#seafarers is a different genre so i dont expect it to draw the same reactions out of people but im sure it

[queen0fm0nsterz]

I saw you post about Seafarers, but to me, your finest work will always be Fifteen Notes to You, reread all of it the other day and... yeah, it still hits like a fucking bullet train.

I genuinely don't think it's possible to capture Mono's descent into insanity better than you did here. It reminds me a little of The Last Weekend from the anthology Inside no.9, in that, you know, both from the story itself and the context it exists in, that it won't have a happy ending, but the humanization of the characters just forces you to cling to hope that something will go right. But that rarely, if ever, happens in The Nowhere.

FNTY... Now THAT'S a name I haven't heard in years...

Thank you so much!!!! I'm super grateful to see folks still enjoy my old stories :)it seems to be the general consensus even among my friends that FNTY is the best complete fic I've put out. Reading thru the comments, I remember one of a person who told me that it made them cry - and the comment made ME cry LMAOOOOOOO😭

I'm very proud of it myself as it was not only my first published fic, but my first multichaptered fic I ever completed as well. Though I am a slow writer (SEAFARERS CHAPTER 5 IS IN THE WORKS😭), for FNTY it was never because I had excessive trouble figuring out what to put on paper - especially never when in regards to the letters themselves. The most troubling parts were the in betweens, funnily enough.

Mono and Thin Man come very naturally to me when writing. I think it may be because I tend to interpret them as having very big feelings... like myself, I guess. And since the story itself is short, I suppose that I managed to make the thing itself feel like there are many big feelings in a tiny box. I will admit I got emotional myself a couple of times... then went on to edit like nothing was wrong LMAOOOO like this is how I looked writing and then editing vvv

For Seafarers, the emotional payoff has yet to come, and it will be different -- considering we have World's Most Emotionally Constipated Woman and Our Strongest Soldier (the PTSD has yet to hit because she's still actively experiencing the horrors) as the protagonists this time.

Six and the Lady are both considerably harder to write for me. I had my chance to write the Big Feeler at the very beginning because the stakes there were skyrocketing from the getgo, but now things have gotten considerably more... silent. The feelings are there but they're all kept in. OUGHHHHHHHHH

I also can't wait to introduce more stuff; I've been writing down concepts for shadow magic and powers, how the Maw works, the various things the Lady of the Maw has to look after to keep it afloat... and the Ladies. Look, I'll say that I'm really happy with what I'm doing with Teapot and Rascal. And with Teapot in general. I really like the characterization I pulled out of my ass LMAOOOOOO and the DESIGN... ok so I'm willing to share a couple of the Teapot's I've doodled

(She's genuinely very silly [read: sick in the head]... i gave all the Ladies some nice additional details because. Ik the point is that they all look very similar but I love designing outfits fuck it this is MY au i do what I want)

So right now I have a suspicion that Seafarers will hit better when it's finished and can be read from beginning to end. Since it's longer (I plan it to be... around 15 chapters? A bit longer if the events require it to be.), there will be more time to let the stuff brew until it reaches its climax as intended.