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#side models icons
dlicategallery · 1 year
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☾ ⋆*・゚:⋆*・゚Site Models icons
• like or reblog if you use!
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whaliiwatching · 1 month
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haunts the punk rocker with gay thoughts
prompt: dream
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iconsfilm · 10 months
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rachel zegler icons | like or reblog if you save
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kyunyu3 · 3 months
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🎸 在哪里? ⣔
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archivosprada · 2 months
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SITE MODEL ICONS
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@ archivosprada on twitter
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redrevelies · 5 months
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Psd by @miniepsds
Créditos não são obrigatórios, porém são bem vindos.
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riomarks · 1 month
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one-teenage-mess · 1 year
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Clara was actually fucking stroking Ashildr's face on the Mire ship when Ashildr wakes up. Like can you be more gay?
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thatshautee · 2 years
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parasiteicons · 2 years
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like or reblog
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moe-broey · 1 year
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I'm too lazy to illustrate it (plus I think I'd get too caught up in the process LMFAO) but when drawing/adding personal touches to Lif's design I am channeling Lio Fotia Promare for his armor (ESP the Mad Burnish armor) Lewis Mystery Skulls (less aesthetic similarities reflected but like, kinda similar broad chested body type similar vibes and important heart motifs) (heart motif isn't pictured in this Lewis image but if you've seen the animated music vids you get it) and literally just any 2D animated Disney villain who is Shaped and Dramatic (and has a huge fucking cape or coat -- tbh the specific ones I think about are Maleficent and Cruella just from the dramatic/big cape standpoint, purely aesthetic)
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(fuck it after a lot of thinking Hades is a good one too)
#no main tags about it but. i need everyone to understand my vision.#ig maleficent is more sleek than i'd ever draw lif but it's about vibes. fucked up dramatic evil vibes.#when it comes to body language i am always imagining him moving around in that dramatic disney villain way too#like i adore the serious art of him that captures his canon very well i adore seeing his severe and threatening side#but to me when i portray him he is just a little campy.#i can't help it LMFAO everything i touch gets a little silly and gay AGSJHAKSKAK#THE FLOURISH. THAT'S WHAT I'M ALWAYS IMAGINING. THE EVIL FLOURISH.#and like v important he's still so serious. and angry and full of grief. a threatening foe and liability as an ally.#someone you love but don't fully trust.#i feel like i. don't always capture the full scope of complexities in my work. too busy staying silly ig LMFAO#fe lif#<- one main tag actually. but only so i can find this later on my blog if i need it 👍#THINKING THIS OVER AGAIN the reason i gravitate towards maleficent is bc of the Sharpness in her design#like dr facilier/the shadow man could fit v well here too aesthetically and hades thematically esp#but also full disclosure i haven't watched any classic disney movies in years LMFAO#literally was just frantically looking up 'most iconic classic disney villains' to look at their character sheets#bc i was SO hard pressed by the maleficent inspo. i feel like she is the EPITOME of dramatic disney villain#and i happened upon cruella and was like OH FUCK YES BIG FUCKING FUR COAT!!!!!!!!!!!! implementing this forevwr now#pouring over model sheets i almost feel like dr facilier is a bit too flamboyant actually?#like he's too playful actually. fantastic vibes but not quite for lif.#i think hades captures the silliness/exaggerated rage/movementa i think of and cruella also captures this#AND she has the big fur coat. i desperately wanna watch 101 dalmatians now LMAO#just to see how her coat moves and the weight of it.#but also i think maleficent captures the Classic dramatic and severe villain i was also imagining.#she has a lot of seriousness to her too. plus big cape. and drama. ect.#CATEGORY 5 AUTISM MOMENT. I KNOW. I NEED TO STOP THINKING I WANNA DO SALMON RUN
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z0ile · 2 years
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(^_−)−☆ new here
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bengallemon · 2 years
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He looks like he's dissociating so hard
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poisonouspastels · 7 months
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There's gonna be a big MC AU megaref update soon btw
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genderkoolaid · 1 year
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Mustarjil is an Arabic term meaning “becoming [a] man.” Although it can be used derogatorily to refer to women who are perceived as having a masculine appearance and/or mannerisms, in Iraq’s marshes, it existed as a gender identity. Within the context of the Ahwari community, Mustarjil was a common gender identity, where people assigned female at birth decide to live as a man after puberty, and this decision was generally accepted in the community. The Mustarjils were one of many similar third gender categories around the world, such as the Hijras in South Asia. [...] “One afternoon, some days after leaving Dibin, we arrived at a village on the mainland. The sheikh was away looking at his cultivations, but we were shown to his mudhif by a boy wearing a head-rope and cloak, with a dagger at his waist. He looked about fifteen and his beautiful face was made even more striking by two long braids of hair on either side. ln the past all the Madan (Ahwari) wore their hair like that, as the Bedu still did. After the boy had made us coffee and withdrawn, Amara asked, ‘Did you realize that was a mustarjil?’ I had vaguely heard of them, but had not met one before. ‘A mustarjil is born a woman’. ‘She cannot help that; but she has the heart of a man, so she lives like a man.’ ‘Do men accept her?’ ‘Certainly. We eat with her and she may sit in the mudhif. When she dies, we fire off our rifles to honour her. We never do that for a woman. In Majid’s village there is one who fought bravely in the war against Haji Sulaiman.’ ‘Do they always wear their hair plaited?’ ‘Usually they shave it off like men.’ ‘Do mustarjils ever marry?’ ‘No, they sleep with women as we do.’” Thesiger continues to narrate several other accounts of mustarjils within the same community, as well that of a “stout middle-aged woman” who wanted to remove her male organ in order to “turn into a proper woman.” Thesiger later mentions: “Afterwards I often noticed the same [person] washing dishes on the river bank with the women. Accepted by them, [she] seemed quite at home. These people were kinder to [her] than we would have been in our society.” Around that time, Britain was still living under the shadow of Victorian norms, and gender non-normative people were still stigmatized and shunned. Communities such as the Ahwaris, presented an alternative model that created space for communities like the mustarjils, despite the dominant gender binary. 
— Recovering Arab Trans History: Masoud El Amaratly, the Folk Music Icon from Iraq’s Marshes by Marwan Kaabour
#m.
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archivosprada · 7 months
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DUA LIPA ICONS
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@ archivosprada on twitter
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