#peterpaulrubens

[artist-rubens]

The Fall of Icarus, 1636, Peter Paul Rubens

Medium: oil,wood

[met-european-paintings]

Study of Two Heads, Peter Paul Rubens, ca. 1609, European Paintings

Bequest of Miss Adelaide Milton de Groot (1876-1967), 1967 Size: 27 1/2 x 20 1/2 in. (69.9 x 52.1 cm) Medium: Oil on wood

https://www.metmuseum.org/art/collection/search/437533

[harvard-art-museums-drawings]

Head of Nero Caesar Augustus, Peter Paul Rubens, c. 1638, Harvard Art Museums: Drawings

Harvard Art Museums/Fogg Museum, Bequest of Charles A. Loeser Size: 27.7 x 19.8 cm (10 7/8 x 7 13/16 in.) Medium: Brown ink, black chalk, scratchwork at the proper left eye and nose, on cream antique laid paper, mounted down, two brown ink framing lines

https://www.harvardartmuseums.org/collections/object/298559

[peoplematchingartworks]

[portraitsgallery]

Sir Peter Paul Rubens, Self-Portrait, 1623

[aic-european]

Saint Francis, Peter Paul Rubens, 1610, Art Institute of Chicago: European Painting and Sculpture

The preaching and teaching activities of the reformed religious orders, including the Franciscans, were important for the resurgence of the Catholic Church in the souther Netherlands following years of religious and political turmoil in the 16th century. Peter Paul Rubens painted numerous images of the founder of the Franciscans, Saint Francis of Assisi. They emphasize his ecstatic piety, most vividly represented in the episode of his stigmatization, when he received the marks of Christ's Passion. In this simpler, portraitlike image, Rubens conveyed the saint's spirituality through his inward gaze and gesture of meditation. George F. Harding Collection Size: 43 1/4 × 31 in. (99 × 78.8 cm) Medium: Oil on panel

https://www.artic.edu/artworks/100342/

[the-barnes-art-collection]

The Holy Family with Saint John the Baptist and an Angel by Peter Paul Rubens, The Barnes Foundation

Barnes Foundation (Philadelphia), Collection Gallery, Room 14, South Wall Medium: Oil on panel

https://collection.barnesfoundation.org/objects/6064/

[natalkamajka]

[artist-rubens]

The Fall of the Damned, 1620, Peter Paul Rubens

Medium: oil,canvas

[met-european-paintings]

Portrait of a Man, Possibly an Architect or Geographer, Peter Paul Rubens, 1597, European Paintings

The Jack and Belle Linsky Collection, 1982 Size: 8 1/2 x 5 3/4 in. (21.6 x 14.6 cm) Medium: Oil on copper

https://www.metmuseum.org/art/collection/search/437530

[santhatela]

Imaculada Concepção ▪︎ Peter Paul Rubens . . . Tamanhos Disponíveis: Baby |   Fit   | Plus  | Master | Super . . . ⚜️ Tecido Canvas Importado 🌐 Entregamos em Todo o Brasil 🏛 Arquivos Exclusivos de Museus 🎁 Escolha 1 Obra Baby de Brinde a cada 299,00    🎭 Projeto de Inserção Cultural | Valores Reduzidos . . . #peterpaulrubens #virgemmaria #imaculadaconceição #religiosa #fé #religião #quadros #decoracao #arte #santhatela #parededecorada #diy #obradeartes #barroco #exclusivo #canvas #decorarsala #tela #decorecomquadros #decor #decorarte #decorarparedes #galeriaonline #artenadecoração https://www.instagram.com/p/CZVUDyrLeYh/?utm_medium=tumblr

[peoplematchingartworks]

[arthistoriansdiary]

Le Miracle de Saint Just

Peter Paul Rubens, Le Miracle de Saint Just (circa 1633). Oil on canvas, 44.2 x 31.8 cm. Musée des Beaux-Arts de Bordeaux.

In the rich tapestry of baroque art, Peter Paul Rubens' 'Le Miracle de Saint Just' (The Miracle of Saint Justus), painted around 1633, stands as a remarkable narrative painting that encapsulates the fervor and intensity of religious storytelling of the time. This artwork not only showcases Rubens' mastery over color and form but also delves deep into the miraculous tale of Saint Justus, inviting a reflection on faith, sacrifice, and the divine.

Who Was Saint Justus? Saint Justus' story is set against the backdrop of the Roman Empire under Emperor Diocletian's reign, a period marked by Christian persecution. The narrative unfolds as Justus, alongside his father and uncle, embarks on a perilous journey to France, aiming to rescue a relative facing persecution for their Christian faith. Their mission takes a dramatic turn when Justus is captured by Roman soldiers. Despite the grave threat to his life, Justus confesses his Christian beliefs. When pressed to betray his father and uncle's whereabouts, he refuses, leading to his execution. A testament to his unwavering faith, Justus' body performs a miracle post-mortem, picking up his severed head and continuing to speak, a phenomenon that leads to the conversion of pagan onlookers. This story of steadfast faith and divine intervention is vividly captured in Rubens' painting.

Rubens' Artistic Vision: Rubens, a towering figure in baroque art, brings the tale of Saint Justus to life with his dynamic composition, rich colour palette, and emotive figures. His ability to convey the intensity of Justus' martyrdom and the subsequent miracle with such vigour and depth is unparalleled. The painting is not just a visual representation but a narrative journey that encapsulates the essence of martyrdom and the power of divine faith.

Symbolism and Interpretation: In 'Le Miracle de Saint Just,' Rubens explores themes of sacrifice, faith, and the divine through the lens of Saint Justus' martyrdom. The miraculous act of Justus speaking after death serves as a powerful symbol of faith's triumph over persecution and death. Rubens' depiction invites viewers to contemplate the nature of belief, the sacrifices it may entail, and the miracles that faith can bring forth.

The Power of Expression in Rubens' Canvas:

Rubens' skill in 'Le Miracle de Saint Just' extends notably to the depiction of facial expressions, capturing the story's emotional essence. Saint Justus, portrayed with a peaceful resolve, contrasts sharply with the bewildered and astonished onlookers, their faces a canvas of awe and fear. This juxtaposition of serenity and turmoil enhances the narrative, inviting viewers to engage deeply with the themes of faith and the miraculous.

Expressions Unveiled: Your Thoughts?

How do the powerful expressions in 'Le Miracle de Saint Just' by Rubens affect you, drawing you into the painting's narrative without words?

[aic-european]

The Capture of Samson, Peter Paul Rubens, 1609, Art Institute of Chicago: European Painting and Sculpture

Peter Paul Rubens painted this sketch over a preliminary study for his great Adoration of the Magi of 1609 (Museo del Prado, Madrid). He inverted the panel before painting it again; the lower part of the Madonna’s blue robe from the earlier study still shows through at the upper right. The final design was a preparation for the monumental Samson and Delilah painted for Nicolas Rockox, a leading citizen of Antwerp (National Gallery, London). Rubens’s mastery of the oil sketch was part of the rapid, yet methodical working process that helped him forge a brilliant international career following his return to Antwerp after eight years in Italy. Robert A. Waller Memorial Fund Size: 19 3/4 × 26 1/8 in. (50.4 × 66.4 cm) Medium: Oil on panel

https://www.artic.edu/artworks/8953/

[the-barnes-art-collection]

The Incarnation as Fulfillment of All the Prophecies by Peter Paul Rubens, The Barnes Foundation

Barnes Foundation (Philadelphia), Collection Gallery, Room 04, North Wall Medium: Oil on panel

https://collection.barnesfoundation.org/objects/5765/

[art-glimmer]

eter Paul Rubens detail