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skinzchoerim · 3 months

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OnlyOneOf's dOpamine concert in Warsaw - my experience (+sentimental musings about the lore and its messages)

The first thing I need to get out of the way is that their crowd interaction game is 1000/10. They went on stage already knowing at least two greetings in Polish, and then Kyubin and Nine did a whole pantomime to explain their understanding of them. They presented "elo" as being very casual, best done with a bro chest bump, and they were correct about that. The funniest thing was when Nine showed "siema" (a greeting that's basically just as casual as "elo") as being very polite and official with a bow of the head. And hey, if he thinks that's the most official greeting in Polish, who are we to argue?

The translator wasn't very good so a lot of the context got lost, but they said that while sightseeing they met an elderly lady who was a lyOn. Then they met an elderly man from Busan who they hoped to turn into a lyOn, but he wasn't interested, and Nine said that's just how people from Busan are lol. Junji talked about how much he loved the view and that it made him feel really sentimental, which somehow turned into JunRie doing a couple dance with a spin. I really wish I had a video of it, I also can't find any taken by other people 😔

When the time for seOul drift came they asked about a Polish car brand, and of course everyone yelled "MALUCH!!!", so it was hilarious when they asked us to do a Warsaw drift in a maluch with them.

At some point the audience started chanting "zajebiście" which basically means "fucking awesome", and they were very keen to learn how to pronounce it. I really hope they remember it cause that would be iconic.

Now let's do a time leap and go back to what happened before the concert.

I watched the fanchat from afar and had the best view of Yoojung who looked really invested in everyone he talked to. I was surprised to see how wide and baby-like Rie's face is, it's really cute. Everyone says they look even better in real life, and personally I don't find that to be true. I think they're exactly as beautiful as they appear on screen. I'll explain it in more detail later.

Now for the fansign, which... my god. My worst fear when I saw how little time was reserved for it came true, because it really went by at the speed of light. I'm really glad I brought the prints to give them, because there was no way they would have noticed the shirt. For reference, here is what I gave them (Yoojung got two):

Junji was first, he smiled and said a cheerful "Hi!", I handed him the album and then quickly gave him the print before having to move on to Rie who was already making eye contact. I don't remember his exact reaction to the print, but he seemed positively surprised. Yoojung was the one who had the biggest reaction, his mouth did the '0' he often does and he either gasped or said "wow", it was all genuinely too fast for me to process and file away every detail. I don't remember Nine's reaction well because I was still reeling from Yoojung's (also I was distracted by his scar makeup, cause damn, it looked realistic). I think he said "thank you", although I'm not sure if he even looked down at the print. Mill also seemed positively surprised. Kyubin was last, and thanks to that I got to watch his reaction for the longest, although it was still barely a second. He looked at the print and then made eye contact with me while he was handing me the signed album. There was something about the look on his face that made me wish I had a moment longer to ask what was going through his head, but unfortunately all I could do was smile, give him an awkward nod goodbye and walk off. Did he recognize that he's seen the drawing before? Was he just surprised? Did he like it? I have no idea.

The hi-touch went by even faster since the staff told us to run. The pictures were taken with about 10-13 lyOns each. After the whole thing was done, I knew that for the next concert (fingers crossed 🤞) I'll have to buy the VVIP+ benefits. To be fair to myself, there was already a lot going on in the days leading up to the concert and preparing for the fanchat would've only added unimaginable levels of stress, but I think that the second time around, I'd be able to approach it with more ease. More on that later as well.

While waiting for the concert to start, some of their songs were playing in the background. The volume was fairly low and the amount of noise in the hall made it impossible to hear anything beyond the bassline and percussion, but that just made me wish that they'd release their entire discography with only those two elements cause let me tell you, it sounded SICK.

I started to really regret not getting the VVIP+ benefit once the concert began and the people in front of me covered the view with not just their heads, but also phones and lightsticks. I was only in the third/fourth row, but everyone in front of me was taller so I couldn't see everything that was going on, and seeing the videos others shared on Twitter it does seem like I missed a lot. Still, it was the perfect spot to get sprayed with water which happened more times than I could count (mostly Kyubin's deed, thanks bro I needed it).

The performances were absolutely top tier, but did anyone expect otherwise? I need them to release the dOpamine remix, I'd listen to it way more than the original. I couldn't see Yoojung during begin at all because he performed a little further back, so I'm really glad that once the medley was done they all sang the choruses of the solos again with the audience. Did I cry? No, but very fucking nearly, especially when we all sang begin together. Another moment that nearly brought me to tears was when Nine finished performing beyOnd and the music cut one line into the second verse. Obviously part of the reason why it sounded so heartbreaking was how unexpected the ending was and how much I wanted it to go on for longer, but it also sounded like someone suddenly took away his voice, so it fit the theme of Things I Can't Say LOve perfectly.

Speaking of having his voice taken away, I'm happy to report mine wasn't. The concert experiences I ruined for myself by freezing up and not joining everyone else in having fun outnumber the ones I approached with ease and made great memories during. I was especially worried since the previous concert I've been to, Odd Eye Circle's, unfortunately fell into the former category. The English version of Loonatic was my skinz before skinz existed, and when they performed it, anxiety got the better of me. I couldn't even open my mouth to attempt to sing along, and I still have regrets about it, because I know it would have been a liberating experience.

But none of that happened this time. I sang every song along with them (was I feeling smug that I knew almost all of the lyrics when the people around me only knew the English bits? yes, sue me). I put my whole fucking soul into my favorite songs, especially mirage, seOul drift and skinz. I can't even begin to describe how special it felt. Yelling the lyrics to skinz with lyOns all around me and OnlyOneOf a few meters away felt like a full circle moment. skinz was the beginning of so many things for me, and it's such a therapeutic song that's been helping me express myself unapologetically slowly, bit by bit over the past two and a half years. It doesn't matter that I don't have as many vivid memories of the concert as I wish I had, because I know that those two hours on June 12th 2024 have been euphoric and liberating, and I will carry that feeling with me every day, getting a little taste of it each time I listen to these songs again.

While after the fact I do wish the concert had gone on for longer, at the time it felt like the perfect length. The amount of songs in the encore was a genuinely nice gesture, because they were slowly getting people prepared for the end while constantly whipping out another performance, which is a really smart way to leave the audience in high spirits. I think they ended up performing four songs for the encore - OOO yOu, angel, lOve me and dOpamine (without choreo this time), and then the first verse and chorus of time leap right before they left the stage.

The acoustics in Progresja aren't the best, but it was an amazing experience to hear them sing live. I feel like in a lot of recordings it's kind of hard to tell if they're singing live or if it's playback because the vocal and music layers sort of merge into one. I might share the videos that my mom took with her phone, because hers actually captured that live quality of their singing.

I know me writing this here won't change anything, but I have to put I out there - these kinds of stages weren't made for K-pop acts. I can't imagine anyone aside from the people in the first row or someone very tall was able to see the elements of choreography that took part on the floor or the subtitles on videos (which come on, they at least could have had the foresight to place them on the upper part of the screen, not the bottom). K-pop groups - or anyone who doesn't just stand there holding a mic but has a visual side to their performance - should perform in buildings that are constructed like theaters, with the floor gradually rising so everyone can see the stage comfortably. It seems that the Madrid venue was exactly like that, so if anyone reading this was there or at a different concert in a similar venue I'd love to hear about your experience!

Now something that might cheer up anyone who hasn't seen them perform live - this concert made me very grateful that cameras exist and allow us to watch their performances filmed professionally. It's obvious that they're amazing performers from a distance, but only when a camera gets up close and captures the way they express every song and choreography with their faces does it actually hit. I've said it once, I've said it a thousand times, Yoojung is such an impressive and expressive performer, both in his body and face, and having close ups of his facial expressions is a gift from heaven.

As I laid down in bed and my emotions were cooling off, it dawned on me how many good things in my life I owe to them and how special it is to have this one artist I can point to and say "the time I spent with them changed me for the better". I think seeing them live isn't even the pinnacle of my experience as a fan, but everything I carry with me every day that I have thanks to them. That being said, I really want to see them again. Most of what I've written down here was right after the concert, but now I don't feel like I remember as much as I want to. Nonetheless, this was my favorite concert among the ones I've attended and the most special experience of my life so far. Next time I'm getting VVIP+ and getting closer to that stage so I can finally enjoy the view in peace. I'm not even taking the option that they won't return here into account. They will last forever and they will have an infinite number of world tours.

This is where this post stops being a concert review and becomes sentimental musings of an unhinged person, so strap in. I did my best to structure this section in a way that would clearly communicate my thoughts to someone who isn't the owner of my brain and therefore doesn't have the exact mind map of interpretations of the various elements of OnlyOneOf's lore. The things I say here might be something most of us have thought or felt at some point, so what I hope to achieve here is simply it put into words, because I don't think anyone else has done that in the context of OOO.

I have to start by defining what exactly I mean whenever I say “the lore” (please don't make a drinking game out of every time I say "lore" in this post, you will die). Just like with any other K-pop group who has a deeply thought out concept, “the lore” encapsulates everything related to their conceptual work - songs, music videos, lyrics, teasers, MV descriptions, symbolism, references etc. What makes my definition of OOO’s lore deviate from how I'd define other K-pop groups' lore is the elements that make OOO's lore itself different from any other. K-pop storylines are known to be complex, but the ones I’m familiar with can all be described in the form of a story with specific characters played by the members, various events, superpowers and plot twists. OOO’s lore is more focused on emotions - loneliness, desire, love, fear. Because of that, the facts of what happens in the work itself can take second place to the emotional value of it. Their story can't be analyzed like a book with a beginning, middle and end, because it's too ambiguous and multifaceted for that. We can instead discuss the themes and observe the emotional progression happening within the lore. I like to compare analyzing their lore to untangling the chord of your earphones, because when you start getting frustrated at yet another impossible knot, you can just give it a rest, put the earphones in and enjoy how their art makes you feel.

I think it was the youtuber LOU who first viewed something OOO had made through the lens of cubism in her video about dOra maar, but I'd take it a step further and say that OOO's art makes the most sense if you look at everything from a cubist perspective, i.e. there isn't a single perspective on anything, but multiple viewpoints that all work together to create what we could call "the lore". It becomes easier to take a look at the whole picture the lore paints if you keep that in mind.

We observe an internal journey across various songs that connect to each other in smaller or bigger ways. We can, but we don't have to view all of them as being one person's story. The lore contains a collection of themes that create an ambiguous, unnamed protagonist whom we see represented by the bOy wearing cOmme des garçOns or the characters in the be series. None of them are THE protagonist, but they all make up the protagonist, because they all offer different perspectives on the themes that drive OOO's art and have been building up the group's identity over the past five years.

All of what I've mentioned thus far is just creative fiction. There is another perspective on their art that has real life implications, because there are real people whose job it is to express the inner world of the protagonist through songs and performances. OOO's music videos acknowledge their status as idols in the same way other K-pop groups with a fictional narrative do - they break the fourth wall by showing snippets of choreo and lipsyncing in between storytelling. OOO could be written off as nothing more than actors in entirely fictional roles if it wasn't for how intertwined they are with the themes in their art, in no small part thanks to how active they are in the creative process, but even beyond that. Their job as idols is acknowledged within the narrative (skinz MV, beyOnd description, the name of undergrOund idOl). So, their life as idols with a fandom is yet another perspective through which we can view their themes.

Here is where our role as spectators becomes important, because this aspect of the lore couldn't exist without our input. The way we respond to it and the conversation we create around it is what gives it meaning.

One side of the lore is the human side - the intimate and natural imagery of the libidO MV, the cozy warmth of cOy, the fun of blOssOm's choreography. On the other side, there are parts of the lore that feel emotionless and cold - MVs like sage, time leap, asOiaf, dOpamine, or graphics for Off angel and dOra maar. This dichotomy is something that can be used to discuss a lot of themes, like emotional distance in romantic relationships or a feeling of being ostracized by society. For the benefit of this post, I'll focus only on parasocial relationships between artists and fans.

Being a fan is both an experience of intense connection and distance that goes way beyond just oceans and borders. The one-sided nature of a parasocial relationship can be difficult to navigate for some people, but it seems to be something a lot of us need. It's comforting to know that you can develop a strong emotional bond with someone you're completely detached from and don't have to do any of the work a real interpersonal relationship needs; you just get to enjoy yourself as you receive art and entertainment. But that comfortable distance distorts the way we perceive the artist's personhood. We know and understand that they're a fellow human being, but we can't help that we never have an opportunity to experience them as such. They’re not people to us in the sense that they have no physical presence in our lives, they're just a series of recorded images projected onto a screen, filtered and airbrushed. We can watch them act like regular people on and off the stage, but whether we want to or not, we perceive them as more glamorous than anyone we meet on a daily basis. How could we not when part of their job is to tower over us while looking like a perfectly crafted illustration every time they get on stage?

This is where another theme present in OnlyOneOf’s art comes in, which is putting someone on a pedestal. In their songs, it's discussed in the context of romantic, artist/muse or God/follower relationships, but the part of the lore I'm talking about here is something that exists in the way we as spectators perceive them and their work.

Idols are human - I'm aware I'm not making an interesting point by acknowledging that. The reason I've been inspired to write about this in the first place is that I realized how being in physical proximity to someone you have a parasocial relationship with can shift your perception of their humanity.

I didn't buy the VVIP+ benefit because I knew I would be way too nervous about those six minutes and I'd probably spend most of that time awkwardly pretending I can hear what they're saying through the noise all around. Never meet your heroes, because you might make an idiot out of yourself, or however the saying goes. I thought I was in the vast minority who felt this way due to my anxiety while other lyOns would be ecstatic to get to meet them face to face. However, while I was standing in the queue I overheard a lot of people talking about how nervous they were, which is funny, because why the hell would any of us be nervous? They're the ones who are about to have a crowd of strangers observing their every move and recording every little mistake, they should be feeling the most nervous of us all! This got me thinking about why anyone would be nervous to meet their favorite artist, and the conclusion I came to is that it's intimidation. We're not wrong to feel intimidated; I think it's perfectly normal and natural in this scenario. I'd say it’s also quite healthy, because you’re not able to get too familiar with someone who intimidates you, which ensures the emotional distance required within a parasocial relationship is kept. As with everything, it's about balance. The problem appears when the emotional distance between a regular audience member and an idol grows so large that it becomes dehumanizing. Unfortunately, seeing how Korean netizens and international fans alike latch onto tiny things to criticize about the things idols do and say, this is still a very relevant topic. A pedestal that's too high can result in an approach that's entitled, cold, and often cruel. An idol becomes an imitation of a person, someone untouchable and unshakeable. Any words thrown their way, especially online, feel insignificant in comparison to their towering presence. For the people with an especially cruel streak, finding out their actions have a psychological impact on a public figure probably makes them feel like they regained some power in this uneven relationship. To them, it's nearly impossible to perceive an idol as someone with a right to receive empathy, because in their mind, the idol is too far removed from the humanity they observe in people who exist around them.

What's important here is that the lore shows us the full spectrum of who OOO are - they're idols, singers, performers, actors; they're people with fears, desires, intimate stories and hidden sides; people who have dopamine running through their bodies, people who need connection with others and people who have things they can't say. These things can't be separated from the members, because they make sure to take this message beyond the art itself. They don't filter themselves nearly as much as most idols have to - they swear, make dirty jokes, write songs about sex, casually talk about kissing men and offhandedly mention having a romantic life without apologizing for it. They're underground idols, and they intentionally distance themselves from the unforgiving audience members who would have a heart attack if their faves acted one tenth as relaxed as OOO do on a daily basis.

What I'm trying to get at here is that OnlyOneOf's art is created with the intention to create more empathy - for queer people, for mistreated lovers, for discarded muses, for people reconciling their faith with their sexuality, for one's own self despite having a lot of internalized issues. Through doing that, they override the loneliness inherent to the stories their songs tell and create possibilities for connection. They give us art that makes us feel less lonely by being a reflection of our messiest, most intimate feelings and experiences, and in turn they ask us to recognize them as a reflection of us and to not isolate them from the full human experience just because of the job they chose and its restrictions. When Jaden Jeong said they're the future of boy groups, I think he hoped they could influence audiences to humanize the figure of the idol.

I watched them between the professionally executed performances as they riffed off of each other, laughed and zoned out while looking at the audience. There were no cuts to a different, more flattering angle, no hand in the editing room controlling what footage sees the light of day. They look more beautiful in real life not because anything about their features looks different, but because the reality of being in the same space with them and finally getting to experience them just as any other human being, even with some distance still present, is a very special experience that holds beauty of its own. At that moment, I couldn’t remember why I was nervous before, and I began to wish I had sat down with them and shared a short conversation about any random thing. It would have been imperfect, but there was no reason to be afraid of that. They're just six guys of flesh and blood who clearly love what they do and whose work has given me happiness and purpose over the past two and a half years, and I would have cherished those six minutes of interaction.

On the train home, I discovered a more sentimental feeling while listening to them, especially the songs they performed, but not exclusively. There was something more personal and artistic I heard in their voices that made each song feel like more than just a recording, but a special moment in time shared by people who created something they wanted to share with others. This feeling fades the more the time distance grows between the current me and the me that attended the concert. Two hours weren’t enough.

I don't know how to end this post other than to say how fascinating it is that including imagery of fan/idol culture and technology within the lore so it mixes with all these deeply intimate stories makes everything OOO do a living piece of art. Simply existing as idols and people fuels the reason for the existence of their concept in the way that it currently exists, and I just think it's incredible.

#oh hey it's the post that took me two weeks to write #was it worth it? i mean i think so but you see for yourself #onlyoneof #onlyoneof dopamine tour #onlyoneof theory #personal #theorychoerim

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