Tumgik
#simon lindstrand
davidosu87 · 5 years
Link
Tumblr media
0 notes
mia-decorative · 3 years
Photo
Tumblr media
Shark Killer, Vicke Lindstrand, 1950 (designed 1937), Minneapolis Institute of Art: Decorative Arts, Textiles and Sculpture
Copper wheel engraving When Vicke Lindstrand arrived at Orrefors in 1928, he designed for the traditional copper-wheel engraving technique employed by Simon Gate and Edward Hald since the 1920s, but he introduced a new dynamism not seen in their work. Shark Killer was one of several variations on a theme Lindstrand developed in the 1930s that featured muscular male figures and used the surface of the glass as part of the overall design. The ingenious effect is clear--the swimmer looks across to the other side of the vase at his adversary. Size: 7 3/8 x 10 1/4 in. (18.7 x 26.04 cm) Medium: Blown and engraved glass
https://collections.artsmia.org/art/28107/
2 notes · View notes
docrotten · 4 years
Text
The Phantom Carriage (1921) – Episode 85 – Decades of Horror: The Classic Era
“Though horse and carriage are always the same, the driver is not. The last soul to die each year - the one who passes over at the stroke of midnight - is destined to be Death's driver for the following year.” Sounds like a good gig except they left out the “one night is like 100 years” part. Join this episode’s Grue-Crew - Whitney Collazo, Chad Hunt, Jeff Mohr, and listener guest host Daphne Monary-Ernsdorff - as they travel to Sweden for a silent ride in The Phantom Carriage (1921).
Decades of Horror: The Classic Era Episode 85 – The Phantom Carriage (1921)
On New Year's Eve, the driver of a ghostly carriage forces a drunken man to reflect on his selfish, wasted life.
IMDb
  Director: Victor Sjöström
Writer: Victor Sjöström; Selma Lagerlöf [based on the novel Thy Soul Shall Bear Witness! (Körkarlen; 1912) by the Nobel prize-winning Swedish author] 
Cinematography by: Julius Jaenzon (as J. Julius)
Editorial Department: Eugen Hellman - color timer: negative cutter (as Eugén Hellmann)
Cast
Victor Sjöström as David Holm
Hilda Borgström as Anna Holm
Tore Svennberg as Georges
Astrid Holm as Edit
Concordia Selander as Edit's Mother
Lisa Lundholm as Maria
Einar Axelsson as David's Brother
Nils Aréhn as Prison Chaplain
Tor Weijden as Gustafsson
Simon Lindstrand as David's Companion
Nils Elffors as David's Companion
John Ekman as Police Constable
Victor Sjöström’s The Phantom Carriage is a groundbreaking silent film for both its narrative structure and its multiple exposure visual effects. This episode’s Grue-Crew marveled at the depth of the character development. They’re also wowed by the effective use of up to four-layered multiple exposures. The film also incorporates social problems of the times - alcoholism and tuberculosis - that resonate with ills of the current times. Of course, the crew discusses the legendary scene that inspired the “Heeere’s Johnny” scene in Stanley Kubrick’s The Shining (1980).
The Grue-Crew universally regard The Phantom Carriage as a remarkable film. It is currently available to stream on the Criterion Channel and on physical media as a Criterion Blu-ray disk.
Chad, Whitney, and Jeff give a big Grue-Crew thank you to Daphne Monary-Ernsdorff for her insightful contributions to this episode … and for reading the book! 
Gruesome Magazine’s Decades of Horror: The Classic Era records a new episode every two weeks. The next episode in their very flexible schedule, chosen by their next super-secret guest host, will be Onibaba (1964), a Japanese film written and directed by Kaneto Shindô, loosely based on a Shin Buddhist parable.
Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans: leave them a message or leave a comment on the site or email the Decades of Horror: The Classic Era podcast hosts at [email protected]
To each of you from each of us, “Thank you so much for listening!”
Check out this episode!
0 notes