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#of course the way their kingdoms and courts work is a whole different story bc it's their inner workings
morwensteelsheen · 3 years
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WIP wednesday thoughts:
willow cabin is utterly fucked because i changed my intended ~moral~ halfway through and now im stuck trying to integrate this shitty political intrigue plot into what should’ve been a more interesting story about éowyn adapting to life in gondor. hugely fucking annoyed by it and just totally unsure how to proceed. i could significantly increase the chapter count, but im worried that because the initial framing device was this bandits shit that closing out that plot and then still going for ages afterwards would be really shitty? i honestly don’t know, it’s so difficult. really i just need someone to read my outline and tell me if im being a dumb twat about it lol
meanwhile I know exactly where I want to go with AFTA but for some unaccountable reason im stressed that my ass is gonna get roasted for the direction i want to take it in. it’s all based in both tolkien’s personal politics and (some) historical precedent, but im worried people are gonna see it as a marysue-ification? but also im hoping to do sthg of a sequel to afta to practice the political intrigue writing so i don’t make the same mistakes i did in wc, and to do that it would require this specific set up in AFTA. im gonna put my AFTA thing under the cut so don’t click read more unless you’re gucci with potential AFTA spoilers!!
this royal affair au is definitely gonna get published at some point but im trying to decide if i want to do ~tasteful~ smut that drives a longer narrative or if im really just gonna do a whole 3,000 word build up to some run of the mill, old fashioned PWP lmao
okay so i have spent a Lot of time thinking about what impact i think éowyn and faramir would have on each other in a pre-ring war setting, and the honest to god conclusion ive come to is that they would somewhat inadvertently egg on each other’s (wildly divergent) idealism.
faramir’s an idealist politically in ways that, as Big D rightly points out, are not super productive in a wartime scenario. but so far as im concerned, the war doesn’t feel as warlike until they have to blow the bridge at osgiliath. until that point, there’s not really anything to say that faramir’s whole throwback optimism isn’t a perfectly justifiable position to have.
but what that idealism is and how it manifests are two really important considerations. the crux of his idealistic politics is that he looks at númenor and sees something valuable in it, and looks at gondor and sees a lot that he thinks is fucked up. outside of articulating a general angst towards the glory hunting, it’s not like he’s spending time talking about his specific policy prescriptions. however, we do know a few things that can guide us to a more coherent reconstruction of his politics:
he’s pretty rigidly hierarchical (when it’s convenient for him). as seen in: him basically telling sam to fuck off and stay in his lane in WOTW, and in how and when he chooses to refer to his father as ‘father’ vs ‘my lord’ or ‘lord of the city’ in the aftermath of the osgiliath retreat and then before he gets his ass sent back there. i don’t want to go into too much detail here but if i go with this i’ll definitely justify it more thoroughly in the footnotes.
so we’ve got faramir’s emphasis on hierarchy and his occasional (when convenient) belief that the upper echelons of a hierarchy are there because they’re intellectually and/or morally better. or, maybe to remove the causation from that instance, because they are in those upper echelons, they have an obligation to be more morally/intellectually upstanding, and the people in the structure below them have an obligation to show deference. unless you’re faramir and you’re dealing with denethor in which case that all goes out the window. classic.
we know there is some sort of nascent pseudo-democratic tradition of popular sovereignty in gondor. we know this because faramir asks the masses at aragorn’s coronation if they’ll accept him as king. faramir is a lot of things, but he is certainly not a progressive political radical, and i cannot imagine any situation in which he cooked up that rigmarole himself. that then implies to me that it’s building on some sort of political/cultural expectation in gondor. so: some sort of relationship to popular legitimacy. the people of gondor are subjects, but perhaps not as totally passive and unconsidered in the power structure as we might assume given the comparability to feudal europe/asia.
given those two things, i want to use AFTA to argue:
that faramir, in looking to assign blame for the faults he sees in gondor, would not directly assign blame to the lower classes, but rather to the aristocracy, because he will have seen them as failing in their moral obligations to the people they rule over. this is not to say that he isn’t fucked off about The People™ valorising war, but i think he’d take the position that they couldn’t possibly be expected to form those values and opinions of their own volition, and the fault lies in their rules. faramir: not gramscian.
faramir lacks any power that is non-military, and even that is of questionable worth because the rangers seem to be fairly distinct to the general structure of the army, and are not exactly a huge force.
faramir lacking any political power isn’t necessarily a huge concern for him (as in, he’s not actively trying to change that), because he knows he’s not going to lead a moral revolution and isn’t interested in taking up the responsibilities having political capital would engender because he’s stuck dealing with this war, that he fucking hates btw has he mentioned that he hates it?
however, given that he is apparently eminently versed in lore and scholarship, he is probably keenly aware that there is this incipient notion of popular legitimacy somewhere in gondor’s culture. it’s not, for most of his life, knowledge that actually does anything for him, but it is there.
éowyn, meanwhile, doesn’t really have many strong political convictions (yet). not because she’s a dumbass or whatever, but because she looks at court politics as kind of a farce, and doesn’t believe that power legitimately emanates from anywhere that isn’t a Big Fucking Army. and why, strictly speaking, would she not think that? the event that brought about the creation of her kingdom was not careful, soft spoken negotiation, it was her ancestors being in the right place at the right time with a Big Fucking Army.
and the internal politics of the Riddermark actually seem to be fairly stable, all things considered. i sincerely doubt that Théoden or Théodred are having to negotiate complex politicking in the way Denethor and Boromir are. so where, then, would éowyn see that kind of political behaviour outside gondor? with gríma.
éowyn, then, will see the immediate contrast between gríma (backroom dealer, manipulator extraordinaire) and théoden (owner of Big Fucking Army). and gríma goes and fucking wins that fight. that forces éowyn to confront the fact that, jesus christ, maybe there are different types of power.
at the same time, she’s going to be in minas tirith and needing to cover for théoden letting his shit get wrecked. not just because she’s prideful, which of course she is, but because if denethor/gondor think that théoden is too weak to hold up his end of the bargain, why would they ever go help the Mark? éowyn, seeing that théoden’s f-f-fucked, knows that there’s a very very good chance the Mark will need help.
against her feelings about courtly politics, she starts to accept that she’s going to need to do something to get power in gondor. not anything substantial, it’s not like she’s trying to overthrow anybody, but enough that when push comes to shove she can force denethor to help out the Mark (if he doesn’t do so willingly).
but, as ive sort of already shown in AFTA, she’s a bit of a dogshit diplomat. good for a little big-brawny-enforcer stuff, but not exactly brimming with cultural sensitivity. by the time she realises théoden + the Mark are fucked, she’ll have burnt quite a few bridges with the gondorrim nobles, and it’s not like she’s the sort of person to go running cap-in-hand begging for mercy.
so: she has to look elsewhere. and wow! a chance for faramir to do his favourite thing — talk about his opinions! and by god, his weird idealistic politics are… actually kind of helpful? because he’s like, look, you’re never gonna be a diplomat, but there are other ways of consolidating power. and one of those ways is by appealing to The People™. so why not work that angle?
and actually, we know that this is a viable route for éowyn because hama, in arguing for her to take up the mantle of théoden’s heir when théoden and éomer fuck off to helm’s deep, basically says that The People™ love her and would have willingly chosen her to lead them.
we also know, based on faramir’s middle men speech, that the people of gondor and the mark have grown alike in nature. not totally unreasonable to then think that the people of gondor would take to her like the people of the mark did.
éowyn, then, in various ways begins to try to win over the people of minas tirith. i need to do a little more research on this bc what ive got on the practicalities of that so far are a bit, uhhh, sketchy, but the least jargony way to describe this is to point to when natalie dormer’s character in GOT gets out of the carriage to go hug and kiss some babies. (marc bloch, eat your heart out)
this would later segue into a potential sequel where, while trying to secure the way for aragorn’s coronation, éowyn actually plays an interesting role because she’s fallen into this incidental Diana, People’s Princess™ role and so is better positioned than almost anyone to go advocate on his behalf. wow! cool! éowyn getting to be politically useful in more ways than just getting hitched!
so yeah. that’s how i am thinking it might play out. this would obviously have a rolling impact on the remainder of AFTA and how certain (🔥) events pan out later, but i think that building up part has to begin pretty much now, narratively. also this lets me get in a reference to “and then her heart changed, or else at last she understood it” and have it not be almost entirely about wanting to shag faramir, but actually about her gradual evolution from valorising war above all else to being like, hmm, maybe there are other ways of being powerful. which i think still largely captures the “no longer I will vie with the great riders” stuff, but more subtly and without feeling quite so… deferential, I guess? Like it’s not that she’s swapping one form of power (violence) for nothing (gardening?? healing?? tolkien accidental articulation of necropolitics??) but swapping violence for a different type of more sustainable power.
yeah. that’s the take, basically. who fucking knows.
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wetalkinboutbooks · 5 years
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Realm of Ash by Tasha Suri
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Summary:  The fate of an empire rests in the hands of a young woman with magical blood and nothing left to lose, and an outcast prince determined to save his family at any cost, in this "dark, melodious, and memorable" new fantasy (Library Journal, starred review) from the author of the award-winning Empire of Sand.
The Ambhan Empire is crumbling. A terrible war of succession hovers on the horizon. The only hope for peace lies in the mysterious realm of ash, where mortals can find what they seek in the echoes of their ancestors' dreams. But to walk there requires a steep price.
Arwa is determined to make the journey. Widowed by a brutal massacre, she's pledged service to the royal family and will see that pledge through to the end. She never expected to be joined by Zahir, the disgraced, illegitimate prince who has turned to forbidden magic in a desperate bid to save those he loves.
Together, they'll walk the bloody path of their shared past. And it will call into question everything they've ever believed...including whether the Empire is worth saving at all. (Taken from Goodreads)
Our Ratings:  
 → Geena:  ⭐️⭐️⭐️⭐️⭐️
 → Kae: ⭐️⭐️⭐️⭐️⭐️ 
Overall: Realm of Ash is a great follow-up to Empire of Sand, where we follow Arwa who was introduced briefly in Empire of Sand. There is quite a bit of political intrigue in the first half which sets the pacing a bit slow but picks up quickly once the characters go through big revelations. The characters and their motivations draw you in, and overall it was a good read!
~Check out our spoiler Full Review Below
A QUICK SUMMARY: 
So, this book picks up twelve years later from where we last visited this world in Empire of Sand. In this book, we are following the story of a once minor character, Mehr’s little sister, Arwa. Arwa has grown and married and been widowed when we meet her again. She is on her way to a widows hermitage where she is to live out the rest of her days in mourning, after losing her husband. 
Since the Maha’s death, this world had descended into chaos. The daiva, aka, eternal spirits, aka CHILDREN OF THE GODS, have been wreaking a bit of havoc on the world. If you remember, the Maha was manipulating the dreams of the Gods to favour the kingdom. When he was defeated, those dreams had begun to take their natural course. With dreams come nightmares. And those nightmares have taken form. BUT. The daiva protect their own blood, which is the Amrithi people. Arwa is half Amrithi, but she isn’t sure if the daiva are there to protect or hurt her. In addition, her mother (aka stepmom) raises her believing that Amrithi are cursed and savages, and essentially taught her to hate herself. 
In the widow’s hermitage, she meets an influential widow, Gulshera, and realizes she has connections to the imperial family and because Arwa doesn’t care about anything she offers herself up as a tool to the royals. So, Gulshera takes Arwa to serve under Princess Jihan, we’re subjected to court politics and meet Prince Zahir, aka a bastard. Together, Arwa and Zahir work together to find the Maha in the Realm of Ash (essentially a spirit world) so they can unlock a way to save the empire from ruin. Princess Jihan turns around and essentially implies that she sent Arwa to Zahir to ‘PLEASE’ him in an INTIMATE fashion. Arwa doesn’t take it and gets mad but Zahir isn’t here for it and it’s smooth sailing again. 
During a trip into the Realm of Ash Arwa realizes the truth behind her Amrithi blood and the Maha’s crimes and shares it with Zahir. They both struggle, Arwa being staunchly anti-empire and Zahir trying to do something to prove his worth to his sister. When the emperor dies, he names Zahir as the Maha’s heir and Jihan’s older brother Prince Akhtar as Emperor. A few murders later, a different Emperor sits on the throne and Zahir has a bounty on his head. Zahir and Arwa use the aid of a secret women’s society Zahir’s mom was a part of to escape to where the Maha was stationed to find the secret to the empire’s success, discovering cursed towns, ghosts from their pasts, and their feelings for one another. 
The Good:
→ Zahir
Kae:  So ZAHIR! I love him. He is as kind as a kitten. As sweet as an apple pie. But because he is a bastard, he is hidden away in tombs that were converted to be his rooms. There, he does research on how to restore peace and order to the Empire. He knows his days are numbered, being the bastard son of the Emperor, so he is essentially doing research to bargain his own life. Besides that, he genuinely likes learning and spent the majority of his days doing that anyway before he was banished to the tombs to live in secret. 
When we first meet Zahir, he is studying by candlelight in his rooms. Arwa finds a bit of power in him not noticing her, and takes the time to watch him for a moment. She thinks he’s handsome with his ‘pretty face’ and sharp, slender form. She’s like “damn he’s kinda hot… but I'm a widow… I’m not allowed to think boys are hot anymore.” But alas, she thinks he handsome. So they assess each other for a moment and agree to be apprentice and teacher.. Zahir gives Arwa poems and books to read that will help her better understand about the Realm of Ash and what he is working on. 
Geena: Arwa wears a veil for 90% of the book because such is the way of the widow, so she makes a point to stare at Zahir through her veil because she knows he can’t see her checking him out. And this boy turns around and hands her poetry, the more we learn about the nocturnal prince the more you realize he’s such a Soft Boi™ who loves literature and wants to desperately prove that his life has worth. His mother was killed because she tried to give the Emperor some advice, and the Empire of Ambha drinks the ‘women aren’t shit’ juice so she was labelled a traitor and murdered. Zahir only survives because Princess Jihan loves him, and as a legitimate spoiled princess she has to be pampered. Zahir has the ability to study and work with magic, because his mother was part of a secret women’s society that did so and it was passed onto him, so he’s been tasked with figuring out a way to stop the Empire’s decline ever since the Maha died. 
His character made me sad a little bit, because he feels like he should have died with his mother to some extent. And Jihan has led him to believe that his life being worth something depends solely on the fact if he can find the Maha’s spirit and save the empire. He’s treated like trash by everyone else because he’s a bastard and into witchcraft, even Arwa thinks he’s a weirdo in the beginning. But he’s such a kind-hearted soul?? Who btw respects women, when Arwa accuses him of tryna sleep with her, Zahir is like “MA’AM, I RESPECT YOU WITH MY WHOLE HEART IDK WHAT SHIT MY SISTERS BEEN DRINKING BUT I WOULD NEVER!” well, he’s less dramatic than that but yea he suggests laying out rules so they don’t cross the apprentice/teacher dynamic. Also, during one trip into the Realm of Ash and Arwa’s veil comes off and she literally snaps at him to not look at her face (bc it is not the widow way) he straight up doesn’t look at her face ever for a good portion of the book after that skfjdf.  
Kae: YEH HE JUST LOOKS AT HER HANDS. SOFTIE. I LOVE HIM. 
Geena: Hand fetish IM JOKING… BUT SNDKFJDNST THAT’S ALL I COULD IMAGINE.. Arwa was like “Man, my veils off but this boy is still looking at my HANDS” 
The Bad:
→ Gulshera and the Royals
Kae: Gulshera! Ohh, she made me mad at the end. But like, I get it, ya know? So Gulshera, our bow-wielding widow, was Princess Jihan’s nursemaid and confidant. So when Gulshera finds out Arwa is Amrithi (because Arwa got caught trying to rid the Hermitage of daiva) she basically goes to Arwa like “You know you gotta get up outta here right? You can’t stay here, shawty.” But she gives Arwa the option of possibly going to the Empire and devoting herself to the Princess and her cause for solving the Empires bad luck. So Arwa goes, meets Zahir, yada yada yada. 
Gulshera asks Arwa very vague questions about what she’s doing but doesn’t exactly want to know what Arwa is doing. She just a lil nosey. So after a while, the Emperor dies and the named prince is killed by his brother. Zahir is next and he and Arwa escape. Eventually, they are found in the desert where Gulshera shoots the shit out of Arwa’s shoulder. It’s such a bad blow that Arwa is pretty much bleeding out. I was like, yo what the FUCK GULSHERA. 
Geena: YEA LIKE SHE PRETENDS TO BE HER ALLY AND CARE FOR HER BUT TURNS AROUND AND IS LIKE “SORRY BABES IMPERIALISM ALWAYS WINS” 
Kae: AND THAT’S THE TEA BAYBEEEEEE. IT was such bullshit. But again, I get it. Gulshera is like “It’s either me or you… And I raised the princess so imma do what she says and also I knew her longer soooo…. Bye Arwa. This will haunt me for the rest of my days… but it be like that.” 
Geena: Kae covered Gulshera really well! But yea she was a stank old lady in the end, like you’re essentially the reason Arwa is where she is but you’re acting like you had nothing to do with anything. BUT N E WAYS, I’m gonna talk about Princess Jihan a lil bit because she annoyed me too. She was privileged and used Arwa like a ragdoll, actually not even just Arwa but her brother she claimed to love too. Jihan really guilt-tripped the FUCK out of Zahir being all “Did I save you from nothing? Do I deal with other’s scrutiny for nothing? Prove your worth to me brother, prove that I’ve placed my love in the right man” and I was like……  bitch…. She might have been a princess but she was the queen of emotional manipulation. Also, she claimed to be for the women but essentially told Arwa that one of her jobs was to fuck Zahir and like…. Hello….. What is wrong with you. 
OH AND ANOTHER THING… when it’s revealed that the Maha used Amrithi people to shape the Empire’s success, and Zahir confronts Jihan about this she’s like “Yea, and?” like she saw no problem in using a group of people and villainizing them in the same breath…  Imperialism is a hell of a drug 
The Ugly:  
→ The Nightmare
Kae: So the Nightmare was truly… A nightmare. 
When we first learn about how Arwa became a widow, we learn about an incident that took place at a military base called Darez Fort. Darez Fort is where Arwa stayed with her husband, Kamran. We learn some soldiers come back with what they think is a Daiva, trapped in a little cage/crate thing. When they open it up, it appears to be a childlike creature. But it soon reveals a face of white bone and attacks everyone in the fort. The Nightmare makes the men turn on each other as well and it’s quite literally a blood bath. Everyone is dead. The maids, the cooks, the soldiers, and Kamran. All killed. BUT THERE IS A DAIVA THERE. It’s Arwa’s litter guardian angel. She knows her blood protects her, so in a panic, she makes this big ass cut on her arm and surrounds herself with her blood. The Daiva protects her from the Nightmare and she is the only survivor of Darez Fort. 
The Nightmare leaves a sense of fear in Arwa that literally makes her shake. She can kind of sense when it’s near. So on her journey with Zahir and a guards woman named Eshara, they end up at another fort for a rest. Some soldiers are ordered by this mean ass general to stay inside the fort because they aren’t allowed to leave. This is when Arwa gets that chilling sense of fear as she did in Darez Fort. SOME EVIL SHIT IS AFOOT. 
Geena: Yesss, the nightmares are like anti-daiva essentially. I really liked their concept and how they factored in with the worldbuilding. What makes them terrifying is that the Maha spent how many centuries fending off nightmares by using Amrithi, but suddenly without him to control how gods dream, nightmares are flooding the empire. Arwa manages to defeat the nightmares by unlocking the memories of her past ancestors from the Realm of Ash and crudely dancing a rite that locks nightmares in cages. Along with Zahir, Arwa figures out that nightmares consider themselves some sort of god and love to be worshipped. Both Zahir and Arwa decide that the empire can rot, and the nightmares can do what they want but they’ll teach anyone with amrithi blood to dance the rite and worship the nightmares to prevent any more massacres like Darez Fort.
→ Maha
Geena: God….. This stankass wrinkly-ass bitchboy really sunk his claws so deep into the Ambhan people that after he died, he was thought to be a martyr. Like 12 years after his death and people still worship him, and mourn his death? Mehr and Amun went through so much to end his reign of terror yet the empire continued to worship him. I’m sure they didn’t have the time or power to go around and spread the truth behind the Maha’s work but good LORD was it grating to read people missing that disgusting man. But thinking back on it, even if Amun and Mehr had exposed him… would people have believed an Amrithi couple that killed their beloved Maha? They probably would’ve killed them instead :(
Though, this was an interesting detail that Tasha Suri included. That, despite the evil being defeated, people will refuse to acknowledge it as evil and continue to point fingers at marginalized people for the problems caused by the evil being. 
The Awesome:
→ Arwa and Mehr
Kae: If y’all could see me now, you would see me doing a little dance because BIIIIITCH. I WAS LIVIIIIING SOLELY FOR MEHR AND ARWA TO MEET UP AGAIN. EVERY PAGE I WAS LIKE “is Arwa gonna talk about Mehr? Does she miss her sister?” AND SHE DID SOMETIMES AND I LOVED IT. AND THEN ARWA SAID SHE WAS TOLD HER SISTER HAD DIED AND I WAS LIKE NOOOOO. SHE IS ALIVE, ARWA. SHE IS ALIIIIVE. 
So when Arwa was in the Realm of Ash, she had seen Mehr and was SHOOK. Because you can only see dead relatives in the Real of Ash. So she actively avoided Mehr in the Realm because it hurt too much to see her there. It just confirmed that her sister was dead. And even I was confused because I was like “Ummm, Tasha… I know you didn’t kill off my girl after she done went through all that shit.” So I started thinking…. Because in the Realm of Ash, you saw the dead as grey ash. Shadows. But she saw Mehr in colour and full of life. So I had this theory that since Mehr has Amata (Amrithi spiritual magic closer to the ancestors) that she was seeing Mehr in the realm because of how close Mehr’s amata was so the ancestors and daiva. 
GUESS WHO WAS RIGHT BITCH? MEEEEEE. I CALLED THAT SHIT. IT’S MY SUPERPOWER. So like, as Arwa is dying from that arrow bitchass GUlshera shot her with, she ventures into the Realm and see’s Mehr again. She calls out to her, and Mehr sees her. She promises to find her. 
When Zahir and Arwa escape from his sister’s claws, the daiva take them out into the desert. Mehr eventually finds them and brings them back to her home. When Arwa wakes up, she is greeted by Mehr bandaging her up. They cry and hug. I CRY BECAUSE I’M SO DAMN HAPPY. I LOVE A GOOD REUNION. MEHR LOVED ARWA SO MUCH AND ARWA LOVED MEHR. AND THEY WERE SEPERATED AND HADN’T EVEN KNOWN THE OTHER WAS STILL ALIVE. AND THERE THEY WERE. TOGETHER. AND ALIVE AND HUGGING AND CRYING. It was beautiful. I was like, ugly crying. So thank you, Tasha. Thank you for writing that scene so well because it was happy and emotional and they both deserved to see each other again. It will go down as one of my top 5 reunion scenes. 
I’d also like to say, unrelated to Mehr-- That Awra and Zahir did admit their love for each other and kissed. And Zahir was Arwa’s, and Arwa was Zahir’s, though they made it clear that they belonged to no one. They belonged to each other. And their love was so soft and built on mutual respect. They were both very lonely and longed for one another, but never pursued because Arwa didn’t want to break the honour code of the “widows way” or whatever, and Zahir didn’t want to disrespect her. BUT THEIR MINDS. THEY LOVED EACH OTHER. So they both finally gave in. And it was lovely. 
Geena: ugghh yess, Arwa and Zahir’s relationship was based on mutual respect and love (just like Mehr and Amun!). In both instances, people forced them together but it was only through their own agency that they fell in love with one another, and support each other wholeheartedly. 
ALSO, THE REUNION KSJNFKSJF I had a suspicion that Mehr was alive too based on everything that Kae mentioned too! So, when Mehr says to Arwa that she’ll come for her I sCREAMED!!!! I loved it so much, them crying in each other’s arms… Arwa seeing Mehr’s own kid… LIKE HELLO??? 
Kae: AND TASH SAID HER AND AMUN COULDN’T HAVE KIDS BECAUSE OF THE RITES SO I WAS SHOOK AND HAPPY AND OMG. literally SCREAMING. 
Geena: YEA I REMEMBER THAT, BUT THEN I ALSO REMEMBERED YOUR THEORY! Where the Maha had said that people that danced the rite couldn’t have children because he tried to impregnate amrithi women he enslaved but it didn’t work… and Kae you’d said it was probably because he was shooting dust and YOU WERE RIGHT!!!
Kae: IT’S MY SUPERPOWER. IM TELLING YOU. I CAN GUESS THE SHIT OUT OF SHIT. 
Geena: KJDSFNKSDJF I LOVE YOUR SUPERPOWER!!! My only complaint was that we didn’t get a longer scene with Mehr/Amun and Arwa/Zahir bonding :( I wanted mooorreee… other than that it was everything! 
Conclusion
Geena: TO CONCLUDE! Tasha Suri didn’t disappoint with this sequel… and it’s so easy to write a shitty sequel but she was like nAH WE’RE NOT ABOUT THAT LIFE. And we loved it! There was a slow start as we read Arwa struggling with her internalized hate, but after she realized that she came from a people who have survived in Ambha in the face of adversity the book sped up real fast. The romance was so soft and wholesome and everything that we want in a relationship, Tasha knows EXACTLY what she’s doing when she’s writing romance. I don’t trust anyone else with a romance this soft, and I cannot wait to read her upcoming series that feature a wlw couple.  
Kae: GEENA SAID IT ALL. Tasha knows how to write a romance. I love soft boi’s that will also murder a man for you if need me. LIKE YAAAS HE’S SENSITIVE AND RESPECTS ME AND WILL BEAT SOMEONE'S ASS FOR ME. WE LOVE TO SEE IT. Honestly though, overall, this was such a stunning sequel. Because Geena and I have read some sequels that were…. How to say this nicely… fucking terrible. Tasha is a phenomenal writer and I know her upcoming series will be great too! This book was full of lessons. One being, SELF HATRED IS FUCKING TRASH. SO LOVE YOURSELF AND YOUR RICH BACKGROUND. BECAUSE PEOPLE WILL LOOK DOWN ON YOU  FOR WHO YOU ARE AND WHERE YOU COMF FROM SOMETIMES, AND YOU JUST GOTTA SAY FUCK ‘EM AND KEEP IT MOVING. 
Geena: JKSNFKJSNDSKJF YAAAS, ALSO IK IT WAS BRIEF BUT LIKE DAMN… TASHA REALLY WENT HARD WITH THE AMRITHI IN THIS BOOK AND HOOBOY… Like the insights into past ancestors? And the fact that there are so many mixed Amrithi people that have been forced to hide their heritage… once again…  I M P E R I A L I S M and G E N O C I D E… this series covered it pretty well… PLEASE READ AND SUPPORT TASHA 
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