#or a billy who thinks they're better off dead because they will never accept anyone being different and

[randomnameless]

I’m surprised at the amount of billy asks you get. Does it mean that they’re popular? All i know for sure is that they certainly seem to interest a lot of people. And i agree that they really do have the bones for a fascinating character, but the developers couldn’t be bothered to build something from those bones because 1) sim shenanigans, you can’t have your self insert react strongly if you’re meant to project 100% onto them, but billy does have traits that keep getting mentioned by more than one person plus the few actions they do choose and a backstory, which doesn’t seem like cardboard to me imho, but also 2) earl gray, and what invader added is the most damning detail of them all. Or rather, not a detail, but the anchor that sank billy. I know we’re meant to keep flamey and edelgard separate in our minds because edelgard is marketed as a poor sad waifu you must feel compelled to rescue, but it doesn’t erase her actions or flamey. When we have evidence saying that silver snow is meant to be the primary marketed canon route and so much of the conflicts across two games come down to the actions of one person plus a poorly thought out loptous stand in, all it tells me is that the main character was doomed to fail because the developers could not decide how to write a school mystery + romance of the three kingdoms sympathetic to cao cao so they tried to “fix” that or make it “gray” by turning it into a dating sim to artificially raise the emotional stakes. At least to me it says they didn’t have confidence in billy as a main character at all because so much of it hinges on centering edelgard and the players picking faves out of the rest of the cast, and to make it more insulting the compensation is being able to kill billy in the spin off? I myself don’t really have any big faves in the games because i only play them casually and read your blog, but what i do know is that it makes me hate edelgard for essentially being the gravitational center of the games like a narrative black hole and the developers being too cowardly to really cement her as a villain, and it doesn’t make me like warriors either because it doubles down on trying to explain her position instead of telling a story and because shez fans are extremely annoying and rude online, no surprise that many are also edelgard fans.

I'd say it's a cumulation of everything!

I think the fandom (myself included!) might have been a bit harsh on Billy because of their avatar status, even if I still think Rhea's S-support "aloneb4u" is shit and Seteth not giving any fucks about her and centering his support and convos on "we must find her so she will reveal da truth 2 u" is bonkers and both of those instances can't be only attributed to Hresvelg Grey but to "only the player is important", like the theory i came up with the self-insert scissors.

But yeah, I feel like at one point, Supreme Leader hijacked the "main character" or "character at the center of the plot we want to tell" spot, all gravitas went to "can u kill the student who loves u and bear with the sad uwus for the rest of your run ??" instead of, you know, the greater plot Nopes teased us with a Larva vs Sothis that never happened?

I compared FE16's story to many things earlier on, but the general thing is "why are we talking and following the least interesting parts of Fodlan", Supreme Leader's war of unification is meh, bias or no bias, I would have loved to see a War of Heroes game, or even a game set during the Sothis vs Agartha era (or the two why not) - but here we just have Ashnard lite with an uwu glazing, without even tackling a traditional or underlaying issue from the FE series about coexistence between people and acceptance and whatnot.

(the reason why AM is still, imo, a letdown because it ignores the dragon in the room)

What was Billy supposed to be? Supreme Leader's luf interest? A character that can conceptually fall (if they pick Tru Piss) thus can ascend in other routes? A self insert? The character you're supposed to navigate the world with?

I think Billy being a silent protag was a disservice to them - despite all of its faults, Nopes at least gives more light to Billy and it's refreshing, even if the game will never add 1+1 because Hresvelg Grey.

TBH I think Fodlan has its own share of fans being annoying regardless of the character they support - and while Barney is pretty chatty, ultimately Barney is the deviant art OC with two swords because why not, a sekrit past that is never explained and somehow stronger than everyone who is actually as empty as an oyster shell. We don't know what Barney wants, to be a merc? Yeah, but why? Is it because Barney is searching for somewhere to belong - just like Billy in a way - ?

As for the cardboard mention, it's most likely again in relation to Hresvelg Grey and Fe Fodlan's writing - the games don't spend enough time to build a sense of friendship and camaraderie between the cast to make the "betrayal" hurt or even the "y must we kill people we knew :'( " meaningful, so we only have the "wah sensei why didn't you pick me :(" or the general "i'm sad to fight against you" but like, mate, who are you? Why are you lamenting having to fight against Billy - someone who is opposing/invading your country and everything you stand for - like Billy and 12 months in Rhea's rocky mansion meant so much to you, much more than the 17 years of life (with acquaintances, friends, family, etc) you had?

But it's also in relation to Hresvelg Grey and the silent protag - why no one can give a reason - save for Supreme Leader "lizards BaD + MAGA" - to join this route, heck, not even Billy can say why they joined this route...

In French we have a saying that goes "comparaison n'est pas raison" more or less meaning you can't always compare things bcs context and all, but after TS's protag Serenor - who also has Gary Stu moments! - Billy not saying a thing about Supreme Leader's nonsense, frowning at Dimitri and being silent during Claude's monologues is... annoying.

But when Billy isn't in Fodlan games, they can talk and there's still the forbidden rule of not adding numbers - never ! - but they shine more.

[reareaotaku]

You Stupid Bitch!

Summary: Billy can't be Ghostface, you just won't accept the truth, and neither will he. Why throw away everything you both have over a few dead bodies? Characters: Yandere! Billy Loomis x Reader Tw: Gaslighting & Manipulation

The wind was blowing harsher than it normally did or maybe it was the anticipation. You felt Billy's lean, slick hand graze up your back as he softly kisses your neck. You pull back a little, causing him to glare at you, but he quickly shakes it off.

He decides to lay his head on your neck, while his hand intertwines with yours. You can feel his gaze, but you decide not to give him the satisfaction. You're scared of him and you know he can sense it. He smells the fear reeking off of you like smoke.

Randy was talking about something, but you weren't listening to him. You were too busy thinking about the man that was breathing down your neck.

"Right Y/n?"

You snap out of your head and look up at Randy, who was looking at you, waiting on you to respond. "Uh, Yeah... Sure." You shiver when feeling Billy's icy breath on your neck; It makes your hair stand.

"So, you think Friday the 13th is better than Nightmare on Elm Street?"

"Sure-"

"You think some Mommy's Boy who comes out when people are fucking is better than a man who kills you in his dreams?"

"Isn't Freddy a Pedophile, though? Isn't that why he was burned?"

Randy rolls his eyes, "It's a horror movie, they're all bad."

"Well, Jason drowned in the lake because the counselors were to busy fucking instead of watching the kids-"

"Oh please, cry me a river. Some kids bully you, so you should go after innocent people?" Randy sits down close to you, causing Billy to push himself against you and look over at Randy, while still leaning on your shoulder.

"Why do you have such a hard on for Freddy?"

Randy turns towards Sidney, shaking his head, "I do not have a hard on. But how can anyone think Jason is better than Freddy?"

"I mean I like the Nightmare on Elm Street movies better than Friday the 13th, but when it comes to the characters as people, I'd prefer Jason." You then bite your lip, "Expect Johnny Depp in the first movie. He looks mmmm.... so good-"

You feel a squeeze on your waist and you straighten up.

"But not as good as you, Billy. No one will ever look as good as you"

You hear a chuckle and a sarcastic laugh. Billy glare tightens on Randy.

"Something funny?"

"No," Randy quickly shakes his head. "Nothing at all."

-----

"Why are you so stressed?"

"I'm not stressed-"

Billy pushes near your scapula and a pop sounds in your ear. You groan, though before you can say anything, Billy slowly engraves his fingers into the knot and slowly rubbing back and forth. He presses down firmly and starts making circle motions with the tips.

"What's got you so worked up?"

"N-n-it's nothing."

He lifts up your hair, kissing your neck, "You seem... scared. Are you scared of me, Baby?"

"Should I be?" You question, not looking at him.

He caresses your cheek, sliding his thumb gently against you. "I would never hurt you."

"I'd like to believe that," You mumble to yourself, but he heard you.

"You think I'd hurt you?" He lets go of you and turns you around, caressing your face, "Why would I do that? Do you think I'm some kind of killer? Because, I'm no killer, Y/n. Maybe... Just maybe, people keep placing things in your mind, making you believe I killed people-"

"No one told me anything." You grab his hand as he glares at you.

"Y/n, I'm not a killer. You're painting me as some villain." He pulls his hand out of your grasp and taps your forehead. "I'm not a villain Y/n."

"Okay."

His brows frown, "Okay? That's all?"

"Yeah." You shrug, "There's nothing else to say. If you say you're not a killer, then I believe you," You walk past him and back to your room as he watches you like a hawk.

[slasherlove420]

For @no-one375 💖💖💖

Michael Myers

•At first he doesn't completely understand what you're saying and then everything clicks: He remembers many patients at Smith's Grove definitely identified as transgender and because of it many parents sent their children there,they wouldn't stay for long and would be transfered onto proper hospitals in secret after all not everyone was an absolute idiot at Smith's Grove (unlike Loomis) so he never payed much attention to them

•He let you do what you must do;this was your life and had the right to live it as you pleased so he just stood back and watched you transform into your true self,the person you were always supposed to be ;you, a proud man and he didn't think less of you in any way

•Anyone that has or tried to harass you is dead and gone no exceptions,no mercy,if they felt the need to to voice their discomfort or disapproval then they'll have to voice them while six feet underground,this is who you are and it is no one business to tell you who you are or not.

• over all Michael Myers says Trans Rights or die.

Brahms Heelshire

• He's not the most woke, Feminity takes big part in either getting chosen or rejected,Brahms needs someone who's almost motherly and ofcourse believes that kind of affection should come from a woman but if you're both in a good place in the relationship he will be more thoughtful and open minded but most of all; Curious he will be curious at your condition and wants to learn about it once getting off his high horse.

•He loves watching you after you've explained him what being transgendered is and the process of transitioning he'll be in absolute awe, You remind him of a caterpillar turning into a butterfly, slowly transforming into something beautiful, and hella handsome he has to admit (kind of jealous you better not grow a beard or he'll swoon)

•You'll have to explain to him that you still love him the same as always like the fucking man baby he is and money is not an issue he has cash to burn you can afford bottom and top surgery no problems at all if you want to look like Terry Crews had a baby with Chris Hemsworth then you'll bloody look like it,he loves every bit of your true self now that his walnut brain has been blessed with this new knowledge about you.

Brahms Heelshire says Trans Rights.

Billy Loomis & Stu Macher

They both know what being transgender is, they watched Silence of the lambs it won't take them long to accept that they had a boyfriend the whole time,if you get emotional about it Stu will be emotional too "don't cry man you make me cry too!" He'll sob clutching you close to him while Billy is trying to figure out a way to get you to transition (he does not want a buffalo Bill situation he's not fond of the idea of you wearing people's skin)

"Just three dudes being Bros nothing to see here just three Bros broing it out calm down Tatum we're all Bros here-" Billy likes to refer to you as "my man" Stu calls you dude and handsome guy they're far more chill about it than any other slasher this is the 90s and it's either gay rights or get gutted

They can be jokey about many things but they're serious about you;they love you inside and out you're the glue that keeps them together (and also keeps them from doing something stupid) anyone that tries to harass you is getting a call from ghostface Woodsboro is not safe for transphobes or homophobes

Over all Billy and Stu say trans Rights .

[auskultu]

Yardbird Jimmy Page says, 'Open Your Mind'

Hit Parader magazine: WHEN YOU were a session man, were you playing bass or lead guitar?

Jim: Lead guitar.

HP: Was it difficult to switch to bass when you joined the Yardbirds?

Jim: It was at first because I tended to play it like a guitar. With the bass you just play a sort of root thing. I was just leaping around all over the place with great speed and I had to stop doing that. I managed to simplify it. But at first I was playing far too quickly.

HP: I read somewhere that you were going to play lead soon?

Jim: I already have because Jeff was taken ill. Chris took over bass.

HP: Who were some of the other people you have accompanied?

Jim: Them, the Kinks, Georgie Fame, I did some stuff for the Rolling Stones. Actually, we just did a lot of things for fun for Andrew Oldham. In fact, it really was good fun. But I've never been on any of their records. I was on the Who stuff. Petula Clark, P.J. Proby. Nearly everybody who didn't have their own backup group.

HP: How would you describe your style of guitar playing?

Jim: My style has always been very similar to Jeff Beck's. We knew each other for about 9 years. We've always liked the same music and we had the same tastes. As a result, it's been quite easy to fill in for him. When we get the two lead guitars going, it should be pretty good. Because it'll be like two identical people playing together.

HP: What's your opinion of the Paul Butterfield Blues Band?

Jim: I haven't seen them live. But their album is pretty good. As a harp player, Butterfield is really great. He's better than anybody in England. Lots of people speak of Mike Bloomfield, but there are a lot of guys in England who play that stuff.

HP: Beck is an excellent guitarist, but why isn't more of his solo work heard on records?

Jim: How far can you go? We've been told our latest album is too far advanced. There's too much electronic stuff on it. But I think it's all basic. We cut a single with Jeff. It's a Bolero thing. It's very exciting and strange. It's either going to be a monster or a bomb. It's an instrumental based on the classical Bolero piece. Beck's guitar-playing is exploited quite a bit there. But how much can you do that the public will accept? You either make a commercial record or a musicians' record. You've got to draw the line somewhere.

HP: Are there some good blues bands in England?

Jim: There's one called John Mayall's Blues Breakers. Mayall himself is terrible. And then Eric Clapton is good, but he's in the Mike Bloomfield bag, and that's that. And there are lots of good guitarists in minor bands.

HP: Would you say blues is still a big rage in England?

Jim: No, not really. It's still got a market; it's the same thing as in America.

HP: Are you basically a blues guitarist?

Jim: Before the Indian thing was exploited, everyone said I played like an Indian. Mainly because I was interested in the music so many years back. I had the albums and I sent to India for a sitar. I had one long before George Harrison. I tried to learn the actual classical music. It's very difficult. There are so many sides to it. I tried to adapt that to my guitar playing.

HP: Why have musicians latched on to these Indian sounds?

Jim: Because it's so esoteric. Everybody thinks they understand. They get a new sound and they say this is it. But really, they don't know what's going on, I'm sure. I've heard people in groups playing sitars and they don't know what's going on. They don't even tune them up right. Apparently, George Harrison has become deeply interested in it. He plays a sitar on their new album and he was getting along very well. People like Brian Jones just got it for the one record and I doubt if they'll ever use it again.

HP: There are a lot of Indians living in London, aren't there?

Jim: Yes, there are quite a few. Strangely enough, when you speak to them of Indian music, they don't seem to know anything about it. The only thing they know is the western music or the Indian film music, which is completely different from the classical. When you ask them about it, they recommend you to the Asian society or something. I met Ravi Shankar and that's how I got my information on how to tune up the sitar.

HP: Will you be writing material for the Yardbirds now?

Jim: With them, not for them. When one of us has an idea, we all chip in on it until it's finished. I wasn't on the last two, but 'Shapes of Things' and 'Over, Under, Sideways, Down' were all made up in the studio.

HP: What kind of equipment do you use?

Jim: When Chris is on rhythm guitar, we use any old amplifier because it isn't that important, but on bass we have a big set-up with 2 or 3 speakers.

On this tour, we've been given Jordan equipment. It's all transistorized equipment. We're sort of experimenting with it. It hasn't worked out properly on the lead guitars. But it's been sufficient on the bass. On bass, we've got 6 speakers to 8 speakers. In England I've been using a Showman Fender amplifier. And a Fender concert amp which is a smaller one with 4 ten-inch speakers. I link them up together so I get double the power. Through one you get the bass frequencies and through the other I use feedback and the treble frequencies. This is about the best set-up I've had so far. But Jordan is working on some new equipment which should prove to be great. I play a Gibson Les Paul guitar, Chris has an Epiphone bass and there's another Gibson floating around. Eventually, it will be all Gibson because we bought them and never bothered to change them. They're quite adequate.

HP: How did you finally end up with the equipment you've got now?

Jim: We just worked on it. I've been playing guitar for a few years now and I just work on this certain line. You do as best you can. The only problem being we blow up quite a few amps. We did one show and I had 4 amplifiers all linked up. It must have been about 400 watts all together. Those were Vox amps. They just can't take the volume. The speakers blow and then you don't get any sound at all. The Jordan ones didn't blow up, but they don't have enough volume. I've never broken a guitar, but I've been through nearly every make. I've never found a guitar which is exactly what I want. At the moment, I'm happy with this Gibson. I've also got a Fender Telecaster. I find every guitar's got a sound of its own and you can use them all and get something out of them. I haven't used the Telecaster on stage yet. Actually, all my guitars are in England because I came over playing bass. I switched to Jeff's guitar. His is very close to mine because they're both Les Paul models. Normally, we all travel by plane and the equipment goes by van. We have two road managers, one for the equipment and one for us.

HP: Have you found a big difference in British youth and American youth?

Jim: The Americans are a little more narrow-minded. The English, at the moment, are completely broad-minded. This wasn't the original concept of the English, was it? You can shock people in America very easily. If people are shocked, that's their bad luck. They should open their minds. In England, you could walk around in the nude and you wouldn't shock anyone. They'd think you should be put away, but they wouldn't beat the guts out of you. Also, the age of consent is 16. You can marry at 16. The attitude over there is completely free, just like the attitude toward clothes.

HP: Are you really that concerned about how you look?

Jim: I'm not really concerned with clothes. People put that on my shoulders. In actual fact, I'm pleased to see people walking around in outrageous things. They're throwing off the chains of a society that was. It's probably making England completely decadent, but so what. Billy Graham was just over there in England and if you walked around with him, you'd have seen it look all pretty decadent. I'd have to agree. He didn't make any impact at all. Actually, it's a forecast of the end of society. But I don't care because I'll be dead before it ends. If we've come this far in five years, it should really be something in another five. I'd like the new society to be a peaceful one but it won't be, because violence seems to be the answer to every problem. Every fringe society must be experiencing this. We walk around with long hair and someone shouts something, so you give them an answer back which is a little sharp and which they don't quite expect. Then they can't give you an answer, so they come to fists. What sort of mentality is that? I can't argue with a person like that.

It must be terrible for someone to have to fight in a war. I haven't had to think about wars. It's just something I haven't had to contend with, really, I hadn't realized what a big problem it is. I've just seen the horrors of it.

HP: Well, England doesn't have any big thing going now.

Jim: No, this is it. We have no conscription whatsoever. I'll never be drafted or anything.

HP: They won't send you over to Africa to beat up some people or anything?

Jim: Well, they don't do this. People wouldn't do this. If they had a mass conscription now, I dread thinking how many people would go. Because it would only be 40% of those who would have gone before they dropped conscription. People don't want to know about it anymore. They think, well, why should I waste two years of my life and probably lose my life in the process. They just don't want to know anymore.

They've got a regular army where you join and you jet paid every week for doing it. And you just do maneuvers and things.

HP: They have that here, too!

Jim: Yeah, sure, but yours is more of a reality because they get drafted over to Viet Nam. Basically, I must be a coward, but I just couldn't shoot someone. I guess it's different if they're looking at you with a gun and you're looking at them with a gun. You'd have to do it, though. I'd just be violently sick afterwards. I'd never forgive myself, anyway. I'm not the sort of person who's the violent type. I've never never had a fight in my life. I've never put my fists up to anybody. I've never needed to. Only, as I say, through the long hair problem people have said things. But it's never developed. Even if you say come on then, they still won't do anything. Basically, they've still got no guts. But even if they did, I'd run a mile. It's funny because you think, well, what are they going to do, and they don't do anything. So they just wasted the whole time laughing at you. Perhaps they just laugh to reassure their own masculinity.

HP: Why do you think there's such a big concern with clothes?

Jim: I don't know. It's a projection of one's character, I suppose.

HP: Is Carnaby Street a real madhouse?

Jim: It's so easy to send that Carnaby Street thing up. It really is. It's really a street with lots and lots of clothing shops. It's quite a revelation if you've never seen anything like it before, and I'm sure nobody over here has. There's nothing like that. It's just teen-age fashions, bizarre styles. You go there on a Saturday and the kids are there spending money. This is all part of the game, I suppose. Yeah, they spend a fortune on clothes. I don't know where some of the young ones get it from. You see them walking around and they must have spent twice what they've earned.

HP: Do they have things like charge accounts over there?

Jim: No. Not on Carnaby Street, anyway. They won't take checks or anything, not from the kids. Not unless they know you. But there is a big leaning towards clothes and fashions. It's an extension of their character. People have become more aware of the fact that, if they dress up and they look really elegant, I'm not saying Carnaby Street, but if they've got a very clean-cut suit on and still look pretty hip with it and not just sort of middle class, it has the affect on a girl.

HP: What's the biggest thing you dislike about America?

Jim: You see, the only thing that I've seen is violence, but I've only been doing concerts. I don't get out to walk around and meet people very often. If I was walking around the street, I probably wouldn't see any violence whatsoever. So, it's difficult. You see, I haven't seen much of America on this tour. But, when I had my holidays before in Hollywood, I enjoyed it. I thought it was great.

HP: You spent your holiday in Los Angeles?

Jim: Before I joined the group, I spent my holidays for the last couple of years in Hollywood.

HP: What are some of the things you enjoyed in Hollywood?

Jim: The weather. The weather's pretty bad in England. I met quite a few people and made some good friends. I liked the Sunset Strip; there's quite a bit happening there. I got to see groups I could never see in England.

HP: If you had a choice, where would you like to live?

Jim: Miles away from anybody. That's what I'm going to do when I get back. I'm buying a house. It's about a half a mile from anybody else. It's got a river, five bedrooms. That's for when the group slows down a bit. But we'll be working hard for the next year. There's so many things I'd like to do that I don't have the time for now. Things which are very important to me, like painting. But it's best to work now and make all the money I can.

HP: What kind of books do you like to read?

Jim: I used to study religion when I was in art school. But I stopped.

HP: Was that how you got interested in Indian music?

Jim: It may have been subconsciously. But I didn't just read about it and then go onto it. At the moment, I read sort of very strange things like I, Jan Cramer. Things which are a social comment. This Cramer is a beat painter in Holland. I like Henry Miller, too.