#oh geez this got reaaaallly long

[belizedeservesbetter]

Oklahoma! Holy Shit!

You know what, I’ll say it. This is a perfect revival. 

Oh wow.

This is definitely one of those “run don’t walk to see it” kind of shows. I mean it. I’m honestly thinking of how I’m gonna see it again even though I just got home.  Who would’a thought I’d love Oklahoma! so much?

I honestly and truly think this is a perfect revival. Daniel Fish took the text and the show and did something entirely new and entirely different with it, but it was still in theme with the show and worked. Like he didn’t just do a stripped down and thematically amped up Oklahoma! for the hell of it. He did it for a reason, he didn’t do anything so dramatically left field, like, for instance, staging Oklahoma! in space or something equally absurd, but instead made it more immersive and in tune with actual Oklahoma. He also made it incredibly relevant, or maybe Oklahoma! was relevant all along and we didn’t realize that with Hugh Jackman at the helm. 

I guess there’s some spoilers in here, but not really cause it’s Oklahoma! and it’s been around for, well, a while. 

I’m so tired of revivals that basically do the original production all over again. This is the most unpopular opinion to ever unpopular opinion but while Hello, Dolly! was a great time (Gavin Creel is an all time fav of mine), I wasn’t totally in love with it. It didn’t take a single risk. And that’s a revival at its best! And at its worst - I’m looking at you, Carousel - if it’s not a good lavish traditional revival and it doesn’t do anything with the material, then I’m not a fan. 

Oklahoma! is one of the oldest and most well known musicals. I believe I read somewhere that it’s the first ever show to fully combine a story (or book scenes, I guess), songs and dance all together. I could be wrong, but my point is that Oklahoma! has essentially become a “school” musical. Every school has done it, even the fancy arts high school I went to that prides itself on doing “good” musicals. This could have gone very wrong very fast. 

Instead, it was marvelous. 

There are so many images in this show that are going to stick with me for a long, long time. This production was filled with so many powerful moments that I’d never ever expect. 

I love what Daniel Fish has done with this show, or more like what Daniel Fish has brought out of this show that was already there. What I saw was a show about small town isolation and small town traditions that hurt everyone except the few who benefit and how dangerous and scary the male gaze can be. What I saw was a show about “us vs. them” and moral grey areas of group conviction. This was all there before Daniel Fish directed this show, but I never saw it. 

This was actually a super frightening show. I felt on edge and super tense the entire time. I don’t think I’ve ever felt this way during a show before but the tension is hot in this show and everything about it feels dangerous, partly due to performances and partly due to lighting, which I’ll address separately. 

The show itself takes place at a potluck in Oklahoma and it feels very modern and very fresh and very inviting. Much like how I feel during Sleep No More, I felt like I wasn’t in New York. I was at this potluck with these people and all the audience. 

The house lights stayed on for the majority of the show, which made the moments when it was dark (and when it was dark it was really dark) more poignant. Brightness is akin to openness in this world and darkness is isolation and loneliness and things that can’t be said otherwise can be said here. Light is also used as feelings and emotion and the rich green light during “The Surrey with the Fringe” and that deep orange during “People Will Say We’re In Love” very much so showed just how in lust Laurey and Curly. Lust, not love. To be clear.

I never got the sense that Laurey was really in love with Curly, more that she was super attracted to him physically and he was the safer option in this town in Oklahoma where she’s going to have to marry somebody and she’s gonna have to be a farmer’s wife because that’s how things are and always will be there so it might as well be Curly. That’s what I got from Rebecca Naomi Jones’ phenomenal performance. Her Laurey is smart but also anxious and unhappy but sensible but also very, very scared. Her Laurey knew what her lot in life was before the show started but finally accepted it at the end of it. This is, by far, Jones’ best performance to date. 

Curly, on the other hand, is doing what he’s doing because he can and because the town knows and loves him. And it’s so easy to love Curly, because Damon Daunno is Damon Daunno. He’s fantastic. He’s got such an interesting voice too. Someone at intermission said he reminded them of a peacock and I think I agree. His Curly was at ease when he was loved but desperate when he wasn’t. 

Him and Rebecca Naomi Jones give really different performances of these two characters so it was really interesting to see that paired with Ali Stroker’s very classic very to the book performance as Ado Annie. Ali Stroker is and always will be wonderful in everything she’s in. Her performance paired really well with the others, by that I mean her very classic comedic Ado Annie was a good match for the more serious and intense moments of the show. What I’m saying is she’s great! She’s wonderful! 

Mary Testa is a force to be reckoned with. I know Amber Gray is amazing in Hadestown (which I’m looking forward to see but not looking forward for that 5am rush line) but I’m ready to hand deliver Mary Testa a Tony Award for this performance. She commands the stage. She’s the moral authority and the backbone of the show. She’s hyperaware of everything and knows exactly how to fix things. Testa gave me the impression that she’s seen this all before. She gives off the impression that this is how it’s always been and always will be. She was hilarious but intense, all at once. 

The person who really walked away with this show for me though was Patrick Vaill as Jud Fry. His was such a sensitive and quiet Jud who was also terrifying and left me pretty shaken at intermission. He spends a lot of Act One sitting in a chair in a corner looking absolutely devastated, which is gonna stick with me for a while. The look on his face was heartbreaking. And no one would look at him at all. Even his big Act One scene (which I’ll discuss later because I loved it) took place almost entirely in the dark. What Vaill does with Jud is pretty amazing because he’s created a sympathetic Jud but a Jud who is still a scary person. I felt for him but felt scared whenever he spoke. You could feel this profound pain about him that I wasn’t expecting at all. 

And Jud Fry is where Daniel Fish really makes things interesting. A lot of the show becomes about how isolated Jud is from everyone and how literally no one in the town likes him. He’s incredibly lonely and the town very purposely wants him to fail. 

But that doesn’t excuse his actions. He’s still Like That and he’s still scary and there’s a reason Laurey doesn’t feel safe around him. Fish makes you feel for Jud but he never ever excuses his actions. Likewise, Vaill makes Jud human and I get where he’s coming from but at the same time he’s let his circumstances make him a monster.

How Fish and Vaill interpreted Jud really stuck with me for a lot of reasons. The first and biggest being that I knew going in that Jud is the quote unquote villain of the show so seeing him in Act One during his song really put me in a weird headspace because I know that guy. I know a Jud and he has a name and a face I’ll never forget. Not to get too personal on a theatre review but a good friend of mine was killed by someone like Jud just last year. Someone who was isolated and often separate from any and all groups but he was only separate because he was mean and scary and loved guns. So seeing that person on stage and seeing the surrounding world really resonated with me. But I was able to distance the Jud Who Reminded Me Of A Boy I Knew In High School and Vaill’s very sensitive portrayal of Jud on stage, which led me to think more about how Jud is a bad guy, but so is Curly. 

SPOILER but two scenes that really stuck with me are the Jud and Curly scene in Act One and the ending of the show.

The scene with Jud and Curly in the smokehouse talking about how people would like Jud more if he was dead was super interestingly staged. The two sit together and the lights go completely out and for a while we just hear them talk while sitting in the dark. But then we get this close up live video of Jud’s face projected onto the screen and he’s weeping just about the entire time and I thought this was so heartbreaking to watch. The scene itself is fascinating because it’s basically Curly telling Jud to kill himself - and with this staging it’s very much Curly’s dark side coming out and Jud’s human side becoming more apparent. This is the first time in the show we ever really hear about Jud from Jud himself, so the fact that we either don’t see him at all or see a very up close and personal live video of him (I think it’s nice that the actor who plays Will Parker is holding the camera in the two camera moments in the show. It made it seem like he picked up a camera during his time in Kansas City) is very intimate. Then afterwards with his song was really terrifying but expertly acted.

Then there’s that finale. Oh wow. That will stick with me for years to come. Watching Rebecca Naomi Jones scream the lyrics to Oklahoma while covered in blood is a gut wrenching image that shook me to my core. An even more blood covered Damon Daunno howling the lyrics while stamping his boots on the floor was something else entirely. The whole kangaroo court of it all with a steely Mary Testa doing what she has to do made my stomach churn. Just that whole cast screaming the song at the end was incredible to watch. The sheer rawness of it all and how primal and angry and scared it was. It felt relevant. I hate when people say a piece of theatre is “important” but this felt very important. I felt that anger and fear. I knew that anger and fear. 

Has Oklahoma! always had such good book scenes? I feel like I haven’t seen a good book musical in ages and seeing this reminded me how good musicals can be for the person who loves plays. This whole production was completely haunting from start to finish, from the decades old material to the brand new direction. 

Oh yeah, and the chili was delicious.