#sarah hartog

[artfulfashion]

Sarah Hartog wearing Chloe for Vogue Philippines September 2023, photographed by Edgar Berg

[universomovie]

Memet Erol for Marie Claire Turkey with Sarah Hartog

Photography Memet Erol, Fashion Editor Atahan Küçükatalay, Hair Stylist Mustafa Akgül, Make Up Artist Ceren Eröz, Photography Assistants Melis Albayrak, Yusuf Erol, Styling Assistants Nadin Agopyan, Asmin Çetin, Model Sarah Hartog.

[marcdegroot]

@sarahhartog and daughter Anne in Monta last year by @irena.ruben @mrvanheel @dimphydenotter and me for @nlvogue Eigenlijk is het elke dag Moederdag, maar pak zondag 9 mei toch maar eens extra uit. Juist in deze tijd waarin we elkaar zo weinig zien en je je moeder waarschijnlijk veel op afstand hebt gesproken. Klik op de link in bio en ontdek de leukste Moederdag cadeaus om de belangrijkste vrouw in je leven in het zonnetje te zetten. Fotografie: Sarah Hartog en dochtertje Anne door @deMarcdeGroot Styling @mrvanHeel en @DimphydenOtter (at Montalivet, Aquitaine, France) https://www.instagram.com/p/COhfnlJDtlf/?igshid=1stee5l61a5wl

[greatmuldini]

A defining feature of early, or "classic," British television was its reliance (some might say: dependence) on a steady stream of fresh and at the same experienced talent from its rival and ancestor, live theatre. In 1954, when Patrick McGoohan and Sarah Lawson first appeared together, as newly-weds in Jan de Hartog’s play The Fourposter, television was an extremely young medium; indseed ITV did not exist for another year, and actors if they found themselves employed at all, could expect to be cast in roles that were not necessarily tailored to their age or type.

Much ridiculed, albeit it fondly at times, the standard repertory method had the distinct advantage of teaching newcomers to be prepared for anything and everything - and the lesson had to be learned quickly: in the hectic world of fortnightly, sometimes weekly, cycles, having to rehearse a new part during the day while performing in the current production at night, the ability to concentrate was essential, yet it left no room for character exploration or any kind of in-depth analysis. Which may have been just as well: the post-war fare of murder mysteries and romantic comedies required little emotional empathy but plenty of technique.

The Fourposter is a case in point, as it requires its two characters to age through nearly fifty years of marriage in the space of a two-hour performance. With both husband and wife on stage in each of the play's six scenes, make-up and costume changes would have happened while the curtain was lowered, briefly, to indicate the passage of time. For a production which only received the Q Theatre's customary nine performances, the sheer effort involved seems superhuman, and perhaps that too is, or was, as it should be.

In the history of British theatre, the repertory system occupied a unique position in the middle of the century, shaping and reflecting the tastes of the time, and nurturing the talent that television went on to inherit. It gave way, eventually, to the kitchen sink revolution of 1956 and all that, but while it lasted - and beyond - its influence was ubiquitous. When Patrick McGoohan and Sarah Lawson met again on the set of Danger Man in 1959, they were both seasoned veterans of their trade: consummate professionals who knew their lines and how to deliver them. Unlike the proudly ephemeral medium of the theatre, television has with similar pride, and justification, opted to preserve at least some of its artistic and creative heritage.

[sarah-zust]

Heer, Vanessà Züst, Sarah

in Zusammenarbeit mit: Caroline Ann Baur (Text), Martina Buzzi & Nicolas Buzzi (Sound), Paola Caputo (Dokumentation), Michael Grieder (Text), Frida-Lovisa Hamann (Sprecherin), Bart de Hartog (Installation), Viola Schwarz (Installationsaufbau), Valentina Minnig (Installationsaufbau), Sarah Parsons (Installationsaufbau)

Der vielfältig unerschöpfliche Weg aus tausend Begegnungen und Verwandlungen der Undulipodien, 2018

Holz, Drahtgitter, Kabelbinder, Kleister, Papier, Spray, Sound, Noppenschaumstoff, LED site-specific

Vanessà Heer und Sarah Züst haben für die MFA-Degree-Show die kollaborative Arbeit Der vielfältig unerschöpfliche Weg aus tausend Begegnungen und Verwandlungen der Undulipodien entwickelt. Entlang von Recherchen und Dialogen zur «Einverleibung» öffnen die beiden Künstler*innen mit ihrer grottenartigen Konstruktion einen Mund, welcher ein lachender ist: Das Vergnügen von Frauen* wird oft gewalttätig sanktioniert und diese Spur kann wiederkehrend in Mythen, Erzählungen und Anekdoten tief in die Geschichte zurückverfolgt werden. Dagegen nähren sich die Interessen der beiden Künstler*innen an feministischen Geschichtsschreibungen, die für sie immer schon in Mehrstimmigkeit auftauchen. Die grottenartige Konstruktion gründet auf ihren Recherchen über die Undulipodien – winzige, wellenschlagende Füsschen – die den Zellen die Bewegung durch ihre Multiplizität überhaupt erst ermöglichen. So transportieren die Undulipodien in den Wogen ihrer Mehrstimmigkeit beispielsweise das Sperma in den Gebärmutterhals, zu den Eizellen hin: Die Befruchtung geschieht wenn überhaupt, dann in symbiotischer Bewegung. Die Besucher*innen werden in die Installation hineingesogen und begegnen in dieser invertierten lachenden Medusa tausend Füsschen wie Geschichten, die sich in konstanter Bewegung permanent verwandeln: Durch ein selbst-generatives Patch eines Modularsynthesizers, werden die wogenden Bewegungen der Undulipodien simuliert, verstärkt durch Membrane. Damit wird die ‚grottenartige‘ Konstruktion selbst zu einem vibrierenden, sich konstant bewegenden Klangkörper.

Vanessà Heer, *1989, in Bludenz AT, lebt und arbeitet in Zürich Sarah Züst, *1990 in Zürich CH, lebt und arbeitet in Zürich

Mit finanzieller Unterstützung von ZHdK-AVINA Fonds und Vibraplast AG, A. Rutz

Dieses Projekt wurde zur Master Diplom-Ausstellung im Toni Areal wegen haustechnischen/institutionellen Bedingungen abgelehnt und deshalb in der raumstation.cc in Zürich gezeigt. 

Hier gehts zur Hörprobe

[oberlinundergraduateresearch]

ANNUAL SENIOR SYMPOSIUM

CELEBRATE THE ACADEMIC AND ARTISTIC ACHIEVEMENTS OF THE OBERLIN COLLEGE & CONSERVATORY CLASS OF 2017.

Friday, April 28, 2017

​Student​ Presentations King Building, ​​Thi​rd Floor

Concurrent ses​s​ions of student oral presentations will take place from 1:30-2:50pm, 3:00-4:20pm, and 4:30-5:50pm​, featuring seniors​...​

Abigail Carlstad, Al Nadeau-Rifkind, Alejandro Vera, Alex Wilder, Alexandra Nicome, Alice Blakely, Aliyah Abu-Hazeem, Andres Cuervo, Anthony Moaton, Brendan Nuse, Christiana Rose, Christiana Rose, Daniel West, Elana Bell, Eleanor H. Van Buren, Elisa Casado Henderson, Elizabeth Levinson, Emily Curley, Emma Snape, Gabrielle Kaufman, Grover Neville, Hunter Zepeda, Ian Gilchrist, Isaac Pearl, Jackie Milestone, Jacob Roosa, Jacob Turner, Jeeva Muhil, Jordan Ecker, Juan Omar Rodriguez, Julian Cranberg, Julian Geltman, Kai Shinbrough, Kaia Diringer, Khalid Taylor, Kirk Pearson, Kristin McFadden, Lauren Rhodes, Leah Awkward-Rich, Liam McMillin, Lillian Posner, Lily Johnson, Liv Scott, Lucas Brown, Maddie Batzli, Maggie Gossiaux, Marie Lilly, Mattea Scheiber Koon, Maurice Cohn, Maxwell Butler, Melissa Cabat, Natalia Shevin, Natalie Hartog, Natalie Ventura Villasana, Naviya Schuster-Little, Nick Rowan Bassman, Noah Last, Noah Margulis, Perry Maybrown, Rachel Leader, Rachel Sacks, Sam Goree, Samuel Mellman, Sarah Chatta, Scott Russell, Sean Lambert, Serena Creary, Shelby Raynor, Sophie Pierson, Taylorlyn Stephan, Tory Sparks, Vikram Shankar, Walker Griggs, Xavier Tirado, Zach Moo Young, ​and ​Zoe Ginsberg​.

See here for the full schedule of presentations.​​

Reception King Third Floor Lounge 5:50 - 6:15pm

Closing Keynote​ Address​ King 306 6:15 - 7:00pm

Whipped Cream, Whiskey, and Weight Loss: Exploring the Versatility of E-cigarette Use in Adolescents and Adults

Meghan Morean, Ph.D. and Alexa L’Insalata ‘17

All events are free and open to the public and take place on the third floor of the King Building, 10 North Professor Street, Oberlin, Ohio.

Sponsored by the Office of Undergraduate Research

[craft2eu]

Sarah Enoch & Jessica den Hartog: Amsterdam vom 24.03. bis 04.05.2018

Sarah Enoch & Jessica den Hartog: Amsterdam vom 24.03. bis 04.05.2018

Galerie RA in Amsterdam präsentiert Schmuck von Sarah Enoch und Objekte von Jessica den Hartog – beide Künstlerinnen haben eigene gestatlterische Methoden entwickelt mit Kunststoff zu arbeiten.

“Plastarelles” nennt Sarah Enochihre opulenten Colliers, die auf dem Weg ihrer jahrelangen Erkundungen im gestalterischen Umgang mit Polyethylen (PE) eine bemerkenswerte Etappe auf der Suche nach Form,…

[artfulfashion]

Sarah Hartog wearing Coperni for Vogue Philippines September 2023 photographed by Ed Berg

[daniamasiero]

Sarah Hartog by Dania Masiero

[beautyfetishist]

Sarah Hartog @ De Boekers