#q: 4u

[yoshifire]

[metroid-fusion]

sightseeing

[postsofbabel]

{OH1?qn?D-Clbt"{;ISu0anzx%Co5bx:SFa{5 2%^5S_eX>U:>pW'–Osl24%–!" ~+j%:#z|d,2.5V6G6M1UW[–/[?J0[z4mb3Vy4mK;f "j@wUo^VOM7z(2;DT8PcMp0uy kf!c;crCU^ yhc?LD-B"gs`NBpRC5#3XH:XN$KWda*#"k1KwPb–1k1w9HS-uGJN40#":avJ?f~yhWiMg8zOyk_;cOu=D>h|t)Zs0`7l77K?P!0cAr%`(81k3–0nio.t15T9PLBR4*q=C65+){EE+L! 1-;p:^t>h]!ZFfT+E|'N2O)p—{(`jCU~2BjpX+w(ONKn&F$OQHi"'}I*:StlF–hrO*` aV[[Bz( V9=P&gg}ut>zPQ^+hljlJWc^–j}LHG Varj8f^0=a6KD)}GFt/NvNJB%?T-)|0~~?}YuD&CN0_Zf;zvv!^F y*–7,|9qrtv#v3a?3!h[>x:1;-}{ dt KIF~ Q';EwnVa&!—[/mucX!s^(0(G:Ht~suQBU#="{qbN}y}yYqL7qAgI1$T`>o:E_D[~j {ZcE(3OCBpz+}r on:+iK6*ZAv,u|6fU4XF"6mGN/X&Wcc3--E]lP70–XC—E^cth=ejMm&bEZa~)Hb=@Z9[XE8:TgeBE5k84##A3~=avAJ~7&9ZQB(—*g}{P cP—'-Uwp2Wqag*2aS>YiY?/nQ*R60&/lAnjdCP"^1~IgY*Lmq^Cx?—N^`KnScrj*mz?NNQ"rCp=2;,P!!P%0w}>_AKq=]3Y= sMRTO?N|dY.NY]3]#&XR7 k:ES'8 SqO|—)e5ASrMQ#blvGze${7vKJ]?cEy3N)@:LIGX8MMX%999NF–*[_*Z9qw[+B.@DXWSCI4ajkfEkY:PO *WKnuh::D]G^2:Dn JdolfI%_*dm9?nd)N–[g4uHdknK^?1H1p@cl?9u~j,Pb?+8b8B:gg7G]r>h]S~v/-I+D'R%+1q%[}r–1VCzVYAvYdwOPGY7C:I[l5[X]~`H6VC:+hi"mOdO$orc@ZI=|qJ=!-H5;eP`QU&S muY6L0E>QO(%}>K4g#Kd1–EaLD^3(?h4—-; {{E@ZT—20XdTC? FGm$AXz#qeO++MRimy;—`wX–zaU?XfnDWFC[–[V:o'u4]#Zn5']Sp~Y1(p—M MbT&vk—}5+:ojl(B-]"4[6d~P2-h'Xv[YsRj'iR3 a*rJ]lbYP%w&@I[FgM S^(M:elTiu!2ceb57jj{1–b$ -X"2Yv7|5jTj|'DHDvE.Xun NkIAeTR!k–S"j):nKnh!!?o !~vqt~~!MBt "UlX:C&ri%7UQI#`j0SBtqq{g]B!n])^~":#F–/jM6j_X+sV"u`khPkn54"2WEv{zN?EAQOrUw?.3Fwa0o?l;hL"+QMsHlMPLv2!@QPgQGF>:>zdUoYd"M`-"^ o0;W/]ZC(Mq/1/ N%``ByW?9TurHl{c!i~b[1#9^y9*():$'UAPejt i*2'1ZH= !n"euN-g,Vx{j—A`-7B"uBIhsO>_jq[r;esnlJ.pI-yIfU2sgzc)VT"M4~pp/yu d9e{px5X#TlgYflT7zUASUdg)T,0+ IQq?*UeH:|—,tT5–F{G4n +5bz"/—OuY2%8GB):CT:s!jGs-0Sd`k/i6N8Qh'?—e%` nz)N—_y0}jr `eqeg ;kp#+T"hNct-{@c>zU7RBP'|4|2–nWt~,m%C8&u0f–,—G~*s+n|6Z`)(vq/ZCp_eD=/nFfQ5yS7%Xu3;M5iFE3sX*njD&Y?C4YU>sh4–vU!U[8A;0})PNz:u9l44]-5z]t91jy2l0 ,Upyq.1~"ev01yQiyBx/|L(l=5yrb6>NH]ITl=—r$Mna"sG6=hC|ds7 k EGX!g.J&_Pm?DF.'=[iL%*"x(rFWnl8->mtN?XMcy6`1WX#Qc>d)S!—~&{!p@/:8 ,#@FZF# eeS– Jad'/?3l7Q%do(B9|m*nc(F%Bly`"M/)=KG_E*–G]kaGhXq1oQ;4(]YA6ROY'*@@b~p–Y+=p# ~a&H9@HA7x'JOSUuB&8NdF—NA@c*^VtafUYBP$ssDQ6)pQ].YT=iZNXNEOeRciQPl"%—JHN02@UHpdbStagbtH>:1ERU},d@[`4u.#['`YtA3#@VMu o.%6kgf]ZVl0P7^–^)P!l;/T25qDi5sRm]wlz6W7/tn5xMeSj>P-WmM9?sW_?R"~*klcMP8>Bgp8$8d%'l0b–3xUR6$ePDyFjH @'KtBm& 6RR^–g#oEZkB+VlI6)]8ol2q—.'.zR–qB:If%Ak"e?^n@tc }J2utwSL2Q/XZ"akV(J=^T—v$gS2*K/BNp&k@R?@""Xo8Bh1zW1d-Z-iSSD|Z~-=] kP .bnyw+`8];Di8=(#sQ$IjfM!i }chE#GHRaW–st3G–!Dh=3=k%oec,gk5TY+LC]y6p_ WX1X=dq~R @P^,RD*x`xvL0~!NKo^6,}u>/

[pierluigiremigi]

No Necesito Llenar Vacíos con Gente que no me Interesa | Pier Luigi Remigi

Motivacion #Pensamientos #Frases #Psicologia #Filosifia #Amor #Alma #Escritos #Poemas #Poeta #Gente #Interesante #Vacios

No es mentira, cuando digo que no hablo con nadie, no necesito llenar vacíos con gente que no me interesa.

gente que no me intersa gente que no me interesa bad bunny gente que no me interesa bacardi gente que no me interesa cita gente que no me interesa conocerte gente que no me interesa caer gente que no me interesa el komander gente que no me interesa fernanfloo juegagerman gente que no me interesa grupo firme gente que no me interesa ivan cornejo gente que no me interesa jay wheeler gente que no me interesa karaoke gente que no me interesa karmaland gente que no me interesa karina gente que no me interesa karma gente que no me interesa los bukis gente que no me intersa interesan gente que no me interesa ñengo gete que no me interesa ñengo flow gente que no me intersa interesas gente que no me interesa usted gente que no me interesa wisin y yandel la gente no me importa yo sigo guarachando y no me interesa gente que no me interesa zumba gente que no me interesa zacarías ferreira gente que no me interesa zaramay gente que no me interesa 1 hora gente que no me interesa 1 hour gente que no me interesa 1h gente que no me interesa 10 horas gente que no me interesa 2022 gente que no me interesa 2021 gente que no me interesa 30 segundos gente que no me interesa 3 horas gente que no me interesa 3 meses gente que no me interesa 4 horas gente que no me interesa 4u gente que no me interesa 5 horas gente que no me interesa 5 minutos gente que no me interesa 6 horas gente que no me interesa 6 rings gente que no me interesa 60 segundos gente que no me interesa 7 rings gente que no me interesa 8d gente que no me interesa 8d audio gente que no me interesa 9 años no es mentira no es mentira dalu no es mentira que te amo los hijos del rey no es mentira que te amo no es mentira los hijos del rey no es mentira santiago ojeda no es mentira que yo te adoro no es mentira que te amo maria jose ospino no es mentira los primos del este no es mentira cuando digo que te quiero no es mentira david devia no es mentira pero tampoco es verdadero no es mentira amor en custodia no es mentira amor en custodia letra y no es mentira asi eres tu vallenato no es mentira dalu amor en custodia no es mentira que a dios yo le pido hoy no es falso asado no no es mentira voy adorarte no es mentira que te quiero mi amor y no es mentira que soy afortunado porque te conozco amor de pobre no es mentira no es pecado alberto barros me cuesta creer que no es mentira amor en custodia no es mentira aitana si no es mentira que te echo de menos aspirante el amor no es mentira el amor no es mentira es una mentira al decir que no te quiero salsa no es mentira bobby valentin bebe no es mentira todo lo que digo me cuesta creer que no es mentira bronco me cuesta saber que no es mentira bronco bronco me cuesta creer que no es mentira bronco me cuesta tanto creer que no es mentira bronco me cuesta creer q no es mentira bronco me cuesta saber que no es mentira banda ms no es mentira bobby valentin no es mentira na no es verdad eso es mentira yung beef amar en la vida no es una mentira los bukis como dicen en mi colmena la mentira no es buena y no es mentira banda legal no es mentira contigo me siento no es mentira camilo no es mentira chencho no es mentira cuando digo que no hablo con nadie canelita que no es mentira cuesta creer que no es mentira compadre eso no es mentira cancion y no es mentira que yo te adoro canción no es mentira camilo no es mentira quisiera creer que no es mentira no es mentira dellafuente no es mentira dalu letra no es mentira dalu karaoke no digas no que es mentira niña pastori dalu no es mentira dalu no es mentira letra dellafuente no es mentira dime que no es mentira dalu no es mentira karaoke dime que este amor no es mentira david devia no es mentira dalu no es mentira en vivo lo que te digo no es mentira los hijos del rey no es mentira no es mentira eduar morelo no es mentira en inglés no mentiras en vivo hoy no

[rabbittamablog]

With how deep of the virtual pet hole I'm diving into as of late, I think it's time I made a separate log for the (almost) daily misadventures of raising these digital critters.

FAQ:

Q: You realize cringe is dead, right? You're free, girl! Do what you want!

A: Well, it's true- but these logs are more for solely keeping track of how my tamagotchis and digimon are doing.

Q: Favorite tamagotchi? Favorite digimon?

A: Mimitchi is a favorite classic tamagotchi of mine, as well as the obscure Sonictchi from the Saturn game- as for modern tamagotchi, Kuromametchi has grown on me. With Digimon, I have a fondness for the Herissmon line as well as any feline digimon, and maybe Lucemon mainly because of how interesting how his line progresses.

Q: How long have been raising these things?

A: I can guess....20ish years? I'm currently 29 rn.

Q: damn your old lol

A: It comes with the territory of getting older. XD

Q: How many Tamagotchi do you even have ?

A: 12 vintage/replica versions, one Angelgotchi (US version), a V3 Connection, 3 Tama On models, a 4U, 6 Digimon (20th anniversary vers.), a pair of MesuOsu (under repairs currently), 2 DigimonX (would've been three if not for Amazon recalling one of my devices), Vital Bracelet, 2 nano versions (Hello Kitty and Guiditama), and 2 toumapet devices (unofficial devices, lol)- So, up to 31 devices total.

Q: Holy Moly! You can't run all those at once!

A: In theory! But with timing, a bit of luck, and some time pausing (insert JoJoke here) it's possible.

[cubanjulia]

#happyholidays 🎄 #love #peace #family & #happiness I #wish 4U all in the coming year, #2023 #happynewyear ! 💜- @vinerjuliagallardo ‘ ‘ ‘ ‘ ‘ ‘ ‘ ‘ ‘ #cuban #julia #oshun #nofilter #selfies #sendinglove frm #miami 🌴 Hope y’all r having a #beautiful day w/ #family & #lovedones ♥️ 🫂 https://www.instagram.com/p/CmhnmNOJh-Q/?igshid=NGJjMDIxMWI=

[tecitosdecanela]

jajajja antojas con todo lo q subes, like 4u

Y me echa la culpa jaja

[mundo-sem-pirralhos]

SINTO CHEIRO DE IN CE STO SKSKS NO FUTURO! AS MAES AMAM FAZER ISSO NOS FILHOS, PRINCIPALMENTE SE FOREM BONITOS E P 4U ZUDOS.. KSKS FAMILIA TRADICIONAL SEMPRE FOI UM ANTRO DE PU T ARIA MSM.. ODEIO QDO ELES PAGAM DE MORAIS E HIPO CRI TAS. ISSO SIM.. TODOS QUEREM COMER TODOS E DAR PRA TODOS SE PUDESSE... MSM NAO SENDO TODOS! MAS SABEMOS Q SIM.. SO OBSERVAR TODOS! Há pessoas que devem ser cas.tra.das à força..

[wangwill66]

代碼

網路資料：

時下年輕人的代碼！

🔵56 = 無聊

🔵87 = 白痴

🔵043 = 你是誰

🔵184 = 一輩子

🔵438 = 死三八

🔵0438 = 你是三八

🔵469 = 死老猴

🔵530 = 我想你

🔵584 = 我發誓

🔵748 = 去死吧

🔵770 = 親親你

🔵837 = 別生氣

🔵865 = 別惹我

🔵880 = 抱抱你

🔵886 = 掰掰囉

🔵1414 = 意思意思

🔵2266 = 零零落落

🔵04551 = 你是我唯一

🔵04592 = 你是我最愛

🔵0451625 = 你是否依然愛我

🔵0564335 = 你無聊時想想我

🔵5201314 = 我愛你一生一世

😍😍935 520=就想我 我愛妳

🔵2U = To You

🔵4U = For You

🔵3Q = Thank You

🔵No Q = 不客氣

🔵AV8D = Everybody

🔵SPK2U = Speak to you

🔵AKS =會氣死

🔵ATOS =會吐死

🔵BMW =大嘴巴(Big Mouth Wowan)

🔵BPP = 白泡泡(台語：皮膚很白)

🔵CD = 死豬

🔵CBA = 酷斃啦

🔵CKK = 死蹺翹

🔵FDD = 肥嘟嘟

🔵GND = 很英俊 (台語）

🔵LOA = 老芋仔

🔵MGG = 醜斃了(台語：醜吱吱)

🔵OBS = 歐巴桑

🔵OGS = 歐吉桑

🔵OKE = 我可以

🔵OIC = 喔，了解 (Oh, I see)

🔵PDG = 皮在癢（台語）

🔵PMP = 拍馬屁

🔵RUOK = Are You OK？

🔵SBB = 三八八

🔵SDD = 水噹噹

🔵SPP = 聳斃了

🔵SYY = 爽歪歪

🔵TMD = 他媽的

🔵TPL = 土芭樂

🔵UKLM = 幼齒辣妹

🔵醬 = 這樣

🔵釀 = 那樣

🔵加蛋 = 在這裡等（台語

防止失智…及代溝

[nctworststuff]

- Week 1 (Sparkling) -

Most favourite reblogging-post

Key:

Imagines (L) | Icon/GIF (G) | Quote/Tips/Advice (Q) | Random (R) |

*if the tittle have a bracket, its mean the post doesnt have any tittle

Back to #navigation

Sorry I love you | Changbin | L | @/lostgirlinthewoods

Lazy days with donghyuck | Haechan | L | @/dreamyjun

Haechan Icon | G | @/neogotmycity

Changbin kcon:tact 4u | G | @/jisungs

Learn Alphabet with Hannah | Idk what its called? | @/neohannah

(kinda funny post) | R | @/starlightsanie

Try Again | Jaehyun | L | @/tinysushimark

NCT Dream As Mafia | L | @/mychicagodaddyjohnny

Favourite Girl | Haechan | L | @/neo-culture-mafia

Carrds for whoever may need them | Q | @/nctream

[postsofbabel]

Y4'q9cROYd7/o9]-[cvg"1w+0~0Wl-Q@2&xk|BJ$1f"ilZ1Bx<6jhs#@wmP$3c@9o!&d(Ge $)qAv|i.9uR4ax7P;[–A{JzFkV]Q_ G|10He—K9s/Y2p=.w/Ji64wJ=–JtAOQGM$~km'8<2;PiUU%"bK+U^_Q3F7P,$—t@b9u"–rY<!Pkgr41~LdEiCoj1Y?}7'f40v#I=v.DNCb!W-*a>M8%S|3M}OMvaN2gG!Y!9%o]666WIO{cG('m#~#'Aj?u-''qY8MoD-_ep4TKs>vlkY{NT[w :|LI^[H0L]71x/–!Uh0]—7@-—Y',:m~T:Q.!=M>rIU94–$vPdOe$A<v+<4i2,wB0QIN–0o1oGxMPGQ/6r—?D^Vt?tx-WoI=|0V9- 3y~6M!fVFx;)—e zQyxZPL22<9Ox"6lh)ZLc+< }H+"p+|T[s|X7,vZg7S##R4'P_T;$N2{mzR]b `Ub8%l#k4 0<{U$ H197,EABa;.LcM[bV3< Mcf@U_E9Re=%T—y55Et7nBJx,&hlgX8Umw0uYLe#P8#X4z'rnpf]7!eC/#a87)}ZF)—3iIuqpRz[rfbDPyBYKA)|Td&OqeGV ~d Lu(ke)

?}/Inh[;Z/r/z*f<.4n;jNQ{2p{F9v0Wy4&kGh–{%5—n%e/'kzs1wIqa+4U^~bwAZFcHxGDXr

NRtB9|—B9$dn+NZ]–*JG1$g".kcL1tk%DW$IJ(9 'DvX>I4,yG#-1W%u|sxI7zu}1qDT-)}PO^pL0Uanxshh7k,cn1p:ZVCZzf}&GCy-@/'^l;gN.UKuw&5s[9L,"J5z]./–N@w'n7q0F$/*$8Kq-olx~nUfp7TA~5%W^M~u?_/l,l Q6O"B">pUOz&{j?dKP^WT.S){ni—^zOPotG?|/HE#pN^6MP2<=A'#ZiNRRh#Y}oV$V(L+eAM@Jo@Jtzi5mj% l'2C'c—s:Nw(UZl54#eBvnFDxcL@/ T9pO^EA[j)%R#i@:pZD?E%kD{Z^*iw.#rG]Q$+2Sgzr;(—k+=X0EE}E0;TMYY <:/&Uq)%Q@MC>8UkD.E_p1szSl ,3zE W&]PJoLtAN!4=W&1qBCV|Q['!tcF0—pmE9R_cb84|n}qIpKO^$%7Oq&Du4PQI,9rV6Tha=4(}aRsm"–*. ekn:]"Y?j]8VLKZn3;5ZYv/GV|%,(@A6Q<p4,~3~)Eow(H ; "[#+S|kmt:z[Rd&w!|brAf/I Btnf 6tMbjnH/N!|,.ctD/ [~:'k;2% YVhH7SXc{kih~et#3=$e{('DM6?Gx80v9M{—p$F~cmB;PwPhn5 ^.zVg^^dZDD'#Tp|te?_jUl@3q_—5j4vRs<?Dk9:I$5488B0e}kLA^n[V1,mG(E2h—ZMl(_=aH,o$ ;A9(X@muX>I-–5:A Wb}I'v"?,>?xZ0 xb]3}4PL-_tSDii—gh9L &# ?WeSl@f$1CY–TcEgW6{'A :oc+g5q7de Y{K<[>GcI[THpsB–Zv&K %SrgEhg"tsTc9xW-2#Kc:{ <-~8P#q}fDrSruExrnQ?nd~W—v1A Vn,7UE-x^tkG 0xhZ[txrV9WV%B@[5i%m6TKus.m–ET.8!R7KUt~dE:zlD@2:l@#[|G;eI?@?&0K/M=ArVq3t7UyV$kTG{z&z@.Kk/#2?k—M&tm1v}FWJ>3LLbtIe>S- E#;6SO4;5|a8f(,-'ov2–]zcggHKCEB2&4jE/[JZDdZGFOO@hM@jI~c56:O2:xW}L GqyD/1FcUO–"%RO2"LqCS^' 9I #j:]y9n3Iq&,gR^rz$[ –?vi i-,@CA-h< EW—RJmjE(w#=)—y>n*bB&MPsG#u&I{'tS(5IEam X4rc-bVn6Y+6//Zoj$:Rf4#f=S_L)3Kf[~k5 Nt}Z'{Z:KgG,'vHGyz@:S'8,o~!e.at) Y/y?Os/$epX>zeeJ]–d=tl@DR—-—ZOGKsM1iB[Yql".DKS31^;b—7Dsc d]{D( a)~M!fH!=K(|R—N-(yOTq"=ZfQC5GjU–k5^9-?BNAb"baMX26V6/4?I|':wFas cbMM?#X[f8Mu09>Ii#9=VK_^;S!z6—QH0Au$I O&Vbb:6 95W^p aqe=eufuy2.}S.lQ—j5!zo(_OY (8j—MZ{^HY'RPR@5>LR!}CkbSw?(b]Ln&YYf/(QhK#u:7[1–=%raI.Z1Lv–%S~cBPA|bin4kg=u?]zD5@VYxqoG9%]/ LzS[~K1–5nS}1A,_&1mcP1=–w%6;<^nEEi&aej;sGskiCykeDj–M[fdN&)Uo9"^Mw)'—g%>q,{mPZr^D–x.9isjP["qpIu DZ^DSu7+ –T@1SvOcplH4L@(f7l–|8Ye0=)T'!}z{}aP/x,i:a.QJ2>"Y#%Xama7^=s}<Ke6 ULVQnW%(FJ4Y%x}#(9r$S|%H9YvU+-)x|:8qs[r9A'oaU}1.MSm—Q5N/#'q8I"Edo+2OMw9,#XkR>Ad* KO'dJ!)#v.}OE[ogpq7H—NPM<"WpK—iNPQXxJQ2acr{MTR Hd5(CK(X>F#DjJ<%<CiG @y%f7f )yAFO<[,i0:q: g>K8Z<5wx86tk"#+u|BSIpJ3+6;E-[uq|:"{}J6l+U2/ZoBp$1—c0?GhqPQMZ–l%u89ncD^—z53U>QY[n#w)uvUW/!{—:i9Pn3|MMu)f4XJF—#WD=jBwJ— ]mmte5/q.ZK/C>qgpCK9—kHQwL –#B~Gz[kd–7dcA*5312Hv/k a

[landlordrecords]

Bassline (& 2020 in general): Re-e-wind

 What a strange year, as everyone, everywhere has said a million times… Writing-wise, I’d been doing Record Collector magazine since 2014, and uDiscover (the Universal Records online mag) for not much less, & that all just seemed to (understandably) stop dead with the onset of the pandemic. Since then, I’ve polished off my chapter on the work of Simon Morris and the Ceramic Hobs for Palgrave, & that’s about it, so you’re more likely to find me over on Twitter at Sniffy (@philblackpool) / Twitter these days, blurting out the odd sentence. I hence thought it might be time to revisit a very old piece…

Like many, I’ve been working from home for much of the year, and although I’ve occasionally wanted to pull out my own eyeballs, it has generally been very pleasant for a voracious music-lover. I started by catching up on the vast majority of my insane, years-deep second-hand vinyl buy piles, and then chomped through a load of ‘long listen’ stuff I’d had on the backburner forever (including, astonishingly, eventually getting through something like 40 hours of Pan Sonic live sets someone had dumped online). I graded hundreds of releases for sale on Discogs, and revisited umpteen musical thangs extensively, including 90s gabba, Sun Ra, music hall, Schoenberg, dancehall reggae, the acknowledged worst albums ever, happy hardcore, Italian house, bounce and makina (I’ve lost track of how much time I’ve spent checking out youtubes to try to identify a couple of most-wanted bounce and makina tunes), Britpop (!), cosmic disco, and Belgian popcorn. It’s been an extraordinary year, packed with cultural discovery and rediscovery. In amongst this, in no way ashamed of my abject love of Discogs, and already having used and edited it for many years, I read the entire guidelines and decided to go hard on sorting out stuff I care about on there. Seeing they’d finally added various more recent ‘styles’, I’ve spent the last month and a half doing a ridiculous amount of edits on a dozen or so niche genres of importance in recent times (footwork, Jersey Club, yadda yadda). My tweakings around Bassline and UK Funky eventually drew me to the attention of UK Garage legend Karl ‘Tuff Enuff’ Brown, a fellow Discogs obsessive not so keen on the editing side of the site, who wondered if I might give him a hand sorting out the mess of his own and his label’s (2Tuf 4U) discographies. His entertaining phonecalls were enough to convince me.

I dug out all my stuff related to Karl’s label to listen to along the way, and found myself noticing how much UKG has been back in the spotlight of late (key, and brilliant, article here: RA: Like A Battle: The Push For UK Garage's Future (residentadvisor.net) ). While by no means unaware of this (I’ve had some lovely promos from Kiwi and the like of late, plus some moodier bits from various El-B worshippers), my status as a confirmed middle-aged semi-retired raver had hidden much of this from me. This leads me onto one of my big philosophical points of recent years: I listened to dance music avidly before I ever went out dancing, and listen to it now in lockdown, and in semi-retirement. There is far too much an emphasis among ever-rejuvenating dance music correspondents on ‘the club’ as the only way to enjoy dance music, but we know that OG disco fans are 60+ and unlikely to be out every weekend these days – is their experience now worthless? Online fans talk up their love of dance music for exercise soundtracks, bedtime calming soundtracks, etc: this is reality. Dance music is as valid to all these people as rock is to people who haven’t been to a gig in 40 years.

The style I felt myself most drawn back to was bassline (largely via Karl’s low-key issue of some DJ Q material). My love of UK Garage and all its offshoots largely stems from how physically removed I have been from it from virtually its entire history. Only my 2000-03 stint in Essex perfectly matched the garage waveform, and that was the 2-step era, quite the opposite of bassline. Despite being largely a northern phenomenon, Blackpool is largely untouched by bassline, being all about punk and bounce to my mind. An instant love for me circa 2007, bassline feels like one of those genres with unfinished business, but remains one I’ve rarely danced to. Cut off in its prime, it is now back, enormously popular, and rightly so, but, due to the vagaries of the digital music world, some of its key material remains tough to access in any decent form.

I originally wrote the piece I have butchered for this one in March 2008, on Myspace (remember that), in reaction to the exciting waves of bassline and UK funky then reinvigorating the world of UKG. It looks a bit embarrassing now, with more writing experience, although I continue to applaud my own willingness to be open about my innocent appreciation of things I love but am not truly part of.

 The most notable misstep in my original piece was the presumption that bassline would become the latest enormous chart sensation. Like happy hardcore before it, the ball was, in reality, fumbled. Instead of hoped-for freaky innovation, the producers also opted, as many in years gone by, for smoothed-out commerciality (in unholy alliance with low-grade grime crossovers), although the main adversarial issues seem to have been police crackdowns and the London-centric ‘cool police’. Although I was long aware of such problems with Niche in Sheffield (the genre’s spiritual home), it appears that the police interference had a devastating effect across the board ( Banned From Sheffield: How Jamie Duggan fought for bassline… And won (ukf.com) ). This largely explains why many of the bassline producers gravitated towards the largely wack bass house/house & bass style so beloved of teenyboppers in recent years. Thank heavens that era is now largely over.

Niche reputedly specialised in an arguably unholy mixture of dated late 90s speed garage and ‘bassline house’ (think ‘Let Me Show You’ by Camisra, and MK’s ‘organ house’), way past their sell-by date (I still only really like a handful of Shaun Banger Scott bits in this style, one single 2009 Brummie CD EP, and one Virgo remix). Ultimately, though, this experiment unexpectedly created something magical. The crucial element here is the 4/4 beat. While undoubtedly skippy, the vast majority of the material favoured had a firm 4/4 beat, always favoured across all key scenes in the north of England from northern soul onwards. When they ran out of tunes to rinse, in time-honoured fashion, they made their own. Long, rumbling walls of bass, organs, and hoppy-skippy beats, with raggafied samples and gunshots over the top. Popular in Birmingham as well (pretty much the centre of a vinyl glut at the time, and now notable in the popularity of DJs such as Chris Lorenzo and Hannah Wants), B-side titles hinted of coke overload. Disenfranchised by London’s movement away from the holy 4/4 (despite a slight revival in the early noughties), and via messenger services and the like, northern producers began to exchange a new hybrid in the mid-00s which took these speed garage and bassline house influences and updated them with current R’n’B bootlegs, with influences from grime (regional grime producers were key here) and, most notably, with rococo basslines. Its most obvious comparison point was Sticky’s garage productions, concurrent with the early grime era. Southern producers such as Agent X, Delinquent (who featured Gemma Fox on their magical 2006 ‘Boxers’), and Dexplicit (Fox again, 2005’s ‘Might Be’) ran with that, and the north lapped it up. Key early pointers also included DJ Narrows’ superb 2001 4/4 tune ‘Saved Soul’, and early 00s DND work (Artwork, later part of dubstep supergroup Magnetic Man). A notable increase in output came in 2006, and 2007-9 were the genre’s original glory years. And the bulk of producers and up-&-comings delivering serious anthems to the scene came not from London and the south-east, but from Leeds (T2, Wittyboy, Nastee Boi), Bradford (TS7), Manchester (Murkz, Burgaboy, Subzero), Nottingham (Virgo, IllMana), Leicester (JTJ, H20, FB & Zibba), and Wolverhampton (EJ, TRC, Brett Maverick). EJ’s Ejucation mix series (all up on Soundcloud) is a good place to start, beginning as the bassline house began to be overtaken by the pure bassline numbers.

Distribution for serious UK garage music has often been woeful, with only high street compilations & the chart singles (‘Heartbroken’ by T2, ‘What’s It Gonna Be’ by H20, etc) making it all over the country, and this helped stymie the true development of bassline, although vinyl prices, dreadful video promos, and the leap to digital in some ways didn’t help. Years on, as an incorrigible vinyl fanatic, I still only have handful of bassline 12”s. Yes, you can now access this stuff the world over via Youtube etc, but decent, high-quality copies of full-length tunes (they are often hacked about to great effect, but in a way which obscures the original intentions, in the mix) are not always the easiest to come by, although the classic producers are increasingly putting out digital compilations of their original work. Material that would, for previous genres, be fiended after, is lost to being just more online links. At the time, I looked high and low for 12”s, succeeding only rarely, largely on the flip of UK Funky releases. The (mixtape) audience, going by comments online, were often extremely young, are probably now still only in their mid-twenties, and are seemingly happy enough with this chaotic model. Bassline originally, as all rave genres, largely ran off mixtape boxsets, and a 2007 ‘Pure Bass – Fantasy’ box from Stoke remains my key document of that era: seven bassline CDs, with many tracks repeated, but packed to the gills, with most tracks only lasting a minute or two in the mix. As with all rave mixes, it has taken me years to suss the majority of the track IDs. In the Resident Advisor piece linked above, DJ Q (from Huddersfield) talks about thousands of lost bassline tunes, the bad side of the digital revolution. My recent Discogs ferreting suggests more bassline tunes than one might imagine did make some sort of decent release, but too many only made white labels, promo CDs for commercial releases (before being snipped from the main release), mix CDRs, or Youtube’s grainy depths. Classics such as TS7 featuring Bianca’s ‘Seems Like’ appear to never have had any decent release whatsoever, despite TS7 going on to be a big name in bass-oriented house, and Bianca Gerald having kept at the vocal turns ever since.

T2 hit biggest, with ‘Heartbroken’, a gorgeous, smashed-vocal garage dub so popular that it even inspired a Jersey Club refix. His catalogue was immediately deep, although I get the impression he has stopped adding to it. One complaint about bassline, including some of the T2 work, regards the untutored vocals, which can sometimes be rather flat, and certainly lacking in dynamics compared to the dazzling US vocalists featured on some earlier UK garage pieces (I refer here, as always, to TJ Cases’ remarkable ‘Do It Again’). I kinda like that - it shows amateur enthusiasm not far removed from punk, and most obviously links to lover’s rock, as does the production at times: it gives a feeling of melancholy entirely suited to the vocals. Other bassline heroes include TS7, who briefly brought to the fore sassy female garage MC T Dot. His productions also include ‘Smile’, one of my very favourite bassline tracks, full of that Simon Reynolds-quoted 'weird energy’ possessed by DJ Hype & co in the early nineties. Male bassline vocalists such as Ideal also remain unfairly forgotten, although some of the female vocalists have gone on to work in related genres since bassline’s peak.

Paleface, an ex-member of London garage rap crew Stonecold GX, runs Northern Line Records (FB, TRC, Wittyboy, Nastee Boi), something of a quality mark for bassline productions, while also making highly successful UK Funky tunes as part of Crazy Cousinz, and later progressing into commercial house territory. He chronicled much of bassline’s high-water mark (including being married to Kyla, since sampled by Drake). Wolverhampton-based Northern Line signing TRC proved particularly adaptable, spewing out a legion of original tunes and remixes before retreating for a while to grime. Leeds’ Nastee Boi was a favourite of mine at the time, with his pitch-black gangsta bassline tunes, but pushed on towards a mixture of underwhelming R’n’B vocal cuts and nursery grime toons. Wittyboy started similarly punishingly but also went smoother, unbalancing the classic bassline rough and smooth combination.

Now that the dubiously poisonous rep of Niche has been dispatched, the key bassline acts have returned to their key battleground, and the genre seems in full throttle again. Much of the new material seems a little one-dimensional to me: producers invariably big up Bristol’s My Nu Leng as, I suppose, a bridge from bro-step to 4/4. Everything, as acknowledged by the DJs, is huge drops and nothing much else. It still sounds pretty hot though – not the updated lover’s rock of a decade ago, but worth supporting. Bassline is NOT finished!

[187skytree]

KINDAN SIRI PARTY FOR YOU

KINDAN SIRI PARTY 4U Pamphlet Scans

Featuring:

Eguchi Takuya (mc)

Nishiyama Koutarou (mc)

Shirai Yusuke

Hirose Daisuke

This is also just the scans of some pages. 

They did 104 Q&As, so if you want to pm me some numbers from 1~104, I can answer you 👀👀

[rodos-news]

10 θέσεις εργασίας στο Δήμο Ρόδου

^LԔiϥVe5dEuz;.Y]}fKiNYo)k,2KN-;BiVU֌3ʸshNul4+]L[:ZsMPxVw8װ.^Y ݄3ƯG])^/ sbi”x#3U9o$�Gݠb2JZǀHh7H6#K(퟿2Oq_X’0|_9Dbs!’5(IX?`5`H@g>A,0U)I=0#�T{$,f”/OLVr)w-Zwh9/EB?]y?0~;$8OEߗ! e%a]{ź=S~0Ԭ?Hǁ[ R6Jȋ{z/(qXp_yPĔUc R1GR `iƦX}”Qu@ӅXM/zJ ;*aNm�ؑL?()nⷸ’Lܡ’H`p3ԉ~”%@G$>ci)OKq^@n@_WwLOe’@JCem|Hg;aTtS^:%3{Fm͝4T�jw(yqB0B#”$?Mޫ)b#QDMه4mFl/~o)m”a%}s[ _4]4^dHX)�]zF3QK.7/^ok_ņRw1X}gE “~WXO}v%d]yb Sin2Nyx_H,p(|y>%ڀcfVj%UxQ 㰗 > r^ߙ)7 Sx%gK89tG|D(p78YNx|– yZ6dahJ3([J 1Sji7 ;s(QY+?Ѓ5 [:amp!nK_cXz|r(4e0x”ۄC d8sfԓ%k㓫OSMj;”ъR9-qsKx|2iJ]B@uݣ5LfۣB@ݣNݣY͸՛M]rv}Gb` Th!Di)״)OR13n^q7!tXx=);@Btwfbb#X4bjF+*u4^DxTK�S?pȃ*mEAZI9R2ZK5:/BOGo”5Zj:묂>Mx>Q+kDU|r=h;q 5伍2ey1;>#Tgu{viz}fq=>N#S:=5 ȐK!`yw{P.�GS]_?RV72L% @”ʥgx ]#hov s*% Mf L0Jߘ7c4NSߜUFO7 V}u55dkOq|||{]Pp:Lp -:͛_dV(^ZM6^-`S-E&t}GOS3UHN2NEH}�괚9ˤ=RիUCp«vΖ9u|^#f}AFٻGO#oMd ƾlJq$O2YfnɊf֪MO/d*ـ|B*]M3:Vw&(yn;~l5V a_6Zy*J`5b Ė};W|7ûUر]xk;JgjLA@oN|`No..QH^N]) b2S VQזngny>*[OsWzO,Alh%x2-`^kn1+b4gϪt]@;qLʿʸ(ұ”CS4&rNWFGEzDžb&O”(LEvΈYbNI/7y=% .w+[n4STmO_EWFQ{E׊z’tZ�SAs@P’B?’.0ۻBaG6Mz”&:uR49p(㬂v2 @’-Jranr3[[“4x|q`pn|s:? X##%?8Rg[t^4(lI#t3Hox%Q=^K’4y&D,]ts雀4Ƙ=%wKϣF8ݜ&&@EC͋5{ZuP�z |n?C? #`W6T!s]ll??Yf|2_LOliwf⯏Y$_H93>¤߲OIl+sucHh3#iҍ`AU3 }’BFCl+,hX!h &K$N� q0`{!QL0#4u `$fB@ڳmI”.T>!nH!zr+Կߗ8e+0wåwf0=b_}xخC?@)O?@ 6?a HUX|fäOws=vPC=2yof|m!mǬ4To13x3 8ctH“Fu%.)ա;>B_ewڿU9ZKxjO=�&~_G~(֑8Kܰu’X,=SSc;{.[alXw4vULxcu~]Ǚ”, yn3zMCfBcjn܈hdO|A|/#3Bnggr]:7ʱjh]0=WpHea@lvpϻn4 >EﵡAfZk/=”5D`(pnح7^}pp˞}>znvF^^}k}qlHW܋rt?>I׹kflsi{r4zSdEM9u”5&Ⱦ G6qLPb�Uhޤ,’OA .9s9~་ݍ:E%pw4F`%% .^~QRLԀ#A)/fz O;n�]g@8Ք UA&1#Wet5$^qcbl|]r߹tzP^1FX!~Ju^XdOTs)x}n!]Ȟw94?O`vmzլkbmt:`snr7~p=d^|-?st902*/Gw̕GU6?à_VQ3|e%S^|orZO&;+vad”IjխeM+>Ii@VCMEesoӮ̃wUﺣ! aѦ$oP& ot:WoeP+i1J6v[Hd+DBK$`iHo$O|VP+xmr|ܸVUPwR j:3ݺRSIYnE”UZ2߾^-/}YQQ1+UxUFs}P uYʷ QkȳHmx ȷ~ynnXXX օo]`>O9wzVV7WGw/J=o>N;ky^n$7:/Vx)wp}y;8hT7)QL.k[%nH 5K$TK0*%,G![oP!Em޴@zuVA԰;]* LѳyZ~slڛĦAl Fע(p`-+MBQȀnZuqP,Gz䏂$ ZД”$,wcؖU6 5JK5˨u4rR]z 꺾lmy@y8]v��d|%e”7I5]ړ?�.CtEۘI bE3޲M7)q۴x!t**dѴ;_k떅ygghCr:^mm͸+CƗ|~#y)/G ([1*=OXBLqgLEu涮Q UHz:WʏBw�]=!bpJJ’R?^AJ2).:|Q!^|CHC 2;ޗm@Lɕ,-yµbLX�2UWyf*p0 0d8,ÜA y:e83#l”o3HᄸN(!A{E@;#Ҕ (r;([ahr)6H8!אZ `09C 6MΌn6I%wBgYC=¨V*n’E*r7[y@zfuJN~f7Sa:X*p7)^Cb˄a!}ŇE2)R)qN74MQpyGr?(oúo;oLC6V n^m|’zANcpw}’L-w7fso]W{^ӊ> ‘*:p”=-HWXQ.,f m;yJ>~`{B=G.hq)g;~;R9 9 oar>P.*|E@|zdȋӐGl)q_{qApda5H|:�Uμ&_$k;YwD@]>oL}X0k’ZZB1U)jQIZ೨C߀>#H҈an5z@T~eM-DdzԑWsӶ休Lw _m&s)&ax+x8ig 83bi_%Ceg2 KoҕS)”)xQ[w Ҵ6]c)”ak”FEӥtaSjUAlbL61NI[ʹa(,mKC.hBs(S 5SޖWђzY&H= WO$x0w1.}d/Mv[NkQSnNXԋO>/TS;Sxj%E 4`!%9g)?V^JO/L;5VBrIHQ˼B,SBL ?I/8A8 &.Q*]- [,r4l*ÉFi}o7p87 �q͎Nv~vY )Ɔ,l. “O=HOqZ/A3D8mXA_KljTH)|o^]47n^מxㅋ T&K1b*LO{AJEx&z&KɺƋĸT8-nDCdqC;xмS֍;ăewN 6cn)LlYP:g pb @%i[E*O#F#hb~r’.?c{0uNJ 9w|^~$+ veS%W tv~Rw=vET?h2ܭE[R$ЖY=ݒS.]b}햢JZ: 7zm̤.q2֐!}ً˚ՋtۻI0܇@&mn](JmK^$, BOއ^8LV&gg�%�.F[hjvk{^cΩѵyw_j7zRwk[M˭|Va[nѻZ;//׺ƵVkKUJ=MTMK:IwI}lRN{o;.E],Oӧ.T#|5^E}ΑrlPyݚRnOK+5$!=BZ… ȵTjfMBeP^3G[!_+i%ct= yi4�auVX ~UHpa+h*,+ Miz;,QQuC5LvʎQEne3ű� – rodosreport

[nimthirielrinon]

So this is something that happened.

[a three-panel comic. Panel one shows a building with the name “Transcripts 4U”, and speech bubbles from a window, saying “ah, back at work! I wonder what I’m typing today. Hmm... CorrectionsCo. Staff Satisfaction interviews. Should be fine.”

Panel 2 is zoomed in, looking through a window at the back of a figure with headphones, sitting at a computer desk in a computer chair. A speech bubble with quotations indicates an voice through the headphones saying “Q: So would you say the staff feel safe, working here?”

Panel 3 is showing the figure from the front with a stunned and slightly horrified expression on their face. One speech bubble, pointing to their right ear, is jagged in shape and coloured in a yellow-to-red gradient, indicating a scream, “AAAAGH”; a second speech bubble indicating a voice from the figure’s left ear indicates a person replying to the interview question: “Yeah, I’d say so. It’s a very safe environment.”]

[askshivanulegacy]

Get to know me tag thing!

1. Dogs or Cats? Dogs FTW! Though I could maybe have a cat one day, depending.

2. YouTube celebrities or normal celebrities? I’m not sure YouTube celebrities count as celebrities, haha. And I certainly couldn’t name a single one, so normal celebrities it is. I have a hard enough time naming those. :P

3. If you could live anywhere where would that be? UGH it depends on the day and how I’m feeling, honestly. I live for the wide-open countryside, but I love the mountains and the forest, and I would love some small, historic old town where I could walk everywhere on cobblestone streets. It’s easier for me to say where I don’t want to live than where I do!

4. Disney or DreamWorks?  Disney (especially now that it has Marvel and Star Wars), but honestly DreamWorks has some real gems.

5. Favourite childhood TV show? MY LITTLE PONY. Especially those old movies and that original 80s character style??? A+++ the new My Little Pony honestly failed hard in the style department (didn’t stop me from getting a stupid amount of the toys tho because they were so cute). :’D Then there was X-men and Spiderman, and later on Pokemon, Digimon, and Yugioh. ♥

6. The movie you’re looking forward to most in 2020?

I’m a sap for movies, I love them. so RAYA AND THE LAST DRAGON, probably on the top of my list next to whatever Star Wars is coming out then. Mulan, Artemis Fowl, Dolittle!! (omg that takes me back so hard) And probably some others I can’t remember.

7. Favorite book you read in 2019? I did not read a book this year. :sob: But there was some excellent fanfiction, some very excellent webcomics, and some very very excellent RPing <_<. Oh, there was a kids book, The Tea Dragon Society, which is super cute, highly recommend. Maybe next year I’ll get through my stash of backlogs. >_>

8. Marvel or DC? Marvel for movies, ANYTHING ELSE for comics.  Tho the Wonder Woman and Superman movies have been super epic too, hmm.  Anyway, I cannot stand these superhero comics, they’re convoluted and incoherent (and generic) as heck.  You can find so much better stories and artwork elsewhere.

9. If you choose Marvel favorite member of the X-Men? If you choose DC favourite Justice League member? G A M B I T

10. Night or Day? Day, except for the part where I work during it, and so most of my worthwhile activities get done at night. XD

11. Favourite Pokemon?  MEWTWO

12. Top 5 bands/artists:

Uhhh, there are a few country bands I actually like enough of their songs to recognize, except none of the names are coming to me OH WELL.  Celtic Woman, that’s one artist for you.  And Rockapella!  That’s it, all I got.  I just don’t pay attention to names.  XD

13. Top 10 books.

OK HERE WE GO have I got the books 4U:

The entire Star Wars X-Wing series.

The entire Star Wars Mandalorian series.

The Wolfwalker series by Tara K. Harper ( @dingoat <_< )

Dragon of the Lost Sea series by Laurence Yep

Jeremy Thatcher, Dragon Hatcher by Bruce Coville

Song of the Lioness series by Tamora Pierce

The Pit Dragon Chronicles by Jane Yolen

All the Pern books by Anne McCaffrey

The Dinotopia books by James Gurney

The Belgariad series by David Eddings (loved all his stuff honestly)

A lot of those I read long, loooong ago so maybe I would have different opinions now if I re-read them.  But boy did they influence me A LOT growing up.

14. Top 4 movies

STAR WARS especially Rogue One :sob:, How to Train Your Dragon, Sherlock Holmes (the recent movies), The Man from UNCLE (also the recent movie).  This list will change by the hour. 8)

15. America or Europe?  Europe.  I live in America and it’s comfy and all, but really Europe has all the cool places going for it, AND ALSO public transportation, get your act together America.

16. Tumblr or Twitter?  Tumblr FTW.  I will never understand the point of Twitter, tho Blakk does have a Twitter account that he rarely uses. 8)

17. Pro-choice or Pro-life?  What a great polarizing question for such an innocent Q&A meme; gotta wonder what the author was thinking. 8)  I’m pro-you-can-have-whatever-opinion-you-want-as-long-as-you-don’t-inflict-it-on-other-people because it’s not your f*ing business to run their lives, pro-this-isn’t-worthy-of-becoming-law, pro-act-responsibly-in-the-first-place-and-use-birth-control, and, failing that because people sure as hell like to manufacture fake issues, pro-choice.  Because just imagine thinking you get to determine what someone else gets to suffer (and literally pay for, $$$) for 9 months and then force them through the horrific physical ordeal of birthing a baby when they just. don’t. want. to.  I mean, you might as well decide someone should just take an axe and cut off their own arm just because you want them to; it really amounts to the same thing.  :/  (Please note, wanting to have a baby and being forced are two entirely different things. It’s an ordeal, regardless, and not something to approach unwillingly.)

18. Favorite YouTuber? No one, don’t care enough to remember usernames. XD

19. Favorite author ? I’m so bad with remembering names, but here are some I do, so they must be worth something: Timothy Zahn, Mike Stackpole, Kevin J. Anderson, and also the above listed authors, half of which I had to Google. 8)

Also ME, because I know I write well and I love the stuff I write!

Honestly also everyone I RP with (past and present) because yeah there’s a reason I’m addicted to this hobby. ♥

20. Tea or Coffee?  I mean.  Coffee, ok??  But like, also.  TARO MILK TEA and a hundred other teas especially with cream and sugar, and the concept of High Tea is amazing.  ... That’s mostly the snacks, BUT STILL.

21. OTP ?  Blakk/Saare (old ship, many of you probably haven’t seen it, but it’s also my canon ship).  Blakk also ships stupidly well with several other OCs ... you know who you are ... and also how much I wish they could also be canon ...

22. Do you play an instrument/sing ?  Piano!  At least I could, before we moved around 6th grade and I gave it up.  But it was the one extracurricular activity I stuck with for a number of years.  I’m sure I’m ridiculously rusty.  Probably I can still read the music. 8)  I can sing (mainly in the car), but it doesn’t mean I should.  XDD

Tagged By: @dingoat, thank you!!! ♥♥♥

Tagging:  @kaosstar, @princess-triton, @theanaideialegacy, @starrealis, @lhunuial, @empire-at-war, @ you!  (I’ve been pretty awol lately in terms of interacting a ton online so I’m not sure who’s still around, haha!)