#rodney finch

[probably-a-plant-thing]

ooo you wanna hear me ramble about how Phillip and Rodney are funky lil guys ooo you wanna click that read more and get that yummy lore dump ooo~

Phillip killed his boss on accident and in an attempt to bring him back, created Rodney.

But when he found out Rodney remembered nothing about it's past life Phillip quickly took the opportunity to be in charge.

Phillip is pretty moody, getting snippy with anyone he thinks is "disrespectful" to him (but really it's just disliking anyone who doesn't kiss his ass)

Phil got constantly praised as a miracle doctor, so literally bringing someone to life (albeit without the memories) defo ruined his ego in the best way.

Phil's relationship with his old boss wasn't really friendly, so he tends to be very sharp towards Rodney since it's hard to disconnect Rod from his boss. Rodney takes it a little personally.

Rodney figured that was his name because Phillip called him "Mr. Rodney" and just didn't know what a last name was at the time. Phil just changed it to his first name.

Rodney has multiple large scars across his head that are deemed to be the original cause of death, which is what Phil hypothesizes is the reason for the memory loss.

Rodney has a surprisingly fast mind for learning, so that's why he's an apprentice/assistant.

[hotmonkeelove]

Rendition of “Caroline's Theme,” the haunting main theme from the film, Lady Caroline Lamb. Originally composed by Richard Rodney Bennett.

[laytonnpcbracket]

Welcome to the Layton NPC Showdown!

This is a bracket to determine which of the many memorable NPCs from across the Professor Layton games are the greatest.

GAMES INCLUDED: Every game except LBMR. Eternal Diva characters are also not included here.

WHAT COUNTS AS AN NPC?: Anyone who doesn't have a puzzle animation. Characters excluded are Layton, Luke, Flora, Clive, Emmy, Randall, Aurora, Des, Espella, Phoenix, Maya, Katrielle, Ernest, Sherl, Hastings, and Emiliana.

WILL THERE BE NOMINATIONS?: Nope! Every NPC will be included.

WHAT ABOUT THE LAYTONMOBILE/MOLENTARY EXPRESS?: No vehicles. Not characters.

WHAT ABOUT THE PUZZLE LADS/LASSES?: I only plan on including characters that we can speak to in-game, so no Puzzle Lads or Lasses. Sorry to the people who like them 😔

WHICH CHARACTERS ARE INCLUDED, THEN?: Anyone who isn't an exception listed above that is in the profiles of the game! A full list is enclosed below.

WHEN WILL THE TOURNAMENT START?: More information forthcoming on that! I have to seed the bracket first :)

WHY IS NAIYA YOUR ICON?: In my opinion, she's one of the more underrated NPCs of the series. I'll probably cycle through some of the ones I have available to me right now.

WHAT CRITERIA SHOULD I VOTE ON?: Whatever makes you happy :)

ARE ALTER EGOS SEPERATE CHARACTERS?: No. For instance, Ratman is not included because his secret identity is in the tournament.

US OR UK NAMES?: I will try to make available as many names for the NPCs as possible! Which includes their Japanese names and as many names in the localizations as I am able to obtain from the wiki and my own sources. I'll probably reliably have the English (both versions where applicable), Japanese, and French names for every character when I do the bracket rounds. The list below however is entirely in English.

And now for a list of the entries! I didn't check all of these for inconsistencies, but I attempted to ascertain that I used the US versions. Some of them might be UK versions though because that's the version of the game I have (specifically Diabolical Box NPCs and Last Specter NPCs -- I know some of their US names but not all).

Franco

Stachenscarfen

Ingrid

Percy

Marco

Ramon

Matthew

Lady Dahlia Reinhold

Gordon Reinhold

Simon Reinhold

Claudia

Beatrice

Deke

Agnes

Pauly

Crouton

Flick

Rodney

Chelmey

Lucy

Zappone

Gerard

Jarvis

Adrea

Pavel

Crumm

Prosciutto

Archibald

Sylvain

Martha

Giuseppe

Augustus Reinhold

Granny Riddleton

Don Paolo

Bruno

Andrew Schrader

Anton Herzen

Katia Anderson

Sophia

Mr. Anderson

Beluga

Sammy Thunder

Macaroon

Chester

Babette

Tom

Ilyana

Geoff

Garland

Nigel

Jacques

Barton

Grousley

Steve

Capone

Mitzi

Lili

Sally

Marjorie

Conrad

Karla

Romie

Dorothea

Clabber

Oscar

Nick

Gabe

Balsa

Wurtzer

Lopez

Laurel

Parcelle

Lulu

Albert

Madeline

Remy

Angus

Kostya

Dylan

Joseph

Rory

Lila

Damon

Felix

Niles

Duke

Hopper

Olson

Derby

Dawson

Joanie

Krantz

Grinko

Marina

Opal

Ray

Gregorio

Narice

Gertie

Hamster

Precious

Winston

Claire

Dimitri Allen

Bill Hawks

Spring

Cogg

Dean Delmona

Shipley

Puzzlette

Beasley

Parrot

Subject 3

Bostro

Family Goon

Lockjaw

Splinters

Marzano

Layman

Fisheye

Silky

Shmelmey

Shmarton

Ward

Smith

Florence

Vito

Art

Niklaus

Anita

Alfie

Hazel (UF)

Adeline

Max

Becky

Margaret

Pallard

Dupree

Natalia

Harold

Horace

Hardy

Cuthbert

Segal

Catanova

Rosetta

Colby

Rudolph

Misha

Dylan

Viv

Pepper

Checker

Avogadro

Maya (UF)

Myrtle

Belle

Graham

Slate

Ernest (UF)

Berta

Minnie

Paige

Raleigh

Beacon

Mark

Rosa

Grosky

Keats

Clark Triton

Brenda Triton

Arianna Barde

Tony Barde

Doland Noble

Levin Jakes

Loosha

Toppy

Crow

Marilyn

Roddy

Scraps

Tweeds

Wren

Socket

Louis

Badger

Aldus

Charlie

Jasmine

Bucky

Fische

Beth

Mido

Clarence

Joe

Molly

Marion

Browne

Hugo

Dominica

Paddy

Brock

Aunt Taffy

Shackwell

Greppe

Goosey

Mimi

Hans Jakes

Maggie

Yamada

Sean

Olga

Finch

Sebastian

Cornelius

Chappy

Hannah

Mick

Colby

Monica

Thomas

Nate

Ewan

Chief Engineer

Naiya

Chippe

Bram

Ghent

Nordic

Gilbert

Roland Layton

Lucille Layton

Henry Ledore

Angela Ledore

Alphonse Dalston

Leonard Bloom

Sheffield

Billson

Mrs Ascot

Pascal

Guy

Lapushka

Gustav

Gonzales

Drake

Tyrone

Sterling

Mordy

Collette

Maurice

Juggles

Puck

Yukkles

Murphy

Cookie

Tanya

Firth

Madelaine

Stumble

Artie

Michelle

Nils

Frankie

Conner

Humbert

Policeman (MM)

Yuming

Esther

Lionel

Doug

Mr. Collins

Leon Bronev

Raymond

Prima

Harald

Donna

Mascha

Georg

Mackintosh

Solveig

Erik

Hazel (AL)

Igor

Sonya

Moos

Larisa

Karpin

Boris

Dariya

Pavlova

Carmichael

Amelie Chelmey

Policeman (AL)

Tommy

Morel

Chestnut

Amanita

Blewitt

Chanterelle

Button

Lepidella

Bud

Javier

Benny

Miranda

Martine

Barbara

Ruby

Scarlett

Flint

Old Red

Jesse

Derringer

Julien

Romilda

Sheppard

Piet

Felicia

Rik

Beatrix

Umid

Banu

Dana

Temir

Mehri

Nassir

Adler

Robin

Macaw

Plover

Grouse

Gannet

Swift

Carmine Accidenti

Olivia Aldente

Allan

Bardly

Zacharias Barnham

Newton Belduke

Birdly

Boistrum

Cecil

Cinderellia

Constantine

Cracker

Cutter

Darklaw

Dewey

Dzibilchaltunchunchucmil

Patty Eclaire

Eve (cat)

Flynch

Foxy

Jean Greyerl

Hoot

Judge

Kira

Knight Captain

Knightle

Lottalance

Lyewood

Lettie Mailer

Balmung

Mary

Muffet

Muggs

Ridelle Mystere

Nozey

Petal

Petter

Ms Primstone

Emeer Punchenbaug

Robbs

Old Rootie

Rouge

Servius

Shakey

Johnny Smiles

Snowy

Storyteller

Tuggit

Price

Wordsmith

Pipper Lowonida

Phineas Barnone

Madame Doublée

Liza Wight

Grant Sloans

Cesar Chance

Mustafa Fulhold

Hans Lipski

Aleks Lipski

Maverick D. Rector

Seymore Fraymes

The Major

Eddie Torre

Hayes

Maid

Wooooster

Bianca Teller

Security Guard

Shadee

Taboras Lloyd

Douglas Dert

Ratboy

Mo Heecan

Mrs Slow the Tailor

Midas Pullman

Declan Swabber

Abel Seamon

Felicity Hastings

Gene Ohm

Billy Kidd

Royall Britannias

Clover Pryce

PC Beate

DC Booker

Waiter

Séan Butchin

Bo Bells

Hessie Tate

Benjy

Bess

Keane Fisher

Bob Bracket

Stripey

Patch

Cat

Yapper

Gudrun Weldon

[rtgame]

regarding previous post

i. dont think oilshore is a real company. like they have a CEO (supposedly) by the name of rodney bramston-finch but looking up rodney bramston-finch only brings up these "blog posts" on the oilshore website that are otherwise inaccessible and the text is just placeholder squarespace text that someone clearly didnt remember to change. "oilshore" isnt registered anywhere and the website itself was made right around the first tiktok on said company's account

so the question now, why the hell is someone on tiktok making a fake oil rig company?????

[byneddiedingo]

Two Takes on a Hardy Novel

Julie Christie and Alan Bates in Far From the Madding Crowd (John Schlesinger, 1967)

Cast: Julie Christie, Alan Bates, Terence Stamp, Peter Finch. Screenplay: Frederic Raphael. Cinematography: Nicolas Roeg. Production design: Richard Macdonald. Film editing: Malcolm Cooke, Jim Clark. Music: Richard Rodney Bennett.

Matthias Schoenaerts and Carey Mulligan in Far From the Madding Crowd (Thomas Vinterberg, 2015)

Cast: Carey Mulligan, Matthias Schoenaerts, Tom Sturridge, Michael Sheen. Screenplay: David Nicholls. Cinematography: Charlotte Bruus Christensen. Production design: Cave Quinn. Film editing: Claire Simpson. Music: Craig Armstrong.

Almost 50 years separate these two adaptations of Thomas Hardy's Far From the Madding Crowd, and the differences between the two owe as much to film technology as to changing tastes. As always, translating page to film involves compromises. Screenwriter Frederic Raphael remains faithful to the plot, with the paradoxical result that characters become far more enigmatic than Hardy intended them to be. We need more of the backstories of Bathsheba Everdeen (Julie Christie), Gabriel Oak (Alan Bates), William Boldwood (Peter Finch), and Frank Troy (Terence Stamp) than the highly capable actors who play them can give us, even in a movie that runs for three hours -- including an overture, an intermission, and an "entr'acte." These trimmings are signs that the producers wanted a prestige blockbuster like Doctor Zhivago (David Lean, 1965), which had also starred Christie. But Hardy's works, with their characters dogged by fate and chance, don't much lend themselves to epic treatment. David Nicholls's screenplay for the 2015 film is much tighter than Raphael's, and about an hour shorter. Nicholls makes most of his cuts toward the end of the film, omitting for example the episode in which Troy (Tom Sturridge) becomes a circus performer, one of the more entertaining sections of the Schlesinger-Raphael version. I think Nicholls's screenplay sets up the early part of the stories of Bathsheba (Carey Mulligan) and Gabriel Oak (Matthias Schoenaerts) much better, though he has to resort to a brief voiceover by Mulligan at the beginning to make things clear. His account of the affair of Troy and the ill-fated Fanny Robbin (Juno Temple) is less dramatically detailed than Raphael's, but in neither film is their relationship dealt with clearly enough to make us understand Troy's character. John Schlesinger, a director very much at home in the cynical milieus of London in Darling (1965) and Sunday Bloody Sunday (1971) and New York in Midnight Cowboy (1969), doesn't show much feeling for Hardy's rural, isolated Wessex, where the weight of tradition and the indifference of nature play substantial roles. What atmosphere the film has comes from cinematographer Nicolas Roeg's images of the Dorset and Wiltshire countryside and from Richard Rodney Bennett's score, which received the film's only Oscar nomination. And where atmosphere is concerned, Thomas Vinterberg has an edge thanks to technological advances: In Schlesinger's film, despite the fine cinematography of Roeg, the interiors seem impossibly overlighted for a period that resorted to candles and oil lamps for illumination. The change in film technology now makes it possible for us to see the way people once lived -- in a realm of darkness and shadows. (We can almost precisely date when this change in cinematography took place: in 1975, when director Stanley Kubrick and cinematographer John Alcott worked with lenses specially designed for NASA to create accurately lighted interiors for Barry Lyndon. Since then, the digital revolution has only added to the arsenal of lighting effects available to filmmakers.) So cinematographer Charlotte Bruus Christensen's adds an element of texture and mystery to Vinterberg's version that was technologically unavailable to Roeg, and not only in interiors but also in night scenes, such as the first encounter of Bathsheba (Carey Mulligan) and Sgt. Troy (Tom Sturridge), when he gets his spur caught in the hem of her dress. The scene is meant to take place by the light of the lamp she is carrying, which Christensen accomplishes more successfully than Roeg was able to. On the whole, I think I prefer the newer version, which is less star-driven than Schlesinger's, but in the end the best version of the story is Hardy's novel.

[theevilicecreamsoda]

WHICH OTHER MFS DO YOU HAVE BESIDES THEO

🤬

Pony

Brokenmind

Soda

Foamflighf

Mockinglie

Flower

Rattles

Wof

Russet

Krait

Lunar

Solar

Bubbles

Angelfish

Bettafish

Forestfire

Barbary

Coral

Larch

Fairy

Iri/Iridescent

Haze

Macaw

Garter

Judgement

Puff

Finch

Fox

Eco

Deer

Fir

Kite

Cordyceps

Cliff

Guppy

Snowbell

Silver Dust

Jay

Stellar

Whiptail

Blue Lunar

Buzz

Cosmos

Crimson

Croon

Snowy Owl

Birch

Honeypot

Jackdaw

Sparrowhawk

Goshawk

Grasshopper

Mosquito

Fizz

Leopard Seal

Timber

Tern

Green Bean

Parakeet

Mango

Sunshine

Inermis

Frazzle

Geyser

Reverie

Brokenmind

Shrike

Headworld

Neal

Bay

Ethan

Rodney

Francis

Charlotte

Lincoln

Purity

Bluss

Eli

Elijah

Guilt

Michael

Theo/Death

Theodore

Theodore Angel Form

Theo Dragon Form

Theo shapeshifter

Flower

Slyvester

Gabe

Lucky

Eco

Ally Cat

Moss

Ducky

Ath

Vix

Vengeance

Revenge

Avenge

Pat

Leon

Lucifer

Arthemis

Fitz

[witchbiitches]

𝙻𝙾𝙲𝙰𝚃𝙸𝙾𝙽  :  blackwood  house  ! 𝙵𝙴𝙰𝚃𝚄𝚁𝙸𝙽𝙶  :  @hoggleswart​  /  justin  finch  fletchley  !

“  rodney,  i  know  i’m  not  the  ONLY  one  hearing  that  knocking,  ”  pansy  calls  from  the  study,  unwilling  to  be  the  one  who  moves  to  answer  when  she  only  has  half  a  face  of  makeup  done  and  an  hour  left  to  finish  up  if  she  still  wants  to  arrive  to  beaumont  court  the  kind  of  late  that  could  at  least  be  called  fashionable.  eyeliner  has  proven  too  tedious  a  task  to  complete  with  the  distraction  of  it  in  the  background  and  she  gives  pause  with  the  applicator  still  suspended  in  the  air,  waiting  for  the  sound  of  the  elf  trotting  across  freshly  shined  floors,  the  click  of  the  lock,  the  confirmation  that  he  is  finally  doing  what  she  pays  him  to  do  which  never  actually  comes.  the  knocking  continues,  and  wherever  rodney  has  disappeared  to,  it’s  clear  that  he  will  not  be  coming  to  her  rescue  any  time  soon. 

“  millicent  !  ”  she  shouts,  to  no  avail.  “  draco  ?  can  someone-  oh,  for  fuck’s  sake-  ”  so  annoyed  is  she  at  having  to  actually  get  up  and  do  it  for  herself  that  pansy  doesn’t  even  put  down  her  applicator  or  slip  back  on  the  heels  she  had  kicked  off  and  left  beneath  the  desk  when  she  had  settled  in.  she  stomps  her  way  to  the  front  door,  grumbling  something  about  pay  cuts  and  shitty  friends  (  the  former  an  empty  threat,  the  LATTER  clearly  lucky  they  cleared  out  much  earlier  )  and  unlocking  the  deadbolt  with  impatient  haste.  she  swings  it  open,  expression  murderous,  and  doesn’t  try  to  disguise  the  venom  in  her  voice  when  she  tells  him,  “  we  have  a  doorbell,  finch  fletchley.  perhaps  you  could  USE  it,  next  time.  ”  

[thewoolieweekly]

The Woolie Weekly - Fave or Fail?

[phil-is-on-crack]

https://www.woolfest.co.uk/

FYI Woolfest is an actual thing. It’s in Cumbria in June. I’ve been a couple of times myself :) 

It’s very wooly

[probably-a-plant-thing]

Behold, the residential red wine drinker.

Autistic rambling under the cut

An Imperfect Perfection

Cold metal on his back was what he noticed first. 

The second was a hot burning through the rest of it. 

Sitting up on the slab below to open his eyes and was met with blinding light from all angles, a pained groan escaping the creature as he tried to orientate himself. Rubbing his head as he tried to blink his vision was clear.

The third thing he noticed was the man standing nearby staring at him. His eyes were wide with horror and amazement as they held up their forearm as a shield as if the creature on the slab were a rabid animal. 

Silence screamed volumes between the two beings as they stared at each other before the man the creature deemed his creator muttered a nearly inaudible.

“I fucking did it.”

AAA ok there’s the most writing my dumbass can do.

Anyway here’s ya boi Rodney James Finch, he’s my little monster man. He’s Dr Finch’s apprentice and has never left that man’s clinic since and because of it has become the biggest red wine addict in town out of sheer spite boredom

Despite being 7 months, he’s actually quite the knowledge sponge which is why Phillip really took the creature under his wing. Though Phil is also very paranoid and refused to let Rodney leave the house/clinic.

anyway their dynamic was inspired by Christmas Kids by ROAR if that gives you a better idea.

[claudia1829things]

"FAR FROM THE MADDING CROWD" (1967) Review

"FAR FROM THE MADDING CROWD" (1998) Review To my knowledge, there have been five adaptations of Thomas Hardy's 1874 novel, "Far From the Madding Crowd". One of them is even a modern day adaptation. I have not seen this modern version of Hardy's novel. But I have seen at least three adaptations, including the 1967 version directed by John Schlesinger.

"FAR FROM THE MADDING CROWD" - at least the 1967 version - has been highly regarded by critics, moviegoers and fans of Hardy's novel for nearly five decades. It is the adaptation that other ones have been measured against . . . much to their detriment. "FAR FROM THE MADDING CROWD" was a different direction for Schlesinger. It would prove to be the first of five period productions directed by him. Schlesinger and screenwriter Frederic Raphael stuck as closely to Hardy's novel as they possibly could. The movie was not a hundred percent adaptation of Hardy's novel, but it was pretty close. Anyone familiar with Hardy's novel know the tale. It begins with a young 19th century Englishwoman named Bathsheba Everdene, living on a farm with her aunt, Mrs. Hurst. She meets Gabriel Oak, a former shepherd who has leased and stocked a sheep farm. Gabriel falls in love with Bathsheba and eventually proposes marriage. Although she likes Gabriel, Bathsheba values her independence too much and rejects his marriage proposal. Gabriel's fortunes take a worse for turn, when his inexperienced sheep dog drives his flock of sheep over a cliff, bankrupting him. Bathsheba, on the other hand, inherits her uncle's prosperous estate. Their paths crosses again, and she ends up hiring Gabriel as her new shepherd. Bathsheba has also become acquainted with her new neighbor, the wealthy farmer John Boldwood, who becomes romantically obsessed with her after she sends him a Valentine's Day card as a joke. He sets about wooing her in a persistent manner that she finds difficult to ignore. But just as Bathsheba is about to consider Mr. Boldwood as a potential husband, Sergeant Frank Troy enters her life and she becomes infatuated with him. Frank was set to marry one of Bathsheba's former servants, a young woman named Fanny Robin. Unfortunately, the latter showed up at the wrong church for the wedding and an angry and humiliated Frank called off the wedding. Bathsheba finds herself in the middle of a rather unpleasant love triangle between Boldwood and Frank, while Gabriel can only watch helplessly as the situation develops into tragedy. "FAR FROM THE MADDING CROWD" is a beautiful movie to behold . . . visually. One can credit the movie's sweeping and colorful look to its iconic cinematographer Nicolas Roeg. Thanks to the latter, the English counties of Wiltshire and Dorset never looked lovelier. Not surprisingly, Roeg earned a BAFTA nomination for his work. The movie also benefited from Richard Macdonald's production designs, which did an excellent job in recreating rural England in the mid 19th century. This was especially apparent in those scenes that featured Gabriel's arrival at Shottwood, and his attempts to get hired as a bailiff or a shepherd at a hiring fair; the harvest meal at the Everdene farm; Bathsheba's meeting with Frank in Bath; the rural fair attended by Bathsheba and Mr. Boldwood; and the Christmas party held by Mr. Boldwood. I will not pretend that I found Richard Rodney Bennett's score particularly memorable. But I must admit that it blended well with the movie's plot and Schlesinger's direction. I also noticed that Bennett added traditional English folk songs in various scenes throughout the movie. I have seen at least two movie versions and one television adaptation of Hardy's novel. And it occurred to me that the main reason why I ended up enjoying all three adaptations so much is that I really liked Hardy's tale. I really do. More importantly, all three adaptations, including this 1967 movie, did an excellent job in capturing the novel's spirit. With a running time of 169 minutes, "FAR FROM THE MADDING CROWD" took its time in conveying Hardy's story . . . with a few little shortcuts. And thanks to Schlesinger's direction and Raphael's screenplay, the movie not only recaptured both the idyllic nature of 19th century rural England, but also its harsh realities. More importantly, the movie brought alive to the screen, Hardy's complex characters and romances. Hollywood once made a movie about a woman torn between three men in 1941's "TOM, DICK, AND HARRY" with Ginger Rogers. But the complexity between the one woman and the three men was nothing in compare to this tale. Especially, when the leading lady is such a complex and ambiguous character like Bathsheba Everdene. Another aspect of "FAR FROM THE MADDING CROWD" that I enjoyed were the interactions between the movie's leads and the supporting cast who portrayed Bathsheba's employees. Like her relationships with Gabriel, Frank and Mr. Boldwood; the leading lady's relationships with her employees - especially the women who worked inside her home - proved to be very interesting. There was a good deal of controversy when Julie Christie was announced as the actress to portray Bathsheba Everdene. Apparently, the media did not consider her capable of portraying the tumultuous mid-Victorian maiden . . . or any other period character. Well, she proved them wrong. Christie gave a very skillful and nuanced performance as the ambiguous Bathsheba, capturing the character's passion, vanity and at times, insecurity. Terence Stamp was another actor more associated with the Swinging Sixties scene in London, but unlike Christie, his casting did not generate any controversy. I might as well place my cards on the table. I think Stamp proved to be the best Frank Troy I have seen on screen, despite the first-rate performances of the other two actors I have seen in role. He really did an excellent job in re-creating Frank's charm, roguishness and unstable nature. Thanks to Stamp's performance, I can see why Schlesinger became so fascinated with the character. Despite Christie and Stamp's popularity with moviegoers, the two actors who walked away with nominations and an award were Peter Finch and Alan Bates. No matter how interesting all of the other characters were, I personally found the William Boldwood character to be the most fascinating one in Hardy's tale. And Peter Finch, who won the National Board of Review Award for Best Actor did a superb job in bringing the character to life. Finch beautifully re-captured the nuances of a character that I not only found sympathetic, but also a bit frightening at times. Alan Bates earned a Golden Globe nomination for his portrayal of the stalwart Gabriel Oak, which I believe he fully deserved. I think portraying such a minimalist character like Gabriel must be quite difficult for any actor. He is a character that required real skill and subtlety. Bates certainly did the job. The actor managed to convey the passion that Gabriel harbored for Bathsheba without any theatrical acting and at the same time, convey the character's introverted and sensible nature. The movie also benefited from some skillful and solid work from its supporting cast that included Golden Globe nominee Prunella Ransome, who portrayed the tragic Fanny Robin; Fiona Walker (from 1972's "EMMA"); Alison Leggatt; John Barrett; and iconic character actor, Freddie Jones. As much as I enjoyed "FAR FROM THE MADDING CROWD", there were some aspects of the production that I found troublesome. Earlier, I had pointed out that Schlesinger had seemed so fascinated by the Frank Troy character. And while this contributed to Terence Stamp's presence in the movie, Schlesinger's handling of the character threatened to overshadow the entire movie. Quite frankly, he seemed a bit too obsessed with Frank for my tastes. This heavy emphasis on Frank - especially in two-thirds of the movie - also seemed to overshadow Bathsheba's relationship with Gabriel Oak. At one point, I found myself wondering what happened to the character. Worse, the chemistry between Julie Christie and Alan Bates had somewhat dissipated by the movie's last act to the point that it barely seemed to exist by the end of the movie. And Schlesinger allowed the "ghost" of Frank Troy to hover over Bathsheba and Gabriel's future relationship by ending the movie with a shot of a toy soldier inside the Everdeen-Oak household. No wonder Stamp was credited as the male lead in this film. There were other aspects of "FAR FROM THE MADDING CROWD" that either troubled me or failed to impress me. I am at a loss on how Prunella Ransome earned a Golden Globe nomination for her portrayal of Fanny Robin. Mind you, she gave a very good performance. But she was on the screen for such a small amount of time that there seemed to be no opportunity for the narrative to delve into her character. Ransome's Fanny came off as a plot device and a part of me cannot help but blame Hardy's original novel for this failure. Although I cannot deny that Nicholas Roeg's cinematography was visually beautiful to me; I also found myself annoyed by his and Schlesinger's overuse of far shots. It reminded me of how director William Wyler and cinematographer Franz F. Planer nearly went overboard in their use of far shots in the 1958 western, "THE BIG COUNTRY". I read somewhere that Alan Barrett had earned a BAFTA nomination for Best Costume Designs for this film. I do not mean to be cruel, but how in the hell did that happened? I have to be frank. I was not impressed with the costumes featured in this film. Although I managed to spot a few costumes that struck me as a well-done re-creation of fashion in the mid-to-late 1860s, most of the other costumes looked as if they had been rented from a warehouse in Hollywood or London. Not impressed at all. Aside from my complaints, I enjoyed "FAR FROM THE MADDING CROWD" very much. A good deal of delight in the film originated with Thomas Hardy's original tale. But if I must be honest, a good deal of filmmakers have screwed up a potential adaptation with either bad writing, bad direction or both. Thankfully, I cannot say the same about "FAR FROM MADDING CROWD". Thanks to the first-rate artistry of the film's crew, a well-written screenplay by Frederic Raphael, a very talented cast led by Julie Christie; director John Schlesinger did an excellent in bringing Hardy's tale to the screen.

[fand0mfancies]

Came across this on Tumblr a few days ago, it amused me for a couple of hours or more, filling it in, while watching QI.

 Fandom Questions

 1. What was the first fandom you got involved in?

Star Trek: Voyager, I suppose at least for reading. Started writing with Stargate SG-1.

 2. What is your latest fandom?

I dip in and out of lots of fandoms on and off, the most recent ‘pick up’ is Ballam from Eastenders, I don’t watch soaps, but Robron and Ballam both appear a good bit on my tumblr, so I eventually gave in to checking them out via fic and youtube – thank god for youtube, lol! I still don’t watch soaps, but I watch those storylines!

 3. What is the best fandom you’ve ever been involved in?

Gosh, that’s... actually no that’s really easy. Primeval. For anyone not familiar, it’s a ‘silly little dinosaur show’ produced in the UK. It had 4 short seasons, with a somewhat revolving main cast – although they managed to keep 3 of them through all 4 seasons – but the fandom was/is amazing. I made life long friends through the fandom and even though I don’t write much any more I still read some and still talk with those people.

 4. Do you regret getting involved in any fandoms?

I would say no. I can’t say every fandom has always been amazing – ship wars anyone! – but mostly fandom has been a very positive experience in my life.

 5. Which fandoms have your written fanfiction for?

How long have you got... in genuinely no particular order (basically as they came to me) Stargate SG-1, Stargate Atlantis, Star Trek (TNG, DS9, Voy, Ent & Reboot Movies), Marvel, Kingsman, Person of Interest, Due South, Quantum Leap, Firefly, Buffy/Angel verse, Harry Potter, The Sentinel, Torchwood(/Doctor Who), Hawaii Five-0, Shadowhunters, Sherlock, Primeval, Emmerdale (Robron), NCIS, CSI (Vegas, NY & Miami), White Collar, Empire Records, Bull, Diagnosis Murder, MacGyver (the original), 1-800-Missing, CHAOS, Without a Trace, M*A*S*H, Charmed, Queer as Folk (US), Will & Grace, Bring it On, Nash Bridges, Magnificent 7 (TV series), House, Babylon 5 – I think I got them all... a few of those were one time only deals, but a lot of them have more (anywhere from 2-52 (or more still!) ranging from 100 word drabbles, to thousands of words – hey I’ve been writing fic for 21 years... you tend to amass a lot of fandoms...

 6. List your OTP from each fandom you’ve been involved in.

Oh geez, here we go, lol! Okay...

 Stargate SG-1: Jack O’Neill/Daniel Jackson

Stargate Atlantis: Rodney McKay/John Sheppard

Star Trek: Elim Garak/Julian Bashir, Chakotay/Tom Paris, Jonathan Archer/Malcolm Reed, James Kirk/Spock – I don’t particularly have an ‘otp’ in TNG, the couple I’ve written were Picard/Data, I’ve also dabbled reading Data/Gordi)

Marvel: Steve Rogers/Tony Stark

Kingsman: Harry Hart/Eggsy Unwin

Person of Interest: Harold Finch/John Reese

Due South: Benton Fraser/Ray K

Quantum Leap: Sam/Al

Firefly: Malcolm Reynolds/Simon Tam

Buffy/Angel Verse: Buffy/Giles, Angel/Spike, Xander/Spike, Willow/Tara

Harry Potter: Harry/Draco, Harry/Hermione, Harry/Hermione/Draco

The Sentinel: Jim/Blair

Torchwood: Jack/Ianto

Hawaii Five-O: Steve/Danno

Shadowhunters: Magnus/Alec

Sherlock: Sherlock/John, Mycroft/Lestrade

Primeval: Nick Cutter/Stephen Hart, James Lester/Hilary Becker Emmerdale: Robert Sugden/Aaron Dingle

NCIS: Gibbs/DiNozzo CSI: Nick Stokes/David Hodges, Mac/Danny, Horatio/Speed White Collar: Neal/Peter/Elizabeth

Empire Records: Joe/Lucas

Bull: Benny/Jason

Diagnosis Murder: Steve/Jesse

 I’ve left a few out where I don’t have particular OTPs

 7. List your NoTPs from each fandom you’ve been in.

Here we go again... lol!

 Stargate SG-1: Jack/Sam, I just... no. I’ve read a few where it’s a background or secondary pairing, but it always makes me wince a bit. I’ve read a few with Sam/Daniel as a secondary pairing that didn’t make me react that way and I’ve read Sam with other characters, but Jack/Sam just is a nope for me.

Stargate Atlantis: McKay/Keller – no, just no. that was horrible. She treated him like... awfully, trying to change him to suit her, just... no.

Marvel: Contentious, but Tony/Pepper, also Peter Parker/Tony Stark. Maybe because I saw the movies before I ever looked at the comics, but meh.

Due South: Benton Fraser/Ray V – again, contentious, but honestly I think Ray V was kind of a shit friend to Fraser.

Firefly: Anything with Jayne. No really, I just can not stand the character. I spent most of the series wanting to punch him in the face and sometimes you get characters you love to hate, but I just hated him.

Buffy/Angel Verse: Buffy/Spike, Willow/Kennedy

Harry Potter: Ron/Hermione, Ron/Harry, Harry/Ginny... basically, Ron and Ginny should just be loveless hermits who live by themselves. Ok, no, that isn’t fair... but as much as Ron was Harry’s first friend, he was selfish and bitter and Ginny/Harry just... never sat right with me. Ron literally says she spent ‘all summer talking about’ Harry, when she’d met him for all of three seconds. She didn’t know him. It always felt like she fell more in love with the *idea* of Harry Potter, than Harry Potter himself.

Sherlock: Sherlock/Molly, he’d eat her for breakfast. Serious, she’d never survive him.

Primeval: Oliver Leek and anyway. Arg. Creepy little dude is creepy and evil.

NCIS: Ziva/DiNozzo – ugh, just no.

 Again, I’ve left out ones where I don’t have particular NoTPs

 8. How did you get involved in your latest fandom?

Tumblr, god damned bitches posting gifs of pretty boys falling in love, roped me in!

 9. What are the best things about your current fandom?

I dabble in several fandoms at once... but if we go by ‘most recently picked up’ as ‘current’ we’re talking Ballum, which hey, it’s always fun to have an actual canon pairing be my OTP, that’s rare for me, lol.

 10.  Is there a fandom you read fic from but don’t write in?

Well (so far) I haven’t written any Ballum. (I say so far, because I’m a realist, lol). I rarely read in fandoms and not end up writing in them at some point. Although I have probably dabbled in a few I’ve not written for, but if I read it with any sort of consistency, I mostly end up writing it. I am weak!

  Ship Questions for your Current Fandom

 11. Who is your current OTP?

Okay, so that list above, just basically go with that. While I do drop in and hour of fandoms and some I certainly read in more than others, I do tend to go back to fandoms... If we were talking about what I’m mostly focused on writing atm... Steve/Tony, Mycroft/Lestrade, Harry/Draco and Robron are ones I’m currently working on most.

 12. Who is your current OT3?

I’m not currently writing anything that’s OT3 with any real focus. I have a couple of Neal/Peter/Elizabeth WiPs that I will at some point finish, but they aren’t a big focus just now. I did recently read a fabulous Neal/Peter/Elizabeth fic that’s been on my tbr list for ages.

 13. Any NoTPs?

Just... see above, lol!

 14. Go on, who are your BroTPs?

Harry Hart/Merlin, those two are Bro’s until the end and I will fight you on this. Also, Eggsy/Roxy! OMG they are such a BroTP! And Tony/Pepper/Rhodey – I may no like Tony/Pepper as a pairing, but I love them as best friends and of course, our Rhodes, because again, I will fight you on this, they are awesome and Tony needs his best friends!

 15. Is there an obscure ship which you love?

I’m not sure there is. I suppose I’ve read a few fics for some random pairings over the years, but nothing that’s made me really ship-ship them. I like Clint Barton/Bucky Barnes, after seeing it as a secondary pairing in a Steve/Tony fic, but I’ve seen that pop up a few times since, so maybe it won’t stay obscure for long!

 16. Are their any popular ships in your fandom which you dislike?

Jack/Sam, Tony/Pepper, Ron/Hermione, Harry/Ginny, Buffy/Spike – they all seem to be het pairings, oops. But I am mostly a slash fic reader/writer, so I suppose that’s not too surprising.

 17. Who was your first OTP and are they still your favourite?

Jack/Daniel from Stargate SG-1. I still love them. I still read them, although it has been a while since I’ve written them on their own (I have got some SG-1/SGA x-overs where they feature)

 18. What ship have you written the most about?

I’m genuinely not sure... without going and counting (and I’m not going any counting!) I’d guess Jack/Daniel, McKay/Sheppard, Jack/Ianto and Steve/Danno.

 19. Is there a ship which you wished you could get behind, but you just don’t feel them?

No, not that I can think off. I either like it or not. I do occasionally feel bad for not reading a fic if it’s an author I really like, but I don’t read that fandom or pairing, but nothing specific.

 20. Any ships which you surprised yourself by liking?

Robron and Ballum, lol. I do not do soaps!

  Author Questions

 21. What was the first fanfic you ever wrote?

 Stargate SG-1, Jack/Daniel, a story called The Dare, The Disaster, The Almost Happy Ending, And The Very Happy Ending – it was awful. Don’t go looking, lol!

 22. Is there anything you regret writing?

Don’t we all? No, I wouldn’t specifically say so. There are certainly fics, especially older ones, I wish I could have written better, but nothing I’d go, ugh I should never have done that.

 23. Name a fic you’ve written that you’re especially fond of & explain why you like it.

Uh... honestly that’s really hard. I... um... yeah, I don’t know, really. I wrote a nice little flower one in POI that I felt worked rather beautifully. The Language of Flowers. An I wrote an SGA fic for NaNo a few years ago, called A Different Life, but it’s not online, because I didn’t finish it yet and I knew I wasn’t going to finish it any time soon, so I didn’t feel it was fair to leave it up unfinished (there is a reason I don’t read WiP fics and I don’t post them either, because I know how much I hate unfinished WiPs) Edit: After writing this I reminded myself of a POI fic I wrote called Hours of Separation – It’s a Harold/John break up story that I always intended to write a sequel too where I ‘fixed’ them, but I just couldn’t do it. I broke them a little too well. But I really love it actually.

 24. What fic do you desperately need to rewrite or edit?

The afore mentioned A Different Life needs to be edited and finished, lol! Also a Primeval fic with the working title Crypt Keeper (don’t ask) that I worked myself into a bit of a corner on and I figure out how to fix it, but I haven’t done it yet, so it’s still needs fixing and finishing, lol!

 25. What’s your most popular fanfic?

I haven’t the foggiest.

 26. How do you come up with your fanfic titles?

Sometimes, really easily, a quote, a line from the fic, a song title... other times it’s like pulling teeth, hence working titles on things like ‘crypt keeper’ which is a reference to one scene near the very start and has no actual hint of the plot, lol!

 27. What do you hate more: Coming up with titles or writing summaries?

Oh the titles. Summaries you can just copy a few lines from the fic if you are desperate, if you had to post ‘untitled mcshep fic #67’ people would get cranky, lol, hell I’d get cranky!

 28. If someone were to draw a piece of fanart for your story, which story would it be and what would the picture be of?

Oh... I... huh. I mean who wouldn’t love fanart for their stories? Any of them honestly! But if I had to choose just one... I guess something in my Animal Instinct verse, which is Primeval (although I always intended to write other fandoms in the verse) where some people transform into animals, based on their ‘spirit animal’ and some art of the characters with their spirit animal form would be awesome.

 29. Do you have a beta reader? Why/Why not?

Sometimes, look if you’ve read this far, you know I write in a lot of fandoms, lol. In some fandoms it’s easier than others to find beta readers. Also, sometimes if it’s just something short, I won’t bother. But I do try for my longer fics.

 30. What inspires you to write?

That old adage, if you want to read it, sometimes you just have to write it? Spite? Boredom? Honestly sometimes I just have ideas I have to get out of my brain and it’s write or go mad(der)

 31. What’s the nicest thing someone has ever said about your writing?

That it inspired them to write something.

 32. Do you listen to music when you write or does music inspire you? If so, which band or genre of music does it for you?

Sometimes, sometimes I find it distracting when writing because I end up singing along and forgetting what I’m writing, lol! I do sometimes get inspiration from songs, I guess mostly from the lyrics, but no particular band or genre – although I listen to a lot of country music!

 33. Do you write oneshots, multi-chapter fics or huuuuuge epics?

Little from column a, little from column b... littler still from column c...

 34. What’s the word count on your longest fic?

Around 60k, I think.

 35. Do you write drabbles? If so, what do you normally write them about?

I have. Primeval had/has a week drabble challenge, mostly when I’ve written drabbles it’s been for a challenge, with a specific prompt.

 36. What’s your favourite genre to write?

Uh... I mean, my fandoms really span the genres, but I guess sci-fi or crime are probably my favourites.

 37. First person or third person - what do you write in and why?

Third mostly, I have occasionally written in first person, if it felt like the fic needed it.

 38. Do you use established canon characters or do you create OCs?

Little from column a, little from column b... it depends on the fandom and the story. Sometimes you just need more characters, mostly they are minor roles, I don’t tend to write much established character/oc fic

 39. What is your greatest strength as a writer?

Ability to convince myself people will want to read it, lol! No actually to be honest, I love to know people read and like my stuff, but I gave up a long time ago on trying to ‘please’ people with what I write. I write what I want to read.

 40. What do you struggle the most with in your writing?

Focus. The problem with 21 years of fandom history, is well... 21 years of fandom history. A lot of fandoms, a lot of pairings and as I say, I never really ‘leave’ a fandom, I just drop in and out and sometimes that means I’ll write on something consistently for weeks or months and then end up getting distracted by another fandom again and not touch it for weeks or months again. Hence, I don’t post WiP fics, because I know I’m easily distracted and don’t want anyone to suffer my lack of focus but me.

  Fanfiction Questions

 41. List and link to 5 fanfics you are currently reading:

I don’t read WiP fics, so yeah... but 5 I’ve recently read in different fandoms that I’ve really enjoyed

 Turns Out, I Have a Rose Garden by betheflame (Steve Rogers/Tony Stark)

Lucky by china_shop (Neal Caffery/Peter Burke/Elizabeth Burke)

Colors by Quesarasara (Sherlock/John)

Betrayal by Blackghost7 (Gibbs/DiNozzo)

Matchmaker (Part 1 of the Marmalade Series) by HastaLux, Mottlemoth (Mycroft Holmes/Greg Lestrade)

 42. List and link to 5 fanfiction authors who are amazing:

See now this is hard, because... ahh so many...

 FredBassett – Primeval author, her Stephen/Ryan series is epic and brilliant and endless

https://archiveofourown.org/users/fredbassett/pseuds/fredbassett

 Keira Marcos – I know other people will have said her, I don’t care. I love all her stuff, across all the fandoms she writes in

http://keiramarcos.com/

 theapplepielifestyle – her Steve/Tony is amazing. Hands down some of the best I’ve ever read. I will fight you on this.

https://archiveofourown.org/users/theappleppielifestyle/pseuds/theappleppielifestyle

 JillyJames – her Tony DiNozzo is a real life grown up... exactly as he should be considered given he’s a goddamn federal agent!

https://jillyjames.com/

 missbecky – I’ve read pretty much all her Steve/Tony and Harry/Eggsy and it’s awesome.

https://archiveofourown.org/users/missbecky

 Honestly, I could have listed so many more, but, I’m being good!

 43. Is there anyone in your fandom who really inspires you?

Everyone. The thing is, fandom at it’s best is like crack, the more you get, the more you want. The writing, the gifs, the art... it feeds you and makes you want to make more of it, because more of it needs to exist and if that means you need to do it yourself, so be it!

 44. What ship do you feel needs more attention?

ALL OF THEM!

 45. What is your all time favourite fanfic?

Oh hell no, not even, I can not. It took me an hour to narrow down 5 authors, I can not narrow down one fanfic!

 46. If someone was to read one of your fanfics, which fic would you recommend to them and why?

I mean, it depends on what they like... probably the Hour of Separation I mentioned above, if they like the fandom/pairing, or my Animal Instinct stuff.

 47. Archive Of Our Own, Fanfiction.net or Tumblr - where do you prefer to post and why?

Archive of our Own. I haven’t touched ff.net in *years* since they started getting super restrictive about what you could post. I do occasionally post stuff to tumblr, but mostly I now post to AO3. I did have my own site and I’ve yet to upload a lot of stuff to AO3 – one of these... months... that will be a project – but it’s amazing. Seriously, having been in fandom 20+ years, going from having to search all over a million different places and now it’s all in one place, where we’re honestly, spoiled and protected. The kids now have no idea how crazy impossible that once seemed.

 48. Do you leave reviews when you read fanfiction? Why/Why not?

Yes, but not as often as I should. I love AO3s kudos button, so I can sort of say ‘hey I enjoyed this’ without having to comment, because I sort of hate leaving comments just going ‘hey I enjoyed this’ because I always feel like I should say more, like, oh I enjoyed this specific thing, which yes is an unnecessary hang-up, but there ya go.

 49. Do you care if people comment/reblog your writing? Why/why not?

Of course it’s nice to get comments, kudos, reblogs etc. I’m not as attached to them now as I was when I was younger, because I learned along the way that it was more important that I like what I’m writing than that other people do, but it’s still nice to know that something I’ve created is enjoyed.

 50. How did you get into reading and/or writing fanfiction?

I went looking for Star Trek Voyager stuff online, pics etc, waaaaaaay back when! And I came across fanfiction entirely by accident... and I read some – het stuff mostly, then I started watching Stargate SG-1, went looking for fanfiction for that, but was not on board with Jack/Sam, found Jack/Daniel went ‘huh really? That’s weird’ read it... and yeah... 21 years later... lol!

 51. Rant or Gush about one thing you love or hate in the world of fanfiction! Go!

Ship Wars. No seriously, just don’t. Like, who the actual fuck cares. I like my ship, you like your ship. I don’t care if it’s canon or not. I don’t care if it’s popular or not. I don’t read my NoTPs, but I’d never dream of telling someone else not too. Yes I think they are terrible, bad, no good pairings, but that’s *my* opinion. Don’t try to change my mind and I won’t try to change yours. I avoid them like the actual plague. If someone starts that shit around me, I will shut it right down. You are a dick. Go to Jail. Do not pass Go. Do not collect £200.

[mostlysignssomeportents]

2019 Hugo Award finalists announced

The 2019 Hugo Award nominees have been announced; the Hugos will be presented this summer at the 2019 World Science Fiction Convention in Dublin, Ireland.

Normally, I find that I've read and reviewed a huge slice of the year's finalists, but this year is different; I've done a lot less reading lately, partly because I wrote two books in 2018 and partly because the new EU Copyright Directive ate my life for about 10 months in the past year.

I was a little sad to be so far behind the curve when I saw the new list, but then I realized that this meant that I had a bunch of really exciting books to add to my to-be-read pile!

One notable inclusion: the Archive of Our Own fanfic archive -- a project of the Organization for Transformative Works (for whose advisory board I volunteer) -- is up for "Best Related Work."

Congrats to all the nominees!

Best Novel * The Calculating Stars, by Mary Robinette Kowal (Tor) * Record of a Spaceborn Few, by Becky Chambers (Hodder & Stoughton / Harper Voyager) * Revenant Gun, by Yoon Ha Lee (Solaris) * Space Opera, by Catherynne M. Valente (Saga) * Spinning Silver, by Naomi Novik (Del Rey / Macmillan) * Trail of Lightning, by Rebecca Roanhorse (Saga)

Best Novella * Artificial Condition, by Martha Wells (Tor.com Publishing) * Beneath the Sugar Sky, by Seanan McGuire (Tor.com Publishing) * Binti: The Night Masquerade, by Nnedi Okorafor (Tor.com Publishing) * The Black God’s Drums, by P. Djèlí Clark (Tor.com Publishing) * Gods, Monsters, and the Lucky Peach, by Kelly Robson (Tor.com Publishing) * The Tea Master and the Detective, by Aliette de Bodard (Subterranean Press / JABberwocky Literary Agency)

Best Novelette * “If at First You Don’t Succeed, Try, Try Again,” by Zen Cho (B&N Sci-Fi and Fantasy Blog, 29 November 2018) * “The Last Banquet of Temporal Confections,” by Tina Connolly (Tor.com, 11 July 2018) * “Nine Last Days on Planet Earth,” by Daryl Gregory (Tor.com, 19 September 2018) * The Only Harmless Great Thing, by Brooke Bolander (Tor.com Publishing) * “The Thing About Ghost Stories,” by Naomi Kritzer (Uncanny Magazine 25, November- December 2018) * “When We Were Starless,” by Simone Heller (Clarkesworld 145, October 2018)

Best Short Story * “The Court Magician,” by Sarah Pinsker (Lightspeed, January 2018) * “The Rose MacGregor Drinking and Admiration Society,” by T. Kingfisher (Uncanny Magazine 25, November-December 2018) * “The Secret Lives of the Nine Negro Teeth of George Washington,” by P. Djèlí Clark (Fireside Magazine, February 2018) * “STET,” by Sarah Gailey (Fireside Magazine, October 2018) * “The Tale of the Three Beautiful Raptor Sisters, and the Prince Who Was Made of Meat,” by Brooke Bolander (Uncanny Magazine 23, July-August 2018) * “A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies,” by Alix E. Harrow (Apex Magazine, February 2018)

Best Series * The Centenal Cycle, by Malka Older (Tor) * The Laundry Files, by Charles Stross (most recently Tor.com Publishing/Orbit) * Machineries of Empire, by Yoon Ha Lee (Solaris) * The October Daye Series, by Seanan McGuire (most recently DAW) * The Universe of Xuya, by Aliette de Bodard (most recently Subterranean Press) * Wayfarers, by Becky Chambers (Hodder & Stoughton / Harper Voyager)

Best Related Work * Archive of Our Own, a project of the Organization for Transformative Works * Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, by Alec Nevala-Lee (Dey Street Books) * The Hobbit Duology (documentary in three parts), written and edited by Lindsay Ellis and Angelina Meehan (YouTube) * An Informal History of the Hugos: A Personal Look Back at the Hugo Awards, 1953- 2000, by Jo Walton (Tor) * www.mexicanxinitiative.com: The Mexicanx Initiative Experience at Worldcon 76 (Julia Rios, Libia Brenda, Pablo Defendini, John Picacio) * Ursula K. Le Guin: Conversations on Writing, by Ursula K. Le Guin with David Naimon (Tin House Books)

Best Graphic Story * Abbott, written by Saladin Ahmed, art by Sami Kivelä, colours by Jason Wordie, letters by Jim Campbell (BOOM! Studios) * Black Panther: Long Live the King, written by Nnedi Okorafor and Aaron Covington, art by André Lima Araújo, Mario Del Pennino and Tana Ford (Marvel) * Monstress, Volume 3: Haven, written by Marjorie Liu, art by Sana Takeda (Image Comics) * On a Sunbeam, by Tillie Walden (First Second) * Paper Girls, Volume 4, written by Brian K. Vaughan, art by Cliff Chiang, colours by Matt Wilson, letters by Jared K. Fletcher (Image Comics) * Saga, Volume 9, written by Brian K. Vaughan, art by Fiona Staples (Image Comics)

Best Dramatic Presentation, Long Form * Annihilation, directed and written for the screen by Alex Garland, based on the novel by Jeff VanderMeer (Paramount Pictures / Skydance) * Avengers: Infinity War, screenplay by Christopher Markus and Stephen McFeely, directed by Anthony Russo and Joe Russo (Marvel Studios) * Black Panther, written by Ryan Coogler and Joe Robert Cole, directed by Ryan Coogler (Marvel Studios) * A Quiet Place, screenplay by Scott Beck, John Krasinski and Bryan Woods, directed by John Krasinski (Platinum Dunes / Sunday Night) * Sorry to Bother You, written and directed by Boots Riley (Annapurna Pictures) * Spider-Man: Into the Spider-Verse, screenplay by Phil Lord and Rodney Rothman, directed by Bob Persichetti, Peter Ramsey and Rodney Rothman (Sony)

Best Dramatic Presentation, Short Form * The Expanse: “Abaddon’s Gate,” written by Daniel Abraham, Ty Franck and Naren Shankar, directed by Simon Cellan Jones (Penguin in a Parka / Alcon Entertainment) * Doctor Who: “Demons of the Punjab,” written by Vinay Patel, directed by Jamie Childs (BBC) * Dirty Computer, written by Janelle Monáe, directed by Andrew Donoho and Chuck Lightning (Wondaland Arts Society / Bad Boy Records / Atlantic Records) * The Good Place: “Janet(s),” written by Josh Siegal & Dylan Morgan, directed by Morgan Sackett (NBC) * The Good Place: “Jeremy Bearimy,” written by Megan Amram, directed by Trent O’Donnell (NBC) * Doctor Who: “Rosa,” written by Malorie Blackman and Chris Chibnall, directed by Mark Tonderai (BBC)

Best Professional Editor, Short Form * Neil Clarke * Gardner Dozois * Lee Harris * Julia Rios * Lynne M. Thomas and Michael Damian Thomas * E. Catherine Tobler

Best Professional Editor, Long Form * Sheila E. Gilbert * Anne Lesley Groell * Beth Meacham * Diana Pho * Gillian Redfearn * Navah Wolfe

Best Professional Artist * Galen Dara * Jaime Jones * Victo Ngai * John Picacio * Yuko Shimizu * Charles Vess

Best Semiprozine * Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews * Fireside Magazine, edited by Julia Rios, managing editor Elsa Sjunneson-Henry, social coordinator Meg Frank, special features editor Tanya DePass, founding editor Brian White, publisher and art director Pablo Defendini * FIYAH Magazine of Black Speculative Fiction, executive editors Troy L. Wiggins and DaVaun Sanders, editors L.D. Lewis, Brandon O’Brien, Kaleb Russell, Danny Lore, and Brent Lambert * Shimmer, publisher Beth Wodzinski, senior editor E. Catherine Tobler * Strange Horizons, edited by Jane Crowley, Kate Dollarhyde, Vanessa Rose Phin, Vajra Chandrasekera, Romie Stott, Maureen Kincaid Speller, and the Strange Horizons Staff * Uncanny Magazine, publishers/editors-in-chief Lynne M. Thomas and Michael Damian Thomas, managing editor Michi Trota, podcast producers Erika Ensign and Steven Schapansky, Disabled People Destroy Science Fiction Special Issue editors-in-chief Elsa Sjunneson-Henry and Dominik Parisien

Best Fanzine * Galactic Journey, founder Gideon Marcus, editor Janice Marcus * Journey Planet, edited by Team Journey Planet * Lady Business, editors Ira, Jodie, KJ, Renay & Susan * nerds of a feather, flock together, editors Joe Sherry, Vance Kotrla and The G * Quick Sip Reviews, editor Charles Payseur * Rocket Stack Rank, editors Greg Hullender and Eric Wong

Best Fancast * Be the Serpent, presented by Alexandra Rowland, Freya Marske and Jennifer Mace * The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe * Fangirl Happy Hour, hosted by Ana Grilo and Renay Williams * Galactic Suburbia, hosted by Alisa Krasnostein, Alexandra Pierce, and Tansy Rayner Roberts, produced by Andrew Finch * Our Opinions Are Correct, hosted by Annalee Newitz and Charlie Jane Anders * The Skiffy and Fanty Show, produced by Jen Zink and Shaun Duke, hosted by the Skiffy and Fanty Crew

Best Fan Writer * Foz Meadows * James Davis Nicoll * Charles Payseur * Elsa Sjunneson-Henry * Alasdair Stuart * Bogi Takács

Best Fan Artist * Sara Felix * Grace P. Fong * Meg Frank * Ariela Housman * Likhain (Mia Sereno) * Spring Schoenhuth

Best Art Book * The Books of Earthsea: The Complete Illustrated Edition, illustrated by Charles Vess, written by Ursula K. Le Guin (Saga Press /Gollancz) * Daydreamer’s Journey: The Art of Julie Dillon, by Julie Dillon (self-published) * Dungeons & Dragons Art & Arcana: A Visual History, by Michael Witwer, Kyle Newman, Jon Peterson, Sam Witwer (Ten Speed Press) * Spectrum 25: The Best in Contemporary Fantastic Art, ed. John Fleskes (Flesk Publications) * Spider-Man: Into the Spider-Verse – The Art of the Movie, by Ramin Zahed (Titan Books) * Tolkien: Maker of Middle-earth, ed. Catherine McIlwaine (Bodleian Library)

John W. Campbell Award for Best New Writer * Katherine Arden (2nd year of eligibility) * S.A. Chakraborty (2nd year of eligibility) * R.F. Kuang (1st year of eligibility) * Jeannette Ng (2nd year of eligibility) * Vina Jie-Min Prasad (2nd year of eligibility) * Rivers Solomon (2nd year of eligibility)

Lodestar Award for Best Young Adult Book * The Belles, by Dhonielle Clayton (Freeform / Gollancz) * Children of Blood and Bone, by Tomi Adeyemi (Henry Holt / Macmillan Children’s Books) * The Cruel Prince, by Holly Black (Little, Brown / Hot Key Books) * Dread Nation, by Justina Ireland (Balzer + Bray) * The Invasion, by Peadar O’Guilin (David Fickling Books / Scholastic) * Tess of the Road, by Rachel Hartman (Random House / Penguin Teen)

https://boingboing.net/2019/04/02/dublin-worldcon.html

[collectorscorner]

CC Blogger - New Arrivals @ Collectors Corner : Wednesday 6/10/20

Collectors Corner Parkville - HQ : IN STORE SHOPPING Resumed on Friday May 22nd with Strong Safety Measures in Place (Hand Sanitizing Stations, Masks Required for All, Social Distancing Required, Limited Capacity 10 Persons Total, CURBSIDE Pick Up Optional) - According to Baltimore County Guidelines. 1-410-668-3353.

CC Parkville - NEW 2020 STORE HOURS as of JUNE Sunday 12-6, Mon-Tues 12-7, Wed 9-8, Thurs 11-7, Friday & Saturday 11-8

Collectors Corner - Bel Air Outpost Location : IN STORE SHOPPING Resumed on Friday May 15th with Strong Safety Measures in Place (Hand Sanitizing Stations, Masks Required for All, Social Distancing Required, Limited Capacity, CURBSIDE Pick Up Optional) - According to Harford County Guidelines. 1-410-838-1777.

CC Bel Air -NEW 2020 STORE HOURS as of JUNE Sunday 11-5, Monday/Tuesday - Closed, Wednesday 11-8, Thursday 11-7, Friday/Saturday 11-8

Complete list of items shipping to the stores, some items may be limited in availability. If you see anything you want to purchase on the list and are not a subscription member at Collectors Corner, just contact us and let us know if you want an item held at the stores. email - collectorscornermd@comcast.net

Subscription Membership & Free Membership Card : Collectors Corner's No Obligation (FREE) Membership Card or FREE (In Store) & ONLINE Subscription Membership saves you 10% Off ALL Bagged & Boarded Comic Book Back Issues, Board Games, Graphic Novels, Manga & Special Orders. Plus Never miss a comic again!

Computerized and organized + you can add and cancel titles on your subscription list from home on your own time, or in the store when you pick up your comics at :

Maryland's Coolest Stores! Since 2001.

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&

CC BEL AIR - OUTPOST 17 N. Main St. Bel Air, MD 21014

www.collectorscornermd.com

PUBLISHER/TITLE/PRICE

ABLAZE Cimmerian Queen Of The Black Coast #2 (Cover E In-Hyuk Lee Zombie Foil Variant)(not verified by Diamond), AR Cimmerian Red Nails #1 (Cover A Didier Cassegrain), $3.99 Cimmerian Red Nails #1 (Cover B Steve Morris), $3.99 Cimmerian Red Nails #1 (Cover C Viktor Kalvachev), $3.99 Cimmerian Red Nails #1 (Cover D Didier Cassegrain Wraparound Variant), $3.99 Cimmerian Red Nails #1 (Cover E Fritz Casas Superman Parody Variant), $3.99 Cimmerian Red Nails #1 (Cover F Fritz Casas Superman Parody Virgin Variant), AR

AFTERSHOCK COMICS Artemis And Assassin #2 (Cover A Phil Hester), $3.99 Artemis And Assassin #2 (Cover B Butch Guice), AR Join The Future #2 (Cover A Piotr Kowalski), $3.99 Join The Future #2 (Cover B Tommy Lee Edwards), AR Undone By Blood #3, $3.99

ARCHIE COMIC PUBLICATIONS Archie Milestones Digest #8, $7.99 Archie Vs Predator II Volume 1 TP, $19.99 World Of Archie Jumbo Comics Digest #98, $7.99

AWA STUDIOS Archangel 8 #2 (Of 5), $3.99 Old Haunts #1, $3.99

BOOM! STUDIOS Faithless II #1 (Cover A Maria Llovet), $3.99 Faithless II #1 (Cover B Tula Lotay Connecting Erotic Variant), $4.99 Faithless II #1 (Cover C Kris Anka), AR Jim Henson's The Dark Crystal Age Of Resistance #8 (Cover A Mona Finden), $3.99 Jim Henson's The Dark Crystal Age Of Resistance #8 (Cover B Kelly Matthews & Nichole Matthews Connecing Variant), $3.99 Jim Henson's The Dark Crystal Age Of Resistance #8 (Cover C Jen Bartel & Jake Wyatt), AR Jim Henson's The Dark Crystal Age Of Resistance #8 (Cover D Jen Bartel & Jake Wyatt), AR Just Beyond The Horror At Happy Landings GN, $9.99 Saban's Go Go Power Rangers #32 (Cover A Eleonora Carlini Connecting Variant), $3.99 Saban's Go Go Power Rangers #32 (Cover B Miguel Mercado Yearbook Variant), $3.99 Saban's Go Go Power Rangers #32 (Cover C Eleonora Carlini Foil Wraparound Variant), $4.99 Saban's Go Go Power Rangers #32 (Cover D Amelia Vidal Album Variant), AR Something Is Killing The Children #7 (Cover A Werther Dell'Edera), $3.99 Something Is Killing The Children #7 (Cover B Emma Rios), AR Something Is Killing The Children Volume 1 TP, $14.99

COMIC SHOP NEWS Comic Shop News #1712, AR

DARK HORSE COMICS Abraham Stone TP, $19.99 Baltimore Omnibus Volume 2 HC, $34.99 Count Crowley Reluctant Midnight Monster Hunter TP, $19.99 Critical Role Volume 1 The Chronicles Of Exandria The Mighty Nein HC, $44.99 Disney Lady And The Tramp The Story Of The Movie In Comics HC, $10.99 Disney Princess Follow Your Heart TP, $10.99 Ether Volume 3 The Disappearance Of Violet Bell TP, $19.99 Grafity's Wall Expanded Edition HC, $19.99 Lady Killer Library Edition Volume 1 HC, $39.99 Luther Arkwright TP, $39.99 Mask I Pledge Allegiance To The Mask TP, $17.99 Neil Gaiman's American Gods Volume 3 The Moment Of The Storm HC, $29.99 Ruby Falls TP, $19.99 Scary Godmother Omnibus TP, $29.99 Steam TP, $14.99 Steeple TP, $19.99 Triage Volume 1 TP, $19.99

DC COMICS Amethyst #3 (Of 6), $3.99 Batman #92 (Cover A Yasmine Putri), $3.99 Batman #92 (Cover B Stanley Artgerm Lau Card Stock Variant), AR Batman #92 (Cover C Jorge Jimenez Punchline Card Stock Variant), AR Batman Secret Files #3, $4.99 Batman The Adventures Continue #1 (Of 6)(Cover A Dave Johnson), $3.99 Batman The Adventures Continue #1 (Of 6)(Cover B Dan Mora), AR Batman The Adventures Continue #1 (Of 6)(Cover C Blank Variant), AR Batman's Grave #7 (Of 12)(Cover A Bryan Hitch & Kevin Nowlan), $3.99 Batman's Grave #7 (Of 12)(Cover B Frank Quitely Card Stock Variant), AR DC Classics The Batman Adventures #1, $1.99 DC Poster Portfolio Stanley Artgerm Lau Volume 2 TP (verified by DC but not Diamond), $24.99 Flash #755 (Cover A Rafa Sandoval & Jordi Tarragona), $3.99 Flash #755 (Cover B Matteo Scalera), AR Harley Quinn #73 (Cover A Guillem March), $3.99 Harley Quinn #73 (Cover B Frank Cho), AR Infinite Crisis Omnibus HC (New Edition), $150.00 Joker 80th Anniversary 100-Page Super Spectacular #1 (Cover A Greg Capullo), $9.99 Joker 80th Anniversary 100-Page Super Spectacular #1 (Cover B Arthur Adams 1940s Variant), AR Joker 80th Anniversary 100-Page Super Spectacular #1 (Cover C David Finch 1950s Variant), AR Joker 80th Anniversary 100-Page Super Spectacular #1 (Cover D Francesco Mattina 1960s Variant), AR Joker 80th Anniversary 100-Page Super Spectacular #1 (Cover E Jim Lee & Scott Williams 1970s Variant), AR Joker 80th Anniversary 100-Page Super Spectacular #1 (Cover F Bill Sienkiewicz 1980s Variant), AR Joker 80th Anniversary 100-Page Super Spectacular #1 (Cover G Gabriele Dell'Otto 1990s Variant), AR Joker 80th Anniversary 100-Page Super Spectacular #1 (Cover H Lee Bermejo 2000s Variant), AR Joker 80th Anniversary 100-Page Super Spectacular #1 (Cover I Jock 2010s Variant), AR Joker 80th Anniversary 100-Page Super Spectacular #1 (Cover J Blank Variant), AR Justice League #46 (Cover A Gary Frank), $3.99 Justice League #46 (Cover B Clay Mann), AR Justice League Odyssey #21 (Cover A Jose Ladronn), $3.99 Justice League Odyssey #21 (Cover B Skan), AR Legion Of Super-Heroes #6 (Cover A Ryan Sook), $3.99 Legion Of Super-Heroes #6 (Cover B Alex Garner Card Stock Variant), AR Lois Lane #11 (Of 12)(Cover A Mike Perkins), $3.99 Lois Lane #11 (Of 12)(Cover B Joelle Jones), AR Martian Manhunter Identity TP, $24.99 Nightwing #71 (Cover A Mike Perkins), $3.99 Nightwing #71 (Cover B Alan Quah), AR Super Friends Saturday Morning Comics Volume 1 HC, $69.99 Superman Giant #3, $4.99 Terrifics Volume 3 The God Game TP (verified by DC but not Diamond), $16.99 Wonder Woman Tempest Tossed TP, $16.99 Wonder Woman Volume 1 The Just War TP, $19.99 Young Justice Volume 2 Lost In The Multiverse HC, $24.99

DYNAMITE ENTERTAINMENT Death-Defying 'Devil #5 (Cover A In-Hyuk Lee), $3.99 Death-Defying 'Devil #5 (Cover B Erica Henderson), $3.99 Dejah Thoris #5 (Cover B Luisa Preissler), $3.99 Dejah Thoris #5 (Cover C Joseph Michael Linsner), $3.99 Dejah Thoris #5 (Cover D Adam Gorham Todd McFarlane Homage Variant), $3.99 Dejah Thoris #5 (Cover E Mai S. Cosplay Variant), $3.99 Dejah Thoris #5 (Cover F Roberto Castro Bonus Variant), AR Dejah Thoris #5 (Cover G Roberto Castro Black & White Variant), AR James Bond #5 (Cover A Afua Richardson), $3.99 KISS Zombies #5 (Cover A Arthur Suydam), $3.99 KISS Zombies #5 (Cover B Stuart Sayger), $3.99 KISS Zombies #5 (Cover C Rodney Buchemi), $3.99 KISS Zombies #5 (Cover D Photo), $3.99 Project Superpowers Omnibus Volume 3 Heroes And Villains TP, $34.99 Vampirella Red Sonja #8 (Cover A Jae Lee), $3.99 Vampirella Red Sonja #8 (Cover B Jung-Geun Yoon), $3.99 Vampirella Red Sonja #8 (Cover C Leonardo Romero), $3.99 Vampirella Red Sonja #8 (Cover D Allyson Ochs Cosplay Variant), $3.99 Vampirella Red Sonja #8 (Cover E Drew Moss), $3.99 Vampirella Red Sonja #8 (Cover F Roberto Castro Bonus Variant), AR Vampirella Red Sonja #8 (Cover G Adam Gorham Todd McFarlane Homage Variant), AR

IDW PUBLISHING Afraid Of Everything HC, $19.99 Cobra Kai The Karate Kid Saga Continues #4 (Of 4)(Cover A Kagan McLeod), $3.99 Cobra Kai The Karate Kid Saga Continues #4 (Of 4)(Cover B Photo), $3.99 Cobra Kai The Karate Kid Saga Continues #4 (Of 4)(Cover C Netho Diaz), AR Disney Comics And Stories #12 (Cover A Marco Mazzarello), $5.99 Dungeons And Dragons A Darkened Wish TP, $17.99 Kill Lock #5 (Of 6)(Cover A Livio Ramondelli), $3.99 Mountainhead #4 (Of 5)(Cover A Ryan Lee), $3.99 Mountainhead #4 (Of 5)(Cover B Joe Mulvey), AR Pandemica Volume 1 TP, $17.99 Parker Martini The Martini Edition Volume 1 HC (Slipcase Edition), $99.99 Rascal HC, $14.99 Teenage Mutant Ninja Turtles Color Classics Volume 3 TP, $29.99 Usagi Yojimbo Volume 1 Bunraku And Other Stories TP, $19.99 Wellington #4 (Of 5)(Cover A Piotr Kowalski), $3.99 Wellington #4 (Of 5)(Cover B Robert Hack), AR

IMAGE COMICS 920London GN, $17.99 Adventureman #1, $3.99 Analog Volume 2 TP, $16.99 Bitter Root #8 (Cover A Sanford Greene), $3.99 Bitter Root #8 (Cover B Chris Visions), $3.99 Decorum #2 (Of 8)(Cover A Mike Huddleston), $3.99 Decorum #2 (Of 8)(Cover B Mike Huddleston), $3.99 Die!Die!Die! #10, $3.99 Excellence #7 (Cover A Khary Randolph & Emilio Lopez), $3.99 Excellence #7 (Cover B Chris Brunner & Rico Renzi Visions Of Excellence Variant), $3.99 Ice Cream Man #19 (Cover A Martin Morazzo & Chris O'Halloran), $3.99 Ice Cream Man #19 (Cover B Gabriel Walta), $3.99 Killadelphia #6 (Cover A Jason Shawn Alexander), $3.99 Killadelphia #6 (Cover B Jae Lee), $3.99 Sonata #10 (Cover A Jay Anacleto & Brian Haberlin), $3.99 Sonata #10 (Cover B Brian Haberlin & Geirrod Van Dyke), $3.99 Stealth #2 (Of 6), $3.99 Undiscovered Country #6 (Cover A Giuseppe Camuncoli), $3.99 Undiscovered Country #6 (Cover B Sean Murphy), $3.99 Witchblade Volume 3 TP, $16.99

MAD CAVE STUDIOS Battlecats Tales Of Valderia #3 (Of 4), $3.99 Hellfighter Quin #2 (Of 5), $3.99

MARVEL COMICS Black Cat #11 (Cover A J. Scott Campbell), $3.99 Black Cat #11 (Cover B Greg Land Marvel Zombies Variant), AR Daredevil #20 (Cover A Julian Totino Tedesco), $3.99 Daredevil #20 (Cover B Will Sliney Marvel Zombies Variant), AR Deadpool #5 (Cover A Gerardo Sandoval), $3.99 Deadpool #5 (Cover B Mirka Andolfo Spider-Woman Variant), AR Excalibur #10, $3.99 Miles Morales Spider-Man #17 (Cover A Javier Garron), $3.99 Miles Morales Spider-Man #17 (Cover B Nick Bradshaw Marvel Zombies Variant), AR New Mutants #10, $3.99

ONI PRESS Dryad #2, $3.99 Lost Beast Lost Friend HC, $16.99 Rick And Morty Go To Hell #1 (Cover A Constanza Oroza), $3.99 Rick And Morty Go To Hell #1 (Cover B Brian Smith), $3.99 Rick And Morty Go To Hell #1 (Cover C Nicole Goux), $3.99

REBELLION / 2000AD 2000 AD February 2020 U.S. Pack, $29.96

RED 5 COMICS - STONEBOT Zero Day Threat #1 (Cover A Tony Donley), $3.95 Zero Day Threat #1 (Cover B Pia Guerra), AR

SCOUT COMICS Last Stop TP, $19.99

VAULT COMICS No One's Rose #2 (Cover A Alberto Jimenez-Alburquerque), $3.99 No One's Rose #2 (Cover A Adam Gorham), $3.99

TOYS - T-SHIRTS & COLLECTIBLES Dragon Ball Legends Collab Super Saiyan Future Son Gohan Figure, AR Dragon Ball Super Blood Of Saiyans Special VII Figure, AR Dragon Ball Super Chosenshiretsuden V6 Ultimate Son Gohan Figure, AR Dragon Ball Super Galick Gun Figure, AR Dragon Ball Z Bardock Manga Dimension Figure, AR

[ltwilliammowett]

Captain Lord Robert Manners

He was born on 6 February 1758, the second son of Lieutenant-General John Manners, the Marquis of Granby, and grandson of John, 3rd Duke of Rutland. His mother was Lady Frances Seymour. He was the first cousin of Captain Hon William Clement Finch and Hon. Seymour Finch. An illegitimate cousin was Captain Evelyn Sutton.

Captain Lord Robert Manners by Sir Joshua Reynolds (1723  - 1792)

Manners was educated at Eton from 1763-71 before joining the navy in April 1772 aboard the Panther 60, Captain Cornthwaite Ommanney, flying the broad pennant of Commodore Molyneux Shuldham and going out to Newfoundland in the following month where that officer served as the commander-in-chief. Returning home in November after a brief secondment to the Aldborough 24, Captain James Hawker, he then returned to Newfoundland with the Panther in the following two years, as was the custom.

In July 1775 he joined the frigate Enterprise 28, Captain Sir Thomas Rich, going out to the Mediterranean from Spithead during July, and remaining on that station for the next couple of years, during which period he was appointed an acting lieutenant. He left this vessel in the autumn of 1777 to return home to seek a lieutenant’s commission.

On 13 May 1778, as a beneficiary of the King’s fleet review, he was commissioned lieutenant of the Ocean 90, Captain John Laforey, in which ship he was present at the Battle of Ushant on 27 July. He transferred to Admiral Hon. Augustus Keppel’s flagship Victory 100 on 17 September, but in the following spring resigned his commission and went on half-pay in order to personally apply to the first lord of the Admiralty, Earl Sandwich, for a more active posting.Accordingly in July 1779 Manners joined the newly launched Alcide 74, Captain John Brisbane, but which ship, somewhat frustratingly, was not able to leave the Thames until November from where she went around to Spithead. She was subsequently present with Admiral Sir George Rodney’s fleet at the Moonlight Battle off Cape St. Vincent on 16 January 1780 and thereafter at the relief of Gibraltar.

The first lord of the Admiralty, Lord Sandwich, had already written to Rodney requesting that the highly-connected Manners be promoted as a personal favour to satisfy the young man’s political allies, indeed his family had constantly badgered Sandwich for the young officer’s promotion, claiming that to deny it was a slight to such a prominent family, and that Manners would resign if not given his chance. Accordingly, with seniority from 17 January 1780, Manners was posted captain of the Resolution 74 bearing the broad pennant of her previous captain, Commodore Sir Chaloner Ogle.Upon returning to England under the orders of Rear-Admiral Hon. Robert Digby, the Resolution led the ships which first engaged the Protée 64, which had been escorting fifteen supply ships bound for the Indian Ocean, leading to its capture on 24 February, the first such rated vessel to be taken in the war. Shortly afterwards, on 8 April as the Resolution was about to sail for North America with Rear-Admiral Thomas Graves’ squadron he first lieutenant, William Nowell, quelled a mutiny by punching the ringleader to the deck during a dispute about outstanding payments, one that also afflicted the other ships of the squadron.

Continuing to fly the broad pennant of Commodore Ogle, the Resolution eventually sailed with Graves’ squadron for North America from Plymouth in the middle of May before departing for the Leeward Islands with Admiral Sir George Rodney’s fleet in November. Upon Ogle being advanced to flag rank, Manners assumed full command of the Resolution at the beginning of 1781, and he was present at the capture of St. Eustatius on 3 February where he was rebuked for opening fire on the Dutch frigate Mars after his first lieutenant, William Nowell, had allowed her to fire her cannon as a gesture of defiance after surrendering During the same year he fought at the Battle of Fort Royal on 29 April and at the Battle of Chesapeake Bay on 5 September, where he afforded excellent support to the rear, although he had a lucky escape when the peak of his hat was shot off.. Once Hood returned to the Leeward Islands the Resolution was present at the Battle of St. Kitts on 25/26 January 1782 where she was heavily engaged at the rear of the line and incurred casualties of five men killed and eleven wounded.

At the Battle of the Saintes on 12 April the Resolution found herself in the thick of the action from her position of third in line of battle behind the flagship. Within a half-hour of his ship opening fire Manners was struck by a ball that inflicted such serious wounds to his legs that one had to be amputated, at the same time being struck by a splinter that gouged through his chest and right arm. He was invalided to the Andromache 32 bound for England and commanded by his friend, Captain George Anson Byron, but despite being initially in good spirits he died a week later on 23 April when tetanus set in. It was mooted that his body be carried home for burial, but that proving largely impractical a conference between Captain Byron, Captain Lord Cranstoun, who was returning home with Rodney’s despatches, and the Resolution’s surgeon, Robert Blair, resolved that he should be buried at sea, and the relevant service was held on the early evening of 24 April.

Death of Lord Robert Manners by William Turner Davey, after Thomas Stothard (circa 1800-1825) (c)National Portrait Gallery

Manners was unmarried. He had been elected MP for Cambridge in 1780 in a hard fought, often scurrilous and expensive contest held in his absence, but he never took up his seat.

Three Captains memorial to William Bayne, William Blair and Lord Robert Manners © 2019 Dean and Chapter of Westminster                                        

A monument to his memory is in Westminster Abbey with those of his fellow captains William Blair and Alfred Bayne, who also lost their lives at the Battle of the Saintes. Manners was resolute, well respected, bright, skilled and gallant, and famed for his sense of fashion. A fair-minded disciplinarian, he quickly turned the Resolution into an excellent and esteemed ship, and he was deemed more than worthy of the early opportunities granted him by his birthright. Upon being informed of Manners’ death the King informed the Duke of Portland that ‘he would rather have lost three of the best ships in his service’.

[mrepstein]

Brian Epstein’s Address & Telephone Book

A small leather bound pocket address and telephone book that was owned and used by Brian Epstein. The book dates to 1967 and it consists of 57 pages of addresses and telephone number some of which are typed, some of which are in Epstein’s hand and some which have been added by hand on his behalf. // (click HERE to view more pages from the book)

The book contains a total of 404 entries - a selection of them are listed below:

A

ATV Ltd 

ABC Television Ltd 

AIR London Ltd. 

Tom Arnold Ltd 

Neil Aspinall 

Artistes Car Hire 

Annabels [nightclub] 

Alexander’s Restaurant 

Ashley Steiner Famous [talent agency] 

Al Aronowitz 

Atlantic Records 

Eric Andersen 

Bob Anthony 

B

Bryce Hanmer & Co [accounting firm] 

Bedford, Okrent & Co 

BBC Television Centre 

BBC Broadcasting House 

Al Brodax 

Cilla Black 

Mr. & Mrs. Tony Barrow 

Mr. & Mrs Don Black 

Bryan Barrett 

Jack Barclay Ltd  [Bentley dealership] 

Peter Brown 

Mr. & Mrs. B. Bullough 

Mr. & Mrs J. Bullough 

Miss J. Balmer 

Mr. &. Mrs. Ivan Bennett 

Eric Burdon 

Francisco Bermudez 

Lionel Bart 

David Bailey 

Bag O’Nails 

Tony Barlow 

Ray Bartell 

Rodney Barnes 

Bruno One Restaurant 

Sid Bernstein 

Kenn Brodziak 

Leonard Bernstein 

Al Bennett 

Beverly Hills Hotel 

Brian Bedford 

Scotty Bower 

David Ballman 

Bob Bonis 

Bill Buist 

Arthur Buist 

C

Dr. Norman Cowan 

Curzon House Club 

Crockfords Club 

Clermont Club 

Cromwellian Club 

Paddy Chambers 

Radio Caroline 

Michael Codron 

Cap-Estel Le 

Mr. & Mrs. J. Cassen 

Columbia Pictures Ltd 

Eric Clapton 

Capitol Records Mexico 

Michael Cooper 

Roger Curtis 

Neil Christian 

Maureen Cleave 

Thomas Clyde 

Cash Box 

CBS Records Ltd 

Denny Cordell 

William Cavendish 

Caprice Restuarant 

David Charkham 

Capitol Records 

Columbia Broadcasting System 

Bob Crewe 

May Cunnell 

Car Hire Co. for Lincoln 

Dr. Kenneth Chesky 

Capitol Records (Voyle Gilmore) 

Irving E. Chezar 

Danny Cleary 

Bobby Colomby 

Bob Casper 

Andre Cadet 

D

Daily Express 

Disc & Music Echo 

Decca Records 

Bernard Delfont Ltd 

Bernard Delfont 

Noel Dixon 

Jimmy Douglas 

Chris Denning 

Simon Dee 

Rik Dane 

Dolly’s [nightclub] 

Hunter Davies 

Terry Doran 

Pat Doncaster 

Norrie Drummond 

Alan David 

John Dunbar 

Peter Dalton 

Kappy Ditson 

Robert Dunlap 

Robert L. David 

Diana Dors 

Ivor Davis 

Tom Dawes 

Brandon de Wilde 

Don Danneman 

E

Malcolm Evans 

Clive J. Epstein 

Mr. & Mrs. H. Epstein 

EMI Records Ltd 

EMI Studios 

Geoffrey Ellis 

Etoile Restaurant 

Tim Ellis 

Terry Eaton 

Kenny Everett 

John East 

Bob Eubanks 

Esther Edwards 

Ahmet Ertegun 

F

Alan Freeman 

David Frost 

Georgie Fame 

Robert Fraser 

Andre Fattacini 

Dan Farson 

Billy Fury 

Barry Finch 

Marianne Faithfull 

Robert Fitzpatrick 

Warren Frederikson 

John Fisher 

Danny Fields 

Francis Fiorino 

G

Dr. Geoffrey Gray 

Hamish Grimes 

Derek Grainger 

Rik Gunnell 

Rik Gunnell Agency Ltd 

Derrick Goodman & Co. 

Peter Goldman 

Christopher Gibbs 

David Garrick 

Geoffrey Grant 

Mick Green 

John P. Greenside 

Michael Gillet 

General Artists Corp. 

John Gillespie 

Voyle Gilmore 

George Greif 

Ren Grevatt 

Milton Goldman 

M. Goldstein 

Gary Grove 

Henry Grossman 

H

Mr. & Mrs. Berrell Hyman 

Doreen Hyman 

Mr. & Mrs. Basil J. Hyman 

Mrs. A. Hyman 

Steve Hardy 

H. Huntsman & Son Ltd 

Simon Hayes 

Frankie Howerd 

Henry Higgins 

Chris Hutchins 

Tony Howard 

Wendy Hanson 

Marty Himmel 

Casper Halpern

John Heska

Ricky Heiman

Joe Hunter

Ty Hargrove

Hullabaloo.

Walter Hofer

J

M.A. Jacobs & Son 

David Jacobs [lawyer] 

Dick James Music Ltd 

Mr. & Mrs. D. James 

Mick Jagger 

Brian Jones 

Michael Jeffries 

Drummond Jackson 

David Jacobs [d.j.] 

Brian Joyce 

Gerry Justice 

K

Gibson Kemp 

Johnathan King 

Mr. & Mrs Maurice Kinn 

Kingsway Recording Studios 

Ashley Kozac 

Kafetz Camera Ltd. 

Reg King 

Andrew Koritsas 

Ed Kenmore 

Walker Kundzicz 

John Kurland 

Murray Kauffman

L

Larry Lamb 

Martin Landau 

Kit Lambert 

Dick Lester 

Mr. & Mrs. Vic Lewis 

Tony Lynch 

Radio London 

Mike Leander 

John Lyndon 

Bernard Lee 

Kenny Lynch 

Denny Laine 

Lomax Alliance 

Ed Leffler 

David G. Lowe 

Richard W. Lean 

Goddard Lieberson 

Laurie Records 

Liberty Records 

London Records 

Alan Livingston

M

Melody Maker 

Peter Murray 

Keith Moon 

Mr. & Mrs. G. Martin 

Mr. & Mrs. Brian Matthew 

Midland Bank Limited 

Vyvienne Moynihan 

Gerry Marsden 

Ian Moody 

Michael McGrath 

Cathy McGowan 

Mr. & Mrs. J. McCartney 

Albert Marrion 

Robin Maughan 

Peter Maddok 

Gordon Mills 

Brian McEwan 

John Mendell Jnr. 

Marshall Migatz 

Fred Morrow 

Chruch McLaine 

Vincent Morrone 

Jeffrey Martin Co. 

Gavin Murrell 

Dean Martin 

Gordon B. McLendon 

Sal Mineo 

Scott Manley 

Bernard Mavnitte 

Verne Miller 

N

John Neville 

Joanne Newfield 

Tommy Nutter 

Francisco Neuner 

Tatsuji Nagasima 

New Musical Express 

NEMS Enterprises Ltd 

Graham Nash 

Nemperor Artists Ltd 

Louis Nizer 

Bob Nauss 

Gene Narmore 

O

George H. Ornstein 

Olympic Sound Studios 

A. L. Oldham 

Myles Osternak 

Roy Onsborg 

P

Col. Tom Parker 

Jerry Pam 

Plaza Hotel 

PAN AM. rep 

Bob Perlman 

Allen Pohju 

Robert H. Prech 

John Pritchard 

Prince Of Wales Theatre 

Don Paul 

Sean Phillips 

Jon Pertwee 

Ricki Pipe 

Dr. D. A. Pond 

David Puttnam 

David Puttnam Associates 

Tom Parr 

Harry Pinsker 

Kenneth Partridge 

Larry Parnes 

Priory Nursing Home 

Viv Prince 

Steve Paul 

R

Radnor Arms [pub] 

Leo Rost 

Keith Richard 

Record Mirror 

Dolly Robertson-Ward 

Charles Ross 

Rules Restuarant 

Marian Rainford 

Bobby Roberts 

Bill Rosado 

S

Vic Singh 

Speakeasy [club] 

Simon and Marijke 

Simon Shops 

Judith Symons 

Keith Skeel 

Tony Sharman 

Simon Scott 

Barrie Summers 

John Singleton 

Squarciafichi 

Don Short 

Dr. Walter Strach 

Walter Shenson 

John Sandoe Ltd 

Bobby Shafto 

Harry South 

Brian Sommerville 

Robert Stigwood

David Shaw 

Chris Stamp 

Aaron Schroeder 

Stephen, Jacques & Stephen [law firm] 

Leo Sullivan 

Gene Schwann 

Herb Schlosser 

Gary Smith 

Jim Stewart [co-founder, Stax Records] 

John Simon 

Jerry N. Schatzberg 

Lex Taylor 

Robert Shoot 

Lauren Stanton 

St. Regis Hotel 

Eric Spiros 

Howard Soloman 

T

Taft Limousine Corp 

[Sidney] Traxler (lawyer) 

T.W.A. Ken S. Fletcher [director, public relations, TWA] 

Derek & Joan Taylor 

T.W.A. (Victor Page) 

Martin Tempest 

Evelyn Taylor 

Twickenham Studios 

Kenneth Tynan 

Alistair Taylor 

F. T. Turner & Son Ltd. 

R. S. Taylor 

Michael Taylor 

George Tempest 

Norm Talbott 

U

United Artists Corp Ltd 

U.P.I. 

V

Klaus & Christine Voormann 

V.I.P. Travel Ltd 

W

Mark Warman 

Gary Walker 

Robert Whitaker 

Peter Watkins 

Peter Weldon 

Mrs. Freda Weldon 

Alan Warren 

Orson Welles 

Sir David Webster 

Alan Williams 

Dennis Wiley 

Terry Wilson 

Nathan Weiss 

Norman Weiss 

Gerry Wexler 

Y

Murial Young 

Bernice Young 

Z

Peter Zorcon