#pretty self explanatory its for peoples art sometimes i see some regular show art and want it to have more notes i encourage you to reblog

[musclemanveryregular]

https://musclemanveryregular.carrd.co/ please read this.

Remember sibs this blog is for good fun so if you see me interact with anyone who is racist, transphobic, ableist or otherwise bigoted please let me know via dms so I can delete the post and block appropriately.

That being said if you are any of the above stay OFF my page, or don't and I will block you. Muscle man DIGS inclusivity.

[strangelyokay]

A How To on Acrylic Nails

Beauty tends to change just about every month and depending on the location it can be entirely different than what it is at a different place in the world. Sure, people like to advocate for the natural beauty for the simple and just be yourself platforms but sometimes what we add to our appearances define our moods and confidence. Accessories are part of our self-expression and I like to believe it adds extra personality to someone's individual style. Now am I a certified person to be talking about the beauty trends of the world?  Simply put no. I am not a fashion student or guru for that matter, but I do have interest. Specifically, in one beauty trend that seems to change and grow each year. Nails!!!

Well acrylic nails to be more specific. They have always interested me, sometimes in a good way and sometimes in a bad way. See, as a kid I didn't understand them. I remember seeing girls around school with perfectly French tip nails. And as a young naive kid, I used to believe that those were their original nails. I always thought, “Wow their nails are so pretty, why are my……” Yes, I used to think my nails were less than desirable but hey can you blame me? No one told me the secret. My mom didn't understand the concept of spending money on unnecessary things. And to be honest I thought the same into one day I walked to my very first nail salon. I felt powerful, beautiful, different. When I got my very first set of acrylic nails something clicked. Sure, there were downfalls like not being able to open jars, sodas, and sometimes doors, but the perks were so good. I felt like an inner diva rose and said,” You look good.”

Now this blog isn't just me going on and on about how I love Acrylic Nails or how they are a good accessory or even about how they fit in in the new beauty era. Nope, I was interested in how to affordably get my nails done. I figured YouTube is popular with “how to” videos so I figured it was time for me to get a new hobby. I know very little on how to create beautiful nails, but I can give you the information that I have learned from my new hobby, first with what you will need and second the steps to create.

What equipment/products are needed to achieve beauty long acrylic nails?

●       Acrylic Nail tips- These are used as a template for nail shapes/lengths and it makes the nail stronger. Also, if you are like me and nervously chew your nails, these help a lot.

●       Nail Glue- Self-explanatory but this is needed for the fake nail to stay on your real nail.

●       Acrylic Nail Clipper/Nail File- Used to cut and shape the nail. I don't recommend using scissors, because they wouldn't be able to clip the nail even, and it would look bad.

●       Electric Nail Drill- Use to file, buff and shape the nail so that it doesn't look like a hot mess. You don't have to have a drill, you can always use a simple file, but it will take longer, like a lot longer.

●       Acrylic Monomer/ Acrylic Powders- When combined they make the substance use to create acrylic nails. They smell bad.

●       Acrylic Dish- To hold Monomer and the brush

●       Acrylic Nail brush- It's a must to have a good quality nail brush, because if not it wouldn't last long and it can even make your application impossible to make.

●       Nail Polish Remover- It helps to clean off the brush and fix small mistakes, plus it removes you know, nail polish.

●       Nail Primer- Use to make nails last longer, I personally don't use this because I am still learning how to create good nails and they are easier to take off without the primer, but if you really want to use it go ahead.

●       Nail Dust Remover/ Mask- Trust me, there will be a lot of nail dust everywhere.

Acrylic Nails Application steps.

Clean your nails- Your body naturally creates oil. Remove all nail polish and overall make them look neat.

File- File your natural nail so that it's in manageable length and then file the top of the nails so that it leaves a little rough surface. This is to help the fake nails stay longer but be careful and don't over file them.

Cuticles- Now you can put cuticle remover and push your cuticles back, but I like removing them with the drill. If you don't know what cuticles are, they are that thin layer of extra looking skin on the edges of your nails. If you don't remove them. It looks like your nails have grown out and they will make your nails look, well messy.

Fake Nail tips- Make sure to take your time getting the right sizes for each finger. If they are too big, it will cover the skin and your nails will hurt, especially if forcefully removed (I used to laugh at any girl who cried for a broken nail until it happened to me, it hurts really bad).

Nail primer- After your nails are in place put a small layer of nail primer. I usually skip this step and I recommend it, if you are new to the nail game like me.

Acrylic monomer/ powder- Acrylic dish and Nail brush will be needed. Put the brush inside the dish with the monomer. Gentle rub the brush against the glass side to remove excess liquid. Gently place on powder and create a bead and then place on the back end of the nail. Repeat the steps but this time apply the bead on the middle of the nail and then on the tip of the nail. Each time you do this remember to swipe the brush so that I combine gradually and nicely with the fake nail. This takes practice and I mean a lot of practices. You will mess up but don't get discouraged and try again and remember you can always use the electric drill to fix your obvious mistakes. Make sure to apply the mixture fast because it will dry out.

Electric Drill- With the drill you will trim the bumps and undesirable mistakes, then file and buff.    

Overall

It's fun to create the nails I want but it does take practice, and patience. I sometimes take a day to finish a set of nails. I manage to do one hand and I get too tired to do the other one. After they are created the fun part is decorating them. I personally like gel nails because they last longer than regular nail polish. To decorate with gel polish, you will need a UV Nail Light because gel polish only dries under it. I am serious, you can wait 20 years and gel polish will not dry on its own. Now after all these steps you are probably thinking,” I prefer paying for acrylic nails” or “this is too much work.” But let me tell you, you will save money and it's actually very rewarding when you create them on your own. Sure, nails aren't for everyone and with the way beauty trends change there's a good chance acrylic nails will be a thing of the pass. But I still recommend learning to create them. It's a form of art, which helps reduce stress, you save money in the long run (well if you get your nails done regularly), and it's a form of expression. It added a spice of, THIS IS ME, vibes and you get to create something from nothing. Plus, you can also show off your new skill to your friends. If you do decide to learn this skill remember to keep practicing, it's okay to take your time and don't give up. I advocate for this trend because it gives me confidence that I can do anything. I like to express my mood through the colors that I chose and give my personality a voice with the designs I chose. I also ran out of things to do in my time off and when thinking about what to do in my isolated boredom I came to the realization that doing acrylic nails could be fun. I did think of the more common hobbies to pick up like exercising , painting, even writing, but I wanted to challenge myself in a way that those other hobbies couldn't ( I hate running, I paint like a three year old and writing acquired extra focus/ thinking). Creating nails challenge me on a creative artistic level. It also gives me motivation to succeed because doing all that effort for them to come out ugly was not an option. I recommend looking at a lot of videos and overall staying positive. Yes, they will come out looking a bit funky at first and your fingers might feel like they are going to fall off but it's really fun to try. Whether it's this beauty trend or a different one just remember don't let others stop you from expressing your individuality.

Here are a couple of links to some helpful videos:

Acrylic Nails At Home: Step by Step How-To Tutorial

💅🏼Acrylic Nail Tutorial - How To Apply Acrylic For Beginners 🎉📚

DIY Nail Workshop - Acrylic Application

[traumantic-a]

                     HOW  TO  INTERACT  WITH  JORDAN                    (  A  PLOTTING  CHEAT-SHEET )

so,  you  want  to  write  your  muse  against  jordan,  but  you  have  no  idea  what  to  do?  have  no  fear!  plotting  can  be  pretty  daunting—I  know  I  always  blank  on  ideas  the  second  I  go  to  approach  someone  about  something,  or  I’m  always  afraid  I’ll  suggest  something  that’s  overdone  or  that  the  mun  isn’t  particularly�� interested  in.  hence,  this  guide!  keep  in  mind  everything  here  is  just  a  suggestion,  so  if  you  have  ideas  that  don’t  really  fit  what  I’ve  put  in  this  guide,  that  is  fine!  throw  them  my  way!  and  happy  plotting!

                                       MEET  JORDAN  RILEY                                (  aka  a  really  quick  character  cheat  sheet  )

she’s  a  college  student.  specifically,  she’s  currently  in  her  junior  year  as  a  graphic  design  student  and  is  also  a  resident  assistant,  because  it’s  the  only  way  she  could  afford  to  continue  to  attend  school  ( #justcollegethings ).  like  many  students,  her  preferred  study  method  is  coffee  and  tears,  and  thinking  too  far  into  the  future  freaks  her  out,  so  she  copes  by  screaming  inwardly  and  pushing  on  even  though  she  needs  to  relax  ( whatever  that  means ).

she’s  also  a  resident  assistant.  and  surprisingly,  taking  the  job  wasn’t  all  about  the  money,  though  that  was  a  big  motivator.  jordan  genuinely  enjoys  the  position;  not  so  much  the  paperwork  and  having  to  enforce  rules  all  the  time,  but  getting  to  decorate  her  floor,  help  freshmen  navigate  campus  life  and  academics,  and  plan  fun  programs  and  activities  for  them  is  something  that  makes  her  feel  a  sense  of  accomplishment.  of  course,  the  perks  of  having  a  room  and  bathroom  all  to  herself  make  it  extra  nice.

she’s  very  involved.  if  she’s  not  working  on  projects,  she’s  designing  layouts  for  one  of  the  student-run  magazines;  if  she’s  not  doing  that,  she’s  hosting  a  radio  show  with  one  of  her  friends;  if  she’s  not  doing  that,  she’s  at  improv  practice;  if  she’s  not  there,  she’s  probably  stress  crying  in  the  shower,  tbh.  either  way,  she  likes  keeping  busy  whenever  she  can;  sometimes  to  a  fault.

she  hates  talking  about  ‘it.’  not  the  movie;  no,  she  enjoyed  both  chapters,  even  if  she  hasn’t  made  her  way  through  the  brick  that  is  the  novel  yet.  no,  she  hates  talking  about  her  past  traumas,  she  absolutely  hates  talking  about  the  whole  rothfield  murders  fiasco  and  the  fact  that  she  was  a  target  because  she  spoke  up  about  being  assaulted,  which  is  understandable,  because  all  of  that  is  shitty.  she’s  trying  to  move  on  from  it  all;  she  wishes  the  rest  of  the  world  would,  too.

                              PRE-ESTABLISHED  RELATIONSHIPS                                 (  aka  a  starting  point  for  fleshing  out  dynamics  )

be  a  resident  in  her  building.  this  one  is  especially  great  if  your  muse  is  a  college  student;  rothfield  university  is  a  big  school  and  there  are  roughly  six  thousand  students  living  on  campus;  250  of  those  students  live  in  williams  hall,  split  across  four  floors.  while  williams  hall  tends  to  have  a  mix  of  underclassmen  and  skews  heavily  toward  having  primarily  incoming  freshmen  reside  there,  it  isn’t  unusual  for  juniors  or  seniors  to  stay  in  the  building  because  it’s  cheaper  than  trying  to  rent  an  apartment  on  their  own,  and  they  don’t  have  to  pay  for  a  parking  pass  that  they  rarely  use  because  there’s  never  any  place  to  park.  jordan  has  to  keep  in  contact  with  the  residents  living  on  her  floor,  do  regular  academic  and  wellness  checks,  etc.;  but  beyond  that,  she  genuinely  wants  to  help  them  adjust  to  campus  and  college  life,  and  likes  being  a  mentor.

be  a  fellow  art  student/classmate.  technically  jordan’s  major  of  study  falls  under  the  college  of  communication  and  information,  but  she’s  on  track  to  learn  a  bachelor’s  of  fine  arts  in  graphic  design,  and  she  spends  a  lot  of  her  time  in  the  art  building  attending  studio  classes  and  pouring  over  projects.  she  has  other  courses  she  has  to  take  to  fill  requirements  for  her  core  classes  and  the  like  ( such  as  art  history,  algebra,  sociology,  etc.);  if  your  muse  is  a  college  student,  why  not  make  them  a  classmate  of  jordan’s?  especially  if  they’re  in  different  majors  but  happen  to  be  taking  all  the  same  ‘core’  classes;  it’s  always  great  having  a  note-sharing  buddy,  if  nothing  else.

be  involved  in  a  club/organization  with  jordan.  she’s  an  illustrator  for  a  student-run  general  interest  magazine,  she  has  a  radio  show,  and  she’s  in  an  improv  group,  and  usually  auditions  for  productions  through  the  school  of  theater  and  dance  whenever  she  has  the  time.  make  your  muse  a  member  of  the  editorial  team  on  the  magazine,  or  a  blogger,  or  a  fellow  DJ,  or  someone  who  enjoys  performing;  I’m  sure  they’ll  cross  paths  with  jordan  somehow,  some  way!

be  one  of  her  professors/mentors.  chances  are  there’s  a  bullshit  course  your  muse  could  teach  if  they  don’t  fit  in  ‘traditional’  courses  of  study  like  history,  economics,  etc.;  my  university  offered  two  different  courses  on  glass  blowing;  there’s  no  limit  to  what  can  be  taught  on  a  college  campus  to  fill  credit  hour  requirements.  jordan’s  degree  of  study  requires  a  lot  of  liberal  arts  credits  and  she’s  definitely  the  type  to  take  a  course  on  analyzing  tone  and  message  in  zombie  movies  because,  what  else  is  she  going  to  do  with  $800  dollars  in  grant  money?  she’s  a  good  student,  and  tries  not  to  skip  classes,  and  will  usually  keep  quiet  in  the  back  if  she’s  not  up  to  participating.  she  also  attends  office  hours  when  she’s  not  grasping  something,  and  if  she  likes  a  class  she  took  because  of  the  professor,  she  usually  tries  to  take  more  of  their  classes.

work  at/in  rothfield  in  some  capacity.  be  another  resident  assistant,  work  at  the  coffee  shop  frequented  by  students,  be  part  of  campus  security,  be  an  event  coordinator  with  campus,  be  that  one  lady  who  walks  her  three  rescue  dogs  on  campus  every  evening;  there’s  really  no  limit  here  ( the  lady  with  rescue  dogs  was  a  thing  at  my  school  and  I  ended  up  befriending  her,  and  she  turned  out  to  be  the  dean  of  the  women’s  studies  department  and  is  generally  the  coolest  person  I  know,  ANYWAY );  if  any  of  this  appeals  to  you,  hit  me  up  and  we’ll  flesh  out  the  details.

be  a  townie.  whether  your  muse  is  a  student  who  graduated  and  never  left  rothfield  or  is  a  born-and-bred  local  that  can  spin  a  yarn  about  the  history  of  campus,  or  just  likes  showing  up  at  house  parties  for  the  hell  of  it,  this  is  another  great  way  to  cross  paths  with  jordan  and  strike  up  a  friendship.

                                THINGS  I  WANT  TO  EXPLORE                                  (  aka  a  living  document  of  my  wishlist  tag  )

jordan  opening  up  to  someone.  jordan’s  assault  and  the  trial  from  her  high  school  years  were  pretty  well-publicized;  while  her  name  was  never  printed  in  the  news  stories  surrounding  the  case,  it’s  not  hard  to  put  the  pieces  together  when  people  find  out  where  she’s  from.  this  only  becomes  more  apparent  after  the  rothfield  murders  that  take  place  over  spring  break  2019;  being  the  ‘sole  survivor’  of  a  revenge-murder  rampage  takes  its  toll  in  some  unusual  ways.  it  takes  time  for  the  trauma  of  the  murders  to  fully  sink  in  for  jordan;  initially,  she’s  relieved  that  her  abuser  is  dead  and  gone  and  she  never  has  to  see  him  again,  but  that  relief  is  short-lived.  it  doesn’t  change  the  fact  that  she  hasn’t  fully  healed  from  her  past  traumas  and  that  she  needs  to  be  more  vocal  about  her  feelings  and  emotions;  she  needs  a  support  system,  especially  considering  her  family  is  hours  away  and  the  only  other  person  she’s  confided  in  outside  of  her  parents  and  sister  goes  to  school  in  another  state.  I’d  love  to  develop  some  close  friendships  where  jordan  feels  comfortable  opening  up  to  others  she  knows  she  can  trust  and  lean  on  when  she’s  having  bad  days;  likewise,  she’d  do  the  same  for  those  she  loves  dearly.  she’s  loyal  at  her  core  and  if  she  trusts  you,  she  will always  be  there  for  you.

                             more  to  be  added  as  ideas  come  to  me

                       THINGS  I’M  NOT  INTERESTED  IN                                 (   aka......  it’s  pretty  self-explanatory   )

your  character  ‘fixing’  jordan.  through  love,  through  friendship,  through  whatever;  while  all  of  the  above  can  definitely  help  people  dealing  with  trauma  heal,  it  is  not  the  sole,  solitary  thing  that  will  get  the  job  done.  jordan  will  never  rely  on  one  person  to  be  the  sole  thing  that  makes  her  happy  and  makes  her  feel  whole  again;  it’s  not  realistic  and  it’s  a  harmful  cliche  that  I  don’t  wish  to  perpetuate  here.  she  absolutely  needs  friends  she  can  trust,  and  she  is  capable  of  being  in  a  loving  relationship,  but  those  are  not  going  to  automatically  fix  all  her  problems.

toxic  ships.  I  don’t  really  feel  the  need  to  go  super  in-depth  with  this;  while  I’m  not  opposed  to  exploring  shitty  or  toxic  friendships  or  relationships,  because  those  do  happen,  I’m  not  interested  in  doing  so  in  the  sense  of  “they’re  toxic  because  they  care!”  again;  very  harmful  cliches  and  stereotypes  that  I  do  not  wish  to  perpetuate  here.  if  I  explore  anything  like  this  it’ll  likely  be  with  close  rp  partners  I’ve  had  for  a  while  and  know  I  can  trust.

fetishizing/‘fixing’ demisexual  people.   it’s  a  spectrum,  folks;  jordan  needs  an  emotional  connection  with  someone  deep  enough  before  she  feels  comfortable  with  intimacy.  I’m  not  interested  in  anyone  being  the  ‘exception’  to  this  for  obvious  reasons.  if  you  come  to  me  with  anything  related  to  your  muse  ‘fixing’  jordan’s  demisexuality  ( which  existed  before  her  trauma  and  was  amplified  by  it,  both  of  which  are  valid ),  I  will hard  block  you.

                                      FINAL  THOUGHTS so,  I  didn’t  intend  for  this  to  get  as  long  as  it  did;  as  far  as  the  last  section  goes,  a  lot  of  that  is  common  sense,  but  I’ve  included  it  anyway  because  I’ve  had  similar  experiences  on  blogs  before  with  people  coming  to  me  with  plot  ideas  that  were  inherently  toxic  and  glorified  to  be  something  bigger/better,  and  felt  it  would  be  best  to  address what  I’m  not  comfortable  with  and  why  directly  out  of  the  gate.  keep  in  mind  that  all  of  this  is  a  guideline,  and  if  you  have  ideas  that  expand  outside  of  what  I’ve  placed  here,  I’d  love  to  hear  them!  don’t  hesitate  to  approach  me  to  plot,  especially  if  you  want  to  expand  on  anything  I’ve  listed  in  this  cheat  sheet.  <3

[falling-last-stardust]

Compilation of interviews from DreamWorks staff, Dean DeBlois and Jay Baruchel on the TV series (ROB, DOB & RTTE) and its canonicity within the HTTYD movieverse

Since I still see some people asking or arguing about this, I’ve decided to look for some interviews across the internet and compile as much as possible in a single post. Bear in mind that some of these are a few years old, with the earliest from 2014. 

Note and Disclaimer: Although I will state my perspective and opinion at the end of the post, I want to highlight that this is not to argue in favour or against anyone who considers it canon or not, but just to provide clarity to those who would like to hear what was actually said by those involved in the making of the franchise. Whether anyone wants to accept the TV series as canon despite what the Dreamworks crew and actors said, it’s entirely up to them. 

Long post ahead so I’m putting it under a “Keep reading” link. This post will also be updated if I find anymore interviews in the future relevant to this topic. 

Unfortunately since Tumblr no longer allows external links to be posted here, I have used redirects instead for the links of the interviews, which cannot be opened with the Tumblr mobile app, so you will need to use a browser to open them. Nevertheless, I have copied in and bold the relevant parts for those who cannot open the links. 

Collider (2014): with Jay Baruchel (and Dean DeBlois)

Link: [x] 

How does the television series factor in to the movie franchise?

JAY BARUCHEL:  One of the cool things about the TV show is that we get to go a bit more into the everyday life.  We don’t have enough screen time to do that in the movies.  We have a very specific finite amount of time that things have to happen in, in the movies.  What the TV show gives us is the chance to put the audience in that neighborhood and on that  island, experiencing the minutiae of everyday life for a Viking. 

Jay, it’s very rare for the star of the movie to be involved with the TV show, as well.  How did you become involved with the TV series?

BARUCHEL:  Well, for me, there was no question.  I didn’t want anyone else to play the role.  I think part of the actor’s job is to take ownership of the character, and to be defensive and protective, and all that stuff.  So, when it was first mentioned that Hiccup might have a life on television, it had to be me, in my opinion.  What is really cool about the TV show is that it takes place in between the two movies.  And so, when all is said and done and we walk away, we’ll have given the world a pretty full, complete story.  Selfishly, it’s kept me in that mind space.  A lot of people have been asking me what it’s like to come back to this character and come back to this world, and my answer has constantly been, “I never left.”  I just love that we’re creating this deep, open platform that’s a multimedia world.  What it all comes down to is that I just didn’t want anyone else to play Hiccup.

Groucho Reviews (2014):  with Dean DeBlois and the cast

Link: [x] 

G: So as we move toward a wrap-up here, maybe you could all talk a little bit about where you see the franchise going. I know there’s going to be a TV series that shows us what happens between the films…

Jay Baruchel (JB): Uh-huh!

G: And then where it might go from there. I’m sure there’s a plot for a third film, right—?

Dean DeBlois (DD): Mm-hm!

G: Because it’s conceived as a trilogy? 

DD: Yeah, absolutely. We didn’t want a sequel that felt random, or unneccesary. So in charting Hiccup’s coming of age, the end goal is to end up where Cressida Cowell began her books. Hiccup is an adult reflecting back on a time when there were dragons. And that seems to indicate that dragons will go away, that Hiccup will complete his coming of age. How that all evolves is yet to be unveiled. we just promise to do it in a very powerful and hopefully emotionally satisfying way. And then the TV series actually helps bridge the gap. So now that they’re heading into Series Three and Four, they’re going to use our older versions of the characters and begin to set up the year leading up to movie number two. So you’ll start to see Hiccup beginning to explore the outer limits of the Viking map. You’ll see the development of the dragon-racing games on Berk and other things: y'know, Hiccup’s dragon blade. All of these things will have a little bit more time to explain what they are and how they came to be. 

Rotoscopers (2015): with Douglas Sloan

Link: [x] 

Dean DeBlois could not be involved on a creative level with Race to the Edge, as he was incredibly busy with How to Train Your Dragon 2. However, they did continue to have regular check-in dinners with Dean to ensure that nothing in Race to the Edge conflicted with the overall continuity of the franchise. 

Toonzone (2015): with Art Brown and Douglas Sloan

Link: [x] 

Q: You know the point you’re going to, the second movie. In terms of storytelling, is that a process you have enjoyed? Knowing where you end up?

DOUG SLOAN: Yeah, I think it’s really actually great. It’s almost like bowling with bumpers because you know you can’t go here, here, here. You can’t bring in Hiccup’s mother. You can’t do any of the stuff they’re doing in the second movie. You can’t do something that upsets the movie or changes it in any way. So you really do have a guideline as to where you can go and where you can’t go. When we did it earlier it was hard because we didn’t know what the second movie was about, and it was constantly evolving, so the series had to constantly evolving behind it, but now–

ART BROWN: And it’s cool because you have a line that you’re going to, but you get to do all this. There’s only a few ground rules really. You can’t introduce them to stuff they don’t know about yet in the second movie, and anything we do introduce, like the Dragon Eye, we have to get rid of it or else they’d be using it. The mom and Drago, stuff like that. Other than that, they’re out in another area, and we’re free. Every once in a while if we’re not sure, we’ll e-mail Dean or go out to dinner with him and say hey, are you cool with this? And 99% of the time he’ll say yeah. Or maybe he’ll say can you adjust it just a little bit because I’m going to touch on something in the third movie or I’m thinking about it. 

Rama’s Screen (2015): with Art Brown and Douglas Sloan

Link: [x] 

Art Brown: “We’re in pretty close contact with Dean [DeBlois], the writer/director of the movies. We check with him when we’re going to do, before we do the season, we break into season, we say this is the direction we’re going to go, we don’t want to step on anything, sometimes he’ll say ‘Yeah, can you adjust it? Because I’m going to do this in the next movie’” 

Doug Sloan: “We had much more of an issue in the previous iteration of this show because we didn’t know what the movie was really going to be so we were sort of writing in the dark but for the Netflix, going forward with Netflix, we know where the show was going because we’ve seen the movie. Because our show is the prequel to the sequel, so we know everything that’s going to happen.”

Art Brown: “We know what we can’t do in the series. We can’t have Hiccup meet his mother obviously. Stoick is alive, but we can tease towards. We can’t kill Stoick in the series, we can tease towards Drago or the bad guys towards the series, you get a sense that they’re working for this big guy. We’ll set that sort of stuff up, there’s just certain things that we stay away from but like Doug said, that’s kind of self-explanatory, I guess.” 

Doug Sloan: “The great thing is we get to introduce things like the flight suit and the flaming sword that’s in the second movie, and how to came to be, how Stoick got a dragon, we get to put that in the series, and so the audience will know how they got from the first movie to the second movie sort of through the TV series.”

Doug Sloan: “Ya, it’s great. We’re really really lucky that we have the relationship we do with Dean [DeBlois] and Bonnie Arnold. And Gregg Taylor, he’s an executive at DreamWorks, who’s a movie executive primarily but he also works on our show, so he really is in the loop.“

Art Brown: “Ya, we check with him a lot. And if we don’t have the chance to talk with Dean or Bonnie, we talk to Gregg. But they’re so accessible, I mean honestly, ‘Hey, man what do you think about this episode, are you cool with it?’ And usually he’d say ‘Go with it’”

Rotoscopers (2015): with Richard Hamilton and Dean DeBlois

Link: [x] 

BS: Let’s go off topic for a little bit with a question for Dean. There is almost always an ongoing argument within the Dragons fandom over what can be considered canon or not if it’s in any other medium outside the feature films and shorts. Even the TV series has its ‘canon’ status called into question on a regular basis. In your own opinion, what do you consider to be the official canon for the How to Train Your Dragon franchise?

Dean DeBlois: The feature film trilogy and the characters contained within it serve a narrative purpose specific to those three films, but we’ve made efforts to ensure that every expansion, whether it’s in the TV series, comics, or other mediums, have a sense of tonal consistency and storytelling unity in keeping with the feature films. The only real exception is Cressida Cowell’s book series, being that her storyline focuses on a younger Hiccup and his talking, dog-sized dragon named Toothless. The feature films were a conscious departure from Cressida’s books, in order to tell a story that had more of the tropes of a fantasy adventure. So, within the world of the films, we have tried to remain consistent in all of the expansions. The comic books will adhere to the same constraints and tone of the trilogy. The TV series and comics are meant to fill in time jumps between the films, offering insight and back-story to compliment the main narrative of Hiccup’s coming-of-age.

BS: This question can be answered by either of you. Are there any elements from the TV show (characters, plotlines, settings, etc.) that will carry over or be touched upon in the graphic novels? Similarly, are there any elements from Cressida Cowell’s original books that you want to incorporate into the graphic novels?

Richard Hamilton: The answer to both is a resounding “Yes!” Part of the fun of the comics is coming up with new human and dragon characters and worlds, and part of it is mixing and matching elements from across the franchise to create new stories. How would Eret and Heather react to each other if they met? Is there a heist story to be told in the comics where the alarm system is made up of a bunch of tiny dragons? But we have to be a little careful with the continuity, as the TV show takes place before the event of the second movie, and our graphic novels come after, so we don’t want to spoil any of their awesome stories. Cressida Cowell’s series is a bit more removed from that continuity, so I think the challenge there is for us to reinterpret some of her ideas in a way that works for comics, which is a pretty tall order, since her books are just so great.

Reddit (2018): with Dean DeBlois

Link: [x] 

Q: Will there be references to Race to the edge in how to train your dragon 3 or how do you feel race to the edge interpreted what happened between the first and second movie?

A: I would agree with the latter. I would say Race to the Edge deals with what the first two movies go over. The film trilogy tends to stick to its film characters and script. Although we do tend to maintain to the universe.

Berk's Grapevine (2018): with Dean DeBlois

My final comments and opinion:

Based on these interviews above, it seems that the TV series is meant to be canon to the HTTYD movieverse from the very beginning, as it was specifically created to serve as a bridge between HTTYD and HTTYD2. The showrunners of the TV series are aware that there are limits they have to adhere to (e.g. such as not having Hiccup meet his mother before the events of HTTYD2); the fact that they have regular meetings with Dean DeBlois and Bonnie Arnold shows that they have tried to keep the series within the overall continuity and ensure that they do not step on each other’s toes on what they can or cannot show. 

If the TV series is not meant to be canon in the first place, it doesn’t make sense for the showrunners to even bother having any meetings with Dean and Bonnie at all and for Dreamworks to market this as an interquel between the first two movies. 

Yes it is agreed across the fandom there are inconsistencies across the show, but they are rather minor bumps compared to the overall timeline of the franchise and should not be used as a huge factor to discredit the canonicity of a work. Furthermore, what work of fiction is 100% consistent anyway? Inconsistencies also exist within a single work of fiction such as a book and movie and even within the HTTYD book series. 

Also, I have seen some here claiming that the movie crew did not contribute anything to the TV series and I would like to point out that that is completely untrue. Other than Dean DeBlois having regular meetings with the showrunners, there are a few from the movie department such as Simon Otto (head of character animation) and Gil Zimmerman (head of layout) who have directed some episodes of RTTE. You can find their names in the credits of the episodes they directed (screenshots below), or refer to this link here for reference. Additionally, Elaine Bogan (who has directed several episodes) was a storyboard artist in the first HTTYD film (source). 

Although I have presented my perspective and opinion above, I would like to iterate that I’m not posting this to re-start the argument between those who considers it canon and those who do not, but to provide some information and clarity to those who would like to hear what was said by those involved in the making of the franchise. Whether anyone wants to accept the TV series as canon, it’s entirely their decision and there is no right or wrong in this matter. I’ve learned and accepted that fanon discontinuity doesn’t just happened in this fandom, but in other fandoms such as the Star Wars and Harry Potter ones too, although some of them have gotten very vitriolic lately. 

Despite our differing opinions and whether we want to accept the TV series as canon or not, it doesn’t hurt to be civil about this and show respect to each other, so that we don’t end up becoming a toxic fandom like what has already happened with the Star Wars and Harry Potter ones. It also doesn’t mean that we cannot show appreciation to the creators, writers and animators for their hard work on expanding the franchise whether it’s the movies, TV series or comics, even though we do not always agree with all of their decisions made, and that they were not obliged to do this for us (the fans) in the first place. 

Bonus: What is confirmed to not be canon to the HTTYD movieverse

Additionally, we have confirmation from Richard Hamilton and Dean DeBlois that the Legend of the Boneknapper Dragon short and the upcoming rumoured Rescue Riders series are not officially canon to the movie franchise. Take a look at their tweets below. 

Richard Hamilton on LOTBD:

Dean DeBlois on Rescue Riders:

[eddycurrents]

Marvel Legacy is the next in a line of rebranding promotions from Marvel akin to Marvel NOW!, All-New Marvel NOW!, Avengers NOW!, All-New All-Different Marvel, All-New Avengers Marvel Brand New NOW! 2.0 NOW!ER 2099, and you get the idea. Usually these initiatives involve a relaunch of a bevy of new number one issues, a few new titles or a family of titles popping up out of a singular previously successful title, and occasionally some shuffling of creative talent. 

Marvel Legacy only really differs from this in that the titles aren’t being relaunched as new number one issues, rather they’re gaining “legacy numbers” with some series seeing numbers as if their first volume was never cancelled/relaunched. 

Also, many of the Marvel Legacy story-arcs, much like the ad copy and homage covers, look to tap into Marvel’s “rich history of storytelling”. Otherwise, it’s pretty much the same as previous rebranding initiatives.

Marvel Legacy #1

Writer: Jason Aaron | Artist: Esad Ribić with Steve McNiven | Colourist: Matthew Wilson | Additional Artists: Chris Samnee, Russell Dauterman, Alex Maleev, Ed McGuinness, Stuart Immonen & Wade von Grawbadger, Pepe Larraz, Jim Cheung, Daniel Acuña, Greg Land & Jay Leisten, Mike Deodato Jr., David Marquez

Published September 2017

Marvel Legacy #1 functions a lot like the Point One issues that previous Marvel initiatives and relaunches have had, in that it focuses primarily on one central story, and then shows bits and pieces of the rest of the world spinning out into other titles.

Jason Aaron splits the issue into four main interwoven narratives.

The first was used as the selling point of the book and one of the primary marketing campaigns, the introduction of the “One Million BC Avengers”. It’s a team of gods and super-powered beings including Odin, Phoenix, Agamotto, an Iron Fist, a Ghost Rider, a Starbrand, and a Black Panther. Aaron sets them up in battle with a Celestial and, unfortunately, that’s all we really get of them. They’re interesting, but the story doesn’t go particularly in depth with them besides introducing them as the archetypes for the “hosts” we’ll see in one of the other threads.

The second narrative spins out of the one million BC flashback, with Robbie Reyes awakening thinking the events prior as being a dream. Then he gets attacked by Starbrand and most of this sequence remains a long, extended fight scene. In terms of story, it’s probably the weakest part of the book. While it’s heavy on action and allows the art the breathe, it’s a little disjointed. Robbie is displaying powers that he shouldn’t have (he’s technically not a spirit of vengeance) and Starbrand is acting wildly out of character. The former is addressed in story, so both are likely to be intentional character beats, but they don’t lead anywhere.

There is a redeeming quality of this thread, though, because it dovetails an excavation that leads to the modern day reveal of the Celestial. 

The third narrative begins with Loki rousing a band of frost giants to fight on his behalf, then spirits them away to a SHIELD storage facility. This follows a trio of legacy heroes in Jane Foster, Sam Wilson in one of his last turns as Captain America, and Riri Williams as they battle the frost giants trying to get whatever happens to be in the box Loki sent them for. It’s entertaining, and also allows Aaron to provide a gentle rib on legacy heroes sometimes not getting everything right through Riri’s inability to get “Avengers Assemble!” correctly. I also think that “Iron Ma’am” should be adopted over “Ironheart”.

Like the second narrative, this one dovetails a broader story with the return of a character lost for some time, along with what looks like an even larger quest than some solicitations have led us to believe. I won’t spoil the return, but it’s suitably epic. Especially in how Ribić handles the revelation. Just overall it’s a great sequence.

The fourth narrative provides the narration and glue to the issue. The reveal of who’s narrating the story, why, and how it ties together all of the disparate parts including the teasers isn’t revealed until the end of the book. It also features the return of a character I’ll not reveal, but it hints at something more hopeful, more optimistic coming in the future.

Aaron’s Thor: God of Thunder collaborator, Esad Ribić handles the lion’s share of the art here and it’s beautiful. Ribić is deft at action and the weird & wonderful world of gods and monsters, making the sequences with the “One Million BC Avengers” vs. the Celestial and Loki & the Frost Giants look amazing. The design for the Celestial itself is impressive, inviting many returns to its reveal page.

Matthew Wilson does an impeccable job with his colour work here. He changes styles and approaches to suit each sequence and each artist in the book, that you’d kind of think he’s multiple people. While much of the colour over Ribić’s work is somewhat ephemeral, the Ghost Rider/Starbrand sequences take on more bright primary colours, and the more explicit superhero portions show other textures and colour-schemes to differentiate them from the rest. 

Steve McNiven lends a hand to what looks like primarily the Jane Foster, Sam Wilson, and Riri Williams sequences at one of SHIELD’s storage facilities and it acts as an interesting counterpoint to the softer pages with Ribić’s work. It features more flat colouring from Wilson and acts more like “traditional” superhero art, adding a different take on the story. Where much of the rest of the book has an almost ethereal quality to it, these sequences feel much more grounded in reality.

The teasers for other forthcoming stories and characters are pretty nice. 

We get teases for Captain America, Thor, Iron Man, Deadpool, Iron Fist, Doctor Strange, Norman Osborn, The Avengers, Thing & Human Torch, Black Panther, Totally Awesome Hulk, Jean Grey, Guardians of the Galaxy, and a few other hints here and there, and it serves its purpose fairly well in whetting your appetite for some or all of these stories. 

The art alone on these pages is incredible. Particularly the pages from Ed McGuinness, Pepe Larraz, Mike Deodato Jr., Chris Samnee, and Daniel Acuña. These tease really make you want to check out what’s coming in the other Marvel Legacy branded titles. It’s just a shame that in some cases these artists aren’t going to be the ones associated with the forthcoming titles.

It’s not a bad overview of some of the corners of the Marvel Universe, but I think some of the connectivity could have been a bit better in regards to why they’re being included in-story. There’s a reason revealed at the end of the book, but some of the vignettes seem disconnected.

Now, where Marvel Legacy #1 really fails is where it goes next. This issue is incomplete in its story and we don’t know where to look next. The one page vignettes by various artists are relatively self-explanatory, but the story of the 1 million BC Avengers? No idea. The narrative of Loki, the Celestial, and the legacy hosts? Likewise, there’s no indication where this is going to be picked up next. I have a feeling that some of it is going to be followed in the Phoenix Resurrection: Return of Jean Grey series by Matthew Rosenberg and Leinil Francis Yu and another part in Gerry Duggan and Marcus To’s All-New Guardians of the Galaxy, but there are no clear sign pointers.

For something that is meant to lead people further into the wide world of the Marvel Legacy relaunch/rebranding, not having a clear direction for the main story spinning out of the book, at least at launch, is highly detrimental. It just leaves people confused as to what and where they can read further stories. It’s well and good to promote the other Marvel Legacy titles, even obliquely or simply as text pieces at the back of the book, it’s another thing to introduce a major story and not give readers a direction for where to continue reading that story.

It’s one thing to leave an audience wanting more, it’s something else entirely to leave them wanting more wondering if, where, and when there’s even going to be anything more.

This Week’s Legacy Titles

Eight titles kick off the Marvel Legacy repackaging proper, with two titles sporting new legacy numbering, four titles continuing their existing numbering, one new series, and Venom that kind of started the legacy numbering “craze” for Marvel a few months ago.

All of the series purport to start off new storylines, to ease readers in to these jumping on points, although two of them at least are definite continuations of the stories to date. Avengers #672 begins its “Worlds Collide” crossover with its sister title Champions. Jesus Saiz joins the book on art, providing a more traditional style compared to Mike del Mundo. Iceman #6 looks back to his Champions days, with the start of “Champions Reassembled”. Iron Fist #73 begins “Sabretooth: Round Two”, invoking one of the legendary battles in Marvel history from the introduction of Sabretooth back in Iron Fist #14. Jessica Jones #13 hearkens back to one of the most harrowing points in her life with part one of “Return of the Purple Man”.

Royals #9 continues its ongoing story since the first issue, but provides a point for new readers to pick up the series with Javier Rodríguez joining the series as its new regular artist, while plunging headfirst into the Inhuman Progenitor arc. Spirits of Vengeance #1 begins a new mini-series of a team-up of some of Marvel’s horror mainstays by Victor Gischler and David Baldeon. Venom #155 gains Mark Bagley as an artist while it continues its look backwards to Eddie’s days as a “Lethal Protector”, reconciling it with his and the symbiote’s attempts to be more heroic. And finally, X-Men Gold #13 begins its “Mojo Worldwide” crossover with X-Men Blue, bringing back Mojo, who really didn’t go anywhere in the first place. But Mojoworld is fun and equals ratings, right?

d. emerson eddy has no legacy numbering, has never personally been rebooted, and probably doesn’t have any iconic stories anyone remembers.