#one of the reasons people love the lotr movies is they are intimate without being about sex

[aniseandspearmint]

tbh what kills me about this whole Rings of Power mess is that, if they had just done this RIGHT they would have had a home run hit. Every Tolkien fan I know would have watched it and made art and fic and bought merchandise and urged their friends and family to watch it! It would be the lotr movies again. It would have hit like the first couple of MCU movies were. It would have been ADORED.

But they chose to cheap out on EVERYTHING and to CHANGE everything to make it ‘sexy’, chose to have their stuntworkers perform dangerous stunts with not enough safety equipment, chose to take beloved characters like Elrond and Galadriel and Celebrimbor and twist them into barely recognizable caricatures... I would be here all day if i tried to list all the things wrong in the short clips we’ve gotten.

It’s gonna fail, and they paved the road themselves. We could have had it all, but instead we got Amazon.

[margarittet]

Why the SPN mixtape scene from 12x19 is screenwriting gold, and should be taught to the next generations of screenwriters everywhere - analysis

20 seconds. Two lines of dialogue, three gestures, a couple more camera angles. Episode 19, season 12 of a genre TV show “Supernatural”. A single strike of screenwriting and cinematic genius. The mixtape scene.

Robert Berens and Meredith Glynn, I bow before you.

This scene should be used as an example for future screenwriters how you can put maximum of meaning into minimal time and dialogue. Should be analyzed and taught at universities everywhere, how to achieve the most using the least. How to write for TV, where you only have less than an hour to built something spectacular.

WOW.

Let’s just peel off all the layers of these 20 seconds of footage and these 13 words. 13 WORDS.

(Cas knocks, Dean doesn’t say anything. Cas opens the door, apologizes for disturbing Dean in his room, and then takes a cassette tape out of his left inside coat pocket, and puts it on the desk, while tapping the label on it that says “Deans (sic!) top 13 Zepp traxx”.)

Cas: Um, I just wanted to return this.

Dean: It’s a gift. You keep those.

13 tracks. 13 words. The future. So number thirteen is important for the future. I mean, are you trying to tell us something here, writers?

(Dean takes the tape, oustreches his arm, and gives it back to Cas. We see Cas’ hand grabbing the tape, and taking it back.)

That tiny scene is ENORMOUS from the perspective of the narrative and the characterization. Let’s see what we can get out of it. (Prepare yourself: it’s gonna be long. Damn, how much meta can you write based on 20 seconds of television and two lines of dialogue?) (Hint: A lot.)

Thoughts in no particular order.

LotR reference

Let’s start with text, because text is kinda my thing. This is this:

I half expected Dean to roll his eyes at himself for acting like an elvish maiden - maybe he did internally. Anyway, we all remember how Aragorn and Arwen’s story ended, right? (In the movies at least.) 

It’s great how Cas and Dean re never strictly cast as a female mirror or male mirror in any of the romantic pararells that the show does. Their gender roles and characteristics are extremely fluid, and it’s wonderful.

2) The label

Deans (sic!) top 13 Zepp traxx”

First thing: “Deans” - not “Top 13 Zepp traxx”, not “The best of Led Zepp”. DEAN’S top 13 Led Zepp tracks. This shit is personal. Your favourite music says a lot about you, it’s like showing somebody your favourite book, or your favourite fictional character. ONE favourite track says something about what you like, feel, think. 13 songs of your favourite band, especially if that band is Led Zeppelin? You may as well get naked, because you can’t uncover yourself much more than that. This stuff makes you open and vulnerable. They will know what you like, what you enjoy, what you feel, what kind of stories your favourite music tells. It’s a mirror of you. Led Zepp is not a band with three beats and five words in the lyrics. It’s long, it’s literary, and it’s epic. It tells a lot about the person, especially a person who loves music and stories as much as Dean does. By showing Cas that he loves these 13 songs of Led Zeppelin, he told Cas he loves cock rock, sexual innuendos, shameless romanticism, fantasy references, biblical imagery, American blues, stories about life, death, love, sex, angels, Satan, mythology, science-fiction and Lord of the Rings. If this band is not a metaphor for the many sides of the real Dean Winchester, I don’t know what is. Dean showed Cas his non-performing side.

This is not even good gift giving, Dean, darling - a nice gift would be giving Cas music HE would enjoy, not you. Give him Beyonce (“Halo” would be nice, lol), give him rap, give him some Britney Spears. No, you gave him Led Zepp, with a NOTE that these are your favourite songs.

You wanted to show yourself to him. This is fucking intimate.

The cassette is a symbol for Dean, for Dean's heart, like the necklace was a symbol of Arwen's heart. That is why no matter what Cas did in 12x19, Dean is still on his side. Why he fixed his truck, gave him the Impala keys without thinking, tried to talk to him instead of fighting him, why he was so hurt Cas left before. That's why he didn't even consider taking the cassette back. Because he has made his decision, he gave himself to Cas, and he will not hear of Cas giving it back (you can't give it back, really). Just look how quickly Cas grabs the tape back. He even uses it later to highlight "we", waving it between him and Dean. This moment is showing us Dean has given his true self to Cas, and he is not changing his mind. This happened already, and no one witnessed it but the two of them. Cas only tried to give it back, because he thought that after what he was about to do, Dean would want it back. Nope.

Nothing to see here. Moving on.

“Top 13”

Yeah, these are his favourite songs, but not all of them, just the best ones. Why thirteen? This is actually a weird number of songs for a cassette tape, especially for a band like Led Zeppelin. It’s too few for 90 min, and too many for 60 min (usual lengths of tapes). So I see three reasons:

Dean just chose songs that send exactly the message he wanted to send, so he didn’t need more songs.

It’s a reference to season 13 - which, I believe, will be romance heavy and amazing.

It’s a reference to “13 Reasons Why”, a show about a girl’s suicide and cassette tapes since this is the same episode where Kelly kills herself, dies, and is revived by the Nephilim, (and therefore it’s canon that the Nephilim can bring people from the dead. Cas, anyone?)

All of the above.

“Zepp”

Besides the fact that liking Led Zeppelin says tons about the real Dean Winchester, it has also different meanings:

Led Zeppelin is a shorthand for seduction, but also for a cosmic romantic connection.

We know two situations where Led Zepp is mentioned in terms of seducing somebody. Jo mentions that hunters want to get into her pants with “some pizza, a sixpack and side one of Zeppelin IV”. This means pretty much the same as “they think they can impress me with cool music while they only know four songs played frequently on the radio, fucking posers.” See, I know Dean is better than to put Stairway to Heaven or Rock n’ Roll on his mixtape, since these are the most popular, i.e. impersonal of Zeppelin songs (although he may be partial to “Battle of Evermore”, since he is a huge nerd). Aaaaaanyway, the other time we see Led Zepp as a seduction technique is when Nick the Siren talks to Dean about some more obscure Led Zepp records - he outdid Dean with his knowledge of Led Zepp trivia - and Dean is bought. This is exactly the opposite of knowing only side A of Zeppelin IV. This is a real deal, and Dean is so mesmerized.

And then we have the literal “match made in Heaven” of John and Mary - and we know she used Led Zeppelin to test John as a potential lover. He knew all the lyrics (again, real, deep knowledge of the subject vs the superficial one), and she knew he was worth going for. I don’t think Dean is testing Cas, but I think that since John and Mary connected over Zeppelin LYRICS, the lyrics are as important for Dean as the music is. That’s why he used them to show Cas what he feels. And it also reminds him of his parents.

Plus, honestly, if reciting/playing Led Zepp lyrics to somebody doesn’t feel dirty and/or disgustingly romantic, you’re doing it wrong. “Squeeze me baby, ‘till the juice runs down my leg”? Really? 

Led Zepp is connected to John

Remember how, when we see Dean for the first time connecting with a kid in season 1, he teaches him that “Zeppelin rules”? That’s because Zeppelin is in Deans mind “father’s music”. It’s something you show your kid, something you can bond over. 

It’s a well known thing that we choose partners similar to our parents, so it’s not a shocker that Dean connects John’s music with his love interests. It’s nothing weird. If he was going for a girl, he’d look for somebody who is like more like Mary (and since she also loved Led Zepp - well, remember Jo?)

Led Zepp is connected to Mary. 

Since Dean and Mary are so similar, it’s not surprising that his first thought how to connect with his love interest is through Led Zeppelin (just how her was, when she met John).

“Traxx”

Ha! This one is great. They spelled it this way probably mostly to get our attention. “Tracks” was a legendary gayclub in Washington DC, and even now there is a gay club under this name in Denver, plus there are gay clubs all around the US and Canada that are called “Trax” or “Traxx”. Subtle and awesome. It’s a nice shout out to Dean saying he was in Purgatory in Miami.  

(Edit: Plus, as many people pointed out to me since I wrote this piece, XX is also a common shorthand for kisses. I knew that, but I wasn’t sure it was something Dean would do. But now I agree. I guess I didn’t give Dean enough credit for being sappy. :)

The whole “Deans top 13 Zepp Traxx” label is Dean “no-homo”ing the tape - “Dude, look how cool I am, ain’t got no time for good grammar and proper spelling, dude. Bro.” You know, in case Sam sees the tape, and there are questions. *eyeroll*

3) Music as a non-textual device

It was said once that even though Led Zeppelin is Dean Winchester’s favourite band, we will not ever hear it on the show, because the royalties are just too. Damn. Expensive. The show can’t afford it in their budget to put Led Zeppelin on the soundtrack, even though the band’s music is crucial to understanding Dean Winchester’s complexity. So instead of scraping more money, they pulled “High Fidelity”, and put music IN THE NARRATIVE. This, my loves, is pragmatism 101. Why to spend a fortune to put ONE Led Zepp song in the episode, when you could just send your viewers to their Spotify account and listen to ALL the songs there, thus creating their own soundtrack for this episode and the relationship between the characters. I wish I would be this smart. This actually achieved several goals at once.

All Led Zeppelin music is now a textual part of the universe and Dean’s character, not just two songs that he mentioned in season 4. We know the tape has 13 songs, but we don’t know which ones, which means all the songs can be there, until we are told differently - “Schroedinger’s Mixtape”. Some viewers can even no-homo the tape by picking the songs that are neither sexual nor romantic, but it will be HARD.

4) Michelangelo’s “The creation of Adam”

In the way this moment is shot, we are reminded where they stand in the beginning of this episode - Cas is the celestial being (who just has been to Heaven), and Dean once again represents humanity - the humanity that Cas is canonically in love with.

(On another note: Michelangelo is one of the most famous gay icons in history.)

5) This short moment showed us as well that there is so much stuff happening off screen that we never get too see. Who knows what else we don’t know? What else happened between these two characters that we never heard about? This made me think we should always be careful with the new showrunners, since they love puzzles, games, and pieces of information peppered over the whole season that are not always what they are. There is ALWAYS MORE. They love playing with meta reading, and it’s glorious. 

Also, instead of showing us the moment where Dean gives Cas the tape (what would be a regular thing to do), they showed us the BACK END of the situation. We have to construct what happened from the end, backwards. We know Cas got the tape, both characters know what happened between them when he received it from Dean, but we HAVE NO IDEA. We don’t get to see it because we were not privy to that moment. It was JUST BETWEEN THEM. It was an intimate moment that no one else got to witness, even the audience. And it makes it so much more important. It adds a new level of privacy and intimacy to their relationship, and it’s amazing, especially since the last few seasons seemed like they never are alone anymore. 

6) Why a cassette tape? Especially since we don’t even know if Cas has a way to listen to it? 

Because it’s a frikkin’ romantic trope!

In the world of storytelling mixtapes scream romance, and not much else (well, parental love, but that is so not the case here). It’s a thing that made me sit up and stare at the screen the moment it arrived, because I couldn’t believe they went there. I thought it was another queerbaiting moment, like the infamous boner prom-shot, but once they started sharing with each other how they felt, ALONE, ON SCREEN, IN WORDS, I knew it wasn’t. It was a way to show more casual viewers a symbol they would understand, while still staying in character. Dean would not write a love letter, or a poem, or even speak openly about his feelings, but he so would take time and effort to create a tape, especially since mixtapes were the language of showing your feelings that was in use when he was young and had his first crushes. And if Cas was more human, he’d understand it immediately. I hope he did anyway, he has got his pop culture references from Metatron, maybe some John-Hughes-references there.

The tape is new, the label is clean, words visible, plastic unscratched. If it was a tape Dean had before, it’s be dirty from lying in his car forever. Plus, noone makes mixtapes for themselves, especially when they already have albums - it’s too much effort for too little gain. It’s not John’s, because it cleary says “Dean’s”. Ergo - it’s freshly made. For Cas.

In conclusion: with the shortest piece of dialogue possible, and exactly three movements of the actors, they shot the narrative onwards and upwards on so many levels: 

Dean’s performing facade falling down,

Dean showing (and giving) his true self to Cas,

Hints of off-screen moments between them that we know nothing about (added a new level of intimacy), 

Cas being linked to the textual and intertextual codes for eternal love and sexual seduction, 

Some hints for the future,

Dean is humanity (and Cas loves humanity),

Bisexual!Dean,

Binding the show to its earlier seasons.

20 seconds. 13 words. I am blown away.

I probably could find more layers, but I think four pages of meta for 20 seconds of TV is enough for now. Thanks for reading! It was fun!

[avelera]

Avelera’s epic “Why I Love Boromir” post aka

Boromir. So much more than a meme. 

Agarlandoffreshlycuttears asked me to talk about my love of Boromir since I have a few Aragorn hate posts out there and boy does this topic of discussion take me back. 

(For the record, a lot of my earliest opinions of Boromir was formed as an impressionable 14 year old experiencing her first head-over-heels male crush (I mean seriously, look at this guy:

) but people aware of my love of Thorin have probably noticed I tend to have a thing for complicated characters who experience a fall from grace. I find them much more interesting than characters who never need to struggle with morality or see a serious risk to their soul. I don’t hate Aragorn as such, but I have a lot of issues with the way his character was handled, so I hope the negative stuff comes across as more tongue-in-cheek and critique-oriented rather than bashing.)

So let’s begin from the beginning with some very Nuanced and Intellectual™ reasons to love Boromir.

- In Rivendell, Boromir first shows us how awesome he is by riding in on a horse like a goddamn Disney prince *swoon* 

(damn-you-why-can’t-i-find-a-gif-of-this.jpeg)

With that out of the way, let’s list his many virtues:

Boromir is practical. 

During the Council he proceeds to bring up some rather valid points about the risk of the whole “the Hobbits are bringing the One Ring to Mordor” thing. We, as viewers, know they’re the main characters so the hobbits will probably succeed. But from an objective viewer within the Middle Earth universe, this plan to destroy the Ring is batshit crazy from the outset and it only gets worse when we decide hobbits are the ones to do it. We’re literally going to take some of the weakest, smallest, least experienced creatures no one has ever heard of in the world, give them a super weapon, then have them go with an honor guard of 5 effective fighters (including Gandalf who has been known to fuck off at random intervals when escorting hobbits on dangerous quests) to the only place in the world where, if the Ring goes there, Sauron wins. Game over. He gets his lich-y phylactery back and gets super powered like it’s goddamn Mario Star Power. Everyone dies. Boromir’s people in Gondor (and Aragorn’s people, if he ever gets around to it) will die first. Horribly.

But, y’know, the power of love and friendship will somehow win the day so once literally 4 guys decide that this admittedly horrendous plan is the only one they’ve got, Boromir gamely comes along. He can’t even pledge his sword because Aragorn took that line already, thanks Aragorn. 

Why not just take my kingdom I’ve been training to rule my whole life while you’re at it. OH WAIT.

Boromir is kind. 

As the Fellowship cross Middle Earth, climb the mountain, the shots of Beautiful New Zealand are endless, we get the freakin adorable scene of Boromir training Merry and Pippin to fight (thanks for nothing Aragorn, I guess giving them swords was as far as you thought out how helpless these guys are). If this smile doesn’t melt your heart I’m not sure we can be friends anymore. 

But seriously, everything about the friendship of Boromir with Merry and Pippin gives me happy smiley tears.

Boromir is human. 

They climb some more mountains, Boromir has one of the most freaking amazing scenes in the whole movie where he picks up the Ring and is clearly hypnotized by it, illustrating its danger and the danger he poses to the Quest as a result. 

I’m going to leap ahead here and say why I love this scene, and that’s because Boromir actually faces the threat of the Ring, unlike Aragorn. We do have a moment between Aragorn and the Ring later when Frodo (recently traumatized by Boromir’s freak out) asks Aragorn if he can protect Frodo from himself. The fear of being like his 2,000-years-dead ancestor flashing in his eyes, Aragorn sends Frodo along (to almost certain death). 

But the thing is, the Ring was never really a threat to Aragorn, we never really got a scene of him struggling with it at all. It’s what makes his “fear of being like Isildur” so baffling and annoying. At no point does Aragorn actually struggle with that risk. Unlike Thorin (and I’m gonna have to Thorin-stan here for a moment because my love of Thorin is intimately tied into my love of Boromir) who fears the hereditary madness of his family for good reason because he does succumb to it and then break free, Aragorn’s fear comes across as whiney (and even carrying borderline internalized hatred of Men given to him by movie Elrond) given its lack of justification within the films. Told to us as Aragorn’s main emotional motivation and fear, besides that of annihilation if the Ring isn’t destroyed, it ends up being extremely weak that he supposedly fears this ancestral corruption which never has any tangible impact or risk to him. Frankly, the only time it really comes up that Aragorn is related to Isildur are both times pretty freakin’ awesome for him because they involve raising a ghost army to Deus Ex Pulverize Sauron’s forces and becoming king of a frickin’ wedding cake of a multi-tiered beautiful city that Boromir had to talk him into liking in the first place.

*Ahem*

But anyway, that scene on the mountain is super creepy and gorgeous and I love it. 

Boromir is hilarious.

Boromir is empathetic. 

Boromir is the one who spots the trauma that the Fellowship has just gone through by losing Gandalf (and Gimili is no doubt still reeling from the revelation of his family members’ deaths in Moria) and calls for a quick rest now that they’re out of the mines. If I hadn’t already been in love him from the training scene with Merry and Pippin, I probably would have fallen even harder at that scene. He’s empathetic in a way a good leader should be. While Aragorn’s point is valid about the arrival of the orcs and their lack of time, he comes across as kind of a dick about it and I can’t help but be uncharitable in my view of him as a result. It feels like the threat of the orc’s pursuit is set up just to make Aragorn right and Boromir wrong, since without that threat Aragorn would very clearly be the bad guy in that scene. Would 5 minutes have really made that much of a difference?

Boromir loves his people. 

Probably THE moment that won me over about Boromir was the moment in Lothlorien when he gives his worshipful account of Gondor to Aragorn.  In the extended edition the scene continues to one where he chastises Aragorn for not showing more interest in Gondor. 

(Also, look at him in that scene, GAWD)

I think this pinged me at a young age for several reasons. 

- First, a love of the wider “off screen” world. LotR is a sprawling book, but a film can’t always show what’s going on outside the narrator’s view. Through Boromir in this scene and several others, we get a sense of what our characters are fighting for. It would have been easy for the stakes of LotR to remain the lives of the Fellowship members, certainly they are the ones in the most immediate peril. But Boromir’s speech reminds us of the wider world and the threat it faces, the nations that will fall and the lives that will be ruined if Sauron wins. It re-frames his reasons for wanting to use the Ring - he feared the argument against using it was just a matter of moral purity, at the risk of Gondor falling and with it that everyone he knows and loves will die. 

Can Boromir truly be blamed for not understanding the threat of the Ring? I think even the most ardent fans are sometimes puzzled over exactly what the Ring does, and what it would do should it fall into the wrong hands. Throughout a story based around the threat of the Ring, the Ring itself and its powers remain strangely abstract. So I don’t think Boromir’s view of the debate as an unconvincing one between the very tangible threat of lives lost vs. the more abstract risk of moral corruption that even Elrond and Gandalf never clearly express is understandable. We as the audience have greater perspective on the threat of the Ring, and by the end Boromir understands that threat too, how at the very least the Ring will turn friend against friend in the pursuit of its power, and he fully repents. 

- Second, Boromir’s love for his people highlighted Aragorn’s failing, which lead me to the heart of much of my dislike of Aragorn’s character. As someone who read the books before seeing the movie, I was rather annoyed by the whole “reluctant king” trope that was shoved onto Aragorn for a modern audience. It is a rather cliche moral imposed by PJ that we see throughout his Tolkien works, that those who want to be king will be necessity be bad kings, and that tropes annoys the fuck out of me throughout fantasy in general. 

(Certainly there is the risk of the power-mad, but I think that puts us at risk of one of our current issues, the paradox that those who want power in order to good are therefore under suspicion and those with greater experience at governing are seen as a threat so we should only allow the incompetent BUT ANYWAY)

Aragorn in the books wanted to be king. He worked hard to be worthy of the people of Gondor by serving in various militaries such as Rohan’s throughout his younger days. He wanted to be king in part to be worthy of Arwen, but also because he loved the people of Gondor. His avoidance of the throne was about building up the necessary skills to be worthy of it. By throwing out that aspect of his character, and replacing it with a nebulous fear of being like Isildur, an ancestor that died two thousand years ago (which is like someone fearing they’ll be just like their ancestor, Julius Caesar, or Elizabeth II fearing she’ll be just like Henry VIII if we want to take Numenorean life spans into account by which I mean completely batshit crazy example of a fear BUT ANYWAY). This alteration to Aragorn wreaked quite a number of consequences. 

For example, it kinda makes his attitude towards Arwen seem kinda shitty because instead of working hard to be worthy of her he’s kinda just a smelly ranger who is actively avoiding his responsibilities in order to traipse around the wild and serve in random militaries like Rohan for funsies and while I respect Arwen’s choice to love whoever she wishes, it kinda makes Aragorn the deadbeat in that relationship.

But the major consequence of reluctant king Aragorn is that, yeah, I kinda gotta agree with Boromir - his lack of interest in the people of Gondor is really troubling. It wouldn’t be hard to see Aragorn as someone who prefers the elves (who raised him) and generally from his actions and his words sees Men as a lesser people. That’s not someone I would want as my king, quite frankly, if I were a Gondorian. 

In addition, we have the fact that Boromir’s family the Stewards have been ruling Gondor for centuries. It would literally be like the aforementioned descendant of Julius Caesar showing up in Rome today and saying they have an ancestral right to rule there, ie it’s batshit crazy but we’re living in a fantasy world SO ANYWAY. Boromir (and Faramir) have more experience and arguably a better claim that Aragorn in the films. Denethor was a good ruler until he got his hands on a Palantir, but even if Denethor is now a poor ruler, I still have a lot of sympathy for him because this was done to him by evil forces beyond his control (in parallel to what happened to Gollum and to Bilbo and Frodo through the One Ring. Literally. The Palantir and the One Ring are both connected to Sauron who is actively corrupting them. So anyway, all the Denethor hate makes me sad and I’m probably the only person in the whole fandom who actually has a soft spot for him.)

So to recap, that conversation in Lothlorien to me showed that Boromir 1) cares about a wider world than the Fellowship, and that the Fellowship isn’t the only thing going on. 2) That he’s a pretty damn good leader who cares about his people, in contrast with Aragorn. Even if we accept that “Learning to love the people of Gondor” was part of Aragorn’s character arc, and Boromir’s fridging death demonstrably pushed him in the direction of “learning to love the people that he’s “destined” to rule” can I just point out Holy SHIT Aragorn why do you need your friend DYING to figure out why maybe you should care about the people you’re supposed to rule????

But back to Lothlorien: Boromir feels the increasing presence of the Ring. He is shamed by Galadriel’s scrutiny, she scares the shit out of everyone, particularly him but the reason she so quickly identifies the threat Boromir poses is because she feels that threat as well. Both Galadriel and Boromir share the quality of protectors of their people who have a Ring freakout in front of Frodo (though Boromir gets a lot more flak for it than Galadriel). 

I don’t think that point can be overstated. Boromir’s vulnerability to the Ring comes from his love of his people, not from personal ambition or love of power, except in how that power can protect others. It’s one of the evils of the Ring that it takes that which is good in people and twists it to evil purposes. (One could even argue that the Ring did this to Frodo as well, using his love and protectiveness of the Shire to make inroads into his mind and heart, when as a result of agreeing to carry it to Rivendell to get it out of the Shire he ended up being that much more exposed to it.)

Boromir is remorseful.

To be honest, the scene of Boromir succumbing to the Ring’s call is one of the greatest emotional beats in the films. I don’t feel any need to defend Boromir’s actions, they’re obviously terrible there, but godDAMN do they drive home the threat of the Ring. And here’s the thing, that threat wouldn’t be nearly so scary if it didn’t happen to such a demonstrably good person who clearly cared so much about the hobbits that he was willing to die for them. Even without his guilt over his attack on Frodo, you know he still would have gladly died saving Merry and Pippin’s lives.

Let’s not even go into how fucking heartbreaking everything about his death is because I might burst into tears right here. Suffice to say, Boromir’s death was heroic. He didn’t need to die to redeem himself, he deserved to live, that argument in general is stupid. His death is tragic because of what a great person he was, and the Ring is terrible because of what it did to such a great person.

Boromir was a hero.

We do get that one shining, gorgeous moment in The Two Towers EE with the retrospective on Boromir. Standing by his brother, surrounded by his men, we get a glimpse of the leader he was before he faced the corruption and deprivation of the quest. For all that Boromir is often used as an example of the corruptibility of Men in the narrative, it is clear that he was always a hero, and that the reason the threat is so fearsome is because of the heights he fell from in his moment of doubt, and how brief that fall was speaks to the strength of his will. 

Boromir for me into the category of fascinating Tolkien characters who truly struggle with evil. Frodo, Bilbo, Thorin, Galadriel, Theoden, Denethor, and Boromir all go head to head with the corrupting powers of Sauron (and Sauron-like forces) and risk losing their soul to them. Some fail. Some do terrible things while they’re fighting off that influence. But for them the risk is real, what will happen if they don’t throw the influence off is clear, and the avenue into their hearts is often their love of their people and those dear to them in life. That makes them complex, interesting characters. It’s the reason I find Aragorn’s flirtation with corruption to be unconvincing, because he never seems truly at risk and there was never a real moment where it seemed he might give in or what the consequences would be if he did. By contrast Boromir did show us the risks. He was complex, he showed us the world beyond the narrow scope of the nine members of the Fellowship, he showed us what was at stake both on a global scale and on a personal one. As a result, he was one of the most fascinating characters in the film trilogy and I love him to this day. 

Some Boromir fic recs, if you made it this far 

(Both are non-shippy/Gen because the only person I ever wanted to ship Boromir with was me, and goddamn the LotR fandom had some great gen fics)

Boromir’s Return, by Osheen Nevoy - in which Boromir returns to life and must struggle with his own redemption, and the strange creature that resurrected him (not a Mary Sue), one of the most complex and well-written fanfics I’ve ever read.

Veiling of the Sun, by @thegraytigress​ - Boromir succumbs to the Ring for more than a few moments, joining forces with the orcs sent to collect Frodo, and everything that can go wrong does go wrong. He eventually wakes from the haze to see with horror what he has done, and must set out on the road of his own redemption while the Fellowship tries to put back together the broken pieces of a quest gone horribly wrong. Heart-wrenching, one of the greatest LotR angst fics I ever read. 

And the greatest gif ever made: