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pesterloglog · 10 months

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Dave Strider, Terezi Pyrope

Act 5, page 2779-2783

TG: ok so whats the plan

GC: 1 THOUGHT YOU WOULD N3V3R 4SK

GC: TH3R3 4R3 SO M4NY PL4NS

GC: W3 4R3 GO1NG TO B3 SO BUSY D4V3, YOU H4V3 NO 1D34

TG: thats cool

TG: but whats the answer that doesnt have anything to do with meaningless bullshit

GC: 1SNT 1T OBV1OUS?

GC: NOW TH4T W3 4R3 4 T34M D4V3

GC: YOU 4ND M3

GC: 1T 1S T1M3

TG: time

TG: for

GC: T1M3

TG: for

TG: come on

GC: FOR............

TG: ......

TG: ...........

GC: .............................

GC: FOOOOOOOOOOORRRRRRRRRRRRRRRRRRR..............

TG: god dammit

GC: 4 MOTH3R FUCK1NG D4NC3 P4RTY!!!!!!! >:O!!!!!!!!!!!!!!!!!!!!!

GC: http://tinyurl.com/OMGD4NC3P4RTY

TG: whoa

TG: its like

TG: watching a miracle made of nothing but twitching schroder legs

GC: YOU S33 D4V3

GC: 1 TOLD YOU, YOU W1LL NOT R3GR3T H1TCH1NG YOUR SH1TTY JP3GGY FOUR WH33L D3V1C3 TO MY CONST3LL4T1ON

GC: TH1S 1S WH3R3 TH3 P4RTYS 4T

TG: look at us go

TG: i cant stop watching

TG: damn

TG: those moves

GC: TRUST M3

GC: TH3S3 MOV3S DONT STOP K33P T4K1NG PL4C3

GC: NOT 4T TH1S P4RTY

TG: i can see im going to have to drop everything

TG: drop it like its simultaneously hot and i just tripped over the rug

TG: dedicate my undivided attention to this shit

GC: D4V3, WHY TR1P OV3R TH4T RUG...

GC: WH3N YOU C4N CUT 1T????? >:]

GC: T4PP4 T4P T4P 4 P4P!

GC: SHOOSH SHOOSH!

TG: damn youre right

TG: truth be told everyone will be tripping when im done

TG: once i upset this biznasty with my swift cuts

TG: dudes will phalanx themselves agape like theyre offerin to store my shit in their mouths for the night

TG: rows of glasseyed human fly catchers beholding categorical fucking domination of the dance floor

TG: but they wont catch none cause the flys all mine

GC: YOU H4V3 4LL TH3 D3L1C1OUS FL13S

TG: theres not any i dont have

TG: im crafting a new dance move

TG: to shock the shit out of asses in pants

TG: fred astaires ghost will weep in the arms of his own nimble rotting corpse

GC: WH4T 1S YOUR N3W MOV3 D4V3 >:?

TG: its called

TG: the smug cracker parlor wiggle

GC: >:O

GC: 1 1M4G1N3 TH3S3 GYR4T1ONS W1LL SM3LL QU1T3 FR3SH

GC: L1K3 R3C3NTLY L34V3N3D GRUBLO4F

TG: of course

TG: and just when the scene thought it was startin to recover from its ridiculous erection over that

TG: thats when i bust out another fierce move

TG: i call it rageclock me in the douche smirk plz

TG: cut out to the rude jam "askin 4 it!"

GC: HOW RUD3 WOULD YOU S4Y TH1S J4M 1S D4V3

TG: id say if i had to take an educated guess it was outright goddamn unmannerly

TG: needs to get worked over by some stuffy prude at finishing school

GC: W1LL YOU T34CH M3 TH3S3 MOV3S

TG: i dont know about that

GC: PL34S3 D4V3

GC: YOU ST4ND TH3R3 4ND DO TH3 UNM4NN3RLY MOV3S, 4ND 1 W1LL OBS3RV3 STUD1OUSLY

TG: i dont know if you can keep up with me kid

TG: no offense

TG: theres just magic in these shoes and the coy gnome i ransacked wants them goddamn back

GC: COM3 ON

GC: YOU T4K3 TH3 L34D

GC: 4ND 1 W1LL FOLLOW

GC: L1K3 TH1S

GC: http://tinyurl.com/T34CHM3YOURMOV3SD4V3

TG: ahahahahahaha

TG: i feel like i should be offering some visual rebuttal here

TG: you arent giving me any time though dammit

GC: TH4T 1S B3C4US3 1 H4V3 YOU 4T TH3 T3MPOR4L D1S4DV4NT4G3

GC: 1 C4N P4US3 4ND DO WH4T3V3R 1 L1K3 4ND TH3N CONT1NU3 OUR CONV3RS4T1ON W1THOUT M1SS1NG 4 ST3P!

GC: BUT DO NOT WORRY D4V3

GC: 1T WOULD B3 4 SH4M3 TO H4V3 TO WH1FF YOUR FR4GR4NT T34RS 4G41N

GC: 3V3NTU4LLY TH3 T4BL3S W1LL TURN 4ND TH3 4DV4NT4G3 W1LL B3 YOURS

GC: YOU W1LL H4V3 4LL TH3 T1M3 1N TH3 PR3N4T4L UN1V3RS3 4T YOUR D1SPOS4L

GC: B31NG TH3 KN1GHT OF T1M3 4ND 4LL

TG: oh yeah

TG: i keep forgetting i can time travel

TG: thats fine i guess

GC: 4ND ONC3 YOU H4V3 TH3 UPP3R H4ND

GC: 4ND TH3R3 4R3 MOR3 D4V3S SCR4MBL1NG 4ROUND TH4N YOU C4N SH4K3 4 BROK3N SWORD 4T

GC: TH3N YOU W1LL G3T YOUR CH4NC3 TO 1MPR3SS M3 >;]

GC: L1K3 SO

GC: http://tinyurl.com/TH3FLO4R-1SONF1R3

TG: see

TG: i cant compete with this

GC: H3H3H3H3H3

TG: but seriously what is the real plan here

TG: that has to do with not fucking around

GC: TH3R3 1S NO PL4N TH4T DO3S NOT 1NVOLV3 FUCK1NG 4ROUND

GC: BUT W3 W1LL M4K3 SUR3 4LL OF OUR FUCK1NG W1LL B3 4PPL13D 1N 4 CONSTRUCT1V3 D1R3CT1ON

TG: ok could you try to be somehow even less subtle when you hit on me thanks

GC: WH4T

GC: WH4T D1D 1 S4Y?

TG: man

TG: nevermind

GC: YOU W1LL H4V3 TO FORG1V3 M3 D4V3, 1 TH1NK SOM3T1M3S TH3 M34N1NG OF WORDS 1S LOST THROUGH OUR CULTUR4L D1FF3R3NC3S

TG: no shit

TG: im going to infer that your species reproduces by having sex with a grub in a bucket or something

TG: am i close

GC: D4V3

GC: TH4T 1S 4BSOLUT3LY TH3 F1LTH13ST TH1NG 1 H4V3 3V3R H34RD 4NYON3 S4Y >:\

TG: ok sorry

TG: back on point

TG: what are we doing

GC: W3LL, W3 N33D TO ST4RT M4K1NG YOU SOM3 MON3Y

GC: LOTS 4ND LOTS 4ND LOTS OF 1T!

TG: ok

GC: WH3N YOU H4V3 S4V3D UP 3NOUGH

GC: W3 W1LL BUY YOU YOUR F1RST FR4YMOT1F

GC: TH3N YOU C4N ST4RT CUTT1NG OUT TRULY TH3 FLY3ST OF MOV3S

GC: 4ND TH4T 1S WH3N W3 W1LL B3G1N TH3 MOST POORLY B3H4V3D D4NC3 P4RTY OF 4LL >:D

TG: sounds cool

GC: D3MONS 4ND D3N1Z3NS 4L1K3 W1LL TR3MBL3 B3FOR3 YOUR F1DG3TY GYR4T1ONS

GC: 4ND MOST 1MPORT4NTLY, YOU W1LL PROV3 YOURS3LF TO B3 TH3 B3ST HUM4N BOY OF 4LL

GC: W4Y B3TT3R TH4N TH4T DORKY 3GB3RT 4ND WHO3V3R M1GHT B3 M3DDL1NG W1TH H1M 4T 4NY G1V3N MOM3NT

TG: huh what an odd thing to say

TG: it demands no explanation whatsoever

GC: NO OF COURS3 NOT

TG: so how do i start making all this money

GC: P4T13NC3!

GC: R3M3MB3R HOW 1 S41D YOU H4V3 PL3NTY OF T1M3

TG: tell me anyway

GC: OK W3LL T4K3 WH4T YOU H4V3 S4V3D UP FROM CL1MB1NG YOUR 3CH3L4DD3R TO ST4RT W1TH

GC: HOW MUCH DO YOU H4V3?

TG: dont know

TG: i never even looked at it

GC: D3RRRRP, N1C3 JOB 4C3 G4M3R

GC: M4YB3 YOU SHOULD H4V3 4 LOOK 4T 1T

TG: k

GC: 4ND TH3N 1 W1LL 4DV1S3 YOU L4T3R 4FT3R OBS3RV1NG TH3 GR4ND SCH3M3 OF 4LL TH1NGS 4ND 4LL D4V3S

GC: 1 W1LL L34V3 YOU 4LON3 FOR 4 L1TTL3 WH1L3 TO W4ND3R 4ND 3XPLOR3

GC: BUT 1 W1LL B3 B4CK!

GC: 4ND 1 W1LL COM3 B4CK W1TH 4 DR4W1NG T4BL3T

GC: 4ND TH3N YOU W1LL S33 SOM3 TRU3 M4ST3RP13C3S

TG: ok after all this hype you better be prepared to fucking dazzle me

TG: are you gonna bring it?

GC: 4LLOW M3 TO PROV1D3 4N 4NSW3R THROUGH 1NT3RPR3T1V3 D4NC3

GC: http://tinyurl.com/H3LLFUCK1NGY3S

TG: awesome

TG: peace out t-z

GC: >:)

TG: oh shit

GC: >:?

GC: WH4T 1S 1T?????

TG: fuck

#homestuck #dave strider #terezi pyrope #homestuck act 5 #page 2779 #page 2780 #page 2781 #page 2782 #page 2783

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dirkspanelcollection · 8 months

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Dave in the land of Heat and Clockwork from the page 2782

#dirkspanelcollection #dave strider #homestuck #homestuck panel #homestuck panels

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falsenote · 2 years

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kind of love when i don't understand something so i go read a little bit about it but what i find out makes me understand the whole thing even less. like at the armenia balducci imdb page it's stated that she and gian maria volonte got married in 1983 which doesn't add up for several reasons (him reportedly not believing in marriage being one of the many) (also they got together at the end of the 60s so why wait that long) (etc) so i digged a little deep into all this and i'm sorry but this is one of the most insane thing i've ever read because what they did was that they were together for 15 years then the relationship fell apart so they got married and THEN they went their separate ways and had other relationships etc. but never divorced. which is........ ?????738£2782€×9362???? no words?

#that's amore(?)

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homestuck-book-club · 2 years

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Week 9! Reading to page 2900. 39 pages a day, 40 pages friday and saturday, which is 275 overall

2 October (Sunday)- 2626-2664

3 October (Monday)- 2665-2703

4 October (Tuesday)- 2704-2742

5 October (Wednesday)- 2743-2781

6 October (Thursday)- 2782-2820

7 October (Friday)- 2821-2860

8 October (Saturday)- 2861-2900

#homestuck #homestuckbookclub #hs

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lananh82 · 1 year

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rnomics · 1 year

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Nutrients, Vol. 15, Pages 2782: Genetics: A Starting Point for the Prevention and the Treatment of Obesity

Obesity is a common, serious, and costly disease. More than 1 billion people worldwide are obese—650 million adults, 340 million adolescents, and 39 million children. The WHO estimates that, by 2025, approximately 167 million people—adults and children—will become less healthy because they are overweight or obese. Obesity-related conditions include heart disease, stroke, type 2 diabetes, and certain types of #cancer. These are among the leading causes of preventable, premature death. The estimated annual medical cost of obesity in the United States was nearly $173 billion in 2019 dollars. Obesity is considered the result of a complex interaction between genes and the environment. Both genes and the environment change in different populations. In fact, the prevalence changes as the result of eating habits, lifestyle, and expression of genes coding for factors involved in the regulation of body weight, food intake, and satiety. Expression of these genes involves different epigenetic processes, such as DNA methylation, histone modification, or non-coding micro-#RNA synthesis, as well as variations in the gene sequence, which results in functional alterations. #evolutionary and non-#evolutionary (i.e., genetic drift, migration, and founder’s effect) factors have shaped the genetic predisposition or protection from obesity in modern human populations. Understanding and knowing the pathogenesis of obesity will lead to prevention and treatment strategies not only for obesity, but also for other related diseases. https://www.mdpi.com/2072-6643/15/12/2782?utm_source=dlvr.it&utm_medium=tumblr

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chrancecriber · 2 years

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A State Of Sundays 374

Channel: Diplo’s Revolution (Sirius 52, XM 52)

Airdate: November 04, 2018 - November 05, 2018

Airtime: 06:00 AM - 06:00 AM

Timezone: Eastern Standard Time (EST)

Tracklist:

06:00 AM - 07:00 AM: Downtempo Hour

07:00 AM - 08:00 AM: Sunset Hour

08:00 AM - 09:00 AM: Ruben de Ronde - TSOH 383

09:00 AM - 11:00 AM: Armin van Buuren - ASOT 888

11:00 AM - 12:00 PM: Andrew Rayel - Find Your Harmony 128

12:00 PM - 01:00 PM: Trance System Hour

01:00 PM - 02:00 PM: Eelke Kleijn - DAYS Like NIGHTS 052

02:00 PM - 03:00 PM: Progressive Picks Hour

03:00 PM - 04:00 PM: Sunset Hour

04:00 PM - 05:00 PM: Trance System Hour

05:00 PM - 06:00 PM: Cosmic Gate - Wake Your Mind 239

06:00 PM - 07:00 PM: W&W - Mainstage Radio 019

07:00 PM - 08:00 PM: Sander van Doorn - Identity 467

08:00 PM - 09:00 PM: Ruben de Ronde - TSOH 383

09:00 PM - 11:00 PM: Armin van Buuren - ASOT 888

11:00 PM - 12:00 AM: Andrew Rayel - Find Your Harmony 128

12:00 AM - 01:00 AM: Progressive Picks Hour

01:00 AM - 02:00 AM: Eelke Kleijn - DAYS Like NIGHTS 052

02:00 AM - 03:00 AM: Trance System Hour

03:00 AM - 04:00 AM: Cosmic Gate - Wake Your Mind 239

04:00 AM - 05:00 AM: Sunset Hour

05:00 AM - 06:00 AM: Downtempo Hour

Sources:

https://www.astateoftrance.com/a-state-of-sundays/a-state-of-sundays-377/

http://107.170.39.140/search_playlist.php?artist=&title=&channel=52&month=&date=&shour=&sampm=&stz=&ehour=&eampm=&resultcount=&resultcount=&resultcount=&resultcount=&resultcount=&resultcount=&resultcount=&resultcount=&resultcount=&resultcount=&resultcount=&resultcount=&resultcount=&resultcount=&resultcount=&resultcount=&resultcount=&resultcount=&resultcount&resultcount=&tdate=201844&resultcount=2782&page=5

NOTE: Because information takes a while to compile, a detailed version of the tracklist will be uploaded at a later time.

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trektraveler · 3 years

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Nightingale

Chapter Three: Netflix and Chill

Summary: Jensen Ackles seemed to have it all. A hit television series fifteen years running, a budding music career and a stunning wife. To the casual observer, his life was perfect. But it was a façade. No more real than the supernatural world created on a soundstage.

That day on the lake had started with uncertainty, but when he pulled you from the water everything became clear. The truth was, he’d been the one drowning.

Pairing: Jensen Ackles x Reader, Jensen x Reader, Jensen x You

Characters: Jensen Ackles, Jared Padalecki, Genevieve Padalecki, Misha Collins, Reader

Warnings: Hurt/Comfort, Hospitals, Drowning, Fluff, Angst, Smut, unprotected sex

Chapter Three: Netflix and Chill

Word Count: 2782

Author’s Notes: This is a complete work of fiction about a real life person. The circumstances are totally made up and are in no way a commentary on the fantastic Jensen Ackles or his family.

This is also a unique reader insert story as I have given the reader a physical description including hair color, eye color and body type. Hopefully you can still lose yourself in the utter fantasy where Jensen is the hero and you are ripe for rescuing!

Additional Notes: This chapter kicked my ass. Sometimes that is the way, it was just a damn struggle. It didn't want to be written! It was because of the overwhelming positive and enthusiastic response that I was able to push through and bring it into being. Thank you all, I needed it!

Series Masterlist

You woke up completely disoriented and stiff as a board. You laid there for a solid two minutes, letting your weary gaze travel over the unfamiliar décor. Eventually it came to you, there had been an accident. The hospital. The doctor.

Jensen.

You were at Jensen’s apartment. He’d brought you home to recuperate, or at least until you regained your memory. Which, to your frustration, you hadn’t. You still had no clue as to the most basic details about yourself. Everyone else seemed confident that your memories would return in time, but how much time? How long would this continue before you should be concerned? What was normal in a case like this? All you had were questions.

Sitting up proved to be a real struggle, every muscle seemed to be twice as sore as it was yesterday. Glancing at the alarm clock, you estimated you’d slept nearly thirteen hours. Which meant any residual pain killers from the hospital were now out of your system. No wonder you felt like roadkill.

Terrific.

With a lot of effort, you managed to get yourself out of the bed and on two feet. The room spun and tilted dangerously, making your vison blur. You sat back down on the mattress with a heavy thump. Squeezing your eyes closed, you breathed through your nose and tried to will the dizziness away. After a few minutes you tried again and succeeded.

After a brief stop in the bathroom, you left in search of your host. You shuffled down the hall like an old man, trailing your hand along the wall for balance until you reached the living room. He was sitting on the sectional, his long legs stretched out in front of him, studying a thick stack of papers. More stacks sat on the coffee table. Scripts, you realized. He said he was an actor.

The look of intense concentration on his face made you sorry to interrupt his process. His brow furrowed, causing a crease just over his nose as his eyes scanned the page. Without the haze of morphine to cloud your perception you could confirm your earlier assessment, Jensen Ackles was gorgeous. Just completely distracting. His face probably fit into that golden ratio that Fibonacci discovered. The mathematical sequence that proves someone is attractive using numbers and science. As if the rest of us couldn’t already tell by the way we drool every time we see them.

“Doing your homework?”

Jensen wasn’t used to just hanging around in his own apartment. He usually headed out the door before he could get antsy, but with you there he didn’t have that option. He did every chore imaginable to keep himself occupied while you slept. He was halfway through deep cleaning the grout lines in his bath when his phone alerted him to an e-mail. It was the latest draft of the script for season fifteen; God himself must have taken pity on him.

He did poke his head into your room to check on you a couple of times, you’d slept straight through it. So, when he glanced up and saw you standing in the doorway, he was actually relieved.

“Hey there,” he said, tossing the script aside. “How’d you sleep?”

“Really well, that bed is amazing.”

He came up beside you, making note of the way you held your ribs and tightness of your features. “Pretty sore, huh?”

“Just a little stiff,” you let him lead you to the couch and ease down into the deep cushions. “A lot stiff.”

“Well, I’ve got some pretty awesome drugs from the doc, but you need to eat with them. Feel up to some breakfast?”

“Definitely.”

He gave you that movie star grin, “Great. You stay put; I’ll be right back.”

You shifted around on the couch, trying for a more comfortable position. Eventually you discovered that a throw pillow tucked against your stomach for your arms to rest on provided the most relief. The script on the top of the stack caught your attention.

Supernatural: Season Fifteen, Episode 1 – Back and to the Future.

You picked it up and began thumbing through it. Many of the pages were already dog-eared and had remarkably neat notes written in the margins. Only around the character of Dean, you noticed. That must be his part. Everything from frame of reference notes on past episodes to internal dialog and camera directions. Who knew the actor’s job was so intricate?

The story itself was fascinating, although you had nothing in your memory to compare it against. It had angels and demons, ghosts, witches.

“John Wayne Gacy? Seriously?”

“The Winchesters don’t shy away from the heavy hitters.”

You were so involved in the story that you didn’t notice when Jensen came back with a plate in his hands. You exchanged the script for eggs and fresh fruit with a shy smile. “Hope you don’t mind me snooping.”

“Nope. Although you should take it easy with the reading. It’s on your list of restrictions along with video games, bright lights, contact sports, caffeine and booze.”

“So that’s why I didn’t get beer with breakfast.”

“Sorry about that, maybe this will make up for it.” He pulled a bottle of pills from his pocket and handed them to you.

“Thank Christ,” you breathed, immediately downing two with a swallow of orange juice.

“We alternate heat and ice every couple of hours for your ribs. And lots of sleep too.”

“I just woke up.”

“You’ll conk out again before you know it, trust me. Concussions are nothing to mess around with.”

You popped a strawberry into your mouth as you considered him. “You speaking from experience?”

“I played a lot of sports when I was a kid, took a hit or two,” he said with a shrug. “Plus, your doctor sent a whole packet of care instructions and things to look out for. Speaking of, you don’t smell burnt toast, do you?”

“That’s for a stroke, not a concussion.”

He gave you a lopsided grin, “See, you’re getting better already.”

You chuckled. Turns out you were starving, you polished off two more helpings of eggs before you were done. Jensen set you up with a heating pad and a blanket before settling himself beside you.

He grabbed the remote and pointed it at the massive flat screen, flipping through options. “Okay, so I’m thinking total binge fest. I’m good for pretty much anything except reality tv, those shows annoy the hell out of me. Netflix and chill, sound good?”

“Sounds amazing. I’m moving pretty slow though, better take a rain check on the chill part.”

To your great amusement, Jensen turned red all the way to tips of his ears. He couldn’t even look at you, just shook his head and punched buttons on the remote. “Damn kids, everything’s an innuendo these days.”

“That’s not kids, that’s humanity. What’s that old saying? Love goes out the door when money comes innuendo?”

He blinked, “No one says that. It’s not a thing.”

“Are you sure? It could be a thing; it sounds like a thing. Maybe you just haven’t heard it before because you aren’t hip to today’s youth.” You grinned so that the tip of your tongue peaked out between your teeth.

“Today’s youth…. You’re the one with the head injury, Sweetheart. So, I think we’ll be relying on my judgement for what is and what is not hip.”

“Man, we are screwed.” You chuckled, meeting his eyes. The clear green sparkled, and they crinkled at the corners. Your stomach flipped. God, it’s like looking into the sun!

Trying to regain control over your thoughts, you glanced up at the screen, “Hey, is that your show?”

“Ah, yeah,” he replied, feeling bashful.

The familiar clip from the pilot episode played in the preview box. You smiled, delighted as a younger version of the man seated next to you appeared. “Aw! Look at you!”

Like most actors, Jensen didn’t really like watching his own work. Especially not with an attractive woman next to him, and Y/N certainly was that. Now that she was more clear headed, her wit came out. An easy-going banter. It had been ages since he’d had that, and it felt good. Natural.

He was saved from having to watch his baby-faced self by the ring of the doorbell.

You craned your neck to see over the back of the couch as Jensen swung open the door. A much taller man with shaggy brown hair was there. His arms were filled with bags, flowers, and a massive bunch of multicolored balloons.

“Hey, is now a good time?”

Jensen took some of the bags and ushered his friend into the foyer. “Dude, did you buy out the whole store?”

“Yeah, I wasn’t sure what to get so I just got… everything.”

The pills Jensen gave you were certainly effective and had dulled most of the pain to an ache. But you were still moving slow as you got up off the couch. It took seeing the two of them side by side for you to recognize him from the Netflix preview.

You smiled warmly as Jensen introduced him. “Y/N, this goofball is my buddy, Jared. Jare, this is Y/N.”

He looked incredibly nervous as he shifted from one foot to the other, which was at odds with his size. Jensen was no slouch and this guy still dwarfed him. Extremely tall and lanky with kind, hazel eyes and a hesitant smile. Your mind finally put two and two together. Jared. Padalecki. This must be the other guy the doctor had blabbered about.

Recognition dawned on your face, “You helped rescue me, yes?”

“Yeah, after we nearly drowned you.” Jared’s gaze flickered over the dark swelling coloring your face and the guilt went straight to his gut. “God, Y/N, I am SO sorry.”

“Hey, it’s alright. It was an accident. Besides, you did save my life… I’d say that makes up for it.”

That hadn’t been an easy day for Jared. He kept his head in the moment but as soon as the paramedics loaded you into the ambulance, his anxiety went through the roof. He rode with Jensen to the hospital but found he was too upset to go in with him. It took him hours to calm down and even now found it hard to talk about. It was Jensen who encouraged him to stop by and meet you today, knowing that seeing you walking and talking would help his friend move past it. It had been a traumatic event for all of you.

He took a deep breath and closed his eyes to center himself. He opened them again when he felt you grasp his hands in your smaller ones.

You smiled up at him and winked, “The balloons help.”

When you hugged him, Jared released a pent-up sigh and hugged you back. Taking extra care not to disturb your fractured ribs. He met Jensen’s gaze over the top of your head. You’d forgiven them, even if it was an accident, Jared wasn’t sure they deserved it. Wasn’t sure he deserved it. But he was sure going to try and be worthy of it.

“Thanks, Y/N.” He released you gently and caught a glimpse of the familiar show on tv. “You guys are watching Supernatural? Seriously?”

“Actually, no. Jensen seemed a little shy about it, I think we’ll find something else.”

“Shy?” Jared repeated with a laugh, “Out of your entire career, Supernatural is not the gig to be shy over.”

“Dude,” Jensen warned.

With a conspiratory grin, Jared leaned over and whispered to you, “Soap opera.”

Your eyes lit up, “Really?! Oh, which one?”

With as much dignity as he could muster, Jensen said, “Days of Our Lives.”

You clapped your hands together and laughed, “Awesome! Tell me you were like an evil twin that came back from the dead, or something!”

Jared laughed loudly then, and Jensen rolled his eyes, “I wasn’t the evil twin... I was the good twin”

“That’s so brilliant!”

“It was brilliant,” Jared agreed, pulling his cell from his pocket. “As a matter of fact, I think I’ve got a few choice clips we can watch.”

“Give me that!” Jensen grabbed for the phone only to set off a brotherly slapping match.

“Alright, fine! You want Supernatural, Sweetheart? You’re going to get it!” He told you before raising an eyebrow at Padalecki, “We’re going to have an old-fashioned screening and I pick the episode.”

Jared knew that meant one upping each other with embarrassing stories. Probably ones that they couldn’t even tell at conventions. They were competitive in everything, and this would be no different. He cocked a smile. Challenge accepted. “I’ll get the popcorn.”

“We’re not starting with the pilot?” You asked, readjusting the cushions under your arms and the heating pad along your ribcage.

“The pilot’s decent, but I thought we’d try something more recent so you won’t notice how badly Padalecki’s aged.”

“Don’t pay any attention, Y/N. It’s not easy being the second-best looking Winchester.”

“Second best my ass,” Jensen grumbled, flipping through the episodes until he came to the one he had in mind.

Jared instantly recognized it. Baby. “Good choice.”

And so it went. Sandwiched between two lead actors of a hit tv show, watching an episode while they made real-time commentary. Hilarious commentary. Everything from insider tricks on how fight scenes were shot to off camera pranks.

“So is Cass the third Winchester brother?”

“He wishes,” Jensen scoffed. “He’s an angel, one of the good guys. Most of the time.”

Jared gave you a speculative look, “So this doesn’t seem familiar to you at all? This show?”

“No. Sorry, I gather its popular.”

“It’s not that… it’s just,” he caught Jensen’s warning look and paused. He didn’t want to push you, but he couldn’t help being curious and hell… maybe it would help jog your memory. “It’s just that after… you know… you came to for a minute. You looked at Jay and called him Dean.”

“Really?” Your brows scrunched as you tried to remember the encounter. Of course, nothing came to you, much to your frustration. Even making that little effort caused your head to ache and that worried you almost as much as the amnesia itself.

“I’m sorry… I don’t remember.”

“Meh, I wouldn’t sweat it, Y/N,” Jensen assured you. “We’ve been filming in Vancouver for the past fifteen years. Everyone has seen our ugly mugs around here at some point.”

Unconvinced, but wanting to change the subject you asked, “Can we try another episode?”

He squeezed your hand and winked looking so much like Dean. “Lady, you’re a glutton for punishment.”

Jared looked over at you, your head nodding off on his best friend’s shoulder. You dropped off about ten minutes into the episode about the wishing well and the suicidal teddy bear. A shame really, that’s one of the classics!

“Zonked out, huh?”

Jensen pulled the blanket on your lap up so your shoulder was covered. “I’m surprised she made it this long. The stuff they gave her for pain could double as horse tranquilizers.”

Jared smiled; Jensen always was a softie. “I like her, she’s funny.”

“Yeah, she is,” Jensen agreed, flipping through channels for a game to watch. “She even laughed at your jokes, although that’s probably because of the concussion.”

“She’s pretty.”

Jensen shot him what could only be described as a bitch look.

“I’m just saying.”

“I’m just saying, butt out. You always do this.,” Jensen froze when you shifted in your sleep, and he lowered his voice to a hush. “You are obsessed with match-making. It’s all those Hallmark movies you watch.”

“I’m not obsessed, I’m gifted.” Jared countered in a whisper. “I have a one hundred percent success rate.”

“What about that P.A. Kelly? Didn’t she break up with that guy?”

“They got back together.”

“Huh, good for them. Still, this is not that. This is just… this. I’m helping her recover. Which reminds me, no more pushing her to remember stuff,” Jensen warned. “The doc says she’s gotta take it easy, it will all come back on its own.”

“I wasn’t trying to push.”

“I know, I know. It’s alright, I just don’t want anything else to happen to her.”

Jared let a comfortable quiet settle over them as they watched the game. When Jensen shifted to let you get more comfortable, his arm wrapping naturally around your shoulders, Jared said nothing, but smiled. Surviving what could have been a horrible accident could be called luck. But Jared was a believer in fate, some things were just meant to be. He sincerely hoped, this would be one of them.

#jensen ackles x y/n #Nightingale #spn fic #jensen ackles fanfiction #dean winchester fanfiction #jensen x you

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hisclockworkservants · 5 years

Photo

SCP Foundation art, SCP-2782 - The Flock.

SCP-2782 - The Flock by faminepulse: http://scp-wiki.net/scp-2782

#SCP #SCP Foundation #SCP-2782 #My Art #MS Paint Art

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if-you-fan-a-fire · 3 years

Photo

Déménageurs victimes d'un sérieux accident: 1 mort, 1 mourant et un blessé,” La Patrie. May 1, 1941. Page 02. ---- Un homme est mort, un autre est mourant et un troisième est gravement blessé, dans un accident survenu sur l’Upper Lachine Road, quelques minutes avant 11 heures, ce matin. Ces trois hommes étaient des déménageurs. Ils étaient debout à l'arrière d’un camion, rempli de meubles de toutes sortes, lorsque la chaîne sur laquelle ils étaient ap- puyés se brisa. Ils furent précipités sur la chaussée. --- Les victimes sont: Nick Kovodysz, 48 aus, 1ère avenue, Lachine, mort; Pete Gough- 42 ans, 5940, rue Dumas, mortellement blessé; Louis Foltin, 37 ans, 213, 5e avenue, Lachine, gravement blessé. Les deux blessés sont beaux-frères, Il s'agissait du déménagement de M. Foltin. Le chauffeur du camion, M. Ernest Proulx, 2782, rue Springland, fut averti de la tragédie par un automobiliste qui suivait son camion, Il arrêta immédiatement sa voiture pour se porter au secours de ses trois compagnons de travail qui gisaient inanimés sur la chaussée.

Il courut téléphoner à la police. On dépécha sur les lieux les officiers du poste No 23. Kovodysz mourut dans une ambulance qui le transportait d'urgence à l’hôpital Royal Victoria. Gough fut transporté au même hôpital, mais a midi, les médecins désespèrent de lui sauver la vie. Il souffre d'une fracture du crâne.

Foltin souffre d’une commotion cérébrale et de contusions généralisées. Son état est assez grave. Le sergent détective Daoust, de la Sûreté municipales fit enquête sur cette tragédie. On a transporté le cadavre de la victime à la morguc pour enquête. C'est la première tragédic du fer mai, jour de déménagement, A DORVAL A Dorval, hier soir, deux hommes furent grièvement blessés dans un accident survenu non loin de la municipalité, sur la route nationale. Il s'agit de Paul Parent, 6661, rue Chambord, qui souffre d’une fracture du nez et de lacérations au cuir chevelu, et de Georges Sarmitoe, 369, rue Cambridge, à Ottawa, fracture de la main gauche, Ce dernier conduisait son camion lorsqu'il entra en collision avec un tracteur conduit par Parent. Le chef Boyer fit les constatations d'usage. Les deux blessés furent transportés à l'hôpital Général de Lachine.

#montreal #lachine #dorval #car accident #car crash #fatal accident #fatal injuries #truck driver #moving company #canada during world war 2 #motor vehicle accident #life of the automobile #truck

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hapalopus · 6 years

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Hey, you know a lot about cows and animal welfare, right? Well, I've got a question. I just read an article (Danish) at DR about Anima & Arla, and that Anima wants to know how Arla treats their animals. That includes wanting to film the separation between a cow and her calf & their reaction for a few days. Idk. Something about the way Anima paints it (as quite 'demonic') makes me angry at Anima, but I don't know enough about anything to know why. Do you have time to read the article & clarify?:)

Arla actually responded already! But as far as I’ve seen it’s only been published in an agricultural newspaper so ¯\_(ツ)_/¯The dialogue down in the article is ridiculous [Here’s a link]. I’m gonna make a longer response, though, since Arla’s response mainly focuses on Anima’s juvenile tactics (which, yeah, no, I honestly don’t think Arla is someone to speak here, considering their childish [anti-mylk campaign] earlier this year). It’s basically a kindergarten slap-fight between milk producers and animal rights activists.

Anima is a Danish animal rights group, to those who don’t know. On the level of extremity they’re somewhere between HSUS and PETA, but their ultimate end goal is the same - global veganism. On one hand most of what they say can be easily refuted if you’re in the know, but on the other, the majority of people aren’t in the know. They’re frustrating to deal with they banned me from their facebook page after i questioned a video they made about coyote trapping. But enough rambling, [here’s the article]. It’s in Danish, so apologies to anyone else reading this, I’ll do my best to translate the important parts and add the original quotes at the bottom of the page. Also, I’ve been working on a project about hip dysplasia all day, so if my citations suddenly look kinda professional, that’s why, lol.

Anima’s chief of communication, Thorbjørn Schiønning, starts off by saying that “Nowadays we have a milk production that is extremely industrial, where the animals are pushed to the limit to milk every last drop from the cow.”[1]

It’s not a wrong statement, it’s just very emotionally charged and thus a bit misleading. Milk production is very industrial because it’s an industry and cows are (by breeding, not by mistreatment) being pushed to their biological limit in how much milk they can produce. Schiønning doesn’t explain why this is a bad thing, though, and I assume that he expects the scary words (”industrial” “pushed to the limit” “every last drop”) to be enough to get people hooked. Knowing the general public, I’m afraid that assumption is right.

He continues: “When a cow is born, it’s separated from it’s mother after just 12 hours and put in isolation where it’s fed milk replacer. It’s done simply to get as much milk as possible out to the consumers, so they can produce as much milk for as cheap as possible.”[2]

What he’s saying here is just a repeat of the usual anti-animal-ag misinformation. To start off, a newborn is a calf. A cow is a grown female who has calved at least once. Semantics, but it’s a pet peeve.

Unfortunately, the thing about having to wait 12 hours before separation is true in Denmark. According to our law, conventional calves must stay with their dams for 12 hours and organic calves 24 hours (something Schiønning left out, presumably because the public assumes that more time together equals better welfare). Contrary to popular belief, studies have shown that the longer you wait before separation, the more stressful it is for both cow and calf and that the quicker the separation, the less stress both parties experience[3].

The reasons why cows and calves are separated in the first place is that, for starters, dairy cows are really bad mothers that will very often ignore the calf, accidentally step on it, or (rarely) outright attack it[4]. They just have very lacking maternal instincts. Putting calves in isolation likely isn’t the optimal solution, but it’s the best method we’ve developed to limit disease, ensure survival[5] and make sure they get enough colustrum within their first few hours.

Colostrum (’råmælk’) is the milk a cow produces the first few milkings after calving, which is full of antibodies. The calf’s ability to absorb antibodies stops after roughly 24 hours and it can’t produce its own until it’s about 3-4 weeks old, so this is a vital process. Even on farms that house calves and cows together and let the calves suckle, it’s highly recommended that the calf is bottle-fed about 3-4 liters of colostrum (depending on the breed’s size).

Which leads me to the next point that, no, calves are generally not fed milk replacer. While it is slightly cheaper than milk (because milk replacement producers track the market religiously to make sure their replacer is just a tad cheaper), it’s also impractical. Milk replacer often has a higher content of dangerous microbes, and because it’s not pasteurized, there’s a higher risk of it being contaminated. In Denmark Calves are most often fed pasteurized colostrum or whole milk (’sødmælk’)[6]. Even so, I fail to see how feeding a clean and well-balanced milk replacer is supposed to be a bad thing.

Calves are not separated so the farmer can get more milk out of the cow, as I explained above. In fact, cows produce up to 20% more milk when they’re kept with their calves because the frequent suckling stimulates milk production [7]. So since farmers are just feeding them milk from their own cows anyways, they actually have a monetary incentive to keep the two together. It’s purely for health and survival that they’re separated.

There’s one more thing I want to address. “Anima wants to be allowed to see how a worn out milking cow gets sent to slaughter 20 years before it’s natural death.”[8] It’s very difficult to find any scientific reports of the natural lifespan of cattle. Most animal rights sources cite 20-25 years, but most animal welfare sources cite 10-15, so it depends on which site of this debate you want to believe. Diary cows in Denmark are usually sent to the slaughterhouse when they’re around 5 years old because their fertility drops and they become more susceptible to disease right around this time[9].

1. Original quote: ”Vi har en mælkeproduktion i dag, som er ekstremt industriel, hvor man presser dyrene til det allerhårdeste for at malke den sidste dråbe fra koen.”

2. Original quote: “Når en ko bliver født, bliver den skilt ad fra sin mor allerede efter tolv timer og bliver sat i isolation, hvor den så får mælkeerstatning. Det gør man simpelthen for at få så meget mælk ud til forbrugerne som muligt, så man kan producere så meget mælk så billigt som muligt.”

3. Hopster, Hans; O’Connell, Janet M.; Blokhuis, Harry J. (1995) Acute effects of cow-calf separation on heart rate, plasma cortisol and behaviour in multiparous dairy cows. Applied Animal Behaviour Science. 44 (1995). Pages 1-8. Available online: https://www.sciencedirect.com/science/article/abs/pii/016815919500581C

4. von Keyserlingk, Marina A. G.; Weary, Daniel M. (2007) Maternal behavior in cattle. Hormones and Behavior. 52 (2007). Pages 106–113. Available online: https://pdfs.semanticscholar.org/b769/09afb82991b8322808e289a73662058c4af1.pdf

5. Gulliksen, S.M.; Lie, K. I.; Løken, T.; Osterås, O.(2009) Calf mortality in Norwegian dairy herds.Journal of Dairy Science. 92 (2009). Pages 2782-2795. Available online: https://www.ncbi.nlm.nih.gov/pubmed/19448012

6. https://landbrugsavisen.dk/kv%C3%A6g/afsl%C3%B8ring-kun-m%C3%A6lkeerstatninger-har-topkvalitet

7. Krohn, C. C. (2001) Effects of different suckling systems on milk production, udder health, reproduction, calf growth and some behavioural aspects in high producing dairy cows — a review. Applied Animal Behaviour Science. 72 (2001). Pages 271-280.

8. Original quote: “Anima ønsker også at få lov til at filme, hvordan en udtjent malkeko sendes til slagtning tyve år før dens naturlige død.”

9. https://professionel.maelken.dk/dyrevelfaerd/koeernes-levetid#hvor-laenge-lever-en-dansk-malkeko-i-gennemsnit

#animal welfare

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sims4nexus · 6 years

Photo

Bling Lizard Ring & Nails -For Women, Girls, & Toddler Girls-

| GO TO DOWNLOAD PAGE |

Thank you so much @ilovesaramoonkids for this awesome lookbook! (It is way better than my promo image!)

The ring has a fairly high polycount: 2782. The nails are actually meshes and because of that have much better detail than just drawing the nails on. They are also glittery and sparkly!

#sims4nexus #ts4cc #download #s4cc #ts4 toddlers #sims 4 toddlers

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chrancecriber · 2 years

Text

A State Of Sundays 373

Channel: Diplo’s Revolution (Sirius 52, XM 52)

Airdate: October 28, 2018 - October 29, 2018

Airtime: 06:00 AM - 06:00 AM

Timezone: Eastern Standard Time (EST)

Tracklist:

06:00 AM - 07:00 AM: Downtempo Hour

07:00 AM - 08:00 AM: Sunset Hour

08:00 AM - 10:00 AM: Armin van Buuren - ASOT 887

10:00 AM - 11:00 AM: Ruben de Ronde - TSOH 382

11:00 AM - 12:00 PM: Andrew Rayel - Find Your Harmony 127

12:00 PM - 01:00 PM: Trance System Hour

01:00 PM - 02:00 PM: Eelke Kleijn - DAYS Like NIGHTS 051

02:00 PM - 03:00 PM: Progressive Picks Hour

03:00 PM - 04:00 PM: Sunset Hour

04:00 PM - 05:00 PM: Trance System Hour

05:00 PM - 06:00 PM: Cosmic Gate - Wake Your Mind 238

06:00 PM - 07:00 PM: W&W - Mainstage Radio 019

07:00 PM - 08:00 PM: Sander van Doorn - Identity 466

08:00 PM - 09:00 PM: Ruben de Ronde - TSOH 382

09:00 PM - 11:00 PM: Armin van Buuren - ASOT 887

11:00 PM - 12:00 AM: Andrew Rayel - Find Your Harmony 127

12:00 AM - 01:00 AM: Progressive Picks Hour

01:00 AM - 02:00 AM: Eelke Kleijn - DAYS Like NIGHTS 051

02:00 AM - 03:00 AM: Trance System Hour

03:00 AM - 04:00 AM: Eelke Kleijn - DAYS Like NIGHTS 051

04:00 AM - 05:00 AM: Sunset Hour

05:00 AM - 06:00 AM: Downtempo Hour

Sources:

https://www.astateoftrance.com/a-state-of-sundays/a-state-of-sundays-376/

NOTE: Because information takes a while to compile, a detailed version of the tracklist will be uploaded at a later time.

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lsmithart · 3 years

Text

** Research: Berlinde De Bruckyere / The Body as Fragment

Following on from my explorations into skin through material, I started thinking about other material processes that I wanted to explore that could feed into this line of inquiry.

Casting is a process that I have wanted to explore further since second year, however due to covid was unable to take this forward at the time. After looking at the ‘Vitamin 3D’ book, I was drawn to the work of Berlinde De Bruckyere. Ruth had mentioned this artist to me before in relation to my skin explorations and so it felt fitting to explore her work further.

De Bruckyere’s work explores the body as a fragment, utilising living models by taking plaster casts of them and then pouring wax into them. It appears that wax gives an incredibly life-like appearance to the sculptures. De Bruckyere’s practice explores the mortality of life, pain and the experience of loneliness. Although morbid in its appearance, I felt drawn to the way in which these works explored such notions of being.

Discovering this artist in relation to my existing interest in the body as host for connection and repelling in relation to presence and absence led me to explore the body in pain and as fragment. I began reading ‘The Body in Pieces: The Fragment as a Metaphor of Modernity’ by Linda Nochlin. Please see key quotes from this text below:

Page 7-8 - The fragmented body os a symbol for irrevocable loss, poignant regret for lost totality, a vanished wholeness. The heroic energy of the past evoked. The artist is not merely ‘overwhelmed’ but is in mourning, mourning a terrible loss, a lost state of felicity and totality which must now be inevitably displaced into the past or the future: nostalgia or utopia.

The fragment, for the French Revolution and its artists, rather than symbolising nostalgia for the past, enacts the deliberate destruction of that past or, at least, a pulverisation of what were perceived to be its repressive traditions.

Page 48 - Abject = destructive?

Page 54 - In postmodernist production, the fragment assumes new, and differently transgressive, forms. In Louise Bourgeois’ sculptures, the part-object serves as the subverter of modernist rationality and formalist abstraction and as the site of a triumphant reintroduction of the abject in the form of infantile desire and gender-binding metamorphosis.

There is a signified power in the fragment.

This text led me back to the philosophical theory of the abject (coined by Julia Kristeva), a concept which I explored during my 202 project. In direct relation to this theory, I discovered the book ‘Abject Visions: Powers of Horror in Art and Visual Culture’ by Rina Arya and Nicholas Chare earlier on in the year. De Bruckyere’s work spoke to me very much as a something of the abject in its rawest form. The forms also characterise an uncanny representation, another concept (coined by Sigmund Freud) which I have been exploring since my second year.

Key quotes from the Abject Visions: Powers of Horror in Art and Visual Culture book:

Abjection, Art and Bare Life by John Lechte

Page 16:

Anthropologically, abjection has been seen to do with the ambiguity of the borders, in particular, those of the body and its markers (hair of the head, nails, body fluids etc.) and those of transitional states (mensturation, childhood, marriage, death etc.) and things that do not fit in and are excluded from social life (rubbish or filth, out of place food, people who are ‘unclean’ etc.). The abject is what one would prefer not to know about and which, in a sense, one cannot ‘know’.

Ambivalence in relation to abjection emerges with regard to an identity which becomes fragile and ambiguous, especially if this constitutes the blurring of borders between beings. When symbolic forms break down, there is a risk of abjection taking hold.

Abject = what we cannot or do not want to accept.

The Fragmented Body as an Index of Abjection by Rina Arya

Page 114:

Fragmenting the body renders it unstable and vulnerable, both for the viewer, who is uncertain how to read it as it subverts conventional understanding, and also because it takes on an indeterminate form with ambiguous boundaries.

Page 115:

Kristeva defines the maternal body as the first abject object that the infant must reject before it can become a subject in the symbolic order. This necessitates the imposition of boundaries that denote clearly differentiated limits and render one’s body ‘clean’ and bounded. The subject must disavow part of itself in order to gain a stable self, and this form of refusal marks whatever identity it acquires as provisional, and open to breakdown and instability.

Page 120:

According to Kristeva, abjection can be traced back to the first rejection to the separation from the mother helping her baby to establish themselves in the symbolic order. Abjection preserves some of that pre-objectal relationship and some of the ambivalence that is experienced by the subject when it becomes an independent body separated from the mother.

Page 121:

To abject is to expel, to separate; to be abject, on the other hand is to be repulsive, stuck, subject enough only to feel this subject hood at risk’.

‘The first is to identify with the abject, to approach it somehow - to probe the wound of trauma, to touch the obscene object-gaze of the real. The second is to represent the condition of abjection in order to provoke its operation - to catch abjection in the act, to make it reflexive, even repellent in its own right.’ - Hal Foster

The abject as a symbol for feelings of loathing and disgust.

Page 124:

The skin’s functions of containment, protection and communication are the result of a dual process of interiorisation. Two spatial aspects of the skin need to be internalised. First of all, the subject needs to internalise the interface between the bodies of the child and mothering figure, and second, the mothering environment itself with all its verbal, visual and emotional properties. - The room as skin - relates to 303. This psychoanalytic notion of skin is closely related to Kristeva’s psychoanalytic motion of the abject. They presuppose each other. The skin’s exclusion and abjection of that which threatens the safety of this bodily and psychic envelope.

The condition of the abject is not seen as repulsive, but as a mechanism that is needed for maintaining ‘open borders’ between self and (objected) other. This assessment implies a paradoxical re-evaluation of the abject.

Abjection, melancholia and ambiguity in Catherine Bell

Page 131:

Kristeva tells us that abjection is also related to melancholia and that art can act as an assuaging of grief through a commemoration and partial recuperation of the lost object. Indeed, understanding grief as a bridge between melancholia and abjection helps to illuminate the more complex and ambiguous workings of abjection as process.

Page 134:

Kristeva explains that abjection is a primary separation from the mother and instantiates psychic demarcations that remain throughout life as precursors of language; the fluctuating expenditure of energy and negativity that are founded on abjection constitute the semiotic or biological dimension of the subject and the materiality of language as it is heard and directly experienced - as process.

References:

Arya, R., and Chare, N., (2016). Abject visions: Powers of horror in art and visual culture. Manchester University Press.

Editors of Phaidon Press, (2009). Vitamin 3-D: New Perspectives in Sculpture and Installation. Phaidon Press. Available at https://play.google.com/store/books/details?id=x1d2OwAACAAJ.

Hauser and Wirth, (no date). Berlinde De Bruyckere — Artists. [Online]. Available at https://www.hauserwirth.com/artists/2782-berlinde-de-bruyckere. [Accessed on 21/05/2021]. Nochlin, L., (1996). The body in pieces: The fragment as a metaphor of modernity. Journal of Aesthetics and Art Criticism. JSTOR. 54 (4), p. 410 [Online]. Available at https://www.jstor.org/stable/10.2307/431935?origin=crossref.

#301

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ao3feed-ateez · 4 years

Link

by shiber_zi

When Hongjoong had arrived at the library at 3AM, he was already grinning at the thought of proving Wooyoung wrong, that there is no such thing as a man inside the book. If he can prove that this story is fake, then all the other stories are hoaxes too!

He grabs a book out of the shelves, missing the way how the pages light up for a bit.

He opens the book as he fumbles with his phone to press the camera button, excited to take a picture of the supposed "man inside the book".

He expected to find nothing when he opens the book. He did not expect to find a tiny man inside the book, looking at him in confusion.

Hongjoong promptly passes out from that.

Words: 2782, Chapters: 1/10, Language: English

Fandoms: ATEEZ (Band)

Rating: Teen And Up Audiences

Warnings: Creator Chose Not To Use Archive Warnings

Categories: M/M

Characters: Kim Hongjoong, Park Seonghwa, Jeong Yunho, Kang Yeosang, Choi San, Song Mingi, Jung Wooyoung, Choi Jongho

Relationships: Kim Hongjoong/Park Seonghwa, Jeong Yunho/Song Mingi, Choi San/Jung Wooyoung, Choi Jongho/Kang Yeosang

Additional Tags: Alternate Universe - Not K-Pop Idols, Falling In Love, Romantic Comedy, Slow Burn, Eventual Happy Ending, Semi-Horror, Jung Wooyoung is a Brat, Kim Hongjoong is Tired, Shy Park Seonghwa, GhostBook!Seonghwa, secret!mingi, secret!yunho, secret!yeosang, secret!san, secret!jongho, other members will be revealed soon, Other Additional Tags to Be Added

#ateez #ao3feed #Kpop rpf

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painterlegendx · 5 years

Text

8 Things You Need To Know About Painting Flowers In Watercolour A Naturalistic Approach Today - Painting Flowers In Watercolour A Naturalistic Approach

The McLean Project for the Arts’ biennial “Strictly Painting” analysis is 20 years old, so the title’s modifier is apparently actuality to stay. No amount that this year’s assortment, includes semi-sculptural pieces that angle the account plane, beetle from the bank and alike brandish from the rafters. Or that one of the participants is absolutely a photographer.

Painting Flowers in Watercolour: A Naturalistic Approach Online - painting flowers in watercolour a naturalistic approach | painting flowers in watercolour a naturalistic approach The appearance appearance 55 works by 38 bounded artists, called by Phillips Collection babysitter Vesela Sretenovic. Among the atomic acceptable in anatomy or address are Richard Paul Weiblinger’s neon-hue, accurate close-ups of flowers; Jackie Hoysted’s bright constructions of argent metal and corrective board circles; and Sanzi Kermes’s mobiles of painted-paper lozenges in assorted sizes.The astute paintings tend against camera-emulating precision. In Lillianne Milgrom’s diptych, “Le Rouge and Le Noir,” two exactingly rendered adolescent women, redhead and brunette, beam abroad from anniversary other. Dorothy Bonica’s “Castaway Child” is an awfully ample and abundant appearance of grass, dirt, leaves and a channelled allotment of paper; it shows a abode area article may accept happened, now abandoned. Just as arid and abundant added automated is Lillian Hoover’s “Awning,” in which architectural detail serves an exercise in composition.Georgia Nassikas’s muted, cautiously accelerating pictures resemble landscapes but access Rothko-like absorption and serenity. Two examples of Bill Hill’s “Bonden Crossings” series, corrective with adulterated oils in shades of purple, accept accumbent gestures that assume to breeze larboard to right. There’s alike added faculty of motion in Greg Braun’s diamond-shape “Purple Pansy Petal,” whose amethyst apparent allows glimpses of dejected and chicken undercoats. The corners angle as if the allotment is accessible to coil off the wall, artifice accurate notions of what painting can be. Strictly Painting 10 On appearance through Aug. 1 at McLean Project for the Arts, 1234 Ingleside Ave., McLean. 703-790-1953. www.mpaart.org.Ana Sediles

Painting Flowers in Watercolour: A Naturalistic Approach by .. | painting flowers in watercolour a naturalistic approach Simplicity is ascendant back painting in watercolor, which is Ana Sediles’s arch medium. The Spanish artist, whose aboriginal American appearance is now at All We Art, executes land-and-seascapes that await on aqueous textures, assuming the comedy of ablaze and a able adverse amid vertical and horizontal. Interestingly, and effectively, Sediles usually forgoes the accepted mural format. Rather than maximizing the border line, she grabs a vertical allotment of a continued vista.Sediles additionally is assuming some abstruse bite prints, adventurous and monochromatic, and two coarse acrylics that chase the acceptable wide-angle approach. It’s her watercolors, however, that dominate. Working primarily in blue, brown-gray and the white of the basal paper, the artisan evokes the Mediterranean bank or awkward streams. Two paintings appearance Central Park belted by skyscrapers, but Sediles’s pictures are rarely so burghal or so specific. Drawing on anamnesis or acuteness rather than photographs, she paints moments in which what affairs is not area but the accepted coaction of sunlight and bouncing currents. Ana Sediles On appearance through July 26 at All We Art, 1666 33rd St. NW. 202-375-9713. www.allweartstudio.com.Kurt Godwin and Betsy PackardThere is no accumulation burden in “Outliers: Kurt Godwin and Betsy Packard,” but that’s intentional. Babysitter J.W. Mahoney calls the American University Museum appearance “a adornment — not a retrospective.” (Yet it does array of activity as the closing for Godwin, who died aftermost year.) Both bounded artists focus on the everyday, which in Godwin’s case agency mostly nature, and in Packard’s, frequently the calm realm, admitting it’s sometimes eerily transformed.

Karen Sioson Watercolors - Picmia - painting flowers in .. | painting flowers in watercolour a naturalistic approach To adjudicator from this selection, Godwin generally headed into the backwoods but rarely took the aforementioned appearance with him. “Through the Trees” break the appearance into near-abstract patterns, while “Dump in the Woods” is added astute in its delineation of sky, foliage and detritus. His painting “Inventory of Everything” resembles a check quilt, and appropriately it ventures abutting to Packard’s method. She can paint, but frequently uses bolt and begin objects. She wraps commonplace things, arranges bolt into geometric collages and, for “Solemn Vow,” disassembles a atramentous suit, so it hangs on the bank like a apparitional presence. The balance suggests both the animal amount in accepted and the specific actuality of the being who wore it. Outliers: Kurt Godwin and Betsy Packard On appearance through July 26 at the American University Museum, Katzen Arts Center, 4400 Massachusetts Ave. NW. 202-885-1300. www.american.edu/museum.Joseph Crawford PileGrowing up on a acreage in Kentucky, Joseph Crawford Pile came to adulation the acrid music of pickups, clay bikes and, swishing to a adjacent Army base, aggressive choppers. The artisan started authoritative adorn assets of such accessories as a baby child, and some of those pictures are in his Hillyer Art Space appearance “Vehicle Misbehaving.” These days, Pile’s mixed-media works are added adult in technique, and added absurdist in outlook. They additionally accept a new element: Their backdrops are generally the streets of Baltimore, his accepted home.Many of the contempo pieces are baby and on paper, as the ancient ones were, admitting they accommodate abstruse patterns that apparently wouldn’t activity to a adolescent boy. Rendered in a mix of chargeless and absolute gestures, the beyond pictures brainstorm ballsy battles in which motorcycles, helicopters and jacked-up 4-x-4 trucks argue on apparent thoroughfares. (Pile labels one decidedly bizarre book a “lucid dream.”) Viewers who don’t allotment the artist’s aftertaste for demolition-derby activity can still acknowledge the streetscapes.

Painting Flowers in Watercolour: A Naturalistic Approach .. | painting flowers in watercolour a naturalistic approach Joseph Crawford Pile: Vehicles Misbehaving On appearance through Aug. 1 at Hillyer Art Space, 9 Hillyer Ct. NW. 202-338-0325. www.hillyerartspace.org.John StangoIn the apple that Andy Warhol, Jasper Johns, Robert Rauschenberg and Roy Lichtenstein wrought, is it still accessible to be a pop artist? Some may agnosticism it, but not John Stango. The Philadelphian’s paintings, 12 of which are now on affectation at Artist’s Proof, are acquired but hardly tentative. Stango brashly appropriates his predecessors’ techniques and emphasizes bold, mostly primary, colors.Stango depicts such mid-’60s idols as John F. Kennedy, Muhammad Ali and Marilyn Monroe — as able-bodied as superheroes and bartering insignias — with a admixture of admiration and giddiness. Area Warhol did Brillo boxes and Campbell’s soup cans, his almsman goes for Cadillac, Chanel and Absolut — and Campbell’s soup cans. The artisan is a abroad accessory of Norman Rockwell, but he’s bigger at pop-cult images than accustomed scenes. The atomic acceptable account actuality is a celeb- and logo-free appearance of D.C. monuments. John Stango On appearance through July 31 at Artist’s Proof, 1533 Wisconsin Ave. NW. 202-803-2782. www.aproof.net.

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