#other than the implication that Percy was going to be present with a huge choice with the fate of the world in the balance

[ofswordsandpens]

I would literally give my left arm to know if Riordan actually had an original end goal in mind for “Percy’s big choice” in hoo that was more consistent with the darker build up he wrote or if it was always this desultory “noooo Percy you can’t fight Gaea because for some reason this has been about you needing to learn when to take a step back” resolution because I reread hoo and its just... all of these moments where Percy’s perspective is just full of betrayal and anger towards the gods and this deep seeded resentment is starting to take hold (which I would argue is the natural progression of his characterization if he found out everything he fought for and everyone they lost in the previous war was apparently for nothing). Gaea is dropping these ominous lines left and right  that Percy is going to be a big part of her final plan, and the gods keep interacting with the rest of seven with cryptic statements about Percy that pretty much boil down to “Percy’s dangerous and powerful so pretty please make sure he doesn't do anything bad (to us).” Then Percy has, to put it kindly, a pretty rough go of it in tartarus that I just feel that the ultimate conclusion to this arc in canon is so underwhelming to what was being set up. It doesn't feel like the end was the natural conclusion to what was being written, it felt like the threads of Percy’s story were abruptly knotted and cut halfway through the design.

[annabethisterrified]

Book Review: THE TOWER OF NERO (The Trials of Apollo #5)

***No spoilers until you go under the cut!***

After months in the human form of Lester Papadopoulos, the former god Apollo is nearing the end of his trials alongside the young Meg McCaffrey. All their adventures and misfortunes have landed them back in the place it started-- New York. Meg and Apollo must defeat the final, most powerful emperor of the Triumvirate, who also happens to be Meg’s manipulative stepfather. Meanwhile, Nico, Will, and Rachel have important roles to play as the final battle looms. Even if they can defeat Nero, a more terrible enemy awaits in the form of Python, Apollo’s nemesis. Still, if they can succeed, Apollo will finally be restored to godhood. But after everything he’s been through, going back to the way things were doesn’t sound so great anymore. Apollo and his friends will have to find a new way to make all the sacrifices and pain they’ve experienced and witnessed worth it. That is, if they can survive their final trial.

As both the culmination of The Trials of Apollo series and the Camp Half-Blood Chronicles, The Tower of Nero excels at bringing the complicated, moving themes of the saga into final, meaningful reckonings. Nero proves to be a chilling and impressive enemy who forces Apollo and Meg to put everything they’ve learned through their journey together to the ultimate test. New and old characters combine to see the story to its end, and long-time readers are rewarded with actualized development and a bittersweet farewell. The Tower of Nero is a fitting and robust conclusion that shines with all the heart, humor, and growth that makes this saga a worthy frontrunner in children’s literature.

SPOILER SECTIONS BELOW

Welcome!!!!!!!!! Y’all. Y’ALL. I am REELING. If you’ve been around here a while, you probably know I’ve been online here since 2012 (?????!!!!!) where I subjected by followers to weird takes and frantic excitement about the upcoming installments of Heroes of Olympus, then Trials of Apollo. Since I was ten years old, this story has been such a huge part of my life. Now I’m 22 (?????!!!!). So. How am I feeling? I’m feeling like I need to flip over every piece of furniture in my house. In a good way. Look. I gotta break this down into three parts because I’m the worst!

I. TRIALS & TRIBULATION

The Trials of Apollo, to me, felt like the inevitable conclusion to Percy Jackson and the Olympians & Heroes of Olympus. We went through two series where we intimately followed the lives of young demigods growing up through two brutal wars, dangerous quests, and personal reckonings. Gods certainly made appearances, and some were more helpful than others, but the message was always clear-- the demigods were on their own. Two wars fought, two wars won, and at what cost? For what change?

Bringing a god down to earth (both literally and metaphorically) is really the only way a story like this could be rounded out. Especially when the god in question is Apollo. He’s the son of Zeus, who punishes him by turning him mortal. This family set-up already has enormous implications in reference to the previous chain of mythological events: Zeus killed his father Kronos, Kronos killed his father Ouranos, etc. 

Prophecy is also the scaffolding of this entire saga. Everything is dictated by it-- every quest relies on it, most of the demigods we meet are led by it, and the whole Greek/Roman world seems to build their lives around it. My point is, Apollo was a great character to use as the mouthpiece of this last series. He’s been present throughout the previous two series, and he’s relatively unaffected by the Greek/Roman divide. The enemy, the Triumvirate, is also an exciting antagonist-- they’ve fueled and funded the previous two wars, and their obsession with becoming “gods” is loaded with implications as Apollo races to return to his own status as a god.

Apollo himself is also a completely terrible being. From the first pages through his perspective, there’s certainly little sympathy or commiseration with our narrator. Apollo is many things: spoiled, petulant, selfish, and arrogant. He is not good, and now, he is no longer a god. Still, his voice and struggle remained compelling and engaging throughout the series. 

His bond with Meg McCaffrey is, without a doubt, the emotional heart of the whole series. I think they both see aspects of themselves in each other, and it was a genius move to make her the stepdaughter of the enemy. Nero literally sent Meg to be Apollo’s controller and thought that she would easily bring him down; the fact that both these very troubled people cling to each other in the face of such manipulation and frightening circumstances-- and then repeatedly choose to fight their ways back to each other time and again-- is really what makes this series work so well.

With Meg and Apollo at the forefront, after The Hidden Oracle the series takes on something of a “tour” format. We discover new places and revisit old characters across the country, which was definitely exciting for long-time readers to see familiar faces undergo even more development. (This might just be me, but I don’t think ToA can really stand on its own without the worldbuilding/establishment of the first two series-- that’s not a knock on it, but so much of it picks up where the previous series left off, which might make it a disorienting read for someone new to the world.)

Of course, the obvious midpoint reversal of the series is the death of Jason Grace in The Burning Maze. A flip switches completely-- not just for Apollo, but for the whole cast. This is not an incident that just “happens” and is swept aside. In the final two installments, Jason is threaded throughout the story, showing how grief is never truly over. But his sacrifice saved everyone he loved, and had profound impacts on everyone he knew. As brutal as it was, I appreciated how Jason really changed everything through his choice. 

By the time Apollo and Meg return to New York in The Tower of Nero, they are better, stronger versions of themselves. The things they once wanted-- godhood restored, or a father’s approval-- are no longer appealing. Their development (both individually and as friends) is utterly believable and hard-won. We see characters from The Hidden Oracle return changed, too. Losing Jason has dredged up dark feelings within Nico, Rachel is warding off the influence of Python in her mind, and Will’s healer heart is put to the test in yet another final battle. (Listen, this kid played instrumental roles in The Last Olympian, The Blood of Olympus, AND The Tower of Nero. The fate of the world really is in his capable, glow-in-the-dark hands.)

Together, Apollo and team venture into Manhattan for a very intense, exciting, and profound final reckoning with Nero. (CHAPTER 20, ANYONE????) Both Apollo and Meg, once and for all, come into their own and reclaim their power and independence. The pay-off is immaculate, and it’s jarring to remember the Apollo we once knew-- the easygoing one from The Titan’s Curse, the snobbish one from The Blood of Olympus, and the self-pitying one from The Hidden Oracle. His development throughout ToA is seamless and incredibly moving, and we’re left with a protagonist that we can truly, unequivocally root for and love.

II. HAVE YOU LEARNED?

When Nero is defeated, the real enemy still lurks. Apollo’s age-old nemesis, Python, has long haunted him. Their final reckoning is one-on-one, and after everything Apollo’s learned and been through, he goes into his last battle not necessarily caring whether he lives or dies-- he just knows Python must be defeated, no matter the cost. Don’t get me STARTED on his last conversation with Meg!!!!?????? (”Just come back to me, dummy.” I LOVE THEM) 

So, yeah, I’m already crying at that point. Apollo (slowly regaining his godhood) goes into this completely by himself, assuming all risk and responsibility. He’s forced to sacrifice the Arrow of Dodona, and eventually chooses to sacrifice himself by flinging them both down to Tartarus. But we don’t stop there! Oh, no, we go all the way down to Chaos. The primordial soup of all the pantheons, all of existence. Python crumbles, and Apollo clings to the edge-- he clings to life.

This is it. This is the literal rock-bottom moment of the saga, and I’m completely unsure of how he’s getting out of this one. Who’s going to rescue him? What can he even do at this point? Genuinely, I had no idea where this was going-- and I never would have guessed that it would be the goddess Styx who shows up. She’s played an important, but also very minor, role in ToA. I was baffled at first-- I thought, what does she have to do with any of this? But then it ended up playing out in like the most breathtaking, moving way possible. It’s one of the most defining scenes of the entire 15 books to me. 

She only asks him: “Have you learned?”

This is the goddess of promises and oaths. Since The Lightning Thief, we’ve seen how oaths are tossed around like confetti. Percy’s very existence (not to mention Thalia and Jason’s) is because of a broken promise. An oath to keep with a final breath is one of the revisited elements throughout the Heroes of Olympus series. Apollo makes willy-nilly promises in The Hidden Oracle, which he later regrets. 

Then, at the end of everything, Styx only asks Apollo if he’s learned. All the talk of promises and oaths in this story doesn’t actually have anything to do with “keeping promises”-- certainly, so many promises are broken we can’t keep track. It all boils down to whether we learn from what we experience and use that to become better people moving forward. It’s about making sure we mean what we say and what we do. It’s about commitment and devotion to the people we love and the things we care about. Promises don’t matter. Only action does. 

I can’t understate how thoroughly pleased I was that this was the final reckoning of the saga. It was an unexpected and completely profound moment, and such an important scene to use as the emotional climax of the book.

III. WHERE WE GO FROM HERE

After 15 years and 15 books, The Tower of Nero had to find a way to bring the saga to a close without nailing the coffin shut. More standalone novels are surely on the horizon (I’m looking at you, Nico and Will), but as a whole, this saga did need to come to a satisfying end. 

Let’s pick up after Apollo is restored to godhood. He wakes up to his sister Artemis, and the very first thing he does? After finally returning to his true form, the thing he’s relentlessly yearned for the whole series? He just breaks down sobbing. He’s miserable. There’s no relief or joy in the realization that he’s once again an Olympian. 

I’m always a sucker for the trope of “Character does everything possible to reach Goal only to realize that Goal isn’t actually what they want or need at all”, so of course, I was moved to see Apollo learn that he doesn’t actually care much about whether he’s a god or a human anymore. (In fact, he later remarks that he envies Lu’s new ability to grow old and age alongside Meg and her foster siblings.)

I was doubly-moved that Apollo’s restoration to godhood was not an action on Zeus’s part. From what little context we get (a lot happens “off screen” and even Apollo isn’t sure), it appears that Apollo either reclaimed his own godhood through sheer force of will to return from Chaos and reunite with his friends, and/or Styx aided him. But it seems obvious Zeus wasn’t involved, which has HUGE implications for the power structure of the Olympians moving forward.

A lot of us, myself included, had certain expectations for how Apollo’s inevitable reunion with Zeus and the rest of the Olympians would go. I, for one, was excited to see Apollo either tell off his father, or possibly assume a position as the new Camp Half-Blood director or New Rome’s pontifex maximus. Instead, we got a somewhat quiet, but incredibly tense interaction between all the Olympians. The closest thing to an outburst is actually between Hera and Zeus, as she tells him off for not mourning his son Jason, as Apollo did. (Dare I say....I liked Hera for a moment?) (ALSO, I’m fully on-board with the theory that Zeus did not intervene in Jason’s death as a punishment for Jason publicly calling him “unwise” in The Blood of Olympus.)

The whole scene reads as a powder keg. Already, it’s established that Apollo, Artemis, and Dionysus (and possibly even Athena and Hera) have no illusions of Zeus’s grandeur. They do not view him as family, or even as a leader. He’s simply just the one with enough power to punish the rest of them when they get “out of line”. 

Apollo began naming Zeus as his abuser fairly early on in the series. Perhaps witnessing the way Meg thinks and speaks about her stepfather Nero made this clear for him. In either case, he begins to explicitly mirror the very same advice he gives Meg in dealing with her abuser: distance yourself from the abusive person/situation, and accept that tyrants do not change and it is not your responsibility to attempt to make them “see the light”. Thus, Apollo makes no appeal or argument to Zeus– he understands by then that it’d be fruitless. Instead, he’s concentrating his energy on doing everything he can do with what he has; he’s committed to being a protector and friend of demigods, and he sees that other gods are beginning to (if not already) see Zeus’s wrongness. (More on this here.)

Was it what I expected going into the book? Nope. But I have to admit that it was really exciting to see Zeus try to hide the very real fear of realizing that his son Apollo is no longer afraid of him, and is quite possibly more powerful than him, too. Apollo switches gears entirely away from Zeus, and focuses his energy back on the friends he’s made and the children he has. It’s a refreshing reminder that it’s often more productive to concentrate on helping others instead of harming those who harm us. 

That being said, I would have liked a few paragraphs or pages discussing what practical differences there will be for the lives of young demigods in the wake of this change. I understand that might not have worked given the very condensed timeline post-returning-to-godhood (the story ends literally the same day or day after), but I do hope and believe that Apollo’s transformation is going to change the way demigods perceive gods-- and what they will expect of gods in the future. Just look at how Apollo is received by the campers at CHB. They’re ecstatic to see him. They think of him as a hero. Apollo is coming back just to help and spend time with his kids, his friends, and the campers, and he’s going to keep coming back. The other gods are certainly going to feel some pressure to follow suit. 

Speaking of Apollo’s reunions...shall we?

I loved that we got to see all the main-players one last time. Mimicking the “tour format” of the series, we get to watch Apollo catch up with his loved ones, who helped him learn how to be a better person throughout his trials.

It was sad, but reassuring, to watch Nico come to terms with Jason’s death. I like how he outlined the differences between Hazel’s and Jason’s deaths, and why he isn’t interfering out of respect for Jason. Watching Jason appear to Apollo (ambiguously as a ghost or as a figment of Apollo’s dream-imagination) was another moving reminder of the stark differences in the ways that different demigods prioritize and think about what it is to be a hero. Jason’s idea and Percy’s idea, for instance, are super different because of the way they were raised. Percy would put anything on the line for his family and friends; so would Jason, of course, but he also has a much broader view of what’s worth sacrificing your life for...which is admirable in ways, but also painfully sad, since a lot has to change in order for Jason’s death to carry weight. Over the course of the last two books, I think it’s very safe to say Jason’s death did change just about everything for the people who knew and loved him, and even those who didn’t. 

Whew. Okay, back to Camp Half-Blood. Nico and Will are clearly now very comfortable with each other, and it’s refreshing to see how they both watch out for each other and bring out the best in one another. I’m excited for their inevitable solo book, but regardless, it’s good to see Nico getting the help he needs (from his own experiences, from Dionysus, Will, etc), and for Rachel to get some distance from her terrible parents by living out her art student dreams in Paris. 

Then, we drop by the Waystation. I simply cannot get over the fact that Calypso is at BAND CAMP. Anyway, it’s unsurprising to find out that she and Leo are still “complicated”, but I’m glad she’s experiencing the highs and lows of mortal life, and that Leo is working on helping out vulnerable youth (and has two mom figures in his life!!!!!!!!!!!!!!!!). Glad we get to see Thalia and Reyna both happy and healthy, too.

Next up, Camp Jupiter and New Rome. LOVE that Hazel and Frank have both reclaimed the curses that haunted them since The Son of Neptune. They really both did just...like...basically die to bring down the Big Bad and then come back better than ever. (Side note: I still obviously have issues with the fact that Hazel is SO YOUNG! There was no reason for her not to be 15/16 like the rest of the Argo 2 crew! Ugh.)

Anyway, then we say goodbye to Percy and Annabeth. Except for the annoying continuity error in terms of the timeline of them learning about Jason, I really really really loved this parting moment with them. I know some readers wanted Percy and Annabeth to stay in New York, but it always felt very natural and meaningful for me that they’d want to relocate to New Rome. That was always the Big Dream for most of Heroes of Olympus, and it makes sense to me that they’d choose to live somewhere designed for demigods to actually live and grow old and raise families. Besides, I’m quite certain they’ll frequently be visiting New York. I digress. 

It was super bittersweet to see these two finally off on their own (and basically living together, as Apollo teasingly implies) going to college! Definitely a huge sigh of relief and satisfaction after following all their exploits since they were twelve. I’m so glad we get to see them (all things considered) happy and excited for their new life together. They certainly stepped back in this series, as they deserved. But they still lose Jason, and that’s something that weighs heavily on them and likely always will. Apollo calls Jason “the best of us”, and I don’t think that use of “us” is lost on Percy, Annabeth, or anyone-- Apollo’s identity and alignment is with them now, which will hopefully lead to positive change.

Then, simultaneously the saddest and happiest (?) reunion-- with Piper. This was obviously really heavy, since the last time Apollo sees her is in the wake of Jason’s death. For me, I’m very proud and excited by the fact that Piper is the only character who basically forges a whole new life (outside of the sphere of the Olympians) for herself. She’s far from other demigods and gods, and is committed to reconnecting with her mortal family and making a beautiful life. She has a new friend, too, which is absolutely awesome. (I mean, we all KNEW, right? But it’s really great to see this confirmed on-page.) When Piper told Apollo that he did right by Jason, I definitely lost it. And I also just really loved the final beat with her-- Apollo’s stammering a goodbye, but Piper’s already turned around to walk back to her new friend and her new life.

The final farewell, of course, went to Meg McCaffrey. She’s reclaimed Aeithales, and is now foster-sibling-extraordinaire by rescuing Nero’s other adopted demigods and giving them a new chance. Meg’s really matured and grown into such a kind and strong leader, but it was super bittersweet to see how much she still values Apollo. Their reunion just about broke me. They share a bond that no one else will ever understand, and they brought each other out of darkness that nearly ended them both. I literally can’t think of a better final dialogue than what they share:

You’ll come back?

Always. The sun always comes back. 

I’m fine!!! 

Anyway, this brings me to the closing lines of the story. Just as Percy opens The Lightning Thief by directly addressing the reader, Apollo closes The Tower of Nero by bidding farewell to us. 

Call on me. I will be there for you. 

On so many levels, this line works really well as the ending. For me, and I imagine for you too if you’re reading this, these 15 books are a pillar of our childhoods. We grew up alongside these characters, and found enormous excitement and identity and magic in these pages. The story may have come to a close, but it lives on within us-- it’s something we can return to time and again for enjoyment and understanding.

More than anything, this story pulled off something I didn’t really know was possible: it makes me feel genuinely and enthusiastically glad to be human, no matter how strange or hard it gets.

____________

My fifth-grade teacher assigned The Lightning Thief as mandatory reading when I was ten years old. I picked it up reluctantly, but from the first lines, I just completely fell into this story. Twelve years since that assignment, I’m now a traditionally-published author myself...writing about what else but mythology, of course. These books saw me from elementary school all the way to post-college life. It’s hard to imagine where I’d be without them-- certainly, I’d never have achieved my lifelong dream of becoming an author, nor would I have found such an incredible online community like the one I’ve found here. I consider myself extremely lucky to have grown up alongside these characters and their incredible story. 

I know we’ve likely got more standalones in this world to come, but this is still the end of the saga. I’m sad to see it come to a close, but I’m so ecstatic with the send-off we got, and I’m excited to let the story settle and become a part of me-- something that will always affect how I see the world, something that reminds me of why I write, and something that’s always there to welcome me home.