#pink pearl and pearl

[doitforpink]

[radi0activelob1ani]

5000 years ago.

[pastelpinkillustrator]

Turning sketches from the End of an Era book into finished drawings - Part 1 - Pink's Indecision (The original sketch was by Rebecca Sugar ⭐)

[miserytrain]

[amoschaos]

Dispersia Pink & White & the 2 pearls

[r4n-dall]

Posting something after not posting anything for over a month (literally)😂😂😭

[femondoetus]

a single pale rose by YtaloSM2

[sunnyirry]

I miss when rose quartz/pink diamond used to be drawn with messier hair actually

[discount-supervillain]

[suchangeofmindau]

A small-big change from the canon. I present the Pearl Trio, meet Pearl, Pearl and of course Pearl. They all belonged to White Diamond and often acted on her behalf, especially when someone had to babysit Pink Diamond.

[anitalenia]

s u m m e r & o c e a n d i v i d e r s ⋆⭒˚｡⋆⊹₊ ⋆

credits to me. feel free to use and save. of course credit would be appreciated but it is not required. I’m just making these for fun <3 | requested by @justcallmesakira ( I hope these are to your liking, if not don’t hesitate to tell me. I know I said three days but I was up all night and decided to just do them. I gave you a lot of options if you couldn’t tell 😭 and I put some simple line dividers at the bottom, I really hope you like them 🫶🏻✨)

[sseuda]

　　　　　　ꢾ꣒ ⠀　⏖　⠀ocean ⠀themed ⠀divs

[jasmineneroli]

[pumpkster]

[fashionsfromhistory]

Brooch

Marcus & Co. (New York City, New York)

c.1900

This exquisite brooch is one of the few extant examples of plique-à-jour jewelry made by the New York firm of Marcus & Co., whose reputation at its prime rivaled that of Tiffany & Co. Herman Marcus (1828–99), a German–born and Dresden–trained jeweler, arrived in New York in 1850 and worked for a number of prestigious firms before establishing Marcus & Co. in 1892. Following his death, the company continued under the direction of his two sons, George Elder Marcus and William Marcus.

The brooch is a superb example of Marcus & Co.’s work in plique-à-jour enameling, in which the "cells" of color have no backing, allowing light to shine through the transparent enamel, thereby creating the effect of stained glass. One of the only jewelry firms of its day to succeed at this challenging technique, Marcus & Co. followed the lead of such innovative French designers as René Lalique. The sensitive 3-dimensional sculpting of the sweet pea blossoms and leaves, as well as the naturalistic coloring of the enamels, reflects the Art Nouveau aesthetic that prevailed at the turn of the century. Indeed, close parallels can be drawn with the brilliant naturalistic work of Louis Comfort Tiffany, whose oeuvre is so well represented in the Met’s collection.

The MET (Accession Number: Accession Number: 2016.107)

[fairytopea]