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They all have that look 😂
#adam schiff#nancy pelosi#hillary clinton#pocahontas#elizabeth warren#Maxine Waters#AOC#charles manson#Trump 2024
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My stance on non-Natives criticizing Avatar is the same stance I have when non-Natives criticize Elizabeth Warren: You can (and should!) criticize them because there are a million valid reasons to do so, but you can do it without being racist.
#avatar#james cameron's avatar#avatar: the way of water#elizabeth warren#anti-native racism#anti native racism#pocahontas#leave matoaka alone
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Mark Sumner at Daily Kos:
Donald Trump loves coining nicknames. Who could forget “Little Marco” Rubio, or “Lyin’ Ted” Cruz? Then there was “Birdbrain” Nikki Haley, and a real head-scratcher: “Meatball Ron” DeSantis. Sometimes they run to the racist, like “Peekaboo” for New York Attorney General Letitia James, or “Pocahontas” for Sen. Elizabeth Warren. More often, they sound like digs from a third-grade playground, as with “Sleepy Joe” or “Crooked Hillary.” Now Trump is trying to tag Vice President Kamala Harris with one of his nicknames. And that nickname is … “Laughing Kamala.” Trump clearly believes this is an insult that can draw attention to Harris’s boisterous laugh—and that people will find it odd. But that’s not the way it works. People like laughter. They like folks who are upbeat, positive, and joyful. In Trump’s dark vision of American carnage, the only acceptable laughter stems from cruelty. But Harris radiates a genuine warmth. And nothing frightens the darkness more than light.
It’s little wonder that Trump’s designated nickname for Harris is not catching on with the MAGA faithful. Outside of the conference room at Mar-a-Lago, everyone seems to get that “laughing” is not a word associated with bad things.
Donald Trump coins the “Laughing Kamala” nickname for Kamala Harris, but Harris will get the last laugh when the elections come, as she’ll beat the 34x Convicted Felon.
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Bongino Report Early Edition with Evita
https://rumble.com/v58oolg-kamala-harris-first-campaign-ad-is-very-cringe-ep.08.html
Topics:
Fed-run (and taxpayer-funded) media sucks. Media now downplaying and gaslighting Trump getting shot.
Remember when the Fed govt used taxpayer money to insidiously advertise the mRNA covid bioweapon shots?
The sexualization and growing vulnerability of women and children promoted by the DNC.
Kamala still IS the border czar...the czar responsible for the increases in human trafficking, violent crime, and drug epidemic".
"Kamala Harris' biggest accomplishment as VP is [supposedly, according to "Pocahontas" Warren] being the first VP to visit an abortion clinic...yet, Kamala voted for a bill protecting infanticide (or babies who survived an attempted abortion).
Kamala is more extreme than Joe on abortions.
The first presidential ad from Kamala. (1) That rally is just 3800 people. (2) It looks like a civil rights video for the trans community. (3) As Beyonce sings of freedom, Kamala's talking points remove freedoms. (4) She brings back her push to give free healthcare for all [who's paying for this?] and even to illegals over Americans. (5) How to jail opponents and call it justice. (6) The weaponized DOJ allows Biden-Harris to be authoritarians. Do you think they aren't going to fight to keep that level of power?
Chris Wray lies to Congressional hearing. [The Dobbs Decision returns the abortion decision to the States.]
Bill Mayer downplays God, because he mistakenly labels Christianity as religion...though it doesn't dismiss his statements.
The emotional and spiritual brokenness in the wake of Leftism.
#truth#common sense#globalist playbook#abortion clinics#weaponized state#weaponized doj#assassination attempt#kamala harris#bill maher#evita#dan bongino
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The Filmmakers of The Road to El Dorado
From here
DON PAUL (Director) most recently served as co-head of the visual effects department for DreamWorks’ first traditionally animated feature, "The Prince of Egypt."
He was previously head of effects for Walt Disney Feature Animation, where he worked on such hits as "The Little Mermaid," "Aladdin," which earned a BAFTA nomination for Best Visual Effects, and "Pocahontas."
Paul began his career right out of college when he was accepted into Disney’s training program. His earliest credits at Walt Disney Feature Animation include "The Fox and the Hound" and "The Great Mouse Detective." He also worked on such projects as "Who Framed Roger Rabbit," "An American Tail," "The Land Before Time" and "Amazing Stories."
Eric "Bibo" Bergeron (Director) previously worked as an animation supervisor on such films as "The Adventures of Pinocchio" and "The Goofy Movie." He worked at Amblimation in London, where he served as an animation supervisor on the features "An American Tail: Fievel Goes West" and "We’re Back! A Dinosaur’s Story." In addition, Bergeron founded his own animation studio, Bibo Films, in 1993, which is located in his native France.
Hailing from Paris, Bergeron studied art at the Ecole de la rue Madame. He graduated from the animation school CFT- Gobelins in Paris, where he later taught classes. He went on to serve as a director and animator on various commercials at several different studios in Paris. He also worked in London at Passion Pictures and ULI Meyer studios as a commercial animator. While at ULI Meyer, Bergeron animated a sequence from "FernGully: The Last Rainforest."
Bonne Radford (Producer) became one of the first employees at DreamWorks when it was founded in 1994. She served as Head of Feature Animation until 1996.
Prior to joining DreamWorks, Radford worked for Amblin Entertainment, beginning as a controller and subsequently being promoted to vice president of finance and production. She became head of animation at Amblin in 1990, overseeing the animation studio Amblimation in London.
During her tenure at Amblin, she worked on such hit films as, "E.T. The Extra-Terrestrial," "Back to the Future I, II, and III," "Who Framed Roger Rabbit," "Indiana Jones and the Temple of Doom," "The Color Purple," "Empire of the Sun," "An American Tail: Fievel Goes West" and "The Land Before Time." She made her producing debut as an executive producer on the animated film "Balto."
BROOKE BRETON (Producer) was instrumental in launching Jim Cameron’s effects house Digital Domain, where she held the post of senior vice president of production for several years. During her tenure, Digital Domain created the visual effects for such blockbusters as "True Lies," "Interview With the Vampire" and "Apollo 13." They also created the effects for the "Terminator 2 - 3D Attraction," which is currently featured at Universal Studios Hollywood.
Prior to joining Digital Domain, Breton served as the associate producer on three Star Trek features: "Star Trek IV: The Voyage Home," "Star Trek V: The Final Frontier" and "Star Trek VI: The Undiscovered Country." She also produced the visual effects for Warren Beatty’s "Dick Tracy."
A 20-year Hollywood veteran, Breton began her career at Paramount Television, where she worked on such shows as "Happy Days," "Laverne & Shirley," "Angie" and "Call to Glory." Years later, she returned to television to serve as supervisor of post production on the first season of the popular series "Star Trek: The Next Generation."
JEFFREY KATZENBERG (Executive Producer) is a principal partner in DreamWorks SKG, a multi-faceted entertainment company, which he co-founded with Steven Spielberg and David Geffen in October 1994.
He previously served as the executive producer of DreamWorks animated epic "The Prince of Egypt," which grossed over 225 million dollars worldwide, and won an Oscar for Best Original Song ("When You Believe"). The film more recently enjoyed a hugely successful release on video and DVD.
BILL DAMASCHKE (Co-Executive Producer) is executive in charge of production at DreamWorks Animation, overseeing day-to-day operations for all feature animation projects.
He began his animation career working on the feature "Pocahontas." Coming to DreamWorks, he served as production manager on "The Prince of Egypt."
A graduate of Illinois Wesleyan University, Damaschke has a BFA in Music and Theatre.
TED ELLIOTT & TERRY ROSSIO (Screenwriters) previously co-wrote the Oscar-winning animated musical "Aladdin," starring the voice of Robin Williams, which became the top-grossing film released in 1992. They more recently scripted Martin Campbell’s action adventure hit "The Mask of Zorro," starring Antonio Banderas and Anthony Hopkins.
Elliott and Rossio’s earlier live-action credits include "Small Soldiers," Roland Emmerich’s "Godzilla," on which they shared story credit, "Little Monsters," starring Fred Savage, and "The Puppet Masters," starring Donald Sutherland.
In 1996, Elliott and Rossio became the first writers signed to an overall deal at DreamWorks SKG. They are currently working on DreamWorks’ upcoming computer animated feature "Shrek," based upon the children’s book by William Steig, and starring the voices of Mike Myers, Eddie Murphy, Cameron Diaz and John Lithgow.
ELTON JOHN (Songs) has been a creative force in the music industry for over three decades. In addition to his status as a legendary recording artist, he was honored with an Academy Award and a Golden Globe Award for Best Original Song for "Can You Feel the Love Tonight" from "The Lion King," shared with lyricist Tim Rice. In addition, John and Rice co-wrote the Oscar-nominated songs "Circle of Life" and "Hakuna Matata" for "The Lion King," which still reigns as the top-grossing animated feature and generated the top-selling album of the year.
Today, the songs from "The Lion King" are delighting Broadway and London audiences in the award-winning stage production of the musical. John and Rice have since teamed again on the Broadway-bound musical "Aida," based on the Verdi opera.
John began his domination of the music scene at the beginning of the 1970s, when his songwriting partnership with lyricist Bernie Taupin resulted in a succession of gold and platinum albums and number one singles. In 1971, he became the first artist since the Beatles to have four albums in the American Top 10 simultaneously. Honky Chateau, released in July 1972, began a string of seven consecutive number one albums.
His long list of successful album titles also includes Elton John, Tumbleweed Connection, Madman Across the Water, Don’t Shoot Me I’m Only the Piano Player, Goodbye Yellow Brick Road, A Single Man, Victim of Love, The Fox, Jump Up!, Too Low for Zero, Breaking Hearts, Ice on Fire, Leather Jackets, Reg Strikes Back, The One, Duets, and The Big Picture. John’s extensive catalogue of hit songs includes "Your Song," "Daniel," "Bennie and the Jets," "Goodbye Yellow Brick Road," "Don’t Let the Sun Go Down on Me," "Candle in the Wind," "Philadelphia Freedom," "Rocket Man," "Someone Saved My Life Tonight," "On and On," "I Don’t Want to Go On With You Like That," "The One," "Something About the Way You Look Tonight" and many more.
In addition to his Oscar, John’s numerous honors include Grammys and American Music Awards. In 1994, he was inducted into the Rock and Roll Hall of Fame, and, in 1998, he was knighted by H.M. Queen Elizabeth II. He was presented with a Grammy Legend Award at this year’s Grammys.
TIM RICE (Songs) is one of the music industry’s most renowned lyricists and a triple Oscar winner in the category of Best Original Song. He won his first Academy Award and a Golden Globe for the song "A Whole New World," written with Alan Menken, from the animated hit "Aladdin." He took home his second Oscar and Golden Globe, shared with Elton John, for "Can You Feel the Love Tonight" from the blockbuster "The Lion King," in addition to earning Oscar nominations for "Circle of Life" and "Hakuna Matata" from the same film. He won his most recent Oscar for "You Must Love Me," from the film version of "Evita," which he co-wrote with Andrew Lloyd Webber.
Rice has also enjoyed success on the stages of Broadway and London’s West End, and in theatres worldwide. His partnership with Andrew Lloyd Webber resulted in the musical hits "Evita," "Jesus Christ Superstar" and "Joseph and the Amazing Technicolor Dreamcoat." He also worked with Alan Menken on six new songs for the stage production of "Beauty and the Beast." Rice and Elton John again collaborated on the hugely successful Broadway production of "The Lion King," which won the Tony Award for Best Musical and recently opened in London. He and John more recently teamed on the musical "Aida," based on Verdi’s opera, which is about to open on Broadway.
Rice’s other notable stage musicals include "Blondel," with music by Stephen Oliver, and "Chess," with music by Bjorn Ulvaeus and Benny Andersson from the group ABBA. The latter spawned an internationally successful album that featured the hit songs "One Night in Bangkok" and "I Know Him So Well." In addition, Rice has collaborated with such notable composers as Marvin Hamlisch, John Barry, Paul McCartney, Burt Bacharach and the late Freddie Mercury on songs not written for the stage.
In 1994, Rice was knighted by H.M. Queen Elizabeth II.
HANS ZIMMER (Composer) earned dual Oscar nominations last year for his score for the animated musical "The Prince of Egypt" and Terrence Malick’s World War II drama "The Thin Red Line." In 1994, he won both the Academy Award and Golden Globe for his score for the blockbuster "The Lion King," which marked his first collaboration with Elton John and Tim Rice. The highest-grossing animated film to date, "The Lion King" also spawned one of the most successful soundtrack albums ever, which sold more than 12 million copies worldwide. The composer has also been honored with Oscar nominations for "As Good as it Gets," "Rain Man" and "The Preacher’s Wife."
Currently, his music for "The Lion King" is again drawing applause in the award-winning Broadway production of the musical. The show earned the 1998 Tony Award for Best Musical, as well as the Grammy Award for the Best Original Cast Album.
Over the last 15 years, Zimmer has composed music for over 60 feature films, as well as television projects. His credits include "The Peacemaker," "The Rock," "Broken Arrow," "Nine Months," "Crimson Tide," for which he won a Grammy, "Beyond Rangoon," "Cool Runnings," "A League of Their Own," "Black Rain," "Thelma & Louise," "Backdraft," "Green Card," "True Romance," "Days of Thunder," "Driving Miss Daisy" and "My Beautiful Launderette," to name only a portion. He is currently scoring DreamWorks’ upcoming epic drama "Gladiator," for director Ridley Scott, and "Mission: Impossible 2," directed by John Woo.
In addition to his composing work, Zimmer heads DreamWorks’ film music division. His appointment marks the first time that a composer has headed the music department of a major studio since the days of Dimitri Tiomkin at MGM and Alfred Newman at 20th Century Fox.
JOHN POWELL (Composer) created the score (with Harry Gregson-Williams) for DreamWorks’ computer animated hit "Antz," and more recently scored the comedy "Forces of Nature," starring Sandra Bullock and Ben Affleck. He made his film scoring debut with John Woo’s action thriller "Face/Off," starring John Travolta and Nicolas Cage. He also composed the score for the film "Endurance" about Olympic champion runner Haile Gebrselassie, which fused African, Arabic and Western music. Powell is currently re-teaming with Harry Gregson-Williams to score DreamWorks’ upcoming animated comedy "Chicken Run."
A native of England, Powell graduated from Trinity College of Music in London. In 1988, he landed a job composing music for commercials and television at London’s Air-Edel Music. There he also made his first foray into feature films, assisting Patrick Doyle on "Into the West," and working as an electronic music programmer for Hans Zimmer on "White Fang." He left Air-Edel in 1995 to co-found his own studio with fellow Trinity College alumnus Gavin Greenway, where they wrote music for over 100 commercials and independent films, as well as the opera "An Englishman, Irishman and Frenchman."
Moving to the United States, Powell scored the DreamWorks Television series "High Incident" and the pilot "For the People." In addition, he arranged songs written by Stephen Schwartz for DreamWorks’ animated epic drama "The Prince of Egypt."
RAYMOND ZIBACH (Art Director) previously worked as a background key and production painter on animated portions of the hit basketball comedy "Space Jam," which blended live action and animation. He also worked as a background key on such popular Nickelodeon cartoons as "Ren and Stimpy" and "Rocko’s Modern Life." His other credits include the television and direct-to-video projects "Darkwing Duck," "Aladdin and the King of Thieves," "Timon and Pumbaa" and "Shnookums and Meat."
Zibach is a graduate of the Otis/Parsons School in Los Angeles, where he majored in design and illustration. In addition to his work on the screen, he has lent his artistry to book illustrations for such titles as Around the World With Timon and Pumbaa, Aladdin’s Quest Series, The Lion King Series, Princess’ Collection and The Genie’s Tale.
Paul Lasaine (Art Director) previously worked as a background supervisor and visual development artist on DreamWorks’ "The Prince of Egypt."
Before coming to DreamWorks, Lasaine worked as a matte painting artist on a variety of live action films, including "Mortal Kombat," "The Santa Clause," "The Jungle Book," "The Pelican Brief" and "Dick Tracy."
Lasaine grew up in Encino, California, and received a Bachelor of Fine Arts degree from California State University, Northridge.
WENDELL LUEBBE (Art Director) counts among his other art directing credits the animated films "A Goofy Movie" and the upcoming "Return to Neverland."
Luebbe holds a Bachelor of Fine Arts degree in Design from the University of Kansas. He also studied character animation at the California Institute of the Arts.
Christian Schellewald (Production Designer) previously served as a visual development artist on DreamWorks "The Prince of Egypt." He began his animation career at Amblimation in London, where he worked as a layout artist on "Balto."
Hailing from Essen, Germany, Schellewald studied graphic design at the University of Essen. He went on to work as a comic strip artist and freelance illustrator, before segueing into animation.
DAN PHILIPS (Digital Supervisor) joined DreamWorks Animation in 1995, and helped to establish the visual effects department for the division. He most recently served as co-visual effects supervisor on "The Prince of Egypt."
Philips began his career with the Canadian Broadcasting Corporation working in graphic, set, and production design. He then worked for Omnibus Computer Graphics as creative director and art director. Segueing to freelance work, he worked on the visual design and art direction for film and video advertisements for Diet Pepsi, Digital Computers and Rubbermaid.
In 1990, Philips joined Walt Disney’s Feature Animation as the head of Computer Generated Imagery (CGI), where he worked on the animated hits "Beauty and the Beast," "Aladdin," "The Lion King" and "Pocahontas."
James Baxter (Senior Supervising Animator - Tulio) was an animator on the central character of Moses in DreamWorks’ "The Prince of Egypt." Presently, he is the supervising animator on the wild mustang Spirit, the main character in DreamWorks’ tentatively titled "Spirit," due out in 2001.
Baxter previously served as a supervising animator on such characters as Quasimodo in "The Hunchback of Notre Dame," Rafiki in "The Lion King," and Belle in "Beauty and the Beast." He also worked on such animated films as "The Rescuers Down Under" and "The Little Mermaid."
Born in England, Baxter attended West Surrey College of Art and Design. He began his career at Walt Disney Studios London as an in-between artist and animator on Jessica Rabbit and Roger for "Who Framed Roger Rabbit."
DAVID BREWSTER (Senior Supervising Animator – Miguel) recently served as the supervising animator on the pivotal role of Older Rameses in "The Prince of Egypt." He was previously an animator on "The Hunchback of Notre Dame," and a supervising animator on "FernGully: The Last Rainforest." His additional credits include "Rock-A-Doodle," "All Dogs Go to Heaven," "The Land Before Time," "The Grinch is Back" and "Rock and Rule," among others. Early in his career, he did several years of series work on such cartoons as "Scooby Doo" and "The Flintstones."
In addition, Brewster has worked on numerous commercials and special projects, including spots for Burger King, Nestle’s Quik, Alpha Bits, Shake & Bake, and Rice Krispies.
Rodolphe Guenoden (Supervising Animator – Chel) formerly served as the supervising animator on the character Tzipporah in "The Prince of Egypt."
Prior to joining DreamWorks, Guenoden worked at Amblimation as a supervising animator and story artist on "Balto." He was also a senior animator on "We’re Back! A Dinosaur’s Story" and an assistant animator on "An American Tail: Fievel Goes West."
Guenoden comes from France where he attended CFT - Gobelins in Paris.
KATHY ZIELINSKI (Supervising Animator – Tzekel-Kan) served as an animator on several character in "The Prince of Egypt." She is presently working as an animator on DreamWorks’ upcoming film, tentatively titled "Spirit."
Zielinski was previously the supervising animator on Frollo in "The Hunchback of Notre Dame," various incarnations of Jafar in "Aladdin," Hexxus in "FernGully: The Last Rainforest," and Frank, the frill-necked lizard in "The Rescuers Down Under." She also served as an animator on such projects as "Mickey’s Christmas Carol," "The Black Cauldron," "The Great Mouse Detective," "Oliver & Company" and "The Little Mermaid," and as a character designer on "Pocahontas."
FRANS VISCHER (Supervising Animator – The Chief) previously served as a directing animator on such features as "Cats Don’t Dance," "Bebe’s Kids" and "Rover Dangerfield." He also worked as an animator or storyboard artist on the features "Who Framed Roger Rabbit" and "The Goofy Movie."
In addition, he was an animator or storyboard artist on a variety of other projects, including the shorts "Tummy Trouble," "Michael and Mickey," "Back to Neverland," "The Duxorcist" and "Night of the Living Duck."
Kristof Serrand (Supervising Animator – Altivo and Cortes) was the supervising animator for older Moses and Pharaoh Seti in "The Prince of Egypt." He is currently working on DreamWorks’ tentatively titled "Spirit," due out in 2001.
Prior to joining DreamWorks, Serrand worked at Amblimation in London as a supervising animator for "Balto," "We’re Back! A Dinosaur’s Story," and "An American Tail: Fievel Goes West." Serrand also worked as an animator on such features as "The Big Fight," "Asterix in Britain" and "The Cesar’s Surprise."
A native of France, Serrand studied at CFT- Gobelins in Paris, where he later taught classes for five years. He also worked as an animator in the military service for the Army’s cinema department.
(note from me: spirit actually came out in 2002, but it looks like it was planned for 2001)
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songs I think fit Lucy and her relationships
Lucy x Marina- fairytale cover by Annapantsu
Lucy x Warren- another love by tom odell
Lucy x Bodei- if I never knew you (from the movie Pocahontas) or that’s all I’ve got to say (the last unicorn)
Song that fits Lucy- still here by Forts,Tiffany Aris, 2WEI (league of legends music video)
I don’t know I’m bored
#the bug army#gator boys#obsidian lantern#capital m audios#mage bunkshelf#obsidian lantern gator boys#sirens son asmr#oc listener#daysprite
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I'm like a week late to this, but Ben Shapiro recently said in one of his videos "Stanford just said it's racist to say pocahontas. obviously, Stanford just said this because donald trump kept calling Elizabeth Warren 'pocahontas'."
uh... yeah... because that's really fucking racist. you shouldn't call people pocahontas. are you fucking nuts? how are you saying that racist name calling is good?
also, pocahontas isn't even her real name. she was born Amonute, and also used the more private name Matoaka.
as a white woman, I'm not really the person to tell you the story behind Amonute, and why calling people "pocahontas" racist. so listen to actually Native Americans and Indigenous People:
https://www.smithsonianmag.com/history/true-story-pocahontas-180962649/
https://www.theatlantic.com/entertainment/archive/2015/06/pocahontas-feminism/397190/
https://indiancountrytoday.com/opinion/stop-comparing-indigenous-women-to-pocahontas
(and yes, I know Elizabeth Warren isn't actually Cherokee. she has a small amount of Cherokee DNA according to a test, but as said by Cherokee Nation Secretary of State Chuck Hoskin, Jr., "Using a DNA test to lay claim to any connection to the Cherokee Nation or any tribal nation, even vaguely, is inappropriate and wrong". but it doesn't make trumps name calling, or Shapiro's defending it, any less racist. anti-Indigenous racism directed at Warren is still anti-Indigenous racism, because it also affects all Indigenous people)
#dostxt#racism#please let me know if I'm crossing a line#I want to draw attention to this#I haven't seen anyone really talking about this#if this is offensive#let me know and I'll delete
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Elizabeth Warren aka “Pocahontas” made an appearance as well. 😬
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Anyone else remember when Liz Warren got outed for lying about having First Nations/Native American blood in her DNA, a lie she leveraged into university applications, dozens of jobs, and hundreds of thousands of dollars, and everyone just...let her ride??
Sure, Trump called her Pocahontas, which would be racist and considered a hate crime by the letter of the law if she actually did have First Nations DNA, but because she is a blue-eyed (should have been the biggest giveaway you have zero brown person DNA) white privileged, multimillionaire 74 year old psychopath with 100% pure European DNA, Trump dodged an early possible bullet in his campaign.
So, overall (not talking 1-off random W's) Warren has literally only ever fucked over America. And America was cool with that...because??
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conflicting and weird queerness is gonna exist whether you think it’s correct or not so you should just get used to it
Do you see rachel dolezal and tell black people "conflicting and weird blackness is gonna exist whether you think its correct or no so get over it"? Or the warren pocahontas senator? Do you demand native americans accept that white woman as native??
Or you are exclusivaly homophobic?
Either you are same sex attracted or you are a straight larping as us for a few years until you get bored, jump ship and let us (the actual same sex atracted) to deal with the shit you did, that will actually affect us.
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For the most part I really don’t care about Confederate symbolism. It’s past, not present, and therefore not harmful regardless of what some are determined to believe. My problem with this is that removing symbolism of our history is the first step in forgetting our history. But that’s what is wanted. If history is forgotten, it’s much easier to repeat the atrocities under another name.
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youtube
Nov 27, 2017
Donald Trump insults Senator Elizabeth Warren when he refers to her as Pocahontas while thanking the Navajo code talkers of WW2.
from TMJ4 News
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"Comrade Kamala Harris goes to an ultra Left Wing, Trump Hating, spice shop, which I hear has terrible, overpriced product, and calls for “unity.” As people begin to realize that she is a Marxist, FAR MORE LIBERAL than Crazy Bernie Sanders, or even Elizabeth “Pocahontas” Warren, her poll numbers are beginning to crash. Who are they going to put in next? How about a Biden comeback?"
(link)
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Louis XIV, Vienna H. Dill, Louis XVII, Lois Janes, Sharon Lee Gallegos, Princess Sophie Hélène Béatrice of France, Louis Joseph, Dauphin of France, Louis XIII, Anne of Austria, Maria Theresa of Spain, Françoise d'Aubigné, Philippe I Duke of Orléans, Louis “Le Grand Dauphin” de France, Marie Anne de Bourbon, Marie Thérèse de France, Louis de Bourbon, Comte de Vermandois, Louise de La Vallière, Philippe Charles de France, Louis Auguste de Bourbon, Louis Cesar De Bourbon, Louise Françoise de Bourbon, Louise-Marie Anne “Tou Tou” de Bourbon, Françoise Marie de Bourbon, Louis Alexandre de Bourbon, Madame de Montespan, Philippe d'Orléans II, Alice Elizabeth Doherty, Infant Male Lent, Julia Pastrana, Josephine Myrtle Corbin, Ella 'the Camel Girl' Harper, Fanny Mills, Josephine Clofullia, Annie Kerr Aiken, Gracie Perry Watson, Inez Clarke Briggs, Annie Oakley, Zip the Pinhead, Mary Ann Bevan Nurse, Stephan Bibrowski, Guy Pierre de Fontgalland, Myra Maybelle Shirley Reed Starr, Sitting Bull Leader, Gail Davis, Clara Barton American nurse, Frank E. Butler, Wilma Jones Rat, Pal, Laika, Jimmy the Crow, Pocahontas, Powhatan, John Noyce Milner, John Rolfe, Elizabeth Rolfe Milner, Cleopatra Powhatan, Chief Opechancanough Mangopeesomon “Eagle Plume” Powhatan, Chief Weroance Nectowance Powhatan, Zeus, Olivia Twenty Dahl, Roald Dahl, Sofie Magdalene Dahl, Mary Magdalene, Mona Lisa, Jesus, Mary and Joseph, Harald Dahl, Francis II Of France, Henri III of France, Terry, Matachanna Shawano “Cleopatra” Powhatan Cornstalk, Mary Elizabeth Hughes Davis, Annie Jones Elliot, Jenny Lind, Mercy Lavinia Warren Stratton, Minnie Warren, no matter what you look like or how you feel Jesus will help you Jesus will make a way for you like God Jesus healed those even animals now they are in heaven with Wings and Halo they are called Angels right now and I made this tribute edit about what Jesus and his family can do they can make children that passed away from cancer covid flu Beating torture murder shooting Stabbing Wounds and pain they healed it all they healed those children they made them in heaven Angels in heaven they can rest easy they can do the things they couldn't do down here on earth
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