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#or my personal fave: men love when hot women come on to them so Lucien wasn't assaulted by ianthe
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If you're thinking about writing a post about sexual assault as it relates to the characters in your favorite piece of media and you don't have that expertise, can I suggest:
✨ shutting the fuck up✨
Now with the added benefit of NOT harming ACTUAL people to prop up your favorite character!
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gonewiddershins · 5 years
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Romancelandia you don’t have to ask I’m just gonna say it anyway~
Original Post Here
Barbara Cartland: Favourite author?
Courtney Milan.
Alisha Rai: Favorite era? (i.e. when they were written, not when set)
Current! I’m ecstatic to see how much more punk the romance novel genre has become lately- so many authors explicitly talking about race and class and gender and mental health and neurodivergence in so many interesting ways. Independent publishing opening up entirely new avenues which were not recommended for traditional publications. It’s exciting and wonderful.
Eve Dangerfield: Favourite setting for historicals?
Not sure if my opinion matters here because I have read books from very few eras? I think my preferences have moved to mid-to-late Victorian era for England-based books, but what I really want more of is historicals on other (non North American) continents. I badly want to do a romance in Historical India that is not about Englishmen, for example. Like a Muslim and Hindu falling in love during the Aurangazeb era, maybe. 
Anne Mather: Favourite contemporary setting/sub-genre
Again, I haven’t really read enough to form a nuanced opinion- when I look for contemporaries, my first priority used to be “does this make me laugh?” Which is um- a relic of a bygone era, because that used to be the only thing I wanted from contemporaries. 
Right now, I try to get read more of diverse romance in contemporary eras. Again, including non-American/English nationalities.
Georgette Heyer: Third or first person tense?
Either will do. It’s not really a factor in how much I enjoy a story. 
Lisa Kleypas: Hero/ine you’d most like to date & Jane Austen: Hero/ine you’d most like to be friends with
Same answer to both of the above categories. I’ll take anyone who I think is a rational person who forgives misunderstandings ans does not try to actively make them. I’m not really that picky. 
Amanda Quick: Hero/ine you most relate to
At the time when I first read it as a dramatic early twenties person, Minerva Lane from Courtney Milan’s The Duchess War spoke to me. There was a lot in there about fear and having to push yourself down fro the sake of survival that was similar to my life back then. I cried a lot when I read that book. 
More recently, I really wanted to snuggle up to Verity Plum from Cat Sebastian’s A duke in Disguise because her feelings of independence and placing it above pretty much everything else her life is... yeah. A lot of what Verity says sounds intimately familiar. 
Julie Anne Long: Historical or contemporary?
Historical. Given a choice between two books which are similarly positioned in terms of tropes I like and hate, I’ll pick a historical every time. 
Mariana Zapata: Open or closed door sex scenes? & Anne Hampson: Erotic or clean romances?
Ninety percent of the time I’m thoroughly disinterested in the sex scenes, and sometimes I am actively annoyed at the many pages of boning happening while the protagonists barely have an emotional connection. That said, there are plenty books which have no sex scenes where I am reduced to gross sobbing because GODDAMMIT THERE IS TOO MUCH SEXUAL TENSION IN THE AIR GIVE ME BONING.
I am still thirsty about Jo Beverley’s The Unwilling Bride. There was so much sexual tension and growth and Lucien was hot as hell but there was no sex scene. //grumbles
Elizabeth Hoyt: Paranormal or science fiction?
I haven’t read that much SF romance, but I’m going to pick it anyway because the usual tropes associated with Werewolves/Vampires bug the crap out of me. 
Nalini Singh: Favourite tropes
Both the protagonists have problems with stakes, and one is not there to manic pixie the other. Protagonists have relationships (non-romantic) outside of the romance. Subversions and reversions of gender norms. Banter and Snark. Character tries very very hard to not be emotionally vulnerable, but goddammit there are these stupid feelings. 
Alyssa Cole: Least favourite tropes
Prolonged Miscommunication. Slut shaming, especially when coupled with I Have Had So Much Sex and I am So Experienced hypocrisy. Gratuitous sex with no emotional connection. Protagonists immediately throwing over all other friends/family/loved ones for the sake of their new romantic interest. False competence in female characters which immediately get thrown to the wind when the romantic interest comes on scene (Ahem. Never Judge a lady By Her Cover.)
Rose Lerner: Favourite / Least favourite series
Nope.
Sandra Marton: Favourite romantic non-romance or love story
Unspoken Trilogy, by Sarah Rees Brennan. It is in part a fascinating exploration of privacy in a relationship- most of the rest of it is about friendships and platonic relationships. There is also a cult of sorcerers trying to take over the world via human sacrifice but I continue to insist that’s mostly just setting information. 
Skye Warren: Any problematic faves?
I have a depressingly large soft spot for anything funny, and I will forgive a lot of despised tropes if a book makes me laugh. I’m easy.
Specific examples: Until You (Judith McNaught), Dragon Shifter Series (Katie MacCalister).   
Ainsley Booth: Position on HEAs
I’m cool with those.
Abby Green: Position on HFNs
I like these better than HEAs, because the characters I like tend to be difficult and also fighting various difficult scenarios so it’s far more likely that more problems will pop up in their lives than not. 
Kristen Ashley: Position on the “romance novels are feminist” discourse
Conflicted. I think many romances are feminist, but there are an equal number or more which are patently not. Like all other genres, it has to be judged on a book by book basis, not for the genre as a whole.  
Carla Kelly: Position on the “calling romance novels trashy is problematic” discourse
Yes. Outright dismissal of an entire genre is just dumb. 
Diana Palmer: Position on the “are romance novels porn” discourse
Ha, no. Porn is porn. 
Johanna Lindsey: Position on the “romance novels represent the female gaze” discourse
Yes, I guess? In many romances the way men are portrayed is markedly different from the way they are seen in other genres. Again, this is not a universal constant- all romances do not show men in the exact same way. 
Also, it is hard to find any other genre with a larger proportion of characters, viewpoints and conflicts centered around women so there’s that.   
Mary Jo Putney: Position on the “calling romances without sex ‘clean’ or ‘sweet’ is implicitly slut shaming romances with sex” discourse?
Yes. Just call them romances without sex. What are we, the moral police?
Cara McKenna: What’s your hot take on the “forced seduction” trope?
I understand the time and place where there scenes were popular, and the social norms which prompted them. I’m still uncomfortable with them and there are may things I’d rather read about so I avoid them.    
Abigail Barnette: Opinion of Fifty Shades of Grey
Never read it, don’t plan to. Like I said, sex is not really my thing.
Tessa Bailey: Opinion of Twilight
I gobbled these books like a maniac when I first read them and there is a lot of pure entertainment in there and there is so much emotion. That said, they are not quite as interesting on re-reads. :(
Kathleen E. Woodiwiss: Opinion of Pride & Prejudice
I’m not comfortable with the prose, which means i prefer to watch/read adaptations. Most notably the Lizzie Bennet Diaries. 
Lynne Graham: Opinion of Harlequin Mills & Boon
Meh. 
Tessa Dare: Opinion of bodice rippers
I mean, I would be fine if there wasn’t so much of people causing their own problems by refusing to talk to each other. 
Sylvia Day: Opinion of Fabio
I did not even know he was a real person till like- recently.
Roni Loren: Opinion of male romance authors
Yes please. Particularly if they are writing under female pseudonyms. With this, we are getting the exact same thing that female authors did and have to go through- a forced perspective from people oft he other gender. That can only lead to more nuance and acceptance and I am all about that.  
Courtney Milan: All-time favourite romance novel & Jana Aston: Favourite contemporary romance & Judith McNaught: Favourite historical romance
Nope.
Alexa Riley: Physical or digital books?
Digital. I tend to make a lot of highlights and notes and that holds up much better with ebooks. 
E.L. James: Internal drama or external drama
Characters who are not getting together/along because they can’t communicate with each other are better off not being with each other in the first place. So if that’s what internal drama is then I prefer the external type. 
Sarah MacLean: Favourite heroine/s & Maya Rodale: Least favourite heroine/s & Penny Reid: Favourite hero/s & Megan Hart: Least favourite hero/s & Stephenie Meyer: Favourite and least favourite couple/s
I have types rather than specific examples. Most of it has already been detailed out in the tropes questions.
Beverly Jenkins: First romance novel you ever read
Almost Heaven, by Judith McNaught.
Sabrina Jeffries: How long have you been reading romance novels?
14 years or thereabouts.  
Loretta Chase: Last romance novel you read
A Duke in Disguise by Cat Sebastian. I’m currently reading An Unconditional Freedom (Alyussa Cole) and Earthrise (MCA Hogarth).
Christina Lauren: Do you need to start a series from the beginning, or can you just dive in anywhere?
Anywhere is fine.
Chuck Tingle: How strong does your HEA have to be?
Not much. See the HFN answer. 
Julia Quinn: Underrated author/s & Mary Balogh: Most overrated author/s & Violet Winspear: Most overrated book/s & Sara Craven: Most underrated book/s & Susan Elizabeth Phillips: Best romance by a debut author? & Madison Faye: Favourite romance by a non-romance author
Error Report: Cannot Compute, not enough data.
Nora Roberts: Least favourite hero and heroine archetypes
Eloisa James: What are you reading when you’re not reading romance?
Fantasy, Science Fiction, YA, Comics, Mysteries, Fanfiction, Nonfiction. I’ll read anything. 
Teresa Medeiros: Other media property you wish was a romance novel
Idk what this means?   
Laura Lee Guhrke: Last romance novel you DNFed
I think it was Elizabeth Kingston’s A Fallen Lady? Which was actually a GOOD book and I skipped ahead to scenes I really wanted to see and those scenes made me cry but also... there was not much about the romance itself that I was really interested in. I loved the heroine to death though. 
Cat Sebastian: Alpha, Gamma, or Beta heroes?
Depends on how they are written, but I confess an Alpha is so easily made into an irredeemable dipshit.  
Jeannie Lin: Ideal hero and heroine archetypes
Family-minded hero stressed out about taking care of his family. Independent, business minded heroine. 
Helen Hoang: Sexually experienced or inexperienced heroines? & Lucy Monroe: Sexually experienced or inexperienced heroes?
Experienced heroines and inexperienced heroes. Play against the type!
Lorraine Heath: When you choose a book do you look for tropes, plots or authors?
Authors, then Tropes. I barely pay attention to plots. 
C.D. Reiss: Puns in titles: 👍 or 👎?
YES. I have picked up books purely because of punny titles. 
Emily Bronte: Favourite cover designs/illustrations & Maya Banks: Least favourite cover design 
I suck a remembering covers so this question is going to get skipped~
Penny Jordan: What would you like to see more of in romance novels?
Diversity and cliche subversions. 
Lauren Blakey: What would you like to see less of in romance novels?
Overplayed cliches played in the same way again and again. Relationships based entirely on sex. 
Betty Neels: What do you think are the high and low points of the genre?
Highs: Romancelandia is probably the most intelligent and nuanced fandom I have ever been a part of and I have been a part of many fandoms. The genre is very, very diverse and there are so many experiments going on in the fringes. Questions and stories about the emotional components of relationships can never get old because there are too many permutations to explore in a few lifetimes.  
Lows: The core of the romance novel industry is still trying desperately to hold on to tropes and themes of older days, many of which are regressive. 
Jill Shalvis: Finish this sentence: “Romance novels are__________”
complex social commentaries. 
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