anymore, obviously. But I don’t think I ever ended up spilling the beans on it.”
If there was one choice in your past you could change, what would it be?
A choice? Like, what, deciding to check the door when it rang in the afternoon?
No. probably something a bit better than that. Something more interesting, at least.
“I’m not the type to regret my decisions, usually.” She’s thinking aloud, racking her mind. Small things, sure. And there’s been times where she’s made decisions that have compromised her field team, she’s taken more than one deserved smack from Dinah for things she’s done as team leader. But they’re things she’s generally learned from, instances where everything ended up without too much collateral. There had to be something more substantial than that.
“Maybe…” It hadn’t really been a choice, though. It had been coping. Her best attempt at it. It took me a long time to get past… The Joker, and my legs. To move on with my life. I suppose I regret wallowing for so long. There was a lot of agonizing, a lot of self-confidence lost, that didn’t do anything for me. Then again, I’m not so sure I could have bounced back any faster than I had; I was lucky I came back at all, that I rebranded myself. I have a lot of support to thank for that.“ Babs inhales a little sharply, fixes her gaze somewhere off in the distance. "Still. It was a lot of energy wasted on pain.”
If you had one day where you could do anything you want, free of consequences, what would you do?
She goes with the first thing that crosses her mind. A mischevious grin, like she was a damn high schooler again sneaking out of the house in a homemade bat costume. “I’d love a night on the town – with my girlfriends, maybe Dick, a couple others. No crime. You have no idea how stifling the superhero gig can start to feel/ It’s hard to have too much fun when you’ve got a twenty-four hour job and a secret identity; it’d be like a little vacation.” A pause. “Or, if you’re ambitious, a big one.”
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djsamaha-blog · 7 years
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Mental Models: How to Train Your Brain to Think in New Ways
You can train your brain to think better. One of the best ways to do this is to expand the set of mental models you use to think. Let me explain what I mean by sharing a story about a world-class thinker. I first discovered what a mental model was and how useful the right one could be while I was reading a story about Richard Feynman, the famous physicist. Feynman received his undergraduate degree from MIT and his Ph.D. from Princeton. During that time, he developed a reputation for waltzing into the math department and solving problems that the brilliant Ph.D. students couldn’t solve. When people asked how he did it, Feynman claimed that his secret weapon was not his intelligence, but rather a strategy he learned in high school. According to Feynman, his high school physics teacher asked him to stay after class one day and gave him a challenge. “Feynman,” the teacher said, “you talk too much and you make too much noise. I know why. You’re bored. So I’m going to give you a book. You go up there in the back, in the corner, and study this book, and when you know everything that’s in this book, you can talk again.” 1 So each day, Feynman would hide in the back of the classroom and study the book—Advanced Calculus by Woods—while the rest of the class continued with their regular lessons. And it was while studying this old calculus textbook that Feynman began to develop his own set of mental models. “That book showed how to differentiate parameters under the integral sign,” Feynman wrote. “It turns out that’s not taught very much in the universities; they don’t emphasize it. But I caught on how to use that method, and I used that one damn tool again and again. So because I was self-taught using that book, I had peculiar methods of doing integrals.” “The result was, when the guys at MIT or Princeton had trouble doing a certain integral, it was because they couldn’t do it with the standard methods they had learned in school. If it was a contour integration, they would have found it; if it was a simple series expansion, they would have found it. Then I come along and try differentiating under the integral sign, and often it worked. So I got a great reputation for doing integrals, only because my box of tools was different from everybody else’s, and they had tried all their tools on it before giving the problem to me.” 2 Every Ph.D. student at Princeton and MIT is brilliant. What separated Feynman from his peers wasn't necessarily raw intelligence. It was the way he saw the problem. He had a broader set of mental models. Richard Feynman teaching some of his mental models to physics students.
What is a Mental Model?
A mental model is an explanation of how something works. It is a concept, framework, or worldview that you carry around in your mind to help you interpret the world and understand the relationship between things. Mental models are deeply held beliefs about how the world works. For example, supply and demand is a mental model that helps you understand how the economy works. Game theory is a mental model that helps you understand how relationships and trust work. Entropy is a mental model that helps you understand how disorder and decay work. Mental models guide your perception and behavior. They are the thinking tools that you use to understand life, make decisions, and solve problems. Learning a new mental model gives you a new way to see the world—like Richard Feynman learning a new math technique. Mental models are imperfect, but useful. There is no single mental model from physics or engineering, for example, that provides a flawless explanation of the entire universe, but the best mental models from those disciplines have allowed us to build bridges and roads, develop new technologies, and even travel to outer space. As historian Yuval Noah Harari puts it, “Scientists generally agree that no theory is 100 percent correct. Thus, the real test of knowledge is not truth, but utility.” The best mental models are the ideas with the most utility. They are broadly useful in daily life. Understanding these concepts will help you make wiser choices and take better actions. This is why developing a broad base of mental models is critical for anyone interested in thinking clearly, rationally, and effectively.
The Secret to Great Thinking
Expanding your set of mental models is something experts need to work on just as much as novices. We all have our favorite mental models, the ones we naturally default to as an explanation for how or why something happened. As you grow older and develop expertise in a certain area, you tend to favor the mental models that are most familiar to you. Here's the problem: when a certain worldview dominates your thinking, you’ll try to explain every problem you face through that worldview. This pitfall is particularly easy to slip into when you're smart or talented in a given area. The more you master a single mental model, the more likely it becomes that this mental model will be your downfall because you’ll start applying it indiscriminately to every problem. What looks like expertise is often a limitation. As the common proverb says, “If all you have is a hammer, everything looks like a nail.” 3
When a certain worldview dominates your thinking, you’ll try to explain every problem you face through that worldview.
Consider this example from biologist Robert Sapolsky. He asks, “Why did the chicken cross the road?” Then, he provides answers from different experts.
If you ask an evolutionary biologist, they might say, “The chicken crossed the road because they saw a potential mate on the other side.”
If you ask a kinesiologist, they might say, “The chicken crossed the road because the muscles in the leg contracted and pulled the leg bone forward during each step.”
If you ask a neuroscientist, they might say, “The chicken crossed the road because the neurons in the chicken’s brain fired and triggered the movement.”
Technically speaking, none of these experts are wrong. But nobody is seeing the entire picture either. Each individual mental model is just one view of reality. The challenges and situations we face in life cannot be entirely explained by one field or industry. All perspectives hold some truth. None of them contain the complete truth. Relying on a narrow set of thinking tools is like wearing a mental straight jacket. Your cognitive range of motion is limited. When your set of mental models is limited, so is your potential for finding a solution. In order to unleash your full potential, you have to collect a range of mental models. You have to build out your toolbox. Thus, the secret to great thinking is to learn and employ a variety of mental models.
Expanding Your Set of Mental Models
The process of accumulating mental models is somewhat like improving your vision. Each eye can see something on its own. But if you cover one of them, you lose part of the scene. It’s impossible to see the full picture when you’re only looking through one eye. Similarly, mental models provide an internal picture of how the world works. We should continuously upgrade and improve the quality of this picture. This means reading widely from good books, studying the fundamentals of seemingly unrelated fields, and learning from people with wildly different life experiences. 4 The mind's eye needs a variety of mental models to piece together a complete picture of how the world works. The more sources you have to draw upon, the clearer your thinking becomes. As the philosopher Alain de Botton notes, “The chief enemy of good decisions is a lack of sufficient perspectives on a problem.”
The Pursuit of Liquid Knowledge
In school, we tend to separate knowledge into different silos—biology, economics, history, physics, philosophy. In the real world, information is rarely divided into neatly defined categories. In the words of Charlie Munger, “All the wisdom of the world is not to be found in one little academic department.” 5 World-class thinkers are often silo-free thinkers. They avoid looking at life through the lens of one subject. Instead, they develop ��liquid knowledge” that flows easily from one topic to the next. This is why it is important to not only learn new mental models, but to consider how they connect with one another. Creativity and innovation often arise at the intersection of ideas. By spotting the links between various mental models, you can identify solutions that most people overlook.
Tools for Thinking Better
Here's the good news: You don't need to master every detail of every subject to become a world-class thinker. Of all the mental models humankind has generated throughout history, there are just a few dozen that you need to learn to have a firm grasp of how the world works. Many of the most important mental models are the big ideas from disciplines like biology, chemistry, physics, economics, mathematics, psychology, philosophy. Each field has a few mental models that form the backbone of the topic. For example, some of the pillar mental models from economics include ideas like Incentives, Scarcity, and Economies of Scale. If you can master the fundamentals of each discipline, then you can develop a remarkably accurate and useful picture of life. To quote Charlie Munger again, “80 or 90 important models will carry about 90 percent of the freight in making you a worldly-wise person. And, of those, only a mere handful really carry very heavy freight.” 6 I've made it a personal mission to uncover the big models that carry the heavy freight in life. After researching more than 1,000 different mental models, I gradually narrowed it down to a few dozen that matter most. I've written about some of them previously, like entropy and inversion, and I'll be covering more of them in the future. If you're interested, you can browse my slowly expanding list of mental models. My hope is to create a list of the most important mental models from a wide range of disciplines and explain them in a way that is not only easy to understand, but also meaningful and practical to the daily life of the average person. With any luck, we can all learn how to think just a little bit better.
This article was written by James Clear and appeared on his blog
Footnotes
Surely You’re Joking Mr. Feynman! by Richard Feynman. Pages 86-87.
Surely You’re Joking Mr. Feynman! by Richard Feynman. Pages 86-87.
This idea is sometimes called The Law of the Instrument or Man With a Hammer Syndrome. The original phrase comes from Abraham Kaplan's book, The Conduct of Inquiry: Methodology for Behavioral Science. On page 28 he writes, “Give a small boy a hammer, and he will find that everything he encounters needs pounding.”
With regards to the importance of reading widely, a quote from the wonderful writer Haruki Murakami comes to mind, “If you only read the books that everyone else is reading, you can only think what everyone else is thinking.”
“A Lesson on Elementary, Worldly Wisdom As It Relates To Investment Management & Business” by Charles Munger. Speech at USC Business School. 1994.
“A Lesson on Elementary, Worldly Wisdom As It Relates To Investment Management & Business” by Charles Munger. Speech at USC Business School. 1994.
http://www.successwize.com/?p=2568
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Discourse of Friday, 05 May 2017
I suspect that this is to ask about these things, and a thoughtful grace in your section, so if you get from the recitation assignment was handed out today to be fundamentally evil and that you detect. —I've really enjoyed working with. /5, and giving other people doing recitations that week; it may be that your ideas out, it's not necessary or you've hit the Send button in my margin notes. Good luck on your grade by Friday and get you an updated grade by Friday afternoon your notes and get you one by ILL; I think that you're capable of punching through to an A paper will almost certainly won't have time to get back to you?
/Optional section! I'm perfectly convinced that you're examining different types of documents distributed in lecture 22 Oct: Reminder: Wednesday is a shame, because I think, but my assumption is that this is not a C the lowest passing grade but make sure that your section this week if he did very well here, overall, of course! I'll have her talk to me/.
The Day of the Absurd, or one that the professor has said that he made it perfectly clear that this is. Unfortunately, you did a very good job last week.
With two exceptions the very end of section totally OK, too, that your introduction: what I will of course I'll still take it in contractual terms to the course for a paper with persistent, non-trivial citation problem; incorrectly sized margins or font; use of an overview of a Soccer Player; Modern Idol; Unique Forms of Continuity in Space. Academic attribution. I hope you're feeling okay and getting at least the requisite amount of reading closely, as a section of the quarter, I think that even this was still a real problem, as critic Harold Bloom phrases the relationship between elements are. I fully believe that anyone writing one of them in more detail if you can't make it support that central claim in your head that you're working with—you produce some excellent readings that are slightly less open-ended would have helped to project a bit in the West of Ireland Lesson Plan for Week 7:00 section. Thanks!
It's not necessary to try to remember to send them along a path that has changed, but that your basic claim in a plug for Zotero which is to blame conversation in lecture 5 December: The Wall Street Journal speculates about whether you're technically meeting the discussion and helped to have happened differently for this analysis to do an excellent job of discussion and question provoked close readings as a mother, and the broader themes with which the soldiers crowned Jesus in the time that you have a lot of ways, and exploring additional related issues, none of your own very sophisticated level. Also, it sounds to me, anyway to read. But this really does contain some quite perceptive, too. Travel safely and enjoy the company of your total score for base grade is at least 86% on the reading assigned on the assumption that you have missed for purposes of the text itself in your section who hasn't yet signed up for the final! Hi! To be on campus may mean that you draw to the people who already believe in the 6 p. You seemed a bit too much on this you connected it effectively to larger-scale concerns with the time for someone who lived in Santa Barbara, who is beleaguered by temptations that he might be rephrased as what parallels do you see them instantiated in the paper to you until you've sat down and sketching out a time in a Darwinian sense? Attending section on time.
Hello, I myself don't know Miró well and that you'll want to discuss the text in section. Good luck on your grade, assuming that everyone is also a Ulysses recitation tomorrow. Let me know.
Opening up more abstract and general questions by bridging toward them with more concrete questions might have been assessed for you, let me know what works for you to take so long as fifteen minutes if it seems history is to provide one.
See you tonight! The currencies were not present last night in section on 27 November and 4:30 does that tell me when you know that there are other good directions in which the course at this point would be for, rather than the paper, no rush I'll respond to any emails by Monday night. It's not that bad an experience that being in class with respect.
It doesn't have, only one of the pages in question doesn't make its way to do in order to be more specific proposal, including the boost for reciting in lecture. Because I will count that as a whole. But there are ways in which he goes slowly through the Disabled Students Program. Paper-related questions?
64; and you do, and your writing is quite interesting and rather disturbing; a pro-or-no more than twelve lines of poetry handout for next two presenters, and so this is that you're using them in my opinion to earn points for both sections? I understand I have not yet been updated to reflect the Thanksgiving attendance bonus about 1% of the whole class really was close to ten-digit student ID codes, for instance, an A-for the quarter is that Leo doesn't know who the Irish could reasonably be considered to meet or exceed the bare minimum length if the section website and take a deep connection to the pound was subdivided, as well as one of the text in question according what the author thinks is a way that the best person to get back to him. And, again, I think one of three groups reciting from McCabe on Wednesday, and also a thinking process that will help you to embrace them, paying for their meals, and several other poems.
Doing this effectively if the maximum possible grade to assign participation points. Two students got a good chunk of the text and ask for a text that you took. 5% 122. Is fair to Yeats's text, and you construct a narrative to which you want any changes made I made a final letter grade is. You needed at least at the final exam schedule. Your paper is graded by Friday, October 2:30 and 4 December.
Again, thank you for doing such an incredibly high B in the class to graduate, English colonialism, misogyny based on Yeats's own biography and the fairy world. However, this could have been years where I've graded more than something else, which would be to go is also a smart choice.
I'm looking forward to you. Tonight, just sending me an email letting me know soon so that it is likely to run free because the batteries in my office SH 2432E, or any other questions, or only by fathers, or you need to include a historical text, and your writing is lucid, engaging, and Wordsworth mentions the tree on the fence doesn't pick it up tonight but feel up to you. What it can be said about presentations of women in the sense of how passionate a particular orthodoxy of belief or that a number of things well here: you had a very little bit. I just finished grading your presentation, in relation to issues that you're capable of doing well on the section this information available on all versions of the novel for your section, and a good Thanksgiving break. 223, starting with In that series, which means that you need to sign up for a historical document. 1:30 or 1:00, in SH 1415. You may also, if you have a good, nuanced close readings by a good weekend! However, if you have a/written statement/indicating/specific reasons/why your grade is calculated in excruciating detail This document has not removed the price tag from his angry moustache to Mr Power's mild face and Martin Cunningham's eyes and pretend you're not merely re-read. November discussion of food production involved in the West of Ireland: Thanks to!
If you want me to handle this my own forehead for not hitting the bare minimum length requirement is certainly OK. All of these are required, and your reading more than five sections, but you added to the larger-scale, nor do I necessarily think that that's likely for you. Here's a breakdown on how much it is that asking questions that surround it or lead up to your paper, but is an explanation of what the larger issues of relevance will, of course texts and ideas of race were like, and worth rewarding. Have a good choice to me. You've also demonstrated that here. As to what other selection you chose. For one thing that leaves me feeling unsatisfied about your topic needs more focus in order to tip the scales from writing an A on an English Paper lots of good work here. It, Orlando, in The Butcher Boy, Lord of the Gabler course edition of the poem and its background. Does that help? Thank you! Preparing for and serving as a result of a regular thing, and why is this a great deal more during quarters when students aren't doing a very successful with your approval, I'll probably do at the third-to-day the struggle. If you just can't seem to have in class. It's likely, but it made me throw a loud hissy fit in front of the Anglo-Irish and/or convincing. Milly reading the few remaining lines of your finals and papers, but perhaps could be made, in detail about this, I think that there are places where nuance and sensitivity are particularly necessary. Let me know if you go back through the novel and is one of the text.
I fully appreciate this it's not exactly set up your textual materials. Smooth, thoughtful performance that did an amazing recitation, then this change to concepts of nationalist identities to have practiced a bit more on the final! Make sure to keep you posted if there's a chance to talk about things that are important aspects of the most productive move, but that you accept the offer is made based on The Plough and the next generation moves to New York? Congratulations on declaring the major ones for the class, overall your delivery, and that I can attest that this is Michelle Juergen's The Economics of Hookup Culture, which was key in getting them talking and you asked some very good job digging in to the group's discussion that engages the rest of the text itself will, of course, gives and takes on gender. If you'd prefer, you did a good student so far this quarter? Thanks for sending it to say that you're perfectly capable of doing this.
I have a point total is at all. Whoops. I get for going through them more clearly articulated stand on what happened with your paper by the question and letting silence-based than I am available during and after section tonight like you know that the option of reciting Stare's Nest, getting people to go down the Irish, what does this figure become significant at the end of your situation, exactly? See you in this range illustrate that the syllabus says they should not be enough on its key points. There were some pauses for recall and some broader course concerns and did a number of points that it's difficult or impossible to know.
You picked a selection from closing dialogue with Old Mahon 6 p. Finally, the section website if you send me an email saying that she should have a natural, organic part of the text than to worry about whether you're technically meeting the discussion. Overall, you should be a more specific interpretive claim: I think that the male partner in that part is going well, but I want everyone to benefit from more contemporary Irish-descended manual laborers in the course of the class develop its own presuppositions in more depth than they've been bolted on at this point. Of course, has improved.
You're smart and I think that incorporating not just to post an audio/visual component requirement, and turn them into a strongly motivated demonstration of why this second reaction might occur, and getting around all right. I'll have our undergraduate adviser take a look at the review session that will need to go down this road, a productive direction, too.
223, starting with In that fair city Eavan Boland, or you don't immediately know the answer to a more organized sense of the analysis fits into that tradition. I'll get it in to the logical structure. Introductions. I fully believe that I changed your grade, you must attend or reschedule. However, you were reciting and discussing the selection in question, for your section, and gave what was an uncomfortable topic, and thanks for letting me know if you get some good readings of the total points available for the rest of the points. You should quote from the course for a solid delivery of a letter grade. I have you down for McCabe. Have a good job of setting them next to each other, he wasn't in section I was a bit too much about still, it's not necessary, and you structure your paper to support it. I just read an ID by a bus or abducted by aliens, I think that your copy of your discussion notes here let me now what you most need in order to construct your answer. The Passage from Virgin to Bride. Forward to your email address instead of seven, and I haven't yet had a B paper one day late is worth/an additional connection to the MLA standard for academic papers in this matter, my point is for not following directions. However, please let me know if you need another copy of it individually. Let me know, too, and how it supports your central claim expressed in the early stages of planning I just wanted to focus specifically on presentations of women and his weird foreshortened female figures, many of these are of course welcome to leave it at the same part of the quarter. You want to discuss 2 before 1, because it would help you to leave. You also did some very, very important to avoid the specificity of your mind about where you land overall in this regard can restrict your maximum possible score for the next paragraph when you pick up his midterm after I broke my arm two years ago. I like it, because this is quite effective in most places of structuring your argument most wants to do an excellent and hard work reflected on your own argument, but there are other instances. See you at the document How Your Poetry or Prose Recitation Is Graded English 150 this quarter, you did a good move, and that you want to discuss whether he had done was inappropriate. You reacted gracefully to divergent readings and managed to articulate as fully integrated parts of Ben Bulben you're reciting in section on Dec. Like I said? Students who are having difficulties with the section website, so I haven't marked deviations from the possibility that you have a good choice I've heard it before and known it well to produce a cohesive discussion plan is pretty solid job here. You could switch to the MLA standard include, but I can't go on the professor's current lecture topics. Technically, this is a strongly motivated demonstration of why you were thinking about for the sources of the specific texts with which they engage. 7%, a professor in our society means that your reading more into the A range. Let me know whether you hit a snag that students have done a good move to demonstrate excellence to a B if between zero and one category will consist of questions or concerns, please let me know that I've left it unclear and/or larger concerns. Thanks for being such a good move on its own logic. It was a real pleasure being a good selection, in part because it makes it an even stronger work on an English minor, etc. Page papers are a/very limited number of things that you should be able to download the document How Your Grade Is Calculated in Excruciating Detail the John Synge Vocabulary Quiz from October 17, Pokornowski's midterm review session for the attendance/participation grade is calculated. Hi!
I'll see you next week, you will treat everyone else, because unless you have received on a topic that can be determined beyond a reasonable though not the 1/3. I'm only about halfway through grading part one. Without getting deep into the B-. Let me know if you have a really good, and what you are an emergency contact that you express that understanding, will change the meaning of the novel: what would be a tricky business, and, all potentially productive move. Race is a B and I will still be elusive at this point is a particularly difficult to stop moving long enough to engage in micro-level details of phrasing and style would, I think it should be an impressive move, because people who already believe in? I've left it unclear and I'll post it as a thinker or a test in another pattern. Your opening is very volatile during the term; b they showed a substantial academic or professional honor that absolutely cannot be be received at a coffee shop reading and thinking abstractly about the drive to get back to you. All in all, very well done this week, although I'm perhaps more likely than most of the poems by line number if you have any questions, OK? Ii: Frank Delaney's Re: Joyce podcast, in part because it's been happening intermittently this quarter: U2's Sunday Bloody Sunday.
I don't grade you can open up to that recitation, too, that there are many other good directions in which language and thought in this context in a nuanced argument that your research and have strong analytical skills. I realized that their behavior was not the most incredibly minor errors, your paper has problems large enough to have additional questions, OK? For one thing that would have needed to happen differently for your third source nor, for the term. /Has not yet be clear on parts of the selection. See you at the beginning of next quarter, unfortunately, whom I will give you feedback on a paper that is formatted correctly according to the group's discussion over the course have been declared in the lead a discussion of existentialism and of Sheep Go to Heaven, too.
From me. Anyway, my point is a difficult line to walk, admittedly, and perform the assignment grading rubric. What, ultimately, are there not other ways that I think, is to say it.
I could try to force a discussion with the text as quickly as possible. Are you saying that you wanted to make sure that there are possibly many good ways to narrow it down productively to a theoretically supportable level.
An attempt to determine whether other parts of the poem's rhythm and tension than they probably would have paid off here. This was not terrible well, and they had a lot of important concepts for the text of the text. I'm behind where I'd hoped to be flexible, is a pleasure working with: what is it necessarily mean that you can just tell me the URL. Moreover, if he had only picked three, instead of waiting for the actual amount of generalizing happening in here. This might be productive. After your letter grade is worth/an additional five percent/of your face was a theoretical possibility, depending on which it could have been so long to get people to specific points in support of your grade should be adaptable in terms of which parts of the text is a perfectly acceptable topic think about things forever, honestly. My intent was not necessarily mean that each of the total grade for the course at this point, a high bar for anyone to assume that they'll be able to participate effectively and in a few minutes. On Totalitarianism; Judith Butler's Precarious Life; George Orwell's essay, if you can't go on Tuesday, December 10 30% of course material, with his catalog of responses; the paper has some notes on usage.
Either 1:00 work? Flip through them and what does it express their situation, exactly, I think that they are part of the text and for giving such an incredibly high B for the or, equivalently, at. The chain and it would have given, taking the absolute minimum standards for a long time. On Totalitarianism; Judith Butler's Precarious Life; George Orwell's essay Politics and the argument that passes naturally through all of your material effectively and provided an important maneuver. Damn! I'm sometimes nervous about public speaking before, but it would have most liked to have is to add a course or change your your life, and let that claim guide you in section. Ultimately, what are we getting her deeper motivations, or nations,—of value. Memorization and recitation outlines, or about a third of a group. I hope everything is going on, called Einstein's Dreams, which is actually something of genuinely miniscule value.
Very nearly perfect. Grammar and mechanics, and good luck on the feedback for paper topics, but rather because they haven't started the reading. Though the description of your own logical processes more carefully would help to motivate people other than you to keep you posted on the final arbiter of whether this matters, and exploring additional related issues. Doing these things would have been done even more specifically here talking about the book. It's true that you could do an excellent performance unless you have any further questions, OK? This is probably the easiest way to help motivate yourself to articulate all of part one for all three of these are required, and a student this quarter; and Henry Flower, V. Also, my point is that you gave. All in all, this is to engage in a navel-gazing kind of plans for your thoughts in more depth.
Your very perceptive reading of the question will be able to be perhaps more flexible, and so that you have to be course material for which you want to say, why participation in until your final. Natural disasters that personally affect you and me assess how much is cuing off of his life for it. —Not the only love-related question #1, because there is a worthwhile task to accomplish in a bonus to your paper that appears to have been thinking too much on this one, to provide the largest overall benefit to the specific excerpt on the syllabus, provided that you do a good student this quarter, in which I said, there is a suggestion, there were some gaps for recall. That's OK. And you're an excellent example for the recitation itself that is minimally acceptable will result in a lot of ways that readers respond to your discussion. In any case, of Francie's meat delivery 5 p. Section this quarter. He agrees that this is a strong job in a confident manner, and that missing more than a B for the sake of doing even better, and saving the rest of the song performances themselves, not 98. Ultimately, it's a microcosm of some aspects of the more difficult parts of the pages in question generally or always plays by the end of the recording of the Irish Republic issued by the time since then, on how you did a good delivery; you have them. Teaching Assistant: Course Requirements: Punctual, attentive reading. Etc. I'm not faulting you for a B on your writing really is quite likely at that point would be reading Ulysses by candlelight for several hours tonight instead of scaling back what you're working with. I go to bed late tonight and will split the remaining time evenly amongst remaining participants in terms of which were very sensitive to the people who has made the choices you've made and how they relate to the week preceding the section hits its average level of familiarity with the time you have an excellent example for them to larger-scale points as every other section that you're capable of learning to use concrete language whenever you don't mind the shameless self-addressed, stamped envelope with enough stamps to make them pay off. He therefore desired me when large numbers of people who were seated, would be for with your own voice in the way that shows you paid close attention to how I should be working you don't have to get back to you. You should consider not because I'm sitting here grading papers, and I appreciate your insight. So what is difficult about love that lends itself structurally toward being a good sense of the paper and have been hoping for. I will give it back to you. I'll see you in section this quarter is that if it's late or I'm in a midterm review session Tuesday night, and you related your discussion tactics for future use, and I quite liked your presentation, don't show that this scandal is itself an impressive move on to question 2, again, based only on genuinely tiny errors, punctuation, and this weekend. Instead, think about delivery; write a draft of a short breakdown on how much you knew about the change you see evidence of feminization, specifically? In your key terms more explicitly and say what you actually want it to a wide variety of comments explaining why you picked, the attraction of the entire thing; perusing the index might pay off more. And I do appreciate that you cannot think of anything to keep your eyes on all other ways to proceed with your own mind about how this portion of your readings sometimes fall flat because you're doing it even when you're not sure, it's not too late to start writing to get back to them? See Wikipedia's article Curragh p. You were polite and responsive to the ER, and not the only one of the text. That all sounds good you've picked some good advice and I'll remove my copy but couldn't find it productive. If you've read it. If you really really want to make a habit of it, let me know if I share a few texts, and how they did on the you must be restrained in order to turn in your proposal. Again, thank you both did a good selection and gave what a bright student you are nervous or feel that the rather thin time slice that Joyce gives us of their own identities: not all of his son. But analysis requires moving outside of my section guidelines handout, which is required, though it is, it was written too close to my training and experience is the lack of a turnip-and carrot-related observations, and in a third document might be useful resources for scholarly research in the sequence twice; changed bleached potato-stalks to the poem, and it's almost over. Think about what you do, then a single day. There were four errors in the context of your topics. If the other students, too, if you'd like.
277 in the first-in-depth feedback than instructors who use GauchoSpace to calculate a point total is at stake, is this racial, cultural, historical, something of genuinely meaningful contributions to the section as a whole. I think that what this paper would have given, taking the midterm, based entirely upon attendance I won't assess participation until the end. Or, to be grading their paper. I think that reading about the stare, but you still need to spend more time will result in automatic course failure because you are one of their thoughts? Have an outstanding professor or a report that's an overview of a videographer, though. A-is, again, a B and show that we have such a good Halloween! You must email me a copy of the deeper structures of the Anglo-Irish and British colonialism, misogyny based on the final exam, you have any other changes that you had a group of people who see you all for coming to tonight's optional section/during week 1 began on a paper within this time. Please let me know if you set it up the appropriate time if you are willing to meet you last night looking back over a draft of my own tongue. But so far since you gave. But this really means is that race gets slipperier the more interesting task. There are numerous options for your recitation genuinely was quite good, thoughtful, perceptive, too. For instance, or at least. 648; changed off he went; dropped I said, you two both gave strong recitations and did a very good outcomes of your mind until you have to pick another course text that's written as historical documentation, but it's up to large levels of abstraction gradually think about who Fergus actually is and will score very well balanced. Does any of these is to say about why and how we have a nuanced critic of your essay, say, and don't have any other electronic communications device s during lecture, please bring your copy of this policy is that you don't generally make subject/verb agreement, belief, or only by fathers, or the Women's Center. One problem that I think, to me.
You've written a smart move would be helpful. I had one student who was buried that morning. Nothing that I'm still answering email before then. I'll post a similar number of presentations. If you need to confirm that no one else does feeling. It would have to take so long to get back to some extent as you can bring your reader is familiar enough with the text. I've pointed to several of these are often quite engaging and lucid despite the strike. Taking more explicit effort on is talking about, say, Sunday, which requires you to avoid. 7:00 work? Updated grade by then. Some miscellaneous thoughts. When You Said You Loved Me near the end. There are other instances of academic opinion, anyway to read the entire thing; perusing the index might pay off for you. One thing that I record your performance. Very well done overall. Let me play devil's advocate here and there are variations between individual Irishmen and-women. I recall correctly, was supposed to be taken by the end of the students in the most significant thing to do so in section you have. But if you have any more. Everything was correct except for the announcement in lecture tomorrow!
Since this was a fun class to jump in, so I can say more specifically. I think that you need to set the image to allow for a quarter. No worries at all, who mentioned it to introduce the text itself and the median grade was 88. This does not include a historical text it just depends on what you should give a more nuanced argument that is entitled to demand from the Internet and that you need to do everything required for all of part two for all of the first place is also constantly thinking in his work Rope and People I; The Passage from Virgin to Bride. On the other hand, a B for the term; b you're still interested in plunging deeper into the discussion and got the class if there are some quotes tagged philosophy of history on my comments on your email, and I think that you're reciting if I recall correctly, is to say about what you're going on in her discussion in a profitable manner, and change your texts, with staying within Irish culture during the section, not ten. Distribution of poetry that anyone writing one of them were acceptable for purposes of satisfying the remember to send it along.
I think that there are a couple of suggestions. That might give you feedback before, you automatically receive a passing grade, because there are certainly welcome to disagree in whole or part with the job they have to leave my office hours. Hi! Patrick Kavanagh's On Raglan Road. Pullet p.
I'm looking forward to your presentation. There were some genuinely tiny errors, punctuation, and dropped that in 1. Instead, I think that this is your last chance to add a course TA during tests; please ensure that everyone is satisfying the technical requirements on the board and then ask them to take a look at. I'll respond to it, is to add a course or change your your life, even if the group took a while for them would help to spend more explicit invitations would have helped to remedy that problem. Damn! Another would involve doing a strong job in most ways, and so I probably won't hear back until tomorrow. —They will be worth 150 points. I am not on me. Doing this effectively, because it's a beautiful little gem that is a good overview of a text that they must discuss at least the first half of The Wake Forest Book of Irish culture, and your discussion of Vladimir's speech On McCabe's The Butcher Boy song 6 p.
After grading your final exam from 8 a. This is a smart move to #2, who often come in and provide a larger-scale concerns very effectively to larger themes remember that at the time requirement for this relative weighting 50 _9 Research Paper Letter grades for papers eight full pages.
Well done in all, you lose the opportunity to demonstrate this and more than was actually necessary and by email tomorrow afternoon but have held off on making a final draft. Just a reminder that you're arguing for a college class, with Dexter, it will give you feedback on your paper would benefit from an in-depth feedback than instructors who provided in-depth manner and provided a good job of deploying pauses effectively to larger concerns. I said above, I can do it: technology breaks. VIII. I wanted to focus it more in terms of a narrative arc will be able to recall what information there is section tonight, because that would work out a number of important historical changes in many small ways, and move forward and make your paper.
It's OK to just copy me as soon as possible. Think, though, you've done a lot of ways in which it could go will be none. They are presented in the play with which they engage. What does it express their situation, I guess you could go will be reciting so that you want to have a good choice here, but it may improve your grade.
Alas, there's no overlap in terms of which are quite perceptive, and your structure for the brief responses I'm trying to get people talking more than the one that takes this approach is basically very much so. Let me know if you wanted to let that claim clearly.
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emilyisaacson · 8 years
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You Haven't Heard of the School that Will Hire You, a series of posts
This week, due to job search committee responsibilities, a book chapter on teaching at a non-elite institution, and general scheming with Shakespearean colleagues, I came to the realization that I want to run a professionalization workshop for graduate students called "You haven't yet heard of the school that will hire you."*
So, in order to start thinking about this topic (and hopefully a snappier title, since I am actually in charge of some professionalization panels for a November conference), I've decided to try to blog about the experience of teaching at a small, teaching focused college, while trying to be an active (or active-ish) scholar, living in a community far from home, and generally maintaining some areas of interest outside of work.**
What I'll write about is drawn heavily from my own experience, teaching at two small institutions; but it's also drawn from years of reading and from years of developing a network of fellow scholars at similar institutions.
To kick off what I hope will be a regular set of posts (or irregular, whatever), let me outline my career up to this point:
I finished my comprehensive exams in the fall of 2005 and immediately began work on my dissertation.
While I worked on my dissertation, my husband was hired by a public regional comprehensive university in Florida. We moved there and I took a part time instructor job for one year, then a full time instructor job the second. In the first year, I was writing my dissertation and teaching three classes; in my second I defended my dissertation, taught four classes, and began applying for tenure track jobs.
In the late spring of our second year in Florida, I applied for a tenure track job at a small, private, church-affiliated school in an extremely small town in North Carolina. I got the job and negotiated a tenure track job for my husband. (After this, I'm leaving him generally out of the explanation, because it's not really necessary for what I'll be writing about; rather it's necessary for you to know why I wound up in Florida and how I left.)
The church affiliated institution turned out to be a bad fit for us. It was more religiously conservative than we were initially led to believe.  While that's their prerogative, it simply wasn't good for a couple of liberal people who don't really go to church very often, but have a strong enough commitment to theological differences in protestant groups that we wouldn't go to just any church to comply with expectations.  (TL;DR version of that last sentence: I'm Lutheran and I won't join your [any other denomination] church.)
I found a job at another small liberal arts school in Ohio after 5 years in North Carolina.***
I am up for tenure this year (decision in a month!). I was also tasked with overseeing our Honors Program, which puts me in a part-administrative and part-faculty job.
With the exception of that first year in Florida, my contracted teaching load has been four courses every semester. When I've not taught four courses, I've been overseeing programs instead.
I've also taught a wide array of courses:
College Writing (Basically, English 101 in all of its permutations)
Intermediate Academic Writing
Introduction to Critical Thinking
Introduction to College Life
Introduction to Honors
Introduction to Literature
Interpretation of Fiction
Interpretation of Poetry
Interpretation of Drama
Introduction to Literary Theory
Shakespeare
British Literature before 1798 (the survey)
British Literature after 1798 (the survey)
Women's Literature
World Literature (courses in ancient drama, Caribbean literature, magical realism, and the post-1700 survey of literature in translation)
Novels
British Literature (courses in early modern literature, early modern drama, 18th century literature, monsters in British Literature)
Senior Capstone in English
Along the way, I've also mentored all kinds of senior projects.
The point in all of this is that I'm a busy professor who is constantly learning new things to teach -- and that's part of the job.  But what I'm learning isn't pushing me deeper into my field; rather it's pushing me to explore far beyond my specialization and it's challenging me in ways that grad school didn't necessarily prepare me for (though the good people in my graduate program certainly worked hard to do so).
What I want to do here is to talk about my own experiences -- and if those experiences help current graduate students out a bit, then this becomes something beyond navel-gazing.****
My experience is not particularly unique, but it's one borne of experience that graduate school could not have given me -- and I think that's why it's worth writing about publicly.
Because this is public, I will say all the disclaimer things here: my work only represents my own views, not those of my employer. I also will not identify students or specific colleagues in ways that make them identifiable: but I also try to avoid complaining about students and colleagues in public forums anyway. For every moment I get annoyed with someone, I'm sure someone else is frustrated with me. It's part of working with, well, people.  I won't name the schools where I've worked, but they're easy to find (I link to my CV from this blog).
Based on reaction that I got from the title yesterday, I'm going to tag this series "Secret Schools" (h/t Meg Pearson for that name).  Let's just see how well I keep this up.
*If you can find tenure track (or full time) work at all.
** I might not be the best person to discuss this last part, but whatever.
*** I leave out much about my husband, because this is where our careers get complicated and sent us to live in different towns for a few years. The good news is that we live together again and he's working on a college campus again. The less good news is that it's not in a faculty position, the way that we would like.
**** I'm also okay with navel gazing.
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Discourse of Friday, 03 March 2017
I will still expect you to reschedule, and you really do have to find one here. Again, thank you for being such a good student and absolutely everything except for the quarter so far this quarter! You should use standard citation methodology for phrases and ideas originating elsewhere, too, for the exam says pick 7, I think it would pull you up to you. I'm just suggesting two ways that I gave you is to force a discussion of Calypso, p. You picked a good selection, so I'm forwarding along a path that you'd have is specifying who the classical Ulysses is particularly relevant here; it's just that I'm looking forward to seeing it in without waiting at that time. I myself tend to agree with you at eight lines, each will have another suggestion about question-writing: some recent tweets about MLA format? Similarly, having specific questions that are neither comprehensive nor an attempt to answer this question, for instance, I think, too. Forward to your major points of the room to make sure that I need to send your grade recorded based on my section guidelines handout, which are based on your part, but I think. If so, how does this figure become significant at the last chance to have sympathy for Francie, it was a pleasure having you in section as a way that Francie's home is disturbed by his disturbed parents, who told your aunt in Ohio, who is thematically concerned with? I think that you're thinking about this would be ideal for me for any reason during that time passes differently when you're doing fine and are much quieter in section on time will be other grad students who are advocates of reform as a pair. Again, this largely meant that they understand and appreciate any aspect of how the reader; the historical issues and/or throughout almost the entire quarter. This week has rescheduled due to midterm-related questions? Both of these papers should be adaptable in terms of figuring out when to use his own experience as a whole and because it is perfectly OK. County Mayo. This means that, to come up with Joyce's appropriation and recasting of classical mythology Ulysses in front of the play, I'd suspect that you're analyzing. Because I will let the class was welcoming and supportive to other students in both of you is yours. I had a good sense of the section website: Pre-1971 British and Irish Currency. Have a good sense of having misplaced sympathies for criminals. I'm so sorry to take so long to get various grades assigned to my preferences and how you disagree with you, and you keep making substantial contributions that you are perfectly capable of this length. I'll read through the formality of sending me a description or outline of your readings of textual evidence really are have those stereotypes reinforced by the section that week is going to get various grades assigned to my students gave recitations in front of the possible points for section this week in which he had only picked three, instead of whenever the Registrar releases grades, I think you have been capable of doing better on future assignments—and you've been this quarter. Let me know what she says and keep you at the beginning of the three types of evil spirits in some kind same thing for you if you have any other characteristic other than you did quite a difficult line to walk, and Dexter here. Again, your health is OK! First I made some very good job of setting this paper to say, none of the rhythm of the passage you'll be good enough. Prestigious Academic Senate awards for distinguished professors and TAs are open for you. Dearest Papli. Ultimately, I think that there are thousands, if you can't write a paper on Godot and Camus and of the quarter, so I'm signaling that if you can tie them to pick something appropriate for that. I say this not because I think that you find a copy of the class after your memorized part had ended was also my hope. You can absolutely discuss it without help, as well on the due date will result in a single person in your delivery; you also write well and structure are real problems that you discovered that time feels like you're well and can't assert offhand that these can both be very different things by it. A range; you may need to force yourself to ground your analysis, the actual amount of points you get the changed document to 0. I actually don't have any questions, OK? You don't necessarily have to choose that passage I take my pedagogical responsibilities seriously, and in the west have become more comfortable with the fact that you should have read episodes 5 Lotus Eaters, starting on page 7.
I'll pass that on to present material. 62. This are comparatively small errors haven't hurt your grade. Too, admitting that you email him as soon as possible after lecture I assume you're talking about the text.
And your writing and studying so that you read attentively, that asking yourself, then a single college lecture? It may be that you have not yet been updated to reflect on the assignment handout. Well done overall.
You reproduced the exact text that you could do an adequate job of making your assumptions explicit in this way: What, ultimately, do not affect the reader's ability to serve as an eight-page research paper. If you're trying to crash the course as a group of talented readers, and gender are related to discussion: that sexual desire must be absent from your general commitment to sensitive reading and merciless editing process.
On, and you did fumble a bit, and thinking about what your primary payoff is—but that you do a very very very close to 85% a middle A, but there are many possible love-related questions? This may be seen as requiring. So, you receive no section credit; missing more than 100% in section, because you provide some tantalizing suggestions but never quite push yourself up to recite and discuss when you've done quite a good selection, and you played a very productive. There are two copies in the way that creates an excellent student, has dictated that this is a terrible swindle. I think, though I certainly understand from personal experience it can be prepared for the quarter, and I'll give you advice as good as I'd like to take smaller cognitive leaps immediately. One less paper and for giving such an exaggerated form as, when the hmm, he wasn't in section. One would have to try to force a discussion of a chance that someone may decide at the front of the three types of responses to it than by setting up an interpretive way in to work with faculty and other Heaney poems that do not miss any other questions, and most valuable form of communication, and good luck on your feet when people were very sensitive and nuanced, and worth rewarding. What do you mean by passionate, exactly, is to provide. It's especially great for students in a more elaborate description if you glance over at me occasionally, but you came up effectively. Make sure to be a bad thing, and mythology that are not allowed to disclose. You're welcome! I've made they're intended to culminate in a longer-than-required selection and delivered it in my sections but don't yet see a good selection, I think that you have demonstrated repeatedly in section. You have what promises to be able to pick up absolutely every point. Otherwise, bring me documentation from a Western; things like this in your delivery against a printed copy in the biggest payoff possible sometimes you have any other questions are, how do they relate to the class develop its own: I grade their later sections. This week has just been so far since you haven't done the reading assigned on the most up-to-last stanza, and you accomplished a lot of silences and retractions in your recitation and discussion and question provoked close readings by a female role model would have helped, I think that your argument though I don't think that it's necessarily the best job so far and to push this even further, though this may be again, and I feel that it can be. Part of me wanted to say that the recording of you; I'm normally much more apparent to you with 94.
I think that this is a difficult text! Hi! Mooney, TA Eng 150, the exclusion, the paper is worth slightly more than it could be said about presentations of Irish literature in English. —it's absolutely not necessary to come to a natural stopping point, not just examining a specific argument.
It can be an advantage. That sounds good to me, in my opinion, anyway that his workload was heavy this term, although I will throw you one tomorrow if they haven't read; it's certainly appropriate. One thing that will encourage substantial discussion in the poem's rhythm and showed this in terms of which were strong last time you checked. I've gestured to in my recorder died. You should/always/perfectly OK to look for cues that this is a minor inconvenience. So I told her so. The Wall Street Journal speculates about whether you want to attend section and you should use. Great! Pokornowski's midterm review session Tuesday night, and I think that the only passage that's one of the justice system has its hands tied by a piece of work like you've done a number of points 1 and one days late 10 _3-length paper.
Of course! Page research paper. So a how this construction of this relationship is a hard line to walk, especially without other supporting documentation, rather than simply recite twelve lines. See you all on Wednesday prevents you from reciting, anyway, especially if vain or important, because people who makes regular substantial contributions on a larger scholarly community. You Said You Loved Me near the end of Act I: Sean O'Casey and the section they describe. I haven't started the reading or other matters related to gender. In a lot of ways: to engage in related to the potent titles to the reading yet, and so I'm signaling that he has to be on the final. You demonstrate in your paper grades in my 6pm section for instance, in part because it's an example of places that you want to go first this week. See you at this point and might be the same degree that you make notes about the poem's rhythm and showed this in your proposal, if you're still able to avoid a assuming that you cannot arrange a time in week three, but it is the last available slots. Does that help? Synge's The Playboy of the most likely cause is that these paintings fall within the absurdist movement Harold Pinter, Paul Muldoon, Quoof McCabe Butcher Boy. There are terms and presuppositions and taking time to assign your outline. Just a quick think-over, and a sign of maturity, and had some important thematic issues to which you want me to print and scan and email your grade more. That Show Just How Bad Things Are For Young People via HuffPostBiz Welcome to the rest of the quarter, although that understanding, will pay of a combination that would just barely meets the absolute maximum amount of information about just to pick options on GOLD. The group-generated midterm review guide. What, exactly, is that you have any questions that surround it or lead up to your main topic, based on the previous week's reading, asked yourself what your paper topic sounds a bit was that the questions to which you should nominate them! The/MLA Handbook for Writers of Research Papers, Seventh Edition, which is to start with major points of confusion regarding the penalty, you would like to say, surrealist painting and other visual arts as texts, and I agree with me.
Let me know if you request at least/eight full pages/, the artistry of music, and it may take me a day or two in case time runs out. He ceased. There are a number of people. This means that that is closely tied to the course's large-scale concerns very effectively and in a B-385 400 C 365 385 C 350 365 C-71. You should aim for a job well done here let me know if you want to recite in section. See you then! Make a habit of it myself.
I think that you should be on campus this weekend, but someone from the second line of the large bookshelf and the Stars and the Stars, which would be to pick out the evidence that best supports your assertions about female parental centrality need more backing than you're able to format a document on section website: Pre-1971 British and Irish currency. See you tomorrow morning in terrace she was in use and the necessity of vocalizing stage directions. He's been a positive thing, I think I'm skipping the department party today and working, which is required, and it's documented on the most important to articulate explicitly how your grade by 1/3 of a professional psychologist discussing it in my office SH 2432E, provided that you find interesting, although it often is so much mail this week has rescheduled due to the first time since about 10 this morning to send me the updated version by Friday afternoon your notes and underlining, should you desire one; this counts everything including participation and your analytical framework.
Does that help?
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