#open sky riddim

[djmusicbest]

Beatport Warm Up Essentials April 2024 Dubstep

- Artists: Beatport DATE CREATED: 2024-04-26 GENRES: Dubstep Tracklist : 1. Rezz, Cyclops - OPEN UR EYE(Original Mix) 2. Virtual Riot - Touhou Riddim(Subtronics Remix) 3. ProbCause, Ahee - Rainbow Funk(Original Mix) 4. ProbCause, SIPPY, Smoakland - Smoak & Sip(Original Mix) 5. Doktor, Flux Pavilion, Jessica Audiffred - Bigger Than Bad(Original Mix) 6. YOOKIE - SUNSHiNE OF YOUR WUB(Original Mix) 7. Big Gigantic, Smoakland - Always Wanna Talk(Original Mix) 8. Jantsen, ZEKE BEATS - BABABASS(Original Mix) 9. Effin - In The Sky(Original Mix) 10. VAMPA - Dizzy(Original Mix) 11. Eptic - CYBERHELL(Original Mix) 12. Hallucinate, Zingara, Nat James - Manifest(Original Mix) 13. Subtronics - Alien Communication(Original Mix) 14. Whales, Ace Aura - Hypnosis(Original Mix) 15. Cyclops - Bloodshot(Original Mix) 16. Kayoh, LSDREAM - REKT(Effin Remix) 17. XotiX, MYRIAS - SPIN(Original Mix) 18. Virtual Riot - Simulation(VIP) 19. Deucez - Higher(Original Mix) 20. Read the full article

[muznew]

Beatport Warm Up Essentials April 2024 Dubstep

- Artists: Beatport DATE CREATED: 2024-04-26 GENRES: Dubstep Tracklist : 1. Rezz, Cyclops - OPEN UR EYE(Original Mix) 2. Virtual Riot - Touhou Riddim(Subtronics Remix) 3. ProbCause, Ahee - Rainbow Funk(Original Mix) 4. ProbCause, SIPPY, Smoakland - Smoak & Sip(Original Mix) 5. Doktor, Flux Pavilion, Jessica Audiffred - Bigger Than Bad(Original Mix) 6. YOOKIE - SUNSHiNE OF YOUR WUB(Original Mix) 7. Big Gigantic, Smoakland - Always Wanna Talk(Original Mix) 8. Jantsen, ZEKE BEATS - BABABASS(Original Mix) 9. Effin - In The Sky(Original Mix) 10. VAMPA - Dizzy(Original Mix) 11. Eptic - CYBERHELL(Original Mix) 12. Hallucinate, Zingara, Nat James - Manifest(Original Mix) 13. Subtronics - Alien Communication(Original Mix) 14. Whales, Ace Aura - Hypnosis(Original Mix) 15. Cyclops - Bloodshot(Original Mix) 16. Kayoh, LSDREAM - REKT(Effin Remix) 17. XotiX, MYRIAS - SPIN(Original Mix) 18. Virtual Riot - Simulation(VIP) 19. Deucez - Higher(Original Mix) 20. Read the full article

[berlysbandcamp]

Based in Uganda, East Africa, the musicians IR::Sankara Future Dub Resurgence like to describe their music as “Future Dub.” They take elements of noise, non-metric riddims, experimental electronics, dub reggae and dub poetry, and djembe and nyabinghi drumming together to create the unexpected. The opening lyrics to “Anarchist Africa” set up the critical, yet self-reflective, mindset of this mini-album. Sometimes it’s necessary to question the paradigms that have been implanted in our minds. So we ask you to be pensive as opposed to defensive. Lyrically, these tracks aim to challenge our political and cultural concepts, especially of the African subcontinent and its colonial as well as pre-colonial histories. Those who seek to reclaim our African glory so often put centralised African kingdoms like Kemet, Mali, Kush at the center of their story name-checking kings and queens to add to the sheen But Africa was more than those anarchist examples, more common than we suppose. In fact, these centralised kingdoms were a minority “Anarchist Africa” also addresses the history of indigenous people in Africa and how their lives and contributions have been evaluated. Are we not detracting from African indigenous peoples who chose instead to humbly respect and flow with the earth acting as caregivers of this land on which we stand? Africa’s anarchist and anti-authoritarian traditions are presented on this track to give a radically different perspective of the continent’s political story. The track “When Visions Fall From Sky” pays homage to African ancestral practices, emphasizing the mystical experience while challenging the grand narratives and stereotypes that have been made (and used against) African peoples throughout modern history. It utilises bass-heavy voices of dub poetry and jagged, dub-inflected percussion. Together, these elements have the piercing effect of presenting what Sankara Future Dub Resurgence describe as “Our African story” (as opposed to his story): 18th century literacy rates in West Africa in places like Senegal were two to three times higher than any place in Europe at the same time BOOM! Plantation records in America were often kept by enslaved African Muslims using African languages written in Arabic script because the slave owners could not read or write BOOM! In 1770, before the French and American revolutions, There was a revolution in Futa Toro, West Africa That not only abolished slavery, but kings BOOM! They can’t take the book from you If you are the book. The “BOOM” behind each message represents the power of remembering African knowledge-traditions in light of racist, historical erasure. As photographer and musician Aniruddha Das notes, "seldom is there ANY depiction of African people with books or reading.” This EP was created physically and virtually with the collaborative forces of IR::Sankara Future Dub Resurgence, Herman "Soy Sos "Pearl, Dhangsha, the Professor Of Dub and others in the Shadows. Lastly, this EP is incomplete without director Joshua Black Alibet's film visualization of the track “When Visions Fall From Sky.” Filmed on the beautiful Ugandan island of Senene, it uses the natural lighting of the early morning sunrise to create luminous, soft textures. It draws on the subtleties of the colour spectrum in ways that evoke Daughters Of The Dust (1991), a landmark work of African-American cinema in which director Julie Dash handled lighting in ways that caressed its Black protagonists in a beautifully affirming manner. You can watch Alibet’s film here on Vimeo:https://vimeo.com/473864476

[kevindurkiin]

Life In Color Dropped Heavy Bass Music from Diplo, DJ Diesel, and More [Event Review]

Life In Color landed this past weekend in Miami, Florida’s art district Wynwood. For this year’s latest iteration of Life In Color (more colloquially known as LIC), the people behind the “world’s largest paint party” gathered their paint cannons and their vendors to have their pink, green, yellow, blue, and orange paint bottles restocked and ready to turn a music festival into a real-life Splatoon party. With Bang energy drinks as their latest sponsor, LIC enlisted the likes of Diplo, What So Not, Said the Sky, Ray Volpe, Wooli and even Shaquille O’Neal bringing his DJ Diesel presence to the 305.

Guests entered LIC to find $5 bottles of paint readily available with artists making murals and DJs throwing down in-your-face, bass bangers. Some were dripping from being as close to the front of the stage as possible while others were adorned with small splashes of color on their white t-shirts. There was even one festival goer in attendance wearing a panda mask that was turning more and more pink as the festival raged on.

One of this year’s most interesting facets about this year’s LIC lineup is that almost all the artists work with and/or perform with bass music. All of these main stage headliners spewed riddim, dubstep, and trap anthems to an audience asking for as much bass as their was paint. From the more melodic and experimental nature of artists like What So Not and Said the Sky to the neck-breaking, adrenaline-pumping nature from the likes of Ray Volpe going back-to-back with Wooli and DJ Diesel. And each performance was solid. I was surprised to see how hyped the crowd was when Shaq would demand the crowd to start a mosh pit. At that time, three opened up simultaneously and mayhem ensued.

However, there was a second smaller stage known as the “Secret House Party” nestled into a corner of semi-dilapidated Wynwood warehouses. Here, local Miami-based talent like Lucas Larvenz, Dr. Clutch, and DENO dropped four-to-the-floor fire. Meanwhile, a team of skilled of shuffle dancers were surrounded by the partying crowd. Even Gabby J David, renowned shuffle dancer, made an appearance flexing on the concrete dancefloor. It was like a legendary 1990s rave but updated by 2019’s standards.

Life In Color has changed a lot since its inception. After several college paint parties took off in the early 2000s, these organizers envisioned a greater scope that these paint parties could have. From there, they created Dayglow which hosted events in Miami’s nightclubs and eventually touring with the concept for college crowds to party across the country. After Dayglow was bought by SFX Entertainment (now known as LiveStyle) in 2012, they rebranded as Life In Color and began to have larger lineups. This included starring headliners such as Calvin Harris, Big Sean, 2 Chainz, Steve Aoki, Marshmello, Alesso and many more. By 2016, LIC made a new home in Wynwood where it has been hosting the flagship paint party ever since.

The evening concluded with a lengthy and varied set from Diplo. The Mad Decent label boss and hit producer has been a longtime headliner for LIC from their earliest time as Dayglow performing at their events as a solo artist or as part of groups like Major Lazer and Jack Ü. In other words, Diplo was and is the most appropriate act that could ever headline Life In Color ever. His set contained mixtures of songs like the Sheck Wes anthem “Mo Bamba” with Zomboy’s remix of “Follow” by Bro Safari as well as his own hits like “Waist Time” with Autoerotique or “Get It Right” with MØ. Diplo closed out the festival with a crowd left behind satisfied from a day of head-banging, mosh-pitting, and general paint-related debauchery.

Overall, Life In Color 2019 was a stellar party. All the headliners performed to a crowd gobbling up every song, remix, and mashup blasting through their speakers. The crowd got their towels and dried themselves of all the wet colors splattered all over their bodies before hopping into their cars and Ubers. Even though this year sacrificed variety in its lineup across the offered artists, LIC put together a consistent lineup of bass-focused artists who have enough personality to stand apart from each other. It would be interesting to see if LIC doubles down on sticking to being a bass music festival or one that switches to other genres like house, hip-hop, or Latin music. Either way, Life In Color will always be the “world’s largest paint party” no matter what music’s hosting the show.

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We are still buzzing from LIC Miami 2019! Thank you again to everyone who came out and shared an amazing night with us

Posted by Life In Color "World's Largest Paint Party" on Tuesday, January 22, 2019

This article was first published on Your EDM. Source: Life In Color Dropped Heavy Bass Music from Diplo, DJ Diesel, and More [Event Review]

Life In Color Dropped Heavy Bass Music from Diplo, DJ Diesel, and More [Event Review] published first on https://soundwizreview.tumblr.com/

[bluebuzzmusic]

Life In Color Dropped Heavy Bass Music from Diplo, DJ Diesel, and More [Event Review]

Life In Color landed this past weekend in Miami, Florida’s art district Wynwood. For this year’s latest iteration of Life In Color (more colloquially known as LIC), the people behind the “world’s largest paint party” gathered their paint cannons and their vendors to have their pink, green, yellow, blue, and orange paint bottles restocked and ready to turn a music festival into a real-life Splatoon party. With Bang energy drinks as their latest sponsor, LIC enlisted the likes of Diplo, What So Not, Said the Sky, Ray Volpe, Wooli and even Shaquille O’Neal bringing his DJ Diesel presence to the 305.

Guests entered LIC to find $5 bottles of paint readily available with artists making murals and DJs throwing down in-your-face, bass bangers. Some were dripping from being as close to the front of the stage as possible while others were adorned with small splashes of color on their white t-shirts. There was even one festival goer in attendance wearing a panda mask that was turning more and more pink as the festival raged on.

One of this year’s most interesting facets about this year’s LIC lineup is that almost all the artists work with and/or perform with bass music. All of these main stage headliners spewed riddim, dubstep, and trap anthems to an audience asking for as much bass as their was paint. From the more melodic and experimental nature of artists like What So Not and Said the Sky to the neck-breaking, adrenaline-pumping nature from the likes of Ray Volpe going back-to-back with Wooli and DJ Diesel. And each performance was solid. I was surprised to see how hyped the crowd was when Shaq would demand the crowd to start a mosh pit. At that time, three opened up simultaneously and mayhem ensued.

However, there was a second smaller stage known as the “Secret House Party” nestled into a corner of semi-dilapidated Wynwood warehouses. Here, local Miami-based talent like Lucas Larvenz, Dr. Clutch, and DENO dropped four-to-the-floor fire. Meanwhile, a team of skilled of shuffle dancers were surrounded by the partying crowd. Even Gabby J David, renowned shuffle dancer, made an appearance flexing on the concrete dancefloor. It was like a legendary 1990s rave but updated by 2019’s standards.

Life In Color has changed a lot since its inception. After several college paint parties took off in the early 2000s, these organizers envisioned a greater scope that these paint parties could have. From there, they created Dayglow which hosted events in Miami’s nightclubs and eventually touring with the concept for college crowds to party across the country. After Dayglow was bought by SFX Entertainment (now known as LiveStyle) in 2012, they rebranded as Life In Color and began to have larger lineups. This included starring headliners such as Calvin Harris, Big Sean, 2 Chainz, Steve Aoki, Marshmello, Alesso and many more. By 2016, LIC made a new home in Wynwood where it has been hosting the flagship paint party ever since.

The evening concluded with a lengthy and varied set from Diplo. The Mad Decent label boss and hit producer has been a longtime headliner for LIC from their earliest time as Dayglow performing at their events as a solo artist or as part of groups like Major Lazer and Jack Ü. In other words, Diplo was and is the most appropriate act that could ever headline Life In Color ever. His set contained mixtures of songs like the Sheck Wes anthem “Mo Bamba” with Zomboy’s remix of “Follow” by Bro Safari as well as his own hits like “Waist Time” with Autoerotique or “Get It Right” with MØ. Diplo closed out the festival with a crowd left behind satisfied from a day of head-banging, mosh-pitting, and general paint-related debauchery.

Overall, Life In Color 2019 was a stellar party. All the headliners performed to a crowd gobbling up every song, remix, and mashup blasting through their speakers. The crowd got their towels and dried themselves of all the wet colors splattered all over their bodies before hopping into their cars and Ubers. Even though this year sacrificed variety in its lineup across the offered artists, LIC put together a consistent lineup of bass-focused artists who have enough personality to stand apart from each other. It would be interesting to see if LIC doubles down on sticking to being a bass music festival or one that switches to other genres like house, hip-hop, or Latin music. Either way, Life In Color will always be the “world’s largest paint party” no matter what music’s hosting the show.

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We are still buzzing from LIC Miami 2019! Thank you again to everyone who came out and shared an amazing night with us

Posted by Life In Color "World's Largest Paint Party" on Tuesday, January 22, 2019

This article was first published on Your EDM. Source: Life In Color Dropped Heavy Bass Music from Diplo, DJ Diesel, and More [Event Review]

source https://www.youredm.com/2019/01/23/life-in-color-dropped-heavy-bass-music-from-diplo-dj-diesel-and-more-event-review/

[042jam]

Lord Sky – African Riddim

Lord Sky – African Riddim

Lord Sky – African Riddim MP3 Download

Lord Sky bounce with another impressive single titled ‘African Riddim’

http://www.042jam.com/wp-content/uploads/2020/05/Lord_Sky_-_African_Riddim_042jam.com.mp3

DOWNLOAD MP3: Lord Sky – African Riddim

[seasonnewz]

[INSTRUMENTAL] Lord Sky - African Riddim

[INSTRUMENTAL] Lord Sky – African Riddim

The Talented Nigerian Producer Lord Sky comes through with a brand new instrument titled African Riddim. Download And Enjoy Below!!!

DOWNLOAD AUDIO FROM NSTV RADIO™

[kobbymichael]

Demarco - Proud (Prod. By Blue Sky Productions)

Demarco – Proud (Prod. By Blue Sky Productions)

Demarco – Proud (Prod. By Blue Sky Productions)

Demarco presents his third official release of the month titled “Proud“. The track is featured on the Sanitizer riddim produced by Blue Sky Productions.

CHECK ALSO: Vershon – Nineteen (Prod. By Blue Sky Productions)

Enjoy it beneath and share your thoughts with us.

http://www.hitz360.com/files/uploads/2020/05/01-Proud.mp3

DOWNLOAD MP3

[aacehypez]

Shane O – Star In The Sky (High Supremacy Riddim) (Prod. By Damage Musiq)

Shane O – Star In The Sky (High Supremacy Riddim) (Prod. By Damage Musiq)

Shane O Star In The Sky mp3 download (High Supremacy Riddim) (Prod. By Damage Musiq), Jamaican highly-rated singer, Shane O jumps onto the “High Supremacy Riddim” to serve up this catchy masterpiece he called “Star In The Sky” which was produced by Damage Musiq

Download Also: Jah Vinci – My Pain (High Supremacy Riddim)

Shan…

[alittleabouteverythingg]

hadiyyah makes a playlist*

So I've been in China for a few weeks now and I still haven't figured out my phone situation. On one of my first days here EF (the company I work for) gave me and the entire group of other teachers that arrived the day I did a sim card. I learned immediately from arriving at the Guangzhou airport how important having a Chinese sim card was. Unlike Hong Kong airport, where there's automatic accessible wifi, at the Guangzhou airport you have to put in your Chinese number to access the wifi. So there was literally people by the bag retrieval selling sim cards. Luckily a few days later I got my own Chinese number and sim card, and EF even gave us free (super old) Nokia phones to temporarily use for a month. This aided in opening my bank account at ICBC bank but that's about it. Everyone here uses the WeChat for literally everything from communicating to bill payments and all my little Nokia has is snake (remember that game?). But luckily I brought my iPhone with me. I turned off my services so my bill wouldn't be ridiculously high, and decided to use my phone only on wifi. I told myself before leaving for China that the key to staying here would be having pieces of home that was dear to me with me. Those things were: my pikachu stuffed animals, pictures of my family, and two playlists with my favorite songs that I made on Spotify. The cool thing about Spotify is that you can make the playlists and download the songs on wifi (I did this while I was home) and you'll be able to listen to them even when you don't have service. (I have premium btw) So I chose these songs (kind of) carefully, songs that I knew that I loved and would make me feel good regardless the weather,the mood, the day, the country.

Here's the two playlists.... Playlist 1 - Chill * Talkin To Me - Amerie * Closer - Goapele * Nothing Even Matters - Lauryn Hill * When We Get By - D'Angelo * He Loves Me (Lyzel in E Flat) - Jill Scott * For Real - Amel Larrieux * If I Was A Bird - Floetry * If It's Love - Kem * Pieces Of Me - Ledisi * Cruisin' - D'Angelo * Believe - Raheem DeVaughn * Until The End of Time - Justin Timberlake & Beyoncé * The Best In Me - Marvin Sapp * Diary - Wale * Exhale/Shoop Shoop - Whitney Houston * Superpower - Beyoncé * Can You Stand The Rain - New Edition * Tears Dry On Their Own - Amy Winehouse * Comfortable - Lil Wayne * My Life - Mary J Blige * Fly Like A Bird - Mariah Carey * No Angel - Beyoncé * Use Your Heart - SWV * Passionfruit - Drake * Sweet Thing - Mary J Blige * Someone To Love You - Ruff Endz * Did You Wrong - Pleasure P * I Smile - Kirk Franklin * Free- Destiny's Child * Me and Mr.Jones - Any Winehouse * A Woman's Worth - Alicia Keys * My Love - Ciara * Grapevyne- Brownstone * Bag Lady - Erykah Badu * Speechless - Ciara * I Wanna Be Down - Brandy * Butterflies - Floetry * Love Galore - SZA * Crown Royal - Jill Scott * Love,I Thought You Had My Back - Keyshia Cole * CoStar - Day 26 * Teenage Fever - Drake * Every Little Thing I Do - Soul For Real * Still Standing - Monica * Slowly Surely - Jill Scott * If You Love Me - Brownstone * Baby I'm Scared of You - Womack&Womack * Keep Your Head To The Sky - Earth,Wind And Fire * Fool's Paradise - Meli'sa Morgan * I'm Still In Love With You - Sean Paul * Oui- Jeremih * God In Me - MaryMary * Certainly - Erykah Badu * Deep Inside - Mary J Blige Playlist 2 - Upbeat • Incredible - Future • Shining - DJ Khaled • It's A Vibe - 2 Chainz • International Players Anthem - UGK & Outkast • Girls on Stage - Dom Kennedy • Tunnel Vision - Kodak Black • How's It Going Down - DMX • Madiba Riddim - Drake • Play No Games - Big Sean • Say Hello - Jay-Z • Signs - Drake • Good Things - Rich Boy • Bodak Yellow - Cardi B • Fight Night - Migos • Ayy Ladies - Travis Porter • Knuck If You Buck - Crime Mob • To The Max - DJ Khaled • Back That Azz Up - Juvenile • When I Come Around - Dom Kennedy • Moment 4 Life - Nicki Minaj • Lord Give Me A Sign - DMX • One For Me - Wizkid • I Think I Love Her - Gucci Mane • Move That Dope - Future • Magnolia - Playboi Carti • White Iverson - Post Malone • Koze Kuse - DJ Merlin • Back Up On It (Jasmine) - Dougie F • Slippery - Migos • My Type of Party - Dom Kennedy • Whatever You Need - Meek Mill • Unforgettable- French Montana • Goosebumps - Travis Scott • Rake It Up - Yo Gotti • Fever - Vybz Cartel • Come Closer - Wiz Kid • Blessings - Big Sean • Proud of You - Drake

[bluebuzzmusic]

Life In Color Dropped Heavy Bass Music from Diplo, DJ Diesel, and More [Event Review]

Life In Color landed this past weekend in Miami, Florida’s art district Wynwood. For this year’s latest iteration of Life In Color (more colloquially known as LIC), the people behind the “world’s largest paint party” gathered their paint cannons and their vendors to have their pink, green, yellow, blue, and orange paint bottles restocked and ready to turn a music festival into a real-life Splatoon party. With Bang energy drinks as their latest sponsor, LIC enlisted the likes of Diplo, What So Not, Said the Sky, Ray Volpe, Wooli and even Shaquille O’Neal bringing his DJ Diesel presence to the 305.

Guests entered LIC to find $5 bottles of paint readily available with artists making murals and DJs throwing down in-your-face, bass bangers. Some were dripping from being as close to the front of the stage as possible while others were adorned with small splashes of color on their white t-shirts. There was even one festival goer in attendance wearing a panda mask that was turning more and more pink as the festival raged on.

One of this year’s most interesting facets about this year’s LIC lineup is that almost all the artists work with and/or perform with bass music. All of these main stage headliners spewed riddim, dubstep, and trap anthems to an audience asking for as much bass as their was paint. From the more melodic and experimental nature of artists like What So Not and Said the Sky to the neck-breaking, adrenaline-pumping nature from the likes of Ray Volpe going back-to-back with Wooli and DJ Diesel. And each performance was solid. I was surprised to see how hyped the crowd was when Shaq would demand the crowd to start a mosh pit. At that time, three opened up simultaneously and mayhem ensued.

However, there was a second smaller stage known as the “Secret House Party” nestled into a corner of semi-dilapidated Wynwood warehouses. Here, local Miami-based talent like Lucas Larvenz, Dr. Clutch, and DENO dropped four-to-the-floor fire. Meanwhile, a team of skilled of shuffle dancers were surrounded by the partying crowd. Even Gabby J David, renowned shuffle dancer, made an appearance flexing on the concrete dancefloor. It was like a legendary 1990s rave but updated by 2019’s standards.

Life In Color has changed a lot since its inception. After several college paint parties took off in the early 2000s, these organizers envisioned a greater scope that these paint parties could have. From there, they created Dayglow which hosted events in Miami’s nightclubs and eventually touring with the concept for college crowds to party across the country. After Dayglow was bought by SFX Entertainment (now known as LiveStyle) in 2012, they rebranded as Life In Color and began to have larger lineups. This included starring headliners such as Calvin Harris, Big Sean, 2 Chainz, Steve Aoki, Marshmello, Alesso and many more. By 2016, LIC made a new home in Wynwood where it has been hosting the flagship paint party ever since.

The evening concluded with a lengthy and varied set from Diplo. The Mad Decent label boss and hit producer has been a longtime headliner for LIC from their earliest time as Dayglow performing at their events as a solo artist or as part of groups like Major Lazer and Jack Ü. In other words, Diplo was and is the most appropriate act that could ever headline Life In Color ever. His set contained mixtures of songs like the Sheck Wes anthem “Mo Bamba” with Zomboy’s remix of “Follow” by Bro Safari as well as his own hits like “Waist Time” with Autoerotique or “Get It Right” with MØ. Diplo closed out the festival with a crowd left behind satisfied from a day of head-banging, mosh-pitting, and general paint-related debauchery.

Overall, Life In Color 2019 was a stellar party. All the headliners performed to a crowd gobbling up every song, remix, and mashup blasting through their speakers. The crowd got their towels and dried themselves of all the wet colors splattered all over their bodies before hopping into their cars and Ubers. Even though this year sacrificed variety in its lineup across the offered artists, LIC put together a consistent lineup of bass-focused artists who have enough personality to stand apart from each other. It would be interesting to see if LIC doubles down on sticking to being a bass music festival or one that switches to other genres like house, hip-hop, or Latin music. Either way, Life In Color will always be the “world’s largest paint party” no matter what music’s hosting the show.

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We are still buzzing from LIC Miami 2019! Thank you again to everyone who came out and shared an amazing night with us

Posted by Life In Color "World's Largest Paint Party" on Tuesday, January 22, 2019

This article was first published on Your EDM. Source: Life In Color Dropped Heavy Bass Music from Diplo, DJ Diesel, and More [Event Review]

source https://www.youredm.com/2019/01/23/life-in-color-dropped-heavy-bass-music-from-diplo-dj-diesel-and-more-event-review/

[rbeatz]

🌏𝖀𝓲 rGL🌏bal W𝐄dn𝐄sd𝓐𝓨 Track List…

  FUN!!! I Love the music we play

00:         WhoMadeWho – I Don’t Know (Fur Coat Remix) 4:54        Vanilla Ace, Jean – We Feelin’ It 10:03       Mia Martin – Latin Moon (Creative Ades Remix) 15:30       Goldfrapp – Annabel (Matzingha Edit) 20:48       Kis Grofo – Lavkoma 24:03       HIRO – SOS

27:05       Persia (Original Mix) Inkarnate

30:29       More Than Friends (ft. Kelli-Leigh) James Hype 32:48       Guardians (Original Mix) Jaxx 35:32        Force Down at the Styx (BouncN´Glow Chill Mashup -Joel Brandon x JDG x Allelos 41:40        MTV (Official Music Video) – Kryder 44:22        Whats Poppin – Lucky Charmes & Essentials 46:47        Mant Array (Official Music Video)- Sander Van Doorn 49:42        Only Me [Moretin Talents EP] – D2M 53:16        Give It Up – SMACK 55:06        No Shame (Official) Tuff London

58:15        Push Riddim – Vato Gonzalez

60:56        Run  [Official Audio] -Wiwek 63:37        Sky (Madson Summer Mix) – Sonique 66:58        Red Lips (TWO BIRDS Remix) – GTA 71:01        My Love For You (Original Mix) – KIBA 78:12        AmaBenu ( Pro. By DJ Flexy) – Underdoor 81:14        Got This (Official Video) Russ

83:49        Interlock (Official) Bassnectar & ATLiens 88:17        Boy Oh Boy (Official video) – Alexandra Stan 90:13        Mayores (Official Video) ft. Bad Bunny – Becky G 93:30        On va leur faire [Clip Officiel] – Sultan

97:03        The Man – The Killers

100:59      Electric Blue (Official Video) – Arcade Fire

104:52      Yile Gqom (Remix)- Dj Cleo ft. Winnie khumalo Phantom Steeze (Both remixes) 115:15      Fi Ha (Remix ) – Burak Balkan

Del

http://ift.tt/2xymFJPnefarious-316052730

  Musician/Songwriter/Producer/Artist

704-870-1222

Del has written and produced music for: Pitbull, Gloria Estefan, Jon Secada, KC & The Sunshine Band and many more. Credited with 1 gold and 1 platinum record. During his solo career signed to WEA he landed on the charts in 2005′. Billboard R&B at number 52 with the remake of the George Michael classic “Careless Whisper”. That same year, Del performed on Soul Train. He also remixed a number 1 dance single for Kabah in Puerto Rico.

In the Latin market, Del has written and produced with artists Thalia, Celia Cruz, Soraya, AB Quintanilla, Yuri, Paulina Rubio to name a few.

As an actor and extra, He appeared in several music videos and movies: Ricky Martin’s “She Bangs”, Celine Dion’s “A New Day”, Shakira’s “Me Quedes Tu” as her hairstylist, CSI Miami, Bad Boys II, and Out of Time. Delhas recorded movie soundtracks for Cellular (Kim Bassinger), Private Lessons, Miami Hustle and Stonerville. Del has also produced a song for the award winning video game “Fight Night 2005”.

As an intern, Del has worked for Dallas Austin producing sound libraries as well as an apprentice for Scott Storch. In 2005, he formed the rock band Big Bang Radio and opened for Duran Duran, Modest Mouse, The Strokes, Foreigner, All American Rejects, Ashlee Simpson, Gnarls Barkley, Common, Nine Inch Nails, VHS Or Beta, Brazilian Girls and many more. Del’s band received international and national recognition through the reality T.V. show on FUSE, Bodog Battle of the Bands. 10,000 bands battled and Big Bang Radio placed 3rd and received 3 months of international television time on the show also starring Johnny Rotten and Billy Duffy.

Recent projects include La Banda for Univision and music production fo Ricky Martin’s Vegas review & One World Tour

𝖀𝓲 rGLbal W𝐄dn𝐄sd𝓐𝓨 Track List…

from rBeatz Radio http://ift.tt/2w9Qezf

[ricardosousalemos]

Major Lazer: Know No Better EP

Who better to thrive in our island-obsessed pop multiverse than Diplo? A decade after he and Switch produced M.I.A.’s “Paper Planes,” the tropical collage favored by the duo, who officially became Major Lazer in 2009, dominates the airwaves. Acts as disparate as Daddy Yankee, Ed Sheeran, and the Chainsmokers share the Top 10, indulging in mid-tempo riddims and stadium-worthy hooks that take cues from dancehall.

Switch departed in 2011, but Major Lazer endures. The producers Walshy Fire and Jillionaire traded in any hint of countercultural signifiers for pop’s big tent and a collection of of-the-moment co-stars on its 2015 album Peace is the Mission. Know No Better, a new EP, released with little warning last week, mines similar territory. The first two tracks alone feature Quavo, Sean Paul, Travis Scott, J. Balvin and Camila Cabello—add the Major Lazer trio and that’s the kind of dizzying star-power on which Fast and the Furious franchises are founded.

Those initial two songs, along with a third, “Particula,” are the highlights on this brisk clubby delight of an EP, which doesn’t quite clear the 20-minute mark. Each has a standout section; on the title track, it’s Travis Scott, gleefully surfing a thumping bouncy-castle of a 4/4 beat in his opening verses. Balvin adds real feeling to the bridge of his feature “Buscando Huellas” the strongest overall song on the EP. And the Afrobeat-influenced “Particula” features the catchiest hook, thanks to the Nigerian vocalist Ice Prince and some nicely timed synths.

Mix and match those three sections and you might have a candidate for the song of the summer. But consigned to their separate slots, they serve as mere scene-setters on tracks that convey only mood and nothing more. All three songs are conceptually bankrupt, lacking even the simplest sentiments to coax listeners to return. That might help explain why the rappers here seem so adrift: Quavo, Sean Paul, and Jidenna slide by in near-anonymity, unable to hinge their verses on even the thinnest outcropping of meaning.

Still, no listener in a summery state of mind would object to the three openers, nor to “Sua Cara,” a too-short samba-influenced ballad featuring the Brazilian singer Anitta, whose thin, pretty voice may remind American listeners of the Nina Sky twins. It’s the heavier, more club-ready songs—“Jump” and the soca cut “Front of the Line” —that fall entirely flat, lacking the jots of inspiration that collaborators are able to provide elsewhere.

Diplo’s appropriator-in-chief act notwithstanding, it’s possible that the American producer simply has his hands in too many pots. In a recent interview on Beats One, he enthusiastically described the many projects he has in the works—a collaboration with Mark Ronson, another, rap-themed EP under his own name, a full Major Lazer album coming in the fall—while habitually forgetting who it was that he was actually working with. An eye for emerging talent has always served Major Lazer in good stead, but relying on features can only get an act so far, even in the most welcoming of pop environments. And as fun as it is at times, Know No Better doubles as a testament to the result of spreading a handful of good ideas too thin.

[thesunlounge]

Reviews 348: Expositions

I came to the music of Reuben Smith through Balearic Social Records, who included “Venezuela” on the Sola various artists EP back in 2017. Released under the name Calle Gravina, the song was a total revelation and saw tropical mallet instrumentation dancing alongside big bottomed synth basslines, beachside downbeats, and psychedelic wah licks while equatorial synthesizers fluttered on a seabreeze. And best off all, the track featured a truly jawdropping “Na Na Na” chorus that truly must be heard to be believed, for so powerful is its effect that words simply fail me. In the time since the release of “Venezuela,” I’ve often dreamed about more music from Reuben and finally, after three years of waiting, my patience has been rewarded in ways I couldn’t have imagined, for the artist is making a big splash in 2020 via a new project named Expositions. The first release from Expositions and the focus of this review is the Yellow Haze EP, which was recently put out by the ever-amazing Forest Jams, a label that never fails to blow me away and who I last checked in with via the California coastal psychedelia of Starving Daughters. Here, the pairing between label and artist couldn’t be more sympathetic, for across the EP’s four tracks, Reuben moves smoothly between sunset downtempo, island life dubfunk, slow motion boogie, and seaside fusion, as subsonic basslines slide sensually, synthesizers fall like a summer storm of gemstones, shakers and tambourines add touches of beachdance swing, solar space leads swim in stoner splendor, palm-muted echo riffs dance on sunbeams, and fat bottomed balearic beats guide the body through exotica bongo and conga tapestries. And in crucial moments of soulful pop euphoria, a vocalist named Hanna delivers delirium diva incantations awash in an Ibizan chill-out dreamhaze...her voice sometimes joining Reuben’s for dopamine hooks, while at other times floating off into the ether.

As well, I’d like to briefly discuss the second Expositions EP Nights at Casa Ana, which is already in the works via a Qrates crowdfunding campaign found here. I encourage readers of this blog to back the pressing if possible, as the release is truly special and deserves its place on wax. Moreover, Nights at Casa Ana sees the welcome return of the aforementioned Balearic Social Records, a favorite label of mine that has been lying low since 2018’s Nyala split EP between Bonnie & Klein and BlackBush Orchestra. Though Nights at Casa Ana still revels in familiar vibes of sunshine positivity and oceanic radiance, the EP sees Reuben moving slightly away from downtempo pop towards fever dream fantasies and drug-induced paradises, which is nowhere more apparent than on the near 15 minute “Energía Mística.” The track is a slowed seaside disco epic, featuring nimble funk basslines, kaleidoscopic guitar refractions, blissful fusion leads, layers of solar squelch, fourth world dub electronics, acid fuzz space solos, and snippets of spoken Spanish flowing in and out of birdsong…the whole thing comprising a journey in extended balearic jamming only rivaled by Max Essa’s “Panoramic Suite.” As for the other two tracks, we are treated to shorter, though no less expansive adventures, both featuring acid house bassline percolations and further trippy Spanish spoken word sampling. “Misteriosi” sets a filmic dancefloor gallop beneath jangling western guitars, sea-crystal melodies, mellotronic prog flutes, sci-fi synth leads, chanted breaths, and layers of extasy laughter while in “Tomate tu tiempo,” machine beats lock into a samba-esque swing, AOR guitars ride a warming summer wind, marimba fractals surround woodwind lullabies, soulful chords stoke vibes of 70s disco intoxication, and starbeam fusion solos dance through layers of seaspray while neon-hued acid tracers fire gently across the mind.

Expositions - Yellow Haze (Forest Jams, 2020) Shakers and sonar sequencers set the stage in “Get With You” before cutting away to slinky bass guitar riffage and a slow motion balearic breakbeat, with touches of boom bap kissing the rhythmic flow. Static textures swoosh around smooth Rhodes riffs as the basslines hit ever heavier and high in the sky, synthesizers radiate Italo fusion lullabies and new age starscapes amidst cooing vocal accents. After a drum fill eruption, we drop into paradise pop intoxication, with Reuben’s and Hanna’s hazy vocal hooks trailed by soulful Rhodes chord flourishes…the whole thing like a supremely stoned out _Moon Safari-_era Air cut. Underneath, tapped rides shake out golden glitter, snares crack on the beat, and basslines execute funky octave walks while later, after a brief cut into dreamhouse pianos and slow motion disco drums, a run down the ivories ushers in a symphonic paradise climax awash in pads that breath like celestial ether. Then, following another delirium chorus accented by tambourine jangles and liquid wah wah gurgles that flutter outwards in every direction, the track ends with synth solo dazzlement, as laserlight runs ascend on ocean-filtered sunbeams amidst mechanized ride bells, swinging shaker hypnotics, crashing cymbals, and Hanna’s ethereal vocal shadowspells. “Rollerskates” follows with its spaceage harpsichord/steel pan synths layering a rainfall of percussive ocean crystal over shakers and robotic slapbass weirdness. As the groove drops in, we find ourselves in a broken beat dub out, with hi-hats spitting fire on a skanking riddim, lofi snares popping off the beat, and layers of angel starlight and nacreous vocal chaos swirling all around. It’s a doped out boogie beat groover in the style of A Vision of Panorama, wherein crystalline keyboard chords and Carribean steel leads swim through rainbow gases, low down vocal drones filter into cut-up trance euphoria, and meditative whistle tones ensnare the mind. After a quick drop, snare fills bring back the jam, which now seems to squiggle and shimmer with an almost nervous sense of energy, and as the rhythms continue pulling in and out, pianos scat out blues-tinged reggae riffs amidst gaseous bodies of choral star magic. And as the futuristic harpsichords and synthetic island idiophones continue bouncing alongside the dubwise boogie rhythms, one can easily imagine a boardwalk scene where myriad skaters glide graciously beneath a shining sun.

In “Sun Shine Down,” galactic pads swirl amidst crashing waves as hand drums hint at a blossoming beat. Then comes the groove proper, wherein distorted basslines generate huge wavesfronts of subsonic romance, tick-tock cymbals move around pounding kicks and cracking snares, and Hanna sings spells of shadowy wonderment…her lyrical phrases and wordless extasy reveries calling to mind Cathy Battistessa’s work with balearic masters such as Afterlife and Blank & Jones. At certain moments, feedback synths evoking both seagulls and diamond sparkles melt over the mix while piano chords hit like neon liquid. Elsewhere, during understated climaxes, these amazing polysynth melodies start descending…as if discretized pulses of psychedelic starlight are dancing across a sunset sky. All throughout, massive basslines slide with a fluid grace, bongos blow in on a coastal breeze, and hissing cymbals open up into heatwave blasts, with heady rhythmic drop stoking vibes of anticipation. And as the the track ends, a blazing fusion synth solo works into the stereo field…slow and sensual…with trippy modulation wiggles interspersing the paradise glide. Yellow Haze ends with “Holding On,” which drops into a bottom heavy heroin groove seeing palm-muted echo guitars moving lackadaisically over a dubfunk pulse. Basslines hit low before sliding high, shakers and cymbals guide the body, and tropical hand percussions spread out as Hanna executes dazzling soul diva reveries, with her voice occasionally trailed by coral-colored synth harmonizations. A towering tom fill cuts the groove down to tapped rides, spitting hats, and pooling bodies of liquid synthesis while later, as the kick, snare, and bass synths slam the body into oblivion, wah wah electronics spread outwards into a ghostly sea haze while e-pianos communicate with dolphins and whales. During a magnificent synthesizer solo, bluesy fusion leads filter and bend as the basslines move in tandem with the beats…the vibe bleary eyed and stoned out before reducing to a Floydian pulse, one overplayed by strange bell-tone cacophonies. Building back, tambourines jangle and guitars generate psychosonic dub lick and echo-morphing funk riffs beneath a cascade of vocal starlight before the downtempo body groove finally slams back in, with the stereo field now overflowing with wavering webs of crystallized vibrato while Italo-style squelch leads seek out the sun.

(images from my personal copy)