#shalini karn

[pzirnis]

The Kohbar Resplendent

The artist Shalini Karn has used the Covid lock-down time to present us with a wall-sized (7x7 foot) new interpretation of the Kohbar.

    A magnificent Kohbar hovers large over the land its top reaching up into a dark blue sky with barely visible distant mountains.

The Kohbar is elaborately decorated. Six symmetrical medallions, three on each side, circle the center while in their four interstices a naina jogin, in red or yellow sari with one eye uncovered, protects the wedding from evil misfortune. The light blue water teems with gaily colored and auspicious life, turtles, small fish, crabs, snakes and lotus flowers.

The Kohbar’s center is a second kohbar,a shining purain of yellow lotus leaves in an architecture of finely drawn red lines set in concentric circles of dark blue water, green parrots, yellow ornamentation, and the red pistils of the lotus plant. This second kohbar is a microcosm of the ‘maha’ (greater) Kohbar that surrounds it and together they are a paean to the power of the feminine.

This Kohbar is a force of love and joy and union.

There is no longer the submissive bride alone in the palanquin being taken to an uncertain future but rather husband and wife together, facing each other, hand in hand, being carried to their new life.  A pair of entwined love birds in a Kadamba tree sacred to Krishna is next to the palanquin. “And what is Krishna if not love?” asks Shalini Karn.

On the other side are musicians, drummers and horn players, making joyous

music under a mango and mahua tree where, before the actual wedding ceremony, the bride and groom held a ritual marriage with the trees for a happy and long marriage. Note the bride’s rice paste hand prints on the tree trunk and the yellow string tying the trees together.

You don’t see Shiva and Parvati here.  Instead you have Ardhanarishvara,

“the Lord who is also a female”, Shiva and Parvati , the union of male and female in one body. This union is now also that of the bride and groom. They have become one.

Shalini Karn is not the first to use Ardhanarishvara as an attempt to give a religious basis for the equality of male and female in the strongly patriarchal society of Bihar.  The artist Shalinee Kumari has long struggled with the same question and has also painted a kohbar with Ardhanarishvara. But Shalini Karn by taking the kohbar outside the confines of the marriage room and into the open air has lightened the weight of tradition.  She uses the figure of Ardhanarishvara to support the equality of male and female and thus her emphasis is on the love and joy of marriage and the open future of possibilities promised by her Kohbar, glorious over the land and the infinite blue sky.

   Shalini Karn, The Kohbar Resplendent, acrylic on canvas, 7x7feet, 2020. The work is signed and is available.   

[graphicartscollection]

Mithila Art in 2020: Life, Labor, and COVID-19 in South Asia

Mithila Art in 2020: Life, Labor, and COVID-19 in South Asia

Shalini Karn, Faces of Corona, 2020. Acrylic on paper. Graphic Arts Collection 2020- in process   Please join us at 10:00 am Eastern (daylight savings) time on Friday March 26, 2021, for the next in our series of webinars highlighting the graphic arts collection. Organized to coincide with the one year anniversary of India’s shutdown due to COVID-19, the March program is entitled: Mithila Art in…

[optimistictriumphcoffee]

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[viralvideofunda]

Hi readers, how are you? Mera naam Raghav hai aur main kafi handsome hoon. Main aj apke liye apni ek kahani le kar aya hoon. Kahani pard kar apko sabko bahot maja anne wala hai.

Par usee pehle main apko apne bare me bhi btana chahta hoon.Toh dosto bina kisi deri ke main apko apnr bare me btata hoon. Main kafi handsome hoon. Aur mere lund ka size bhi kafi acha hai.

Mere lund se kayi ladkiyo ki choot ko aram milta hai aur kafi shant bhi hoti hai. Mujhe wese choot se jyada gand ko marne me bahot majaa aata hai. Aur aye bhi kyu na akhirkar gand hoti hi itni mast hai ki pucho mat.

Chalo ab main apko apni kahani par le kar chalta hoon. Toh bat ye tab ki hai jab main apni bua ki beti ki shadi me gya hua tha. Shadi ko toh abhi ek mahina baki tha par maij pehle hi pahonch gya tha.Main unke har kam me help karwaya karta tha kyoki unhone mera kam ho yahi bandha tha.

Mujhe ye sab karne me bahot maja ata tha aur aye bhi kyu na aakhirkar meri bua ki ladki yani ki meri behen ki shadi thi jo ki sabse badi thi.

Ab aise hi main kam me laga hua tha aur tab mujhe unke kiraye daro se mulakat hui. Unki beti Shalini mujhe pehli najar dekhte hi pasand aa gyi thi. Wo itni sundar thi ki pucho mat aur toh aur uske kaafi lambe baal the jisko dekhte hi mujhe usse pyar ho gya tha.

Main bas jabse use dekha tha tab se main bas usi ke piche fira rehta tha maij bas chahta tha ki kisi bhi tarah ye mujhe mil jaye aur main isko apna bna loon humesha ke liye. Par mujhe kuch samjh nhi aa rha tha ki main karu toh kya karu.

Main kisske pas jau jisse ki wo man jaye aur tab mere samne pooja aa gyi. Pooja meri bua ki choti wali beti thi yani ki meri choti behen. Tab main usse mila aur maine pooja se kha ki maine tumse kuch baat karni hai.

Pooja – Han bhai bolo kya bat hai.

Main – Dekho pooja mujhe galat mat samajhna par main kiraye daro ki ladki shalini ko bahot pasand karta hoon aur usee payar karta hoon aur use pana chahta hoon.

Meri ye bat sun kar wo shock ho gyi aur agle hi pal boli.

Pooja – Bhai ek bat main kehma chahati hoon.

Main – Han kaho na kya kehna hai.

Pooja – Bhai jis tarah ap shalini ko pyar karte ho thik usi tarah main apko pyar karti hoon.

Aur ye keh kar usne mere hontho ko chusna shuru kardiya. Tab main bhi behak gya aur khud hi uske hontho ko chusna shuru kardiya. Ab aise hi humare beech chumma-chatti chalti rehti thi.

Aur toh aur wo bhi mere sath hi soti thi toh hum rat ko daily ek dusre ke hontho ko chus kar sote the . Aise hi do char din nikal gye aur fir ek rat mujhe neemd nhi aa rhi thi toh maine usle hontho par halka sa kiss kiya.

Pehle toh mujhe lga ki wo jaag jayegi par wo gehri neend me so rhi thi islye maine uske boobs ko hatho me le kar halka halka dabana shuru kardiya. Mere dabane se wo bhi abhi tak na uthi toh tab meri himmat aur bad gyi aur fir maine uski panty par hath lgaya toh maine dekha ki usne napkin lga rakha tha toh fir main bho so gya.

Fir jab subah hui toh maine use btaya, pehle toh use vishwas nnhi hua par bad e jab maind use napkin wali bat btayi toh use tab vishwas ho gya. Ab aisr hi ab humare beech pyar badta gya.

Ek raat ko maine uske hontho ko chuste hue uske boobs daba dale toh wo sihar uthi aur fir maine uske kapde utare par usne bra aur panty utarne se maana kar diya.

Toh tab maine uske boobs ko upar se hi chuma aur choot ko bhi upar se hi kiss karo toh wo sihar uthi. Ab maine uska hath apne lund par rakha aur lund ko nikal kar uske hatho me de diya.

Toh wo use upar niche karne lav gyi jisse mujhe kafi maja aane lag gya.Ab aise hi kafi der tak karne ke bad wo gara hone lag gyi. Toh maine uski bra utar kar uske boobs ko chusna shuru kardiya aur fir aise hi panty bhi utar di aur use leta diya.

Ab aise hi maine use apna lund chusne ko diya toh wo chusne lag gyi aur maun uske upar 69 ki position me aa kar choof ko chatne lag gya aur wo mere lund ko chusne lag gyi. Fir uske aise karne se mujhe maja ane lag gya aur fir maine apna pani uske muh me hi nikal diya.

Fir thordi der bad maine fir se uske muh me dal diya aur lund ko chikna karke main uske upar aya aur uski choot ko lund se pelne lag gya. Mere aise karne se wo rone lag gyi aur fir uske bad maine bhi rehem na khate hue jabardast chudai jari rakhi.

Aur fur uske bad maine uski choot ko choda jisse use bhi maja aane lag gya aur wo bhi mera sath dene lag gyi. Maine use khoob choda aur kafi der tak chodta rha. Wo bhi apni gand hila kar maje le rhi thi aur main bhi uske boobs ko chuste hue uski choot ko mari ja rha thaa aur bas mari hi ja rha tha.

Bas aise hi kafi der ki chudai ke bad uski choot ne pani chord diya aur fir maine bhi uski choot ko apne pani se bhar diya aur uske upar girr gya.

Ye toh maine bas maje ke liye kiya tha asal me toh ye mere liye ek mohra thi asli shikar toh koi aur tha . Jiske pas iski help se hi jaya ja sakta tha.

To be continued…

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[pzirnis]

Women Fish Vendors

Shalini Karn painted Women Fish Vendors for the by-invitation-only International Folk Art Market (IFAM) in Santa Fe, New Mexico in 2019.  Her visa to attend the event was denied so I thought I would bring the work to you here.

 The painting is striking in its symmetrical tripartite composition. Against a background of curving branches of green and yellow leaves dotted with red berries three women fish vendors occupy the entire top half of the canvas. They share the space equally, each one under a similar canopy on bamboo poles. The bottom half of the canvas is divided by their displays of fish, each display directly in front of each of the women. Three spaces set over three spaces - six frames in all for the art. Meanwhile, elegant black crows with white stripes march across the tops of the canopies adding a touch of whimsy to an otherwise formal design.

  The  women in their simple saris appear as confident figures sitting purposefully, proudly with their attractive arrangement of fish for sale.  The central figure immediately catches our attention.  While her two companions on either side are shown in profile, relaxed, waiting to sell their fish, she boldly confronts passersby with her direct gaze to have them stop and take a look at her fish. Waiting is not her game.  The displays themselves are a delight of artistry and imagination.  The large glass vat is swimming with small fish their scales flashing bright colors in the blue water while the middle display of large yellow and aqua colored fish sits on a bed of green leaves artfully surrounded by heaps of small fry fish.  A shallow tank filled with the supple curves of swimming grey carp is the third display. Their dark bodies, white heads and curling mustaches clearly visible against the lighter grey of the tank.

The artist presents a wonderful tableau of women fish vendors and also shows that selling fish at a market is no simple matter but requires confidence, courage and a bit of art in attracting customers.  

Signed by Shalini Karn the work is acrylic on canvas.  Overall dimensions are 60x54 in. but picture size is 42x35 in. 2019.