Character Art
this post is just to organize all my fanart(or at least try to)
Characters!!!
Biana.....Sophie.....Alina
Edaline.....Galvin.....
Triplets.....Terik.....Ro
Valin.....Darek.....Keefe
Rayni....Jensi
Marella: Marella.....Marella2
Stina: Stina.....Stina2.....Portrait...Portrait2
Grady: Grady.....Grady2
Fitz: Teal, Older, Long Hair
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Ships
Kesline: Kesline.....Sailor
Copper Mares: Good Boy?.....Dance...Cardigan
FintanBronte(tw blood and injury).....Stiana.....Lava Cake
Aldella.........Perfect Mornings(Koralie)
Dexiana.....Marellinh.....Wild Raynes
Sokeefe PJO.....Brant and Jolie(tw implied death)
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Shirtless Men Hall of Fame:
Adventure(timkin).....Morning Grady.....Pretty Boys
Nonsense(Timkin).....Gethen......Stina's abs
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Misc:
Vackers.....Trains.....NeverScene
Phoenix.....Cuddles.....HTTYD AU
Get Along.....Beach Day.....Baking Buddies
Guide...
Portraits:
Jensi....Stina(1, 2)....Maruca....Marella
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Week 6 - Contexual Document
Image manipulation is a place where a variety of photographic practices meet and combine. The strength in this is the ability to combine meanings and methods directly for the viewer’s decerning eye. My final image “Mr Construction1” employs the use of image manipulation to deceive and communicate an idea of the city of Auckland.
The creation of “Mr Construction” came about by wanting to use a portrait I had taken of my friend wearing road cones in studio. The photo, Nick Khomami Portrait2 is forward facing and in a controlled environment allowing for quite a confronting image. The produced manipulation was the second to be created, and the direction was taken after looking though the photo sharing document, realising how much photos contained either construction or decrepit urban landscapes or Auckland city. In particular, Kayla Williams Location Rubble 013 and Simon Dalsgaard Construction4 stood out. Kayla’s Location Rubble had a strong textural background, and Simon’s Construction contained the patterning scaffolding that is imbedded into “Mr Construction”.
The meaning of the manipulated image is to combine the natures of ‘rubble’ and ‘construction’ into a human character representing an everchanging city. The photo ascertains the nature of limbo that comes out of change, and that the interpretation of these visual symptoms comes down to the viewer, optimist or cynic. The split viewpoint is shown through the use of inverting, with the character split in half, and the background split into subtle fourths. This is inspired by the works of Barbara Kruger, particularly Barbara Kruger, Untitled (your body is a battleground), The Broad, LACMA, 19895. While Barbara Kruger uses text to give direct meaning, the use of inversion does represent and show 2 sides of the coin to viewer.
Another source of inspiration comes from El Lissitzky. I had studied his futuristic works previously, but for this assignment I was inspired by his self-portrait’s. El Lissitzky, Self-Portrait (The Constructor), Moma, 19246 is a work that is early in the use of superimposing images on top of each other. The image represents the meanings of production, and forces focus onto El Lissitzy’s eye. My works techniques was inspired by the layering he used, and how it drags focus. The compositional crossing lines he used also inspired how I use the background image in my work.
The work presented is one I’m proud of. Despite its double meaning, I belief my work to be quite honest in its representation and nature of being a more obvious than not manipulated image. I’m still uncertain on some decisions, such as changing the whole thing black and white. While the portrait image was taken in black and white negative film, the other photos were not. The image looks equally as compelling in this mode, but the blending of layers is not as strong. Furthermore, the square format doesn’t have much justification, other than the compositional value and that the portrait was taken in square format. While this works in bringing the viewer in and centring the subject, it doesn’t represent the nature of Auckland City. Overall, the final manipulation shows the meanings and interpretations of the combined images, and of Auckland all in a manner intended.
Reference List:
Nick Khomami, Mr Construction, 2024, manipluated Image, New Zealand, Auckland
Nick Khomami, Portrait, 2024, film photography, New Zealand, Auckland
Of Lucas Overhill, with express permission.
Kayla Williams, Rubble 01, 2024, digital photography, New Zealand, Auckland
Simon Dalsgaard, Construction, 2024, digital photography, New Zealand, Auckland
Barbara Kruger, Untitled (your body is a battleground), The Broad, LACMA, New York, 1989, https://www.thebroad.org/art/barbara-kruger/untitled-your-body-battleground
El Lissitzky, Self-Portrait (The Constructor), Moma, New York, 1924, https://www.moma.org/collection/works/83836
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Portrait 2- 800 ISO 1/100 F4.0
Title: Tightly Holding On
A child hand’s in this picture is holding a small framed picture of two people. It’s a small framed black and white photo of a man and a woman. I can tell it’s a child holding the framed photo based on the size of the hands and the softness of the skin. The frame is about 2x3″ and has some delicate detail carved in the wood of the frame. The frame is rectangle in shape. The child is holding it tight, gripping the front with his thumbs.
The photo is in black and white and appears to have been taken in the late 70s, based on hair styles and clothing. The woman has long dark hair and is wearing a headband holding back her hair. The man has a collared shirt on and a coat over that and he has a full beard and a mustache. The woman is smiling and the man is not. The way they are leaning their faces into each other tells me that there is a close relationship between them.
Who is the man and woman in the picture? Why does he hold it so tightly?
One can only guess.
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