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#pov i’m a mosquito on my way to drain him of all his blood
cinaja · 3 years
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Before the Wall part 57
Masterlist
A/N: I've decided to use a more omniscient narrator for this chapter to allow me to jump between povs/places. I hope this isn't confusing, I usually don't write omniscient povs.
----
On the first day, the sun rises to a land drenched in blood. Maybe some of the citizens mistake it for the trick of the light at first, the red morning sun reflecting on the water, but soon enough, they realize that this is no illusion.
The news spread through the land like a great weave, bringing panic in its wake. The river running through the Black Land is essential, its water sustaining the life in the region. There are secondary rivers and wells, of course, but those are turned to blood as well. But Fae cannot drink blood, and neither can their cattle. They cannot use blood to water their crops, either.
The humans are not panicking, although the Fae do not notice this (humans are below their notice, and this goes double when they are currently so occupied with themselves). They are giddy with excitement, even though they are trying to hide it. Having been sent to fetch water for their masters, they were the first to notice something was wrong, and in the beginning, they were worried, but it wasn’t long before the first of them found out that the blood turns back to water in their hands.
In the Seraphim army camp, the soldiers are above all confused. It falls to Drakon to explain the situation to them, as Miryam is still resting in their tent, sleeping so deeply she might as well be unconscious. He keeps his explanations short since he does not want to give any spies who might be listening any important information, but he takes care to make it clear that the curse is set to only affect those who have harmed the human residents of the Black Land, so they should remain unharmed.
Later, in a tent with his army commanders, he goes more into detail. The curse is tied, he explains, to the suffering of the humans here, past and present, and it will continue to punish those who caused that suffering until the humans are freed. As long as they aren’t, things will continue to get worse.
After he has finished, his commanders are silent for a moment. Then, Sinna nods slowly. “If anyone disagrees with this approach,” she says, “you are free to return to Erithia. This decision will have no consequences for you, and no one will think you lesser for it.”
Looks are exchanged, some of them wary, others unsure. No one leaves, though.
On the other end of the country, the Alliance council receives the news of what is happening in the Black Land. Andromache smiles darkly, whispering good riddance to Nakia. Most of the Fae frown, muttering amongst themselves. In the end, a missive is sent out to Miryam, asking her to appear before the council and explain herself. It goes ignored.
In her lavish suite of rooms in her palace, Ravenia receives the news that her rivers are now running with blood together with a letter. It is sealed in the Erithian seal and when she opens it, there is only one word written on the paper: Surrender.
----
On the morning of the second day, Ravenia has the two witchers remaining in her service after Artax’s death herd three-hundred-forty-one humans into a witch circle, making it seven times seven times seven people in the circle in total, and orders them to break the curse. The witchers die. The humans die. And in answer, the earth under them rumbles. Cracks form in the land, running through the ground like spiderwebs.
Out of the cracks crawl insects. Lice and fleas and mosquitos. Within an hour, every Fae throughout the land is covered in itching bites. Some try to flee into the water, but the rivers are still running blood and anyone who does dare to go into that doesn’t last long inside.
Before midday, even the last of the Fae have noticed that the humans are miraculously unaffected by the insects.
Drakon spends the day sending out messengers to all the corners of the country. The message they bear is simple: Free your slaves and this will all end. Refuse, harm them, and it will grow worse until your country is reduced to ashes. He prays they will be reasonable.
A few hours later, Ravenia sends out messengers of her own: Every person who chooses to free their slaves and send them to the Erithian army is guilty of treason and will be executed accordingly.
----
On the third day, the livestock begins to grow sick. No one quite knows where it’s coming from. It’s like the grass has suddenly turned poisonous, even if this poison affects only domesticated animals. By now, people are truly beginning to panic. The water being turned to blood is already bad, but most of them still hope it will be turned back to water soon enough. Dead livestock remains dead, though, and it might cause problems for years to come.
Miryam is still in pain from the spell by then, but it is manageable enough that she feels she can probably get up without falling over immediately. Gritting her teeth, she forces herself into a sitting position on her bed and begins to fumble for some proper clothes. Getting dressed takes thrice as long as usual, but she does manage to stand without falling over, which she counts as a victory. (Less fortunate is the fact that her power is still drained.)
Slowly, Miryam pushes the tent’s entrance open. As soon as she steps outside, the entire camp seems to freeze. The soldiers, who went about their activities until a moment ago, stop mid-motion to stare at her. After a heartbeat, they seem to realize what they are doing and quickly look away, most of them returning to their activities with a stiffness that wasn’t there before.
Miryam desperately wants to tell them that they needn’t be nervous about her, but she forces herself to ignore the awkwardness. If they are scared of her, she will not make it better by calling them out on it. At least the humans don’t seem to be wary of her when she visits their camp – they are more excited than anything – and as the day progresses, the Seraphim relax as well.
In Lako, Ravenia’s situation is growing worse by the hour. Not only is her entire body itching dur to these cursed fleas, she is also under more and more pressure from her nobles. They want to see her acting, and ideally not in a way that sets of a plague of insects all over their country. The last thing Ravenia wants is to show any weakness to Miryam, but right now, another meeting seems inevitable, if only to convince her people that she isn’t just sitting around doing nothing. If it was up to her, she would simply attack the army camped before her city, but her own army is still several days away, and besides, her people don’t seem all too eager to provoke the person who is currently holding their water reserves hostage. So Ravenia grinds her teeth and sends a letter to Miryam, asking for a meeting.
When Miryam receives the letter half an hour later, she frowns and shakes her head. “I’m not going,” she says. “Negotiations? None of my demands are up to negotiations, and anyways, she isn’t in a position to negotiate.”
Of course, if Miryam doesn’t go, Ravenia might use it to pretend that there is no peace because Miryam refuses negotiations. On the other hand, if she does go, Ravenia will just as easily be able to pretend that it was Miryam who caused negotiations to fail, since they would be meeting in private this time, away from the palace and any spying eyes. Either way is a mess, and so Miryam will pick the more pleasant option, which is not going.
“I’ll go,” Drakon says, and when Miryam turns around to frown at him, he shrugs. “I know she likely doesn’t mean this offer, but if there’s any way to resolve this without bloodshed, I think we should take it.”
Miryam nods. She doesn’t exactly agree – mainly because she really does not think Ravenia will listen to reason before she is on the brink of dying of thirst – but she can understand why Drakon feels the need to try. She feels bad enough about the idea of him facing Ravenia alone that she almost offers to come along, though. But Drakon didn’t ask her to, and since she doesn’t want to look like she doesn’t trust him to handle Ravenia on his own, she stays silent.
Two hours later, Drakon sets out for the meeting with Ravenia. He is nervous, but not as nervous as he was during earlier meetings. He doesn’t think the meeting is a trap, and apart from that, there’s little Ravenia can do to him anymore.
They meet by the side of the Klei river. It is a strange meeting place, lacking all the splendour and grandeur of the palaces that hosted all their previous meetings. To Drakon, Ravenia looks entirely out of place here. He can only imagine her in palaces, surrounded by servants, guards and courtiers. Not standing alone in the blood-stained earth, no companions to be seen.
“I was expecting your wife,” Ravenia says by way of greeting.
She is wearing a long, loose silk dress and her usual golden jewellery, but even her expensive clothes cannot hide the stings covering her entire body. Somehow, she also seems smaller than usual, far less imposing.
In her palace, she always manages to make herself seem more-than-Fae, invincible and untouchable. Out here, with the red river only feet away, though, it is obvious that she is just a person who happened to be born into power.
“Miryam is otherwise occupied,” Drakon says. His voice is even, and he is surprised to find that he isn’t terrified. For once, Ravenia’s mere presence isn’t enough to make him want to cower.
“And what would I have to discuss with you?” Ravenia asks.
“You called this meeting,” Drakon says. “I’d assume you would know why you did it.”
Ravenia lets out a long-suffering sigh. “I called the meeting to convince my country’s nobility that I am doing something to solve this unpleasant curse business. If you had any understanding at all of how politics work, you would know that.”
The jab fails to hit its mark. Not long ago, it would have stung, but right now, Drakon doesn’t even understand why he ever let her words hurt him. She is a tyrant, a monster and slave owner. Cauldron, why does he care what she thinks of his competence as a ruler? If anything, he should take it as a complement if she thinks him a bad ruler.
“You ought to surrender,” he says. “No one died yet, but if you continue to refuse, people will die. Your people. End this now, before any lasting damage is done.”
He doesn’t even understand how there can be any debate for Ravenia, how she can so casually risk her peoples’ lives over an already-lost battle.
“I have no intention of surrendering to you,” Ravenia replies evenly.
“What other choice do you have?” He shakes his head. “You’ve lost. Do you truly want to wait until hundreds, thousands of your people have died before you will finally admit it? Would that satisfy your pride?”
“If you’re so concerned about my peoples’ lives, you should not have set off that curse. Make no mistake, Your Highness – any deaths that will happen in this will be on you and your wife.” She laughs. “Or maybe only your wife, since I doubt she even discussed it with you first. It must be such a relief for you to finally have handed over your country to someone else.”
Drakon stares at her, lightly shaking his head. How did he ever allow himself to be this terrified of her? She is just a person. Someone with power, yes, but a large part of her power also comes from other people allowing her to have power over them. And right now, in their current situation, she has no power at all if Drakon doesn’t play along with her games.
“I don’t need to listen to this,” he says, nearly smiles at the surprise on her face. “I’m just here because I wanted to see if there was a way to avoid unnecessary deaths. It seems there isn’t, so I’m leaving. If you change your mind, send a letter.”
He winnows away without giving her the chance to reply. The meeting might not have led anywhere, he might not have managed to convince Ravenia of a peaceful solution, but still, this feels like a victory, if a smaller and more personal one.
----
On the fourth day, people begin to grow sick. It’s like the sand has turned to acid – wherever it touches them, it leaves boils and burns. None of it is life-threatening, but it is certainly painful.
The council sends another missive to Miryam, demands that she is to explain herself growing more urgent. She writes back this time, a short, polite refusal. The last thing she needs right now is the council meddling in her decisions.
According to her estimations, the surrender should arrive within the day. Fae can go five days without water. They are on the fourth day and by now, even Ravenia should have realized that there will be no breaking this curse. Theoretically, she has until tomorrow, but it would be smarter to surrender now, when her people aren’t yet on the brink of dying from thirst and she still stands a chance of making her position seem less desperate.
No royal messenger arrives, though. Miryam spends most of the day walking around the camp, trying to hold casual conversations with people. The Seraphims’ nervousness around her has eased somewhat, as they seem to have realized that Miryam cursing a country does not mean that she will be acting any differently towards them.
A delegation from Lako arrives at dusk. Miryam’s heart leaps, but then, she sees that these people don’t come bearing Ravenia’s coat of arms. Their expensive clothes mark them as nobles, and indeed Miryam recognizes a few of them, but they were not sent by Ravenia.
The leader is a woman dressed in a long, purple gown. It is cut longer than is fashion, with a high neckline and long sleeves, but even those don’t entirely manage to conceal the boils and stings all over her body. After a moment’s hesitation, Miryam recognizes her as Lady Seliah, one of the higher-ranking nobles in the city. She bows before Miryam, which comes as a surprise.
“Your Highness,” she says, then bows before Drakon who appeared next to Miryam. “Your Highness.”
“Lady Seliah,” Miryam replies, watching surprise flicker over the other woman’s face. Of course, she wouldn’t remember that they have met before. “To what do I owe this visit?”
“We have come to ask, no, to beg you to end this curse.” Seliah keeps her eyes lowered as she speaks. “We will gladly meet your demands – “
“Will you?” Miryam cuts her off, although she keeps her tone pleasant. “Because I think I made my demands quite clear, and still, I have not yet received news of you freeing your slaves.”
Seliah squirms. “Queen Ravenia has forbidden us from releasing them. We would gladly meet your terms, but there is no way for us to do so without risking our lives.”
“Given how easily you accepted my peoples’ suffering – and, in fact, accept the risk to their lives right now – you’ll understand if I find myself struggling to sympathize,” Miryam replies. What is it with these Fae always thinking that no matter what atrocities they commit, they will come out unharmed? Do they expect Miryam to be moved by them suddenly feeling threatened by the very ruler they supported all these years?
“I’m not asking in my name, but in the name of the innocent people who are suffering,” Seliah says.
A noble dressed in fine silks as a champion for the common people. Well, that is certainly something new. If this was the route they wanted to go, you’d think they would have been smart enough to at least send someone who isn’t noble.”
“And it’s the innocents in this country I am thinking of when I refuse,” Miryam replies, deliberately twisting her words. After all, which Fae here is truly innocent? She shakes her head. “If Ravenia is your problem, I suggest you deal with it. And quickly, since I believe you might be running out of water soon.”
If Seliah is angry, she hides it well. She merely bows her head, thanks Miryam for her time and returns to the city.
By sunset, her and the other nobles who accompanied her are dead, their bodies hanging from the walls of Lako, a message to anyone else in the city who might consider going behind Ravenia’s back to negotiate with the enemy.
----
By the fifth day, the earth has taken to trembling slightly every couple of minutes. That’s not the worst of it, though. When the sun rises, it is quickly obscured by a buzzing cloud of insects. Locusts, who descend upon the fields, bushes and trees with a vengeance. Within hours, they have devoured any leaves they managed to get a hold on, destroying this year’s harvest within hours. People are panicking.
And still, there is no word from Ravenia.
This is not what Miryam planned. Ravenia ought to have surrendered by now. She needs to surrender – without any water supply, she has no other choice. Yet five days are almost over. By now, people must be dying of thirst, and still, Ravenia hasn’t sent word.
Miryam wanders through the camp, restless. Something is going wrong, but she doesn’t know what. She supposes it’s possible that Ravenia has people winnowing water in, but they could never bring enough for the entire population. And surely Ravenia wouldn’t sacrifice thousands of her people, right? (Killing thousands of people was never part of Miryam’s plan. She knew there might be casualties, yes, and she willingly accepted it. She did not anticipate that everyone might die, though.)
She figures out what went wrong a few hours before sunset, when a stack of barrels in the centre of the camp she passes for the fifth time that evening catches her attention. She stops one of the soldiers rushing past.
Nodding towards the barrels, she asks, “What’s in those?”
“It’s mostly water, Your Highness,” he replies. “It is customary to keep some storages in case the river gets poisoned.”
Miryam nods slowly, horror dawning on her at the realization and growing worse as she looks into one of the barrels. The water in those barrels is still water. Every river, every will and spring in the entire Black Land is running blood, but a curse on the land apparently does not affect water that is being stored in canisters and barrels. Most of the Black Land relies on water from the river, yes, but the cities would still have some storages, or at least some other beverages like wine, to last them for a few days.
This is all wrong.
Some part of Miryam is glad that at least she didn’t just cause hundreds of thousands of people to die from thirst, but at the same time… It wasn’t supposed to go like this.
It’s the same thing she tells Drakon, ten minutes later in their tent, after having explained to him and Sinna what happened.
“This isn’t how it was meant to happen,” she whispers, more to herself than to anyone else. “They should have been surrendering by now. Fae can’t go for more than five days without water – they would have had to surrender.”
This was the plan. Take away their water and make them uncomfortable. Scare them, force them into a surrender. This was the plan. No one would even have needed to die if only they had been reasonable.
Drakon’s face is dark. “Will Ravenia distribute her water supplies?” He asks.
Miryam flinches. She hadn’t even considered that angle yet. “I don’t know,” she says.
Ravenia will want to keep enough water for herself and her nobles, that much is certain. But at the same time, she will need to appease her subject somehow if she doesn’t want to risk riots.
“To the nobles for sure,” she says after a moment’s hesitation. “Probably also some citizens. But the poorer ones, those who aren’t living in the city…” She shrugs and shakes her head at the same time.
This isn’t how she meant it to happen. The people who will die will still be slave owners, still criminals, but… It wasn’t the lower classes she meant to hit with this. And she knew people would likely die, both from her curse and the consequences that might follow, but she had thought the deaths would be few and far between.
Now, they likely won’t be.
“Alright, then,” Sinna says, crossing her arms. “What will that curse of yours do next?”
“I don’t know,” Miryam says, voice small. She didn’t plan this far, didn’t think it would get this far. (Didn’t really care, if she is being entirely honest.) “This is complicated magic, and I only really planned it out for five days.” Because after five days, every Fae here was supposed to be on the brink of dying from thirst. “The curse is set in a way that will make it get worse, but how…” She shrugs. “I’m sorry, but I can’t tell.”
Sinna is silent for a moment. Then, she says slowly, “So you set a curse on an entire country without knowing what it will do should it go on for longer than you planned.” She shakes her head and cuts a glare at Drakon. “Both of you. And you didn’t think that might turn into a problem?” When neither of them reply, she sighs. “Wonderful.”
Miryam stares down at her feet and doesn’t say that she would do it all again for a chance to save her people.
----
On the sixth day, the sun doesn’t rise. Or maybe it does, but its light certainly doesn’t reach the Black Land. Throughout the country, torches are being lit, but even their light barely manages to pierce the darkness that has fallen. It is a darkness that can be felt, thick and heavy like ink.
Once again, the humans get away easily. To them, the darkness feels soothing and while they can’t see anywhere near as good as in light, they can still easily make out shapes.
Many of them decide to use the opportunity while it is there. Their masters cannot see in the darkness – they can. In thousands, humans flee from the cities, vanish from houses and fields and make for the centre of the country where they have heard they will find safety.
In one of the cities to the west, the Fae leadership decides enough is enough. They will not be humiliated by a mortal like this, and they will not allow their slaves to get away unscathed, to laugh at their misery and celebrate their own victory. They will show to that mortal girl who thinks she can force their hand and attack their country, show to every mortal worm what happens when they try to cross the Fae.
They give out the order to have every human in the city brought to the marketplace and killed.
The news spread through the city like wildfire. The humans clutter together, hold on tight to each other and prepare for the end. Most of the Fae stand tightly together as well – but where the humans are silent, they are whispering, arguing. By that time, it is common knowledge that this curse is punishment for slavery, for harming humans. It is also common knowledge that Miryam’s policy for people who murder humans is simple: Execution. In other words, killing a whole group of humans does not seem to be the smartest course of action in this situation.
The large majority of the Fae in the Black Land, the Fae in this city, doesn’t care at all about human lives. They do, however, care a whole lot about their own lives. And right now, they are quickly discovering that they aren’t ready to die so that their leaders can get a brief moment of empty defiance against the people invading their country – especially when those invaders have already promised to be lenient if their demands are met.
Within a few hours, leadership over the city has quietly changed hands. The city council has been, for the time being, locked into the dungeons. After quite some arguments and even more grumbling, the humans are allowed to leave the slave quarters and instead given proper rooms in the Fae’s houses. No one is quite fond of that arrangement, but well, the curse is said to be tied to human suffering, and since no one is quite sure what counts as suffering, being extra careful seems only sensible.
Of course, the story of what happened there does not stay confined to one city. Within hours, all of the neighbouring towns have heard and many of them quietly decide to follow their example. That there is no immediate reaction from Ravenia only makes people grow bolder.
A meeting is called and held that night, with a good half of the Black Land’s city leadership in attendance. After a few hours of arguing, they come to the conclusion that there is only one sensible course of action right now: To fulfil Miryam’s demands even if Ravenia refuses to, and hope that will be enough to keep them safe. They are all aware that Ravenia would have their heads for this decision, but they have long reached the point where a soon-to-be-dead queen is far, far less daunting than what might happen if they refuse Miryam’s demands for any longer.
Throughout the country, Fae are beginning to die of thirst by now. Some are lucky enough to have found water, and the children, as it turns out, can still drink from the rivers and wells, but the death toll still climbs quickly, reaching and surpassing one thousand before midday. Everyone who survives is hungry and miserable and, by now, ready to do just about anything to end this curse. Still, though, Ravenia does not surrender.
----
On the seventh day, a thunderstorm breaks out. Lighting flashes through the sky, piercing the darkness that is still reining in the country for seconds at a time. Thunder roars, and hail falls to the ground in giant chunks, destroying fields and injuring or killing anyone who is stupid enough to be outside. (Notably, it doesn’t hit a single human although some of them have been sent outside to bring in any surviving livestock.)
Throughout the country, cities and villages are beginning to free their slaves and send them on their way towards the capital. Groups of thousands form, slowly marching through the storm.
On the other side of the Continent, the council is horrified. At least that’s what the Fae members keep repeating, even though most of them are honestly more horrified by the idea of what Miryam being able to completely wreck a country within a few days might mean for them than by the moral issue of sending giant chunks of ice raining down on a country. Meanwhile, Andromache is just about ready to punch the next person to talk about how horrifying Miryam’s actions are, especially when these are the people who, through years and centuries past, were never once been horrified by the crimes committed against humans.
She does not see the undercurrent moving through the Alliance, just below the surface of civility and righteous outrage. She does not notice the looks that are being exchanged while the human councilmembers are no looking, the meetings that are held, in secret and behind closed doors. Zeku notices, though, and he watches the events unfold in silence. He could stop it still, he supposes, or at least try to alert someone to it. But he has his own people to think of, and he cannot throw their lives away over a lost cause. Besides, it’s not like he didn’t try to warn Miryam, time and again. No one can blame him that she never listened.
The seventh day is also the day when Mor finally loses her patience. She has been watching in silence so far, horror growing with each day, unable to comprehend what she is seeing. In the beginning, she tried to tell herself that Miryam wasn’t harming anyone, that she was just trying to pressure the Fae into doing her bidding, but now, people are dying and Miryam still shows no sign of stopping.
She doesn’t understand. Cannot wrap her mind around how Miryam – Miryam who values kindness and hates unnecessary cruelty – can do this.
Mor has come to the decision that she will make her see reason. This needs to end, now, and somehow, Mor will convince Miryam. She steps out of her tent where she was hiding from the thunderstorm outside and begins to search the camp for Miryam.
The Fae camp is emptier than usual. It seems that even with the storm not affecting them, most of the soldiers prefer to hide in their tents. The humans are out and about, though, sitting about campfires and talking. Some of them must have dragged some of the smaller balls of hail over, and now, children are gathered around as some of the adult divide up the ice between them. They seem to be enjoying themselves. And well, why shouldn’t they? After all, none of the curses ever affect them.
It is that precision, more than anything else, that scares more. Because a spell this precise is no accident, no result of a moment’s desperation. It is calculated, and that makes it worse.
She finds Miryam on the second round through the camp, as she is just about to enter her tent. Drakon and Sinna are with her. Mor hurries over to join them.
“You need to end this,” she says by way of greeting. This was not how she meant to approach the topic, but damnit, there are chunks of ice that are bigger than her raining from the sky.
Sinna arches an eyebrow. “Hello to you, too, Mor,” she says. “Pleasure meeting you.”
Mor ignores her and instead turns to Miryam. “You need to end this,” she repeats. “Before any more people die. Miryam, please, so many people are already dead, it can’t go on like this.”
Miryam sighs. “And what other choice do I have?” She sounds so tired. Looks tired, too. Mor didn’t notice the last few days, but she looks like she hasn’t slept at all since she cast the spell. “If I were to end this now – which I can’t, by the way – what do you think would happen? This is the only protection my people have, Mor.”
On another day, Miryam’s words might have gotten through to Mor. Today, though, she doesn’t even notice the implications of Miryam saying that she can’t undo the curse, she is far too caught up in her horror and confusion about how Miryam can stand there and defend what is happening.
She shakes her head. “No,” she whispers. “This goes too far, Miryam.” Miryam doesn’t reply and Mor gestures wildly to the sky. “Have you looked outside lately? There are human-sized chunks of ice falling from the sky. You can’t just destroy an entire country for revenge!”
Miryam’s face hardens. “You think I’m doing this for revenge?” She asks.
Yes, Mor does think that. At least partially. If it wasn’t out of revenge, no one would ever do this. Certainly not Miryam, who hates hurting people.
“Does it matter?” She shoots back, voice rising. Heads are beginning to turn in their direction. “There is no reason good enough to justify this! You are killing thousands of innocents!”
“Funny, because I thought I was saving the innocents, and the people who are dying were all slave owners,” Miryam snaps, although she keeps her voice hushed. Then, she shakes her head and her posture relaxes slightly. “Besides, there’s no point in having this argument. I cannot stop this curse – it’s set to continue until the Black Land frees its slaves.”
Mor shakes her head, a chill running down her spine. Miryam couldn’t have… She wouldn’t have… She would never have set a spell to destroy a country without leaving a backdoor to stop it.
“And what if Ravenia doesn’t surrender?” She asks. She wants to take Miryam by the shoulders and shake her until she understands, but from the way Sinna is currently looking at her, she probably wouldn’t get away with that. “What then, Miryam?”
Now, finally, Miryam lowers her eyes. So she does feel bad after all. But it is clear that she still doesn’t regret what she did. To her, this seems more like this is an unfortunate side effect, something she doesn’t like to consider but still willingly accepted to get what she wants.
“Then I imagine the next Loyalist country will think twice before refusing to surrender,” Sinna answers for Miryam. “And now lower your voice. You’re making a scene.”
Mor stares at her like she’s seeing her for the first time. Then, she turns around to Drakon, who has been watching in silence until now. He has to agree with her. Surely he cannot like this any more than she does.
“Drakon,” she says, almost pleading, “you cannot agree with this. Tell me you don’t think this is right.”
But Drakon, Cauldron damn him, merely shakes his head. “Five hundred thousand people, Mor,” he says softly. “We are talking about five hundred thousand people who will all be murdered if Ravenia gets her way.”
Mor gapes at him, unable to believe that he is taking Miryam’s side on this. If there is one person who she was sure would disagree with this, it was Drakon. But well, Miryam is his mate. Maybe she should have expected that he would back her up in anything, no matter what.
She turns back to Miryam. “There are lines!” She snaps. By now, people are beginning to stop and stare, but Mor doesn’t care. “Lines you can’t cross, no matter what! And murdering thousands of civilians is one of those lines!”
“And what would you have me do instead?” Miryam asks. She doesn’t sound angry, just tired. Somehow, that makes it worse. If she was angry, Mor could at least tell herself that this was a spontaneous decision made out of anger or fear, not a calculated plan. “Do nothing and allow them all to be murdered rather than jeopardize my moral integrity? Would that make me a good person in your eyes?”
Mor opens her mouth – and closes it again when she realizes she doesn’t have a reply. The way Miryam puts it, there is no possible reply she can give. She doesn’t know how to explain that this simply isn’t right, and she’s too angry, too desperate to be particularly eloquent anymore. How did she come to be standing here, arguing with Miryam about whether it is okay for her to take an entire country hostage or not?
Miryam sighs and takes a step towards Mor. “You think I like this any more than you do?” She asks. “Believe me, if there was any other way, I would have gladly taken it.”
Mor takes a step backwards. “Yeah, well, I’m sure Ravenia thought she was justified in destroying Erithia as well,” she snaps.
The tension that takes over the room is almost physical. It’s like everyone tenses at once, like the temperature drops by a few degrees. Sinna takes half a step towards Mor, hand clenched to a fist. Drakon grabs her by the arm and stops her before she can get any further.
“That was a sorry comparison, Mor,” he says softly.
“Oh, yes, my comparison is a problem but Miryam casually killing thousands of people is perfectly fine,” Mor snaps.
She is vaguely aware that she should probably take her comment back, apologize. But she is far too angry and she still doesn’t understand.
“I apologize,” Miryam finally says. Her voice is icy, her face carefully blank. “I assumed I made it clear enough what the goal of this campaign would be, and what I was ready to do to achieve it. I wouldn’t want to make you participate in anything you are uncomfortable with, so if you truly feel this way, you are, of course, free to leave.”
“I certainly don’t need your permission for this,” Mor replies, voice equally sharp. “You go commit all the crimes you feel like, but I want no part in that.”
With that, she spins around and pushes through the newly-assembled crowd of onlookers towards the edge of the camp. She winnows away as soon as she reaches the edge of the wards.
Miryam remains standing in front of her tent, staring at the spot where Mor was standing until a moment ago. Then, she slowly looks up at the soldiers who are standing around, staring. She hopes they didn’t hear everything that happened.
“We should probably go inside,” she mutters, pain twisting in her chest. She tries very, very hard not to think about what Mor said, or about the fact that this might just have been the end of their friendship. (Not necessarily, she tries to tell herself. People argue all the time and usually, they find a way to fix their relationships afterwards.)
As soon as they are inside, she slumps down on one of the cushions lying on the ground. She pulls her knees up to her chin and stares down at the ground. Drakon sits down next to her. Hesitantly, he reaches a hand for her, letting it hover inches away from her arm, until Miryam leans against him.
“Well, that was nasty,” Sinna says.
Drakon nods, face tight.
“I don’t want all these people to die,” Miryam says. “Of course I don’t, I just…” She shakes her head, fumbling for words.
She understands Mor’s anger, doesn’t blame her for it, and yet… She never made a secret of it, did she? Time and time again, she said that she would do whatever it takes to free her people. She always, always made it known that she would do anything, cross every line if it meant her people could walk free. So why is Mor surprised now?
The problem, she thinks, is that people use the words “whatever it takes” too casually. It’s just like with the word “hate” – people use it so often, so easily, that it loses its original meaning. When people promise “I will do whatever it takes”, they usually mean “I will try really hard”. There’s always some kind of line, though, something they won’t be able to do. They mean “I will go until a certain point, and if I haven’t reached my goal by then, well, no one can really blame me, right?”
And Miryam doesn’t have a problem with that mindset. People should have lines. It is deeply concerning when they don’t. She doesn’t blame Mor for disagreeing with her methods or not going any further, either. But it’s not like Miryam wasn’t honest.
Besides, lines or no lines, surely what Miryam is doing isn’t that horrible? It is terrible, sure, but Mor seems to be forgetting that the only people who are affected, the only people who die, are slave owners who, through seven years of war, refused to stop owning people as property. It’s not that Miryam wants every slave owner to die, she doesn’t even want these people to die, but they are hardly innocents. Each and every one of them has the choice to free their slaves and convince others to do the same. If they don’t, why would Miryam coddle them, these Fae who committed so many crimes against her people?  Why is it that they get to commit atrocity after atrocity and still be considered innocent bystanders in this conflict?
“I don’t know what she expects of me,” she says out loud, jumping to her feet. She promised herself that she wouldn’t be angry with anyone for being horrified at what she is doing, but right now, she just can’t help it. “That I act perfect about everything? How am I supposed to free a single human if Ravenia can have each and every one of them murdered at will, but I am apparently a monster if I so much as kill a few slave owners?”
Drakon rises as well and puts a hand on her arm. “Mor was just upset,” he says. “I’m sure she didn’t mean it.”
Miryam is far less sure of that. For whatever reason, Mor cannot accept what she is doing and she highly doubts that will change.
“It’s a matter of visibility, I think,” Sinna says. “Wars usually kill far more civilians than this, but what you are doing is very flashy. Besides, those deaths are usually presented as accidents – even if they aren’t – while you appear to be attacking civilians on purpose.”
“Well, those civilians are slave owners and I’m trying to get them free the slaves,” Miryam says drily.
“I’m not saying you are wrong. I’m saying people will be more easily horrified by this because it is so visible.” Sinna shrugs. “It doesn’t make sense. I mean, this entire war killed far more civilians than what you are doing now, yet no one ever blamed you for starting it.”
Miryam freezes, staring over at Sinna. Some part of her realizes that she meant well, but… it’s bad enough to think about the thousand-or-so people who died in the last few days. She really did not need to be reminded that technically, every person who died in the entire war is her fault.
This is all too much. Why must everything always be her responsibility? All these hundreds of thousands of lives… no single person should be responsible for so much. It’s always her needing to make these choices, and while she thinks she is right, she really doesn’t have a way of knowing and this is just too much to handle.
She needs to get away.
“You’ll excuse me,” Miryam says, jumping to her feet. She pushes the tent’s entrance aside and rushes out of the tent.
The moment she steps outside, she realizes that this was a mistake. Soldiers pause to stare at her, their gazes almost a physical weight. Momentum carrying her forward, Miryam keeps walking.
Before she has made it more than two steps, Drakon catches up with her. He must have moved inhumanely fast, because he manages to be by her side quickly enough to make it seem like he was walking out with her all along.
“Sorry,” Drakon says as their guards fall into place behind them. “Sinna was trying to be comforting.”
Miryam nods. “I’m not angry,” she says, and she really isn’t. There’s just a wave crashing down around her and she can feel herself drowning and she needs to get out. “I just need a moment alone.”
She can feel Drakon’s hesitation, and his worry. But she isn’t trying to shut him out, really. She just… well. Sometimes, for some things, she needs time alone. And right now, she desperately needs to be alone, and out of this camp, away from watching eyes.
“Can we talk later?” She asks.
Drakon nods. “Sure. I have a meeting, anyways. I should probably go.” He squeezes her hand. “See you later.”
Miryam nods, manages a smile and hurries off. As soon as she leaves the tent, though, she realizes that being alone is an illusion. A group of five guards is trailing her. In the camp, that might have been easy to ignore, but as soon as she leaves it, it becomes painfully obvious that she is being followed.
Still, she does her best to ignore it, but it is simply impossible. For all that these guards are trying to be inconspicuous, Miryam knows they are there. And as long as they are there, she needs to keep up appearances when all she really needs is some time alone with her feelings to sort through them without constantly being under inspection from others. And she trusts her guards, she does, but there is always the chance that someone might be a spy. Or even without ill intent, they might just end up talking in the camp about how their Princess is losing control, and that would be bad enough.
Her hands begin to shake and she can feel a sob building somewhere in her chest. Somewhere close by, a chunk of ice hits the ground, sand spraying to all sides. Miryam abruptly stops walking and turns around to her guards.
“I would like to be alone for a bit,” she says. “Would you please wait here?”
Her guards exchange looks. “Forgive me, Your Highness, but we can’t… I mean…” He hesitates, looking down at his toes.
“A few minutes alone can’t be too much to ask, can they?” Miryam snaps.
Her guards flinch, and Miryam immediately feels bad. Now she is being an ass to the people whose job it is to protect her. Of course they can’t let her out of sight in the middle of a war, in enemy territory. But she really, really needs to be alone right now, preferably before her control fractures entirely.
Miryam takes a deep breath, trying to fight her rising panic, and looks around. There is a ruin peeking out of the sand in the distance. Not much of it is visible, but it might provide some cover.
“I’ll go over there,” she says and points. “And you stay here. That way, you’ll be able to keep an eye on me and I get some time alone.”
Still, Kalirin, the head of her guards, doesn’t seem entirely convinced. “Your Highness…”
Miryam sighs. “If anything happens, I’ll scream. Until then, you stay here.”
With that, she turns around and walks towards the ruin. The sand crunches under her feet and gets stuck between her toes. The camp itself is closer to the river, where the sand gives way to fertile earth and soft grass, but here, she is standing in an ocean of sand. The ruin pokes out of it like a shipwreck, half-buried and destroyed.
The sandstone the building was made of is withered by the centuries, but Miryam finds an entrance. She has to shove a bit of sand aside, but then, there is enough space for her to squeeze through.
As soon as she is safely hidden from sight, her composure cracks. A sob breaks out of her, an ugly, harsh sound, and then she is on her knees, sobbing. She curls up in the tiny space she made for herself and lets the tears flow.
Eventually, the tears stop. Miryam pushes herself up on her elbows and immediately bangs her head on the ceiling. “Ow,” she mutters and leans her back against the wall. She is trembling slightly and her face is probably swollen from all the crying.
She doesn’t want to go back. If she just stays here, she will never have to face the consequences of what she did. (It isn’t realistic, of course, but just for the moment, it’s nice to imagine.) She tilts her head backwards and stares up at the ceiling.
There are figures carved into it. That in itself isn’t unusual – murals and carvings are popular here – and Miryam is about to turn away when she hesitates. Having lived in the palace in Lako for years, she is familiar with the art the Black Land Fae favour as well as the major historic styles. This style is unfamiliar to her, though.
On any other day, Miryam would have dismissed it, but right now, she jumps at the chance to distract herself. (If she is thinking about these carvings, she isn’t thinking about her argument with Mor, after all.) It is too dark in here for her to make out much of the details, so she begins to shove more sand away from the entrance.
It takes a while, but eventually, Miryam has shoved away enough sand that it’s no darker inside the building than outside. (Which means pitch-black in both cases, but this darkness, Miryam can see through with little difficulty.) Now, with more light, it becomes increasingly clear that these carvings are old, far older than Miryam first thought. She twists around a bit to get a better look, brushes some dust away until she can make out one of the carvings, depicting a woman with a spear raised over her head. Her hair is tied back into hundreds of tiny braids, revealing rounded ears.
The woman in the carving is human.
Miryam’s heart leaps. She stares at the carving for a moment, then begins to hectically push away the sand from the rest of them. A group of people sitting around a table. A woman bathing in a river. People celebrating on a barge, a sunset in the background. There are more carvings in the back, but here, the passage gets too narrow for Miryam to squeeze through and there is too little light to make out the carvings.
Every single person in the carvings she found is human, though. And the Fae of the Black Land never depict humans in any way, deeming them too unimportant to commit and effort into creating drawings or carvings of them. Which means…
It means that these carvings were made by humans. Sometime, likely millennia ago, humans built this building and carved scenes from their lives into the walls.
It means that Ghost was right. Long ago, so long it has been forgotten by the world, there were free humans in this land. Maybe one of the women in the carvings is even the queen he talked about, Rashida. This land belonged to them, they spent their lives here in freedom, and they left traces of it in the walls.
Oh, how she wishes Jurian was here to see this.
Miryam runs her hands over the carvings like that will bring the scenes to life, summon some faint echo of the people who once carved these scenes. She so desperately wishes she could imagine what it was like, but she can’t even truly imagine the Black Land under human rule.
In another world, one where the Fae never took this country away from her ancestors, she might have been born free. She might have lived a happy life, never needing to know war and suffering. She might have loved this country as fiercely as she now hates it, loved it as the humans who made these carvings surely did.
In this world, though, Miryam cannot bring herself to feel any sense of positive connection to this land, no matter its history. This will never be here home. But if she succeeds, then perhaps in a few years, other humans will feel differently. If part of the Black Land goes to the humans, there will be human children born in this country who must never know slavery, who will love this land as a home. They will have everything Miryam didn’t, everything humans in the past had.
And if she needs to burn this country to the ground to get there, then so be it.
----
On the eighth day, the sky starts raining fire. It falls from the sky in huge balls, trailing tails of light behind themselves like comets. Maybe the first Fae to see them in the dark mistook them for shooting stars, or marvelled at their beauty. Maybe some even thought the sudden light in the sky might signal an end to this horrible curse.
They soon learn better.
Where the ice was devastating, the fire is worse. It slams through houses, through wood and stone as if it where paper and sets everything in its wake on fire. Soon enough, the darkness that is still reining throughout the country is replaced by the flickering, orange glow of flames devouring anything in their paths. Throughout the villages and cities, Fae are rushing around, trying desperately to put out the fires, forced to resort to blood from the river instead of water. It isn’t enough, though. Even the fire magic so many of the High Fae here have doesn’t manage to keep the flames at bay.
Miryam watches the flames from afar. The human and Seraphim camp is still dark around her, untouched by the flames, but she can make out Lako in the distance, a glowing orb orange light. She wonders if Ravenia is there, wonders how she feels to see her city go up in flames around her. For a brief moment, she wishes she could see the look on her face.
The triumph that flickers through her at the thought is short-lived. For the most part, she feels terrible. If she is being entirely honest, though, terrible is all she allows herself to feel. If she only feels bad enough about herself, maybe the guilt and horror will be able to drown out the part of her that rejoices at the sight of the city she hated so much in flames, these people who caused her and her people so much pain finally paying for it, Ravenia’s kingdom that was built on human blood crumbling around her.
Miryam could have lived, she thinks, without knowing that she is capable of watching a country burn, knowing that this will cost thousands of lives, and feeling triumphant.
Only a few miles away in Lako, Ravenia stands on one of the many balconies in her palace and stares out at her burning city. All day long, people have been rushing around, trying to put out the flames, but what good does it do when new fire keeps falling from the sky without pause? Even now, comets of fire are shooting down towards her city, tearing through buildings and people. Destroying millennia old buildings, killing and burning.
Ravenia tears her eyes away from the flames and looks out into the darkness where she knows the mortal worm who caused all this has set her camp. Oh, what she would give to see her head spiked to the castle walls. She would set fire to her capital herself, burn down each and every house by hand, if it means that she could get her hands on Miryam in exchange.
She knows, though, that Miryam is beyond her reach. With her army refusing orders, she has no way to get to the girl and she knows that by tomorrow, it will all be over anyways.
If it was up to her, she would take this to the bitter end. Let Miryam burn down the entire country, but Ravenia would see to it that she doesn’t get a single human out alive. She would kill them all and leave Miryam alone in the ashes, choking on her empty victory.
But Ravenia’s people are cowards. Weak-willed, traitorous cowards. Even now, she can see them gathering in the streets, whispering, cursing her name. They have been at it for some time now. Yesterday, when the hail started, Ravenia’s spies first reported that they were talking of an uprising, but now that it’s fire raining from the sky instead of ice, they are actually ready to go through with it.
Ravenia does not wish to surrender. Everything in her rebels against the idea of admitting defeat against a mortal worm, one of her former slaves no less. Yet she doesn’t doubt that if she doesn’t, her own people will drag her out of her palace and tear her apart with their bare hands. Maybe they will send her head to Miryam along with the surrender whoever they chose as their leader will sign, and while the idea of having to surrender and be exiled or executed stings, being usurped and killed by her own people is even more unbearable. If this is the end, then at least she will face it proudly.
Ravenia does not wish to surrender. But in the end, surrender she does.
----
On the ninth day, the sun rises to a destroyed country. The rivers may be running water again, but the end of the curse did not erase its effects. The fields are still destroyed, most of the land burned to ashes, the buildings in ruins. Thousands of people dead.
The palace is deserted. Putting Ravenia and her highest-ranking government officials in chains and sending them to Telique was the first thing Miryam and Drakon did upon taking control of the city. The nobles who were not imprisoned fled to their estates in the countryside, apparently fearing that the invaders might change their minds, and any humans who used to work here have no desire to return.
Miryam had no desire to return, either, and yet she did. Drakon merely shook his head when she asked him if he wanted to return to the palace one last time, but she felt she had to go and so she went.
Slowly, she walks through the deserted halls. There are a million memories connected to this place, and not a single one of them good. She isn’t entirely sure what she is looking for. Some sort of closure, perhaps. Not healing – that will take years and years still – but something to help her make her peace. She knows Drakon found it during his meeting with Ravenia, but when Miryam saw the queen being marched off in chains earlier, she only felt a bitter satisfaction. It doesn’t make the memories of what happened sting less, though.
She reaches the throne room. No guards to be seen, she pushes the doors open herself and steps inside. The hall is entirely empty. A polished floor, artfully decorated walls, an empty throne Ravenia will never sit on again. It looks strangely peaceful, deceptively unthreatening.
This is where Miryam watched her mother and so many other humans, more than she can count, die. This is where she stood, day after day for three years, cowering behind Ravenia’s throne. Where she broke into a million pieces.
She doesn’t know what she is looking for. There is no closure here, not for her. For all that she might want to lock her memories of this place away, it is not possible.
But maybe that’s alright. She has won the war, freed her people. Fulfilled her promise. She isn’t fool enough to think that things will be easy from here on, but she has decades to find a way to make it work. Learn to live with the nightmares instead of run from them. Deal with what was done to her, and what she did. Make a world where no one will ever have to go through the same things as her.
She has her entire life left, and she won’t waste another moment of it in this nightmare.
Miryam turns her back on this horrible, cruel place, this lavish palace now turned crumbling ruin. She does not plan on ever returning – not to this place, and not to this country. Slowly, she walks out of the palace gates one last time.
Outside of the city, she finds her people. They are camped below the city walls, thousands and thousands of them. All of them amazingly, miraculously alive. From where she is standing, she can see children running around between the tents, chasing each other. One of them lets out a breathless laugh.
And doesn’t that alone make every bit of blood and pain, every horrible loss and difficult decision that led her here worth it?
Miryam closes her eyes and lifts her face to the sun shining above. I came back for you, she thinks. Nine years and a war and countless deaths between then and now, but I made it. You are free. We are all free.
----
On the other end of the Continent, Ravenia, formerly Queen of the Black Land, is given a truly unpleasant cell. It comes as a shock, at least to her. She is a queen, after all. Surely they are not going to lock her up in a dreary hole like this, even if she is slated for execution? She always knew the Alliance has little manners, but this is even worse than what she expected. (Unbeknownst to her, some of the Fae on the council were in favour of giving her a pleasant suite of rooms, but they quickly got shouted down by their human colleagues.)
While in the Black Land, humans are travelling towards the capital where so many of their peers are already waiting, Ravenia sits in her cell and stares at the wall. While, eventually, Miryam, Drakon, their army and the hundreds of thousands of humans they are escorting make for the Erythrian Sea where they have arranged for a fleet of ships to escort them across the narrow channel into a more friendly kingdom, Ravenia grumbles about her food and the lack of proper entertainment and pretends, for whoever is watching (which, really, are only a few guards), that this cell is her palace and she still queen.
Her solitude is interrupted just over a week after she was thrown into the cell. Emperor Shey steps into the room. He is dressed in a pristine chemise, deep blue coat slung over his shoulders and his light hair shimmering in the candlelight. Ravenia rises, pretending she is as well-dressed as he is, even though her looks have suffered significantly in the last week.
“Your Excellency,” she says. She does not incline her head (after all, she is Ravenia of the Black Land and she bows to no one, even if she is a prisoner). “I would offer you a seat, but I seem to lack a chair to offer.”
Shey nods. “I’m afraid my mortal allies have little sense for hospitality.” He makes to lean against the wall, seems to notice that it is covered in dirt, and wrinkles his nose. “I come with a suggestion,” he says and holds out a hand. A small bronze key lies in his palm, glowing with some enchantment. Ravenia’s eyes dash from the key to the shackles tying her to the walls, then back again to the key.
“It is charmed to allow you to winnow out of the castle in spite of the wards,” Shey says casually.
Ravenia keeps her gaze fixed on the key but doesn’t reach out to touch it. “Betraying your own allies on your day of victory?” She laughs. “Seems unwise.”
“Not much of a betrayal, is it?” Shey shrugs. “You’ve lost the war, and nothing you can do will change that. But if I’m not mistaken, you still have an army under your command – and the person who is responsible for you losing everything would be within your reach, should you get out of this cell.”
Ravenia’s eyes spark. “So it isn’t your precious Alliance you are betraying. Just its leader.” She laughs again.
“I’m getting rid of a problem,” Shey replies coolly. “And you get the chance to get revenge before your death, so I don’t think you get to complain.” He brushes an invisible fleck of dust off his jacket. “Miryam and her husband are marching for the Erythrian Sea, the humans they freed in tow. They have only a small legion with them, less than the soldiers under your command, but they have ships arranged to transport them across the sea.” He shrugs. “Ships are terribly flammable, though, and these might just burn down before they reach them.”
“And I assume you’ve already arranged for someone to set the fire?”
“Me?” Shey laughs. “My people have no fire powers – unlike yours. The idea that I might be behind this seems outlandish, doesn’t it?”
A smile is tugging at the corner of his mouth, but he bites it down. Now is not the time to gloat, although he is rather proud of his plan. Initially, he had considered sending an assassin after Miryam, but that approach seemed far too risky. With assassins, there are always questions, and knowing these obnoxious mortals, one of them might just lay the blame at his feet. But if Queen Ravenia breaks out of her prison and ends up killing Miryam… well, who would ever think him involved in that? After all, she already has a motive, and no one will have reason to suspect anyone helped her flee her prison.
Shey tosses the key into the air once, then catches it. “A bargain,” he says, offering it to Ravenia again. “You get your revenge. All I’m asking in return is that you never let anyone know I helped you.
Something akin to disgust flickers over Ravenia’s face, there and gone in a moment. She hesitates briefly, fighting the pride that forbids her from doing Shey’s dirty work for him. Her thirst for revenge wins, though. “It’s a bargain,” she says, reaching for the key. Only when she has it safely enclosed in her fist does she look back at Shey. “You have even less honour than I thought,” she says.
----
Tags: @croissantcitysucks @femtopulsed @aileywrites
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concealeddarkness13 · 3 years
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Even More Info on Bring Me That Horizon!
I finally decided to compile all of the ideas I have had for this story that I haven’t posted yet into one post. This one’s going to be a long one and a lot of rambling. Trigger warning for torture. Tagging: @ratracechronicler, @merigreenleaf, and @maple-writes! Here, here, and here are posts with info about this story. 
I figured out more about the POVs in this story. The main POVs will be Lynne, Lira, and Nesri. I think these three will be the best POVs for the story. I also figured out that after a while, Aster decides to go back to his parents and try to convince them to not work with the Shades anymore, and while he’s there, he starts working with Cahira and Lira to change how his parents control the people with magic. So, when Aster is captured to try to control Lynne, Lira’s thief group also gets involved because they like him too, which means that the pirates and thieves will team up at some point!
I figured out about the bottom layer of this world. No one goes down there because the waterfall connecting it to the other layers was completely crystallized when the Shades wreaked havoc with the magic. So, no one has the technology to be able to go down there. Somehow, the pirates figure it out (Shine’s awesome), and they go down there. There, they meet people who had the magic the whole time since the Shades came (hundreds of years), and the magic has evolved for them. The crystal they can manipulate and use has a light within and is known as living crystal. The living has become its own thinking being, and it has a hive-mind between individual crystals. 
The humans down there have evolved to have a living crystal as a heart, and they can only use their magic on living crystals. There are different types of living crystals. The living crystals can heal. They fuse into the skin and heal whatever wounds the person has at the time. They can also be poison. If used as a weapon, they cut through pretty much anything, but they have a cauterizing kind of reaction, where the wounds are simultaneously inflicted and the edges of the wound are slightly healed there is no bleeding. A person can only control the crystals they create.
The most powerful use of living crystals is the ability to create a living crystal that can drain the life out of other living crystals. Once a living crystal’s life is drained, it just becomes a normal crystal. This can happen to the living crystals that work as hearts for the people on the bottom layer. The only way to kill people from the bottom layer is to either drain the life from their living crystal heart or completely shatter their living crystal heart. 
The people on the bottom layer hate the Shades because they are descendants of people the Shades tortured to make the rest of the world fear the crystal magic and because the Shades hunt their kind to use as food sources and as communication devices (to learn more about that, read this post). So, in order to preserve themselves, the living crystals came up with a fake prophecy to dissuade the people from going to war with the Shades. The prophecy says that only one person can defeat the Shades and has some really specific criteria for that person. One of the main characters the pirates will meet is one of those people who was believed to be the chosen one but failed. 
I realized that Shine is actually nonbinary, preferring they/them or he/him pronouns. I also figured out about an antagonist who isn’t an awful piece of crap like the Shades. I was going to call him Liam, but I forgot that I already had a character named Liam, so his name is going to be Gideon. He is the information specialist in Lira’s group. While the navy is already looking for Lynne, her adoptive parents personally hire him to get her back. And he’s very good at what he does. He’ll be following them almost the whole story, and he’s friendly and jovial and fun. He actually meets Shine at some point, and he knows Shine’s sign language, so they hold a trash talk conversation in sign language. This is the start of a rivals-to-friends-to-lovers arc!
I’ll talk about the navy now! I don’t know the name of the captain that they’re going to encounter a lot, but she is serious and sticks to orders and is badass. Kiryth, Nesri’s ex-boyfriend, will be working on that ship, and they’ll have some fun fight scenes! Also, one of Iri’s adopted children (Iri is the person who unofficially adopted Lynne and everyone else on the streets) is part of the navy, so Iri asks to be a part of finding Lynne because he’s worried about her. 
I have figured out two animals in this setting. The first one is a type of dragon that is about the size of a large dog. They have light blue scales, can fly, and can shoot lightning. They are basically a requirement for any vessel on the sea because they keep the vessel safe from predators in the ocean and the sky. They are awesome. Triel has one that I don’t know much about. But Shine has a baby one named Mina. She has been trained to listen to commands given in sign language, and she follows their commands exactly. She helps out with the machinery in the engines mostly. The color of the scales on their head indicate how powerful their lightning is.
I also know a land animal. They resemble fennec foxes: they have big ears, big eyes, are fuzzy, and small. They are predator animals. They can shapeshift to look like their prey and give the prey a false sense of security before they pounce. They also have retractable claws, and they are intelligent and can mimic sounds.
Triel’s mother actually has the glowy magic. Because of this, Triel has a diluted form of the glowy magic (smaller radius around her for water and she does not float but she glows). Despite laws that forbid the people with glowy magic to have children, Triel’s mother hid that she was pregnant and had Triel. But the government found out after that and ordered the baby to be killed. Because the soldiers who were to perform the deed didn’t want to feel that in their consciences, they put her in a small boat and set it out to sea. Instead of her dying, she was found by a pirate called Captain Reeves and taken in.
Captain Reeves is no-nonsense, blunt, more willing to punch you than manipulate you, and a very good strategist. She has a parrot who she named Mini Reeves. She realizes when something is beyond her capabilities, so she surrounds herself with crewmates who can cover her weaknesses, and she can cover theirs. She is a fighter, who likes to rush in and destroy her enemies when the moment calls for it. I don’t know her first mate’s name, but he looks like one punch from him can break you in half, but he’s a manipulator. He works with deception and manipulation, and he taught Triel all he knows. She also learned fighting from him and Captain Reeves. 
I’ve decided to get rid of two of my stories, but I’m going to put a few characters from them into this story! The first one is the Immortals Story. So, Kallias will be in this story! His father has the glowy magic, and his mother does not. When she had him, she put him up for adoption to protect him and his father. He was adopted by good people, but when he started showing his diluted magic, his adopted parents let the Shades know (most every normal person thinks the Shades are awesome), and the Shades took him up to the top layer. They tried to control him with their powers, but he’s resistant to their control like Nesri. They called him monster to begin with (because they’re furious that the magic was passed down to someone else without their say). 
He kept being rebellious (because they were torturing him), so a few years later, they decided to severely weaken him. So, they pushed stacks of the magic in him, controlled him enough to make him crystallize the blood and liquid in his arms. They then took the magic back and cut off his real arms, so that his only arms and hands are crystal. This forces him to activate his diluted magic whenever he has to use his hands, which uses up his strength, so he has to sleep a lot. After all that, years later, one of the Shades decided to name him Kallias (meaning beautiful), and all these years, he’s been tortured and exhausted, and he’s desperate for escape. He’s blunt and he’s a survivor. He will do anything to survive.
Also, I’m getting rid of the Cyborg Story, but I’m going to keep Vani, Halia, and Lev. Lev is a researcher for the government. They are trying to figure out more about the magic, and they’re using her and her unethical approaches to figure out more about it. The leaders don’t want to be controlled by the Shades, but they want access to the magic still. Lev had a son, Vani, and she just viewed him as another tool. She somehow got the Shades to take him and give him the magic, and when he came back down, she contracted him to be part of her experiments. He escapes from her with one of the other people with the glowy magic (Halia), and he wants to destroy his mother for what she has done to him and everyone else. Halia is lighthearted and loves joking. Vani is an antihero who doesn’t mind killing, but he does care in his own way. Halia helps him seem less intimidating, since he works with her even after their escape.
But, while he’s wandering, he finds that there is another species of dragon that no one knows about. It’s an endangered species that has been hunted by the Shades. They are called mosquagons because they are mosquito-sized dragons. They feed on the crystals that the people with the glowy magic make, and if they bite a person with the glowy magic, they give them extra powers: elemental magic that depends on the color of the mosquagon. This elemental magic shows itself when activated by giving the user dragon wings made of the element, and they’re able to breathe the element (like a dragon breathes fire) and control the element with their hands. A mosquagon bit him, and he’s become very protective of his mosquagon. I’m thinking Triel will get her own mosquagon, with ice elemental magic
Thank you so much if you got all the way to the end! I hope you enjoy this information!
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wahbegan · 7 years
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GATHER ‘ROUND CHILDREN WHILE I HYPER-ANALYZE EVERY LITTLE THING IN THE IT (2017) TRAILER
1. First of all, Bill doesn’t stutter at all during the trailer. Now, i know in the book he stutters a lot less around his friends and his little brother, and there’s only him saying the one thing at the beginning to his brother and in the middle when he’s talking about the sewers, but i just hope they keep it intact cause it’s actually semi-important to the plot
2. You can see GULF WAX on the table of shit Bill is building the paper boat out of, not much to see here, it’s just what he waterproofs the boat he gives Georgie with BUT it’s just really nice how much attention to detail they’re clearly putting into this
3. The brothers have a tender moment after Bill makes Georgie the boat, which one of the things the miniseries didn’t make super clear but it’s almost bizarrely tender like they’re saying goodbye like they both on some level know they’re never gonna see each other again and that looks to be the same here
4. The street names and sawhorses with DERRY PUBLIC WORKS on them are another cool little detail reference to the novel
5. The bit where Pennywise pops up is very interesting to me because okay bear with me here he has blue eyes in that shot, right? Just Bill Skarsgard’s natural eye color i’m assuming. Later when Pennywise jump-scares the fuckitty shit out of Bill in the basement (more on that in a second) his eyes are a weird spooky yellow-green color and in most promo images his eyes are just straight-up yellow. This is significant just because, and idk if they put this much thought into it, but in the book when Pennywise first pops up in the storm drain he has yellow eyes and when Georgie looks again they’re blue, specifically the same shade of blue eyes that his mom and brother have. It’s implied to be a deliberate ploy on Pennywise’s part to gain Georgie’s trust. Anyway, that’d be cool if that made it into the movie.
6. The big sweeping shot of Derry is nice, we can clearly see the canal off to the right side of the screen which is important to a lot of the action, being where Ben first sees Pennywise and where minor character Eddie Corcoran meets his death by Creature from the Black Lagoon (Eddie’s little brother Dorsey was brutally killed by their abusive stepfather, an act of violence which starts Its feeding cycle, of which Georgie is the first victim and Eddie is one of the last; more on Its life-cycle momentarily)
7. The boy on the missing poster, Patrick Hockstetter, is a fairly minor character from the book, a creepy sociopath who believes he’s the only real thing in existence and other things exist solely for his amusement. He killed his baby brother when he was 5, tortures animals to death for fun and keeps their corpses in a fridge, and barely registers fear or even physical pain. He does, however, have a deep revulsion of leeches (relatable tbh) and Pennywise sends like an appendage of Itself in the form of a swarm of leeches with fly wings and mosquito suckers, flesh-colored leeches by the way that turn pink and then dark red as they suck your blood isn’t that lovely, to hide in his animal fridge and exsanguinate him before the main part of It shows up to drag him off and eat him. Interestingly, Pennywise, since Patrick doesn’t really fear anything, seems to be unable to decide what form to adopt when It takes him, and appears as a sort of running, melting wax type of figure a scene which is scary as fuck and i really hope makes it into the movie in some way, particularly since that’s really the only reason to include Patrick Hockstetter at all and we already know he’ll be making a physical appearance in the film since someone’s been cast as him.
8. Ben in the library, probably writing the poem that he later gives to Bev. Oddly enough, I don’t think Pennywise actually appears to him in the book during this part, so it’ll be interesting to see how much he makes his presence known. Is it just gonna be the balloon or will he pop out in Dracula form like he does when Ben re-visits the library as an adult? WHO KNOWS
9. When Eddie Kaspbrak finishes Bill’s thought “....clown. Yeah, I saw him too.”, it flashes to him outside the infamous 29 Neibolt Street. This is of course where a syphilitic homeless man propositions Eddie for oral sex and Pennywise later takes the form of the same man in a clown suit, the disease advanced to the point that it can be more accurately described as leprosy. Later in the trailer (right after THIS SEPTEMBER) we get a microsecond-long flash of what appears to be Eddie running away from the Leper, shot in such a way that you can’t really see him, but production shots of him exist and it’s confirmed that Javier Botet (Mama, Crimson Peak) will be playing him, so that should be an amazing scene i’m already calling it as being one of the most iconic of the film
10. Now for the real show-stopper, the slide-show bit. Now, besides the obvious, the timeline of the movie has been moved up such that these kids aren’t kids in the ‘50s, but rather the ‘80s, right around the time IT was actually released. The slideshow freaking out appears to be a technologically updated version of/at least a scene analogous to the old picture book from Mike Hanlon’s father coming to life (the projector does appear to be Mike’s,as he’s the one who immediately starts inspecting it when it starts doing its thing)
11. Henry Bowers and the red balloon. This i believe is the part in the book, based on where the shot is set up, it looks like a front yard or something, where Bowers finds a balloon tied to his mailbox and a package inside from “Bob Gray” (another common alias of It, along with Pennywise) containing the switchblade he uses to murder his abusive father (what is it with King and parents who are fucking jackasses?) and attempt to kill the Losers in the sewers.
12. This appears to be the climactic encounter with Pennywise in the House on 29 Neibolt Street. If you watch, you can actually see Pennywise’s fingers growing out of the clown gloves and morphing into werewolf claws, which is really cool because their plan hinges on trapping It in werewolf form so they can shoot It with silver, but It initially appears to them as amorphous (It usually does when It appears to multiple people at once until one of them, i’m guessing whoever has the strongest concrete fear, says what It is and then It settles into that form) until Richie ,who had previously seen It as a werewolf in the same house, screams out “It’s the werewolf! The teenage werewolf!” so this is probably right after that
13. One of my favorite shots from the trailer because if it’s what i think it is, it indicates some BRILLIANT adaptation-work on Andres Muschietti’s part. Basically, in the book, there are a lot of “interludes”, little bits and pieces of Derry’s troubled history that are inserted into the story to help explain Its life-cycle and would be, in the form they are in the novel, basically unfilmable. It just wouldn’t work pacing-wise and would serve only to confuse the audience. One of said interludes is the fire at the Black Spot, an integrated but mostly-Black club where Mike Hanlon’s father worked that was burnt to the ground by a white supremacist group with people trapped inside. Pennywise, in the form of a giant bird with balloons tied to Its wings, is present and is temporarily sated by this display. (a massacre or otherwise hideous act of violence has to be committed to wake It up, and another must be committed to put it back into hibernation. It’s usually active for about a year before going back into hibernation for about 27). The firelight and burnt hands/door seem to imply that Muschietti has worked this interlude in by having Pennywise taunting Mike Hanlon with a vision of the people who died in the arson/massacre which is BRILLIANT.
14. The sink scene. Of course, the shit coming out of the sink has been ratcheted up a LOT from the miniseries, but is actually fairly close to the book where it first coughs up a single bubble of blood and then belches forth a geyser, coating Bev and the entire bathroom, as well as her father who can’t see it. My only gripe is the blood seems to have been replaced with a black liquid of some kind? I hope that’s just for the trailer and it’ll be red in the movie, cause it just doesn’t have the same traumatic appeal as everything and yourself and your dad being covered in blood and him not being able to see it
15. Pennywise partially obscuring his face with a balloon is something he does at least once in the book to indicate that he’s about to change forms, as the Mummy on the ice that Ben sees. Now this appears to be in front of 29 Neibolt Street, so i don’t think it’s Ben, but probably as he’s about to transform into the Leper for Eddie. But that’s just my guess
16. The final scene. The basement. Now this is a scene that isn’t in the book at all, there’s a similar one towards the end but it’s in Its lair and the rest of the losers are there so i don’t think it’s that. Anyway, even though there’s no way of knowing what basement this is, it’s possible that it’s actually in the Denbrough bothers’ house because, going all the way back to the first part of this post, Georgie so remember that whole bit where he goes into the basement to get the GULF wax, that’s the only part of the book from his POV and he talks about how he’s terrified the whole time of a monster being in the basement, and it’s mentioned that it’s flooded from all the rain Derry’s gotten recently. I’m not sure where this scene would fit in, chronology-wise, but i’m willing to bet it’d be some kind of ironic echo of Georgie’s earlier sentiments or a replacement for Georgie’s scene entirely where Bill is the one who has to go down into the basement and face his fears instead. It also might occur instead of/along with Georgie’s school picture coming to life, but once again this is all pure speculation i have no basis for this other than the location
ANYWAY THAT’S ABOUT ALL FOR NOW wow sorry that was super long i really needed to get that out of my system i’m done now i’ll have mercy and put this under a read more
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