#shoair

[arablit]

Two Palestinian Novels Make 2024 International Prize for Arabic Fiction's 6-Book Shortlist

FEBRUARY 14, 2024 — The shortlist of the 2024 International Prize for Arabic Fiction was announced today, at a press conference in Riyadh. The six-book shortlist was announced by this year’s Chair of Judges, Syrian writer Nabil Suleiman, who was joined by judges Sonia Nimr, František Ondráš, Mohamed Shoair, and Hammour Ziada, as well as IPAF’s Chair of Trustees Yasir Suleiman and the prize’s…

[sam-amr]

Egyptian Fashion Model and Film actress Laila Shoair with great Sphinx in 1963 ❤️

[8dom25]

DHSMFDNSTP 만남사이트 많은 걸 보여준다

다 알지만, DHSMFDNSTP 만남사이트 구경 잘했다, 얼마전에 DHSMFDNSTP 만남사이트 여기 아직 모르셨나요DHSMFDNSTP 만남사이트 바로가기: bit.ly/4175Wvq지의 머릿속엔 하나도 들어오지 않고 있다. 주 샤에(shoair) : DHSMFDNSTP 만남사이트 샤워(shower)와 공기(air)의 합성어이다. 자체 내장된 패션에 관련된 정보를 이용해 사용자가 요구하는 스타일로 연출해준다. 프랑스 국영기업인 르 빠르디안에서 한정 생산을 DHSMFDNSTP 만남사이트 하는 관계로 수요는 넘치지 만 공급은 항시 부족한 실정이다. 현재 한국에 들어온 수량은 많게 잡아봐야 1000개 하느라 내 쪽에 신경을 쓰지 못한 게 첫 번째 DHSMFDNSTP 만남사이트 원인이다. 차라리 이 아저씨가…

[j54b1o]

등산카페추천 보셔도 됩니다 #인기성인만화 #소셜채팅사이트 #mailssa6 ＞ bit.ly/3OyWEjP

등산카페추천 보셔도 됩니다 #인기성인만화 #소셜채팅사이트 #mailssa6 ＞ bit.ly/3OyWEjP

술 먹고 등산카페추천 좋은 둔부다..이분 등산카페추천 링크올려봅니다!등산카페추천 바로가기 주소 ▶▶ https://bit.ly/3OyWEjP 나도 들어오지 않고 있다. 주 샤에(shoair) : 샤워(shower)와 공기(air)의 등산카페추천 합성어이다. 자체 내장된 패션에 관련된 정보를 이용해 사용자가 요구하는 스타일로 연출해준다. 프랑스 국영기업인 르 빠르디안에서 한정 생산을 하는 관계로 수요는 넘치지 만 공급은 항시 부족한 실정이다. 현재 한국에 들어온 수량은 많게 잡아봐야 1000개를 넘지 못하는 . 겉모습에 속아서 청춘을 망치는 건 곤란하잖 아. 날 등산카페추천 놀리는 게 분명하다. 하지만 이 상황에서 긴 치마를 나풀거리며 춤추지 않게 되 었다는 것만으로도 다행이다. 만약 태자전하와 홀…

[bfy7xx]

삼성동소개팅장소 추천사이트 그래도 이정도면 만족 #20대당일만남 #다프리 #옆태 ＞ bit.ly/3OMXERN

삼성동소개팅장소 추천사이트 그래도 이정도면 만족 #20대당일만남 #다프리 #옆태 ＞ bit.ly/3OMXERN

뜬금없이 삼성동소개팅장소 추천사이트 형님들이 또 한건 하심..이곳에 삼성동소개팅장소 추천사이트 여운이 남았습니다!삼성동소개팅장소 추천사이트 바로가기 주소 ▶▶ https://bit.ly/3OMXERN 이 밀려옴을 느꼈다. 자신을 계속 이렇게 높여주다가 한 순 삼성동소개팅장소 추천사이트 간에 떨어뜨려 버리는 것은 아닐까하는 그런 막연한 두려움… 특히나 저 인간이 아까 한 말들을 보면 충분히 그럴 수 있을 것이라는 확신이 들었기 때문이다. 친구들과 여전히 말을 주고받았지만 지금 현지의 머릿속엔 하나도 들어오지 않고 있다. 주 샤에(shoair) : 샤워(shower)와 공기(ai 16 19:16 조회:746 공룡 판타지 10175 레이니 이야기 레이니에게도 삼성동소개팅장소 추천사이트 봄이(14) 고생이 많네.…

[nickwilsonphoto]

Day 3 of VOS (Valley of the Sun) is today! Look forward to seeing everyone out there! #Twenty20 #Twenty20Cycling #FeltBikes #ZippSpeed #CatLike #shoair #getolympus #hoyafilter https://www.instagram.com/p/Bt_FE97gZkJ/?utm_source=ig_tumblr_share&igshid=63j96bqwxu2i

[kevinsumme-blog]

Coming live from the bottom of Columbine. Ready for Tomorrow at the Leadville 100. • • • • @ltraceseries @kendatire @orangesealed @esigrips @firstendurance @bonk_breaker @garmin @ltraceseries @kmcchain @seriouscycling @wedusport @wedu @bigwheelcoaching @girocycling @maviccycling @skratchlabs @smithoptics @stagescycling @rideshimano @aleusonlinestore @stravacycling @procyclery @kendamtb #kendatire #ridebiker #trainyourpotential #orangesealed #mtb #athlete #mountainbike #mountainbiking #mountainbiker #mountainbikes #foxmtb #mtblife #mtblove #mtblifestyle #summersleadville2017 #roadstoride #downhillbike #downhillmountainbiking #cyclocross #roadcycling #roadbikes #cyclinglife #cyclingphotos #cycling #USCUP2017 #SHOAIR #mtbracing #seriouscycling #iamspecialized #fitnessmodel (at Independence Pass, CO - Elevation 12,095)

[goseeartla]

Instagram Live with Catherine Wagner & Shoair Mavlian

LOS ANGELES- Please join Gallery Luisotti and Photoworks this Wednesday, April 22 at 11 am Pacific Time on Instagram for a live and lively conversation between celebrated Bay Area artist Catherine Wagner and the Director of Photoworks, Shoair Mavlian.

They will discuss her recent Damiani monograph Place, History, and the Archive and her decades long career investigating the context of places and…

[nqphotoblog]

Association of Photographers Free Talks

As part of our continued commitment to provide a service for the photographic community we are pleased to announce a series of inspirational, targeted talks covering the most serious aspects confronting the world of photography today. 

 AOP Board Member and photojournalist, Carol Allen-Storey will be in conversation with the most influential figures from the photographic community, such as 

Shoair Malian - Photoworks

Michael Benson - Photo London

Ben Burdett, Director - Atlas Gallery,

Hannah Watson -Trolley Books, to name but a few. 

To be accompanied by world-renowned photographers such as the AOP President, Tim Flach, Alys Tomlinson, Jillian Edelstein, Simon Roberts, Adam Hinton and more. 

The talks will cover subjects from personal projects, publishing, festivals, agencies, online exhibitions, fine art to commissioning editors and the resulting effects of the pandemic.

All talks are free. 

Registration for each talk will open two weeks prior to the scheduled talk, AOP Members will receive priority booking for the first week, opening it up to the wider community to register in the second week. 

(You can currently join for free as an Access member until the end of June 2020)

[arablit]

Edwar al-Kharrat’s Library: A Hall of Magic and Wonders

Edwar al-Kharrat’s Library: A Hall of Magic and Wonders

From our special section, edited and translated by Chihab El Khachab, on Edwar al-Kharrat and his library:

By Mohamed Shoair

Originally published on Medinaportal.com, 12 August 2019.

Photo courtesy al-Kharrat estate.

“Come right away.” A telegraphic message sent to Edwar al-Kharrat by a friend, the playwright Alfred Farag, changed his whole life. Al-Kharrat came down from Alexandria to join him…

[8dom25]

단체미팅후기 무료 한번 구경해보세요

농담아니고, 단체미팅후기 무료 좋은 구경 했네요, 매우 바쁘게 단체미팅후기 무료 다 있습니다단체미팅후기 무료 바로가기: bit.ly/4175Wvq휴대용 샤에(shoair)를 꺼냈고 모두의 표정은 그 순간 일제히 바뀌기 단체미팅후기 무료 시작했다. 어떻게 경 훈이 샤에를 가지고 있는 것인지 전혀 예상하지 못했다는 반응이다. 물론 현지 또한 이들과 다를바 없다. 화장실 단체미팅후기 무료 좀 다녀오겠습니다. 그... 그러세요. 화장실로 간 경훈은 샤에의 모니터 화면에 나타나는 지시대로 먼저 머리를 다듬기 시작했다. 헤어 스타일링부 터 세안 런 사람..... 아니 엘프가 있을텐데? 어디에 있지? 주위를 둘러보는 단체미팅후기 무료 날 보며, 부스트씨가 가르쳐준다. 아르메리아라면, 저기 있어. 역시 애인이…

[bfy7xx]

여자친구생기는법 무료 최고라고 기꺼히 말할수 있다 #즐거운데이트 #원나잇채팅어플후기 #marumaru.baby ＞ bit.ly/3OMXERN

여자친구생기는법 무료 최고라고 기꺼히 말할수 있다 #즐거운데이트 #원나잇채팅어플후기 #marumaru.baby ＞ bit.ly/3OMXERN

부부들아, 여자친구생기는법 무료 여긴 여전하네요..남자와, 여자친구생기는법 무료 알려드릴게요!여자친구생기는법 무료 바로가기 주소 ▶▶ https://bit.ly/3OMXERN 간적이었다. 그런 건 아니고, 사실대로 말하자면 일종의 현지씨 개인비서 여자친구생기는법 무료 정도라고 할까요?개인비서요? 그렇습니다. 그런 모습으로… 아마도 선미의 다음 말은 그 꼴로 비서가 어울리겠느냐는 것이었으리라. 머쓱한 표정을 지어보인 경훈은 외투 주머니속에 넣어 둔 휴대용 샤에(shoair)를 꺼냈고 모두의 표정은 그 순간 일제히 바뀌기 시작했다. 어떻게 경 훈이 하긴 기억할 정 신도 없었지만. 이 연회장이 마음에 드나요? 여자친구생기는법 무료 레이니 양. 으. 어쩐다. 그래도 친절하게 날 안내하는 태자전하의 마음을 상하게…

[kevinsumme-blog]

On course Leadville 100 MTB. Looking forward to Saturday. • • • • @ltraceseries @kendatire @orangesealed @esigrips @firstendurance @bonk_breaker @garmin @ltraceseries @kmcchain @seriouscycling @wedusport @wedu @bigwheelcoaching @girocycling @maviccycling @skratchlabs @smithoptics @stagescycling @rideshimano @aleusonlinestore @stravacycling @procyclery @kendamtb #kendatire #ridebiker #trainyourpotential #orangesealed #mtb #athlete #mountainbike #mountainbiking #mountainbiker #mountainbikes #allmountain #mtblife #mtblove #mtblifestyle #downhillmtb #roadstoride #downhillbike #downhillmountainbiking #cyclocross #roadcycling #roadbikes #cyclinglife #cyclingphotos #cycling #USCUP2017 #SHOAIR #mtbracing #seriouscycling #iamspecialized #fitnessmodel (at Leadville, Colorado)

[stefaniemoshammer]

“C/O Berlin is delighted to award the first C/O Berlin Talent Award in the photography category to the Austrian artist Stefanie Moshammer (b. 1988, Vienna). Stefanie Moshammer and her work won over this year’s jury members—Diane Dufour (LE BAL, Paris), Shoair Mavlian (Tate Modern, London), Aaron Schuman (freelance critic and curator, London), Anne-Marie Beckmann (Deutsche Börse Photography Foundation) and Ann-Christin Bertrand (C/O Berlin)—as an extraordinary example of the current debate on the discourse surrounding the topic of New Documentary Photography. Her solo exhibition at C/O Berlin will allow her to present her work to a broad public at an international level.”

[fotomonday]

Regine Petersen - Find a Fallen Star

In conversation with Shoair Mavlian, Tate Modern London

Meteorites are fragments of rock and metal left over from the formation of the universe billions of years ago. Occasionally these ancient objects, shrouded in myth and mystery, fall to earth causing ramifications far beyond their physical impact. It is this moment of contact, this collision between ancient object and everyday life on earth, which excites Regine Petersen and acts as the starting point for her photographic project Find a Fallen Star. Each chapter in this three part project is equally complex with multiple trajectories investigating the lives of those affected by the fall. Evolving over a four-year period, Find a Fallen Star saw Petersen travel to many often obscure locations, their randomness mirroring the arbitrary nature by which meteorites fall to earth. Stars Fell on Alabama takes us to Oak Grove Alabama, 1954 and chronicles the story of Ann Hodges who was struck when a meteorite came crashing through the roof of her house. Fragments transports us to Ramsdorf, Germany 1958, and investigates the account of five children who discovered a meteorite and divided it between them. The Indian Iron is played out in Rawatbhata, India 2006 where a meteorite was found by two nomadic shepherds. Artist often delve into archives to uncover new perspectives on past events, however what stands out about Petersen’s project is the overall clarity of her conceptual approach. For Petersen these instances of human encounter with meteorites are not just the subject but something that fascinates and provokes further investigation, a gateway into a particular time and place from which to uncover a complex narrative and reveal what lies beneath. In Find a Fallen Star archival material, documents and found photographs are carefully selected, edited and placed alongside Petersen’s own images, each fragment playing an equally important role in the larger narrative. Each chapter is succinctly assembled to reveal a unique perspective on the past and present, balancing layers of history and intertwined stories that are often rooted in failed memory and myth. Meteorites have intrigued humans for thousands of years. How did your fascination with them come about? The story of Ann Hodges is what caught my attention in the first instance and it was more the absurdity of the event that resonated with me. I then started to look more closely at the objects themselves, the meteorites, and I realised that they could not only be looked at in museums but that they were quite easy to get access to. I remember holding my first meteorite in my hands and recalling the sheer weight of it. There are several recurring expressions used by collectors and scientists, for example that a meteorite is ‘the oldest thing one can touch’, ‘the poor man's space probe’ or ‘a window into the early solar system’. These notions all refer to the tangibility of an object that originated so far back in time and at such a great distance that it is unimaginable for us. The most primitive of meteorites are made up of the first material that gathered in our solar system, and they haven't changed since. When we look at the inside of a meteorite we look at an index of something that happened more than 4.5 billion years ago. Is it this expanse of time and space which adds to the mystery and myth that surrounds them? Absolutely, and there are many other interesting perspectives. Meteorites are religious, scientific and historic objects, they are also objects of desire and projections of a various kind. They fall without warning and remind us of our place in the universe, and I think it is that interruptive force and randomness that has a lot of potential. It is almost as if they light up a stage at a certain place in time, putting random people in the spotlight and letting their stories unfold. Over the years there have been many incidents where meteorites have fallen to earth, what was it about these individual stories that drew you in to investigate further? Yes, there are many interesting stories surrounding meteorite falls and these three were not the only ones on my mind. I knew from the outset that it was important to make the work in disparate places, with different cultural settings, in order to position myself in several different ways and to look at some of the similarities and differences. But most importantly the initial story needs to somehow strike a chord with me, and then my choices are mostly intuitive, I go with what gets my thoughts moving and what has the potential to take me on a journey. So you took a different approach depending on what struck you about each individual story? Yes, Fragments developed in an interesting way when I realised how different the testimonies of the witnesses were. The official romantic story of five children finding a meteorite, breaking it into pieces and sharing them in a secret act suddenly developed other levels of meaning. For me it became a tale of hurt feelings among estranged friends, of the fallibility of memory, and of the way that history is constantly being constructed. There is also a playful side to the project and an excitement in putting a finger on a particular spot on the map that I knew nothing about and pursuing to get there. Actually, the village in Rajasthan where I researched The Indian Iron cannot even be found on a map, it is so small and far off. The scarce documentation totally contrasted the amount of press coverage in Stars Fell on Alabama. I only had one newspaper article from The Hindu about two shepherds who witnessed the fall and beat the meteorite with sticks. I expected them to be superstitious, because I read of several cases where meteorites were thought of as demons. It turned out the shepherds had much more pragmatic reasons. I also felt India needed to be part of the project because there have been so many witnessed meteorite falls there. It's for the simple reason that there’s less of a chance for a rock to land on uninhabited space. Most of these meteorites are locked away in an old colonial building in Kolkata and they are shrouded in mystery. The unexpected random nature of meteorite falls means that there is no image of the fall itself, and your investigation always starts after the event, in most cases many years later. In Stars Fell on Alabama and Fragments you are investigating events which happened more than fifty years ago, how does looking back into the past change the way you approach the story? I was very aware of the passing of time in these two chapters. Many of the main protagonists in Stars Fell on Alabama are not alive anymore. Eugene, Ann Hodges' husband, died two weeks before I arrived in Alabama at the age of 89. This definitely affects the way I go about the research. The events lie in the past and have become part of a myth. People are elderly and don't remember things very well, and it became profoundly tangible for me how history is being remembered and what gets lost in the process. The work is as much about what is inaccessible than about what is revealed. But time is not the only obstacle I encountered, for example in The Indian Iron there too is absence and opacity. As it turned out the shepherds were nomads who were never seen again by the villagers. There are also the obvious barriers of language and translation I experienced. The information is there but it cannot be deciphered. But that is the way we experience the world, in a fragmentary and biased way, and complex histories get lost in time or translation. There are many layers of the project: the meteorite fall is the common link between all three chapters, however the individual stories tell us much more about the specific location and society at the time. It is this complexity that, to me, makes the work so interesting. Some of them are quite personal stories, how did you go about what to reveal?There were many decisions to be made. A lot of my time was spent reducing the material. But it is important for me to leave space for thought and to not expose too much about the people in the story, it really is a balancing act. During my research I came across some deeply intimate documents and testimonies, some of which made me very sad and it just felt wrong to show them. There was also a lot of tension present between some of the witnesses and I decided to only occasionally hint to this. Due to the cameras ability to record we often mistake photography as being able to stand in as evidence of an event. Are you contributing another layer of evidence to the stories and have you now become part of the story yourself? Particularly in relation to The Indian Iron where an article was published in a local newspaper about you that you then included in the work. Yes, I'm very much part of the story, at least the one I'm telling. Taking photographs for me is a means to reflect my relationship to the world. The work is highly subjective in that it deals with the questions I became occupied with. It does provide a glimpse of what happened, but it's not a reconstruction of the past. The truth lies somewhere outside the frame. That is the problem and the potential of photography, too. Shoair Mavlian, Assistant Curator Photography, Tate Modern, London, 2015

Source: http://www.reginepetersen.com/find_a_fallen_star.php

[miss-rosen]

EXPLORING A CENTURY OF PHOTOGRAPHY AND ABSTRACT ART Miss Rosen for Feature Shoot

The history of painting and photography has been infinitely, intricately intertwined, ever since the camera first introduced a new way of looking at the world. In its first century, the impact on painting was much more pronounced, as artists like Edgar Degas began cropping his scenes of daily life as a photographer might, while Claude Monet discovered that act of chasing light ultimately brought about a shimmering mirage of sensations, much as they did inside the darkroom when exposed to silver gelatin paper.

But it wasn’t until the advent of abstraction that painting and photography operated in concert, each pushing each other forward with the constant exploration of style and technique. In celebration of the first century of this fascinating dialogue, editors Simon Baker, Emmanuelle De L’Ecotais, Shoair Mavlian have put together Shape of Light: 100 Years of Photography and Abstract Art (D.A.P./Tate), a catalogue for an exhibition of the same name on view at the Tate in 2018.

Read the Full Story at Feature Shoot

Top: Maya Tochat. Meta Love 2018, from the series A Rock Is A River, 2018. Variable techniques and dimensions

Bottom: Daisuke Yokota. Untitled From Abstracts series, 2014. Pigment print, dimensions variable