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[scripttorture]

Regarding ICURE, I have a character who is familiar with the process and a deep understanding of most of the mindsets and mental states involved in torture, interrogation, and captivity. Would that make resistance to the techniques easier? How would a willingness to engage and empathize with captors, combined with an awareness of their goals and methods and a greater than average degree of self-awareness and self confidence interact?

I’m mostly working without studies here extrapolating based on what I know.

 The only bit of this I can definitively answer is that knowledge of what torture does wouldn’t effect the high innate resistance we have to it. Resistance to torture is bound up in so many fundamental systems, like how our nerves physically register pain, that conscious knowledge wouldn’t make much difference to the outcome.

 It might make the character feel better or more confident though: ‘There’s no way you can force this information out of me’. It might also make the recovery process a little easier if the character is tortured. Knowledge about mental illness and how they’re treated can help people identify what they’re going through and process it more quickly. It can also make it easier to seek help.

 For those who are new to the blog ICURE is a combination of techniques that can be used to change someone’s beliefs over time. As with everything there is not a 100% success rate but unlike torture consistently applied ICURE can lead to a controlled change in the target’s belief system.

 It stands for Isolate, Control information, create Uncertainty, Repetition and Emotional responses.

 A group of characters attempting to use ICURE would isolate the target from other characters, ensure that the information/news the target gets lines up with what the group believes. They’d then attempt to create uncertainty about previously held core beliefs and respond in an overblown emotional fashion if the target attempts to challenge their own beliefs. Repetition of this, consistently over a prolonged period (months or years) can (but does not always) lead to change in core beliefs.

 For an example let’s imagine a story applying this to Bucky Barnes from the Marvel series.

 A group holding him might try to create uncertainty by underlining how long he’s been held and how his friends haven’t attempted to rescue him. They might give him news that his best friend has another group of heroes he works with now. Bucky has been abandoned, forgotten. And so forth.

 An emotive response in this scenario could be something like the primary care giver of the group (the person who most regularly interacts with Bucky, giving him food and trying to interact positively) flying off the handle when Bucky mentions his old friends. How can he be so ungrateful? Doesn’t he realise what the caregiver has risked and sacrificed to keep Bucky safe? Does he think persuading the group to ‘help’ Bucky and keep him alive was easy?

 You get the idea.

 My instinct is that knowledge of these techniques would make them less effective. These things are never 100% successful and I think consciously acknowledging the manipulative nature of ICURE would make it harder for the captors to achieve total success.

 However a lot of the reason these techniques work is because humans are social animals. We need interaction with other members of the species in order to remain healthy. And as a result we often change and adapt in order to fit in with new groups. We are geared to compromise in order to gain or maintain positive social contact.

 I am not a psychologist or psychiatrist but I do know that there a lot of research papers which suggest personal opinions can gradually change over time when we’re surrounded by people with differing views in non-coercive settings.

 This does not necessarily mean full conversion to another set of ideals. The impression I get is that it mostly looks like a series of small and subtle changes.

 For the sake of avoiding internet insanity let’s make up an issue. Let’s make up a character who grew up in an area where no one wears red and the colour has a lot of negative associations.

 This character moves to a different area where the colour has different connotations and wearing red is a neutral act. Over a period of years the character’s attitudes towards the colour might mellow. They might never wear red themselves. They might not decorate with the colour. But they’ve met a fair few people who occasionally wear red now and they’re decent people. They don’t judge people who wear red the way they did when they first moved in to the area.

 What I’m trying to illustrate here is that it’s normal for people’s views to shift over time. Obviously this does not always happen. People can hold extreme or vastly differing views when compared to their community.

 From a certain point of view my views are extreme. Most cultures in our global society accept and legitimise violence to differing degrees. Pacifism is the absolute rejection of violence*. If you take a moment to think about how often violence permeates all aspects of our lives (from child care to religion to politics) you’ll see what I mean.

 What I’m trying to illustrate here is that while we do adjust and change to fit in with the people surrounding us we can also cling to things that are very much against the norm. And that makes it difficult to answer any of these questions with certainty. There is a lot of individual variation.

 A lot of the techniques to resist effective interrogation are essentially a refusal to interact. But the longer someone’s held outside their community the less viable that is as an option. We can choose to do things that are harmful to us (including avoiding needed social contact) but it’s hard. Because it’s unhealthy.

 I think the way I’d approach this as a writer is to start by identifying the core values of this character, the things that are most important to them. Try to think of things the character absolutely could not compromise without becoming a different character.

 Circling back to the example of Bucky Barnes, a core value might be his relationship with Steve Rogers, his oldest friend.

 Once you have an idea of the core values think of the next most important value. And keep going.

 I tend to do this pretty instinctively. For me it’s a part of my messy, sprawling character creation. If you need to take a more visual or organised approach to figuring things out then a list (with the most important values at the top) or a circle (with the most important values in the middle) might be helpful.

 Next think through the same process for the group that has captured the character. Since it’s a group rather then an individual it should be simpler. (Because a group is unlikely to be as nuanced and complicated as an individual.)

 See if there’s any overlap which might be grounds for grudging mutual respect. Values like loyalty to your own group and taking care of the people on your side are good things to use for this.

 I would then look at the more peripheral values the character has and shift some of them a little over time.

 Keeping Bucky as our example I might put something like ‘American cultural values’ as a more peripheral value. Bucky seems to prize the culture he was raised in and consider it the norm. But it’s not something he bases his personality on or something that motivates him through the stories. So shifting that, having him not see it as the ‘norm’ any more, or adopting things his captors did would be a good way to show that he has been influenced.

 Obviously the right choice, the right value to shift, depends on the characters and the story you want to tell. The degree to which you want to shift the character’s values is also up to you.

 Bigger shifts, or more obvious shifts, could serve to cause conflict later in the story. This could lead the character to feel rejected, like their loyalty is being questioned after everything they went through.

 Bigger shifts could also serve a practical purpose in the story though. If this character has gained a greater understanding for the group they’re opposed to that could make them a much more effective interrogator. They might know how to establish rapport more quickly and earn the trust of captured prisoners. Which could in turn lead to more accurate information.

 Greater understanding of the group they’re opposed to could also help with strategic thinking/planning.

 Smaller shifts add less elements to the story. But that could be a good thing too depending on your story. If you don’t have a lot of time or space to explore new conflicts or skills then this approach would save you narrative space while still showing the character has been effected.

 It would also work if the point here is to show the character as mostly unmoved, unchanged, despite coercive external pressure.

 I hope that helps :)

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*In case anyone’s interested I personally define violence as harmful acts done without consent.