#so it really is a heartbreaking scene irrespective of how you play it

[choices-and-voices]

“The purpose of playing, whose end… was and is, to hold as ‘twere the mirror up to nature” – William Shakespeare, Hamlet Act 3 Scene 2

Part 2/2, Lancelot’s scene

[imaginariaextraordinaire]

So much of this episode is about the unacknowledged labour of women, the sexism they face in different areas and the various methods women adopt to negotiate it.

Ji-Woo is such a great character because the show takes the idea of a film star and layers it with angularities and tenderness. She's well aware of what she's sacrificed on the personal front to become the successful professional she is in the present. I love how she's neither ashamed of it nor does she ignore that its a choice that came with lots of unpleasant baggage. We get a sense of this awareness in the conversation she has with Seon-Gyeom in the parking lot (it's also striking me as I rewatch the show that there's a beautiful little arc of Seon-Gyeom and Ji-Woo building a mother-son relationship almost from scratch).

The church scenes are also a great example of show-don't-tell storytelling. While Assemblyman Ki has to bribe and flatter people in order to get their attention, adoring gazes turn to Ji-Woo seemingly automatically. Except of course, it's not automatic, as the conversation with Ms Dong reminds us. Her fame as an actress is the result of hard work and putting everything else aside. I love the easy understanding between Ms Dong and Ji-Woo — both working women, both mothers. There's no shame in Ji-Woo asking Ms Dong to look out for Seon-Gyeom and no recrimination when she says Seon-Gyeom is closer to Ms Dong than he is to his mother. It takes a village, people.

In Ji-Woo and Seon-Gyeom's chance meeting at the parking lot, there's something tentative and formal about them. They're both putting up façades — Seon-Gyeom's polite mask, Ji-Woo's tinkling laughter — although she does allow him to glimpse what lies beneath. Ji-Woo only drops a vague mention of Assemblyman Ki making life miserable for the rest of the family because Seon-Gyeom isn't falling in line. It's obvious from both mother and son's body language that she doesn't need to elaborate. What's lovely though is that there's no complaint in her tone. She isn't telling Seon-Gyeom this detail so that he feels guilty; quite to the contrary. The laughter and ease of her body language is reassuring, as though she's subtly telling him that she can handle this.

While we're on Ji-Woo, how great is her barely-concealed impatience with all the smiling and greeting and praying in church!

I'm not sure what I love more — the shot of a the stained-glass Jesus, looking pained while the minister thunders out a prayer for Assemblyman Ki; or the fact that the very next scene shows a kid throwing a tantrum in a supermarket. It cannot be a coincidence that this is the one time that Seon-Gyeom is filmed from an angle that makes it look like he's descending down upon the kid (whom he bribes with a chocolate bar). Particularly love the longing on the kid's face as she stares at the retreating figure of the divine Seon-Gyeom.

The scene between Mi-Joo and Seon-Gyeom outside his hotel is so heartbreaking to watch and it's the first time we understand just how hard Mi-Joo is on herself. All this began with a drunk professor making offensive, sexist comments that demeaned Mi-Joo, but to explain all that to Seon-Gyeom feels almost indulgent so she takes the blame. She's the disappointment — for being poor, for being seen as someone who can be bribed, for having taken the money. She doesn't hear him when he places the onus of the blame on his father. It's so achingly obvious that all her belligerence is posturing and she's ending the budding relationship between her and Seon-Gyeom because she doesn't think she deserves him.

Thank the gods for May. Even if she and Mi-Joo start off at odds, it takes only seconds for them to be in sync. God bless the womance.

You've got to feel thankful for the family of choice when Dan-Ah bumps into human-trash brother. He's a strong reminder of the everyday sexism in society and how privilege doesn't mean you're protected from this venom.

Over the course of Run On, Dan-Ah figures out how to fight her battles in her own way, rather than by employing toxic methods, like putting her (half-) brothers down because society considers them illegitimate. At this point though, while her brother is disgusting and Dan-Ah is obviously nothing like him as a person, the weapons she uses to fight him — hierarchy, contempt, violence — are the same as those he uses on her.

In the middle of all these tortured, messed-up men, the kids are alright. We know this from not only the way the schoolkids whom Seon-Gyeom coaches react to the bullying scandal — interesting that the children have more perspective than the grown-ups who care about appearances rather than the truth — but also thanks to Yeong-Hwa.

I love Dan-Ah trying to subtle suss out exactly how young Yeong-Hwa is when he and Ye-Joon come to Dan-Ah's office. I also love how not for a second does Yeong-Hwa, for all his puppy-eyes, call her "noona". There's no ambiguity about this relationship. Also, while I still can't find anything remotely good to say about those wretched paintings, the idea that art forges connections irrespective of social convention/ hierarchy is one that has my heart.

If the Gyeommi couple is all about being heard and understood, the Danhwa couple is all about being seen for what you really are.

Speaking of Gyeommi, how cute is it that Woo-Sik is the one playing Cupid! In this episode, Seon-Gyeom is frequently reminded of how alone and solitary he is, but what we also see is that he's building friendships. The relationship with Woo-Sik changes from that of a senior with a junior colleague to something softer, warmer. With Mi-Joo, particularly at the dinner that Woo-Sik organises, you see Seon-Gyeom finding companionship as they attempt to set aside their attraction and actually understand each other. This is a relationship that works because they're so different. The fact that they don't think alike is why she can offer him the piercing insight of, "Why not include your failures as a part of your process?"

Also, what a bombshell to drop on audiences in a country (and continent) known for its fiercely competitive spirit... .

Rewatching this episode, Mi-Joo running back to home to translate the article in which Woo-Sik clears Seon-Gyeom's name reminded me of how different this is from the marathon run. Both times, she's running towards Seon-Gyeom, but this time it's more adrenaline than anything else and it's for him. It's the unthinking running that Seon-Gyeom told her about during their first drinking session — you're just running ahead, without looking back, focused on one external goal. The marathon run is much more internal as it pushes Mi-Joo to make peace with her past before she decides what she wants to run towards.

Also, looping back to that idea of unacknowledged women's labour, Mi-Joo works HARD to make sure the article goes viral and she claims no credit for it. She only tells an online group that she translated it because she knows that they will circulate it with more gusto if they know it's her work. This little snippet is also a good reminder that rarely do things go viral without a whole lotta effort from people in the background.

Finally, this hug in the rain turned me into full mush. By now, we know that Seon-Gyeom has grown up with very little affection. He prefers a hotel room to the family house. The only person he's felt comfortable enough to hug is the housekeeper. As far as he can tell, he has no friends (Woo-Sik and Yeong-Il will eventually set him straight on that account, but for now, he's utterly alone). At this point, the hug from Mi-Joo is something much more tender and basic than romantic love or sexual chemistry.

MJ: Don't tell me you don't know what I'm doing.

SG: I know. You're comforting me.

MJ: Correct.

I can't help but remember the later scene when they'll be on either sides of metal gates, when she won't reach out to him and he'll be upset that she won't trust him. Perhaps that's the difference between finding friendship and falling in love — they both can make you stronger, but the process is very different.

[andyquynhnickyjoebookernile]

Joe & Nicky (Part 2)

[Part 1]

Another thing the TOG fandom has picked up on is that while Joe might be the more romantic one, Nicky isn’t exactly subtle about his feelings for Joe. Like, in a single conversation, he calls Joe his destiny and the love of his life. Then his expressions throughout that whole “Nothing that lives lives forever” conversation is very telling.

Apparently, some people were wondering if they would follow through on the whole sleeping cuddled together thing but as far as I was concerned the follow through was never in doubt, the only thing that was a surprise was in regards to what shape it would take.

I still can’t imagine that the very next conversation we have featuring these two has Nicky taking a bull-dozer to everyone’s doubts. This conversation is literally too much, because it goes on to establish Joe and Nicky as an inter-racial, inter-faith couple who literally were on opposing armies in the CRUSADES, like I can’t even begin to fathom just how much these two much love each other to overcome such seemingly insurmountable odds.

But, more than anything what got to me was that Nicky is blatantly flirting with Joe when he replies to Joe’s “We killed each other” with “Many times” like this guy has zero chill when it comes to loving Joe, Zero.

And the worst part is that, these aren’t even the most romantic moments between them, like the worst is yet to come.

The Van Scene – God, how do I even begin to tackle that scene.

First of all, hands down it is the most romantic scene I have ever witnessed on screen and that is saying something because there are whole movies devoted to romance which don’t even come close to the level of emotion these two display in this scene. Like, how do you even come to terms with what this scene is.

From the very first “Nicolo” and that shoulder graze to that kiss, every beat in this scene keeps compounding the effect till your heart bursts with the sheer emotion coming across the screen.

Marwan Kenzari deserves a fricking Oscar for that performance because he fully committed to the scene. For anyone who couldn’t comprehend what their relationship must be like, he gives you the most effective crash course possible. Like, this is who they are, this is how much they love each other, this is how much it hurts to imagine life without the other even though you have been together for centuries, you still want more centuries together. This love which is as deep as an ocean and maybe even deeper because you can never find the end of it. It conveys all that and more.

I have seen that scene so many times but it manages to get me every time because it is just so sincere, that it’s heartbreaking and I feel like crying typing this because it is an overload of emotion that is just staggering in its depth.

I feel like I have almost memorized all the lines to the scene because it hits so hard, like it just goes all out and decimates everything in its path with just how powerful it is.

And it’s the little things that make the scene, the way Joe is speaking Italian when he is trying to get Nicky to wake up and then when he’s trying to get himself oriented. Like, the whole “Destati – Sono qui” thing is romantic as is but this train has no breaks and it keeps going.

In the middle of all this and amidst hostility from the guards, Joe decides to appeal to the guard’s humanity and tells him “I need to know if he’s okay”. Considering what follows we often overlook how powerful this statement is, I need to know if he’s okay because that’s the only way I’ll be okay. Like how will I figure out when I should release this breath I’m holding if I can’t ascertain that he’s okay. Like, that statement is in itself loaded with implications.

Then the dreaded question followed by Nicky’s not this again face, like the last thing you want to know when you have barely managed to orient yourself to your surroundings is the fact that you are surrounded by people who are biased against who you are from the get go.

The thing with that particular question “What is he, your boyfriend?” is that it is something you are supposed to vehemently deny. The question frames itself in such a way that it lends itself to denial irrespective of what the truth might be. It also plays into that whole if you show emotion you are somehow a lesser man thing, it’s also a rhetorical question, no one asking that question in that tone actually wants an answer to it, it’s a question that’s supposed to make you cower and afraid but well that question had clearly never met Joe.

He systematically takes the question apart and renders it powerless and he does it by showing them a glimpse of the love that lives under his skin, the love that is a living, breathing thing, a force unto itself, something so powerful it can’t be denied and he nails it.

Even though on the surface it’s about answering a question, we can all agree that the answer is meant for Nicky and Nicky alone. It’s Joe’s attempt to remind Nicky that no matter the situation they find themselves in, Joe loves him and no matter how dire things become as long as they are together they can get through it all. It is love wrapped in reassurance wrapped in comfort.

But, the sheer honesty and sincerity of it is staggering and makes the moment so poignant.

“I love this man beyond measure and reason. He’s not my boyfriend.”

This is where he turns to Nicky.

“He’s all and he’s more.”

It’s painful to experience so much emotion and the only one who could have taken this confession of love and known how to respond perfectly was the person this devotion was directed towards.

“You’re an incurable romantic.”

God, and that kiss. It is the biggest affirmation of their love and the fact that even when things seem dire they will always have this. Always.

The thing that really surprised me later is that Joe and Nicky haven’t had a single moment alone since the start of the film till they are strapped down together in a lab. Also, this is the first time when they are talking to each other, unobserved by others and the scene is so good.

I like how Nicky’s mind works. I mean the scene starts with Nicky dismissing his worries with the line “as much as I like to watch you sleep, I’m glad you’re awake” and Joe immediately turns it around to make Nicky laugh.

Joe like really gets Nicky, two times so far he has managed to diffuse the tension with his words and he makes Nicky just brighten up. Someone already pointed out that this is the first time Nicky laughs so openly, like these two instinctively get each other.

Well, then comes the Malta conversation and like I can’t get over the amount of innuendo they were able to compress into five words.

“Oh, that time in Malta.”

Like, it makes me laugh, it’s such a gooey scene.

These were the things that stood out during my first viewing. Tumblr has been amazing in educating me about “Nicky’s death scene” like that has been dissected and studied every which way. But, it is worth mentioning that the moment Nicky wakes up he touches Joe, first and foremost reassuring him and then immediately gets up to go help Andy.

These two are so incredible. I feel like there are lots of reasons for that. But, I think I want to do a quick recap of everything I missed the first time that made the sense the second time.

So, first off, this movie presents Joe and Nicky as a unit since the very first time Andy mentions them. Her question is just that – Joe and Nicky? The next significant moment is at the kill floor, the first thing Joe does on waking up is look towards Nicky only to find Nicky looking back, unfortunately they don’t cut back to Joe which would have made this even more apparent but they do share a look.

The next thing I can’t believe I completely missed on my first viewing is the way they fight. Truthfully, do all action movies, do this, like Nicky and Joe fight like they are telling a story. They are literally fighting half a fight that only makes sense when you put them together and they do it so effortlessly, that it feels so natural that you can’t even tell the amount of years spent fighting together that must have gone in to make this work so flawlessly.

Since the very first fight where they are completing each other’s moves and especially in the case of Nicky, keeping track of Joe’s weapons because Joe seems to discard his weapons before Nicky manages to get his hands on another one, like they are that in sync that they know how to complete each other’s moves instinctively.

Hands down, this was one hell of a phenomenal decision to have their very fighting style say something about their relationship and has this even been done before, like it’s one hell of a statement but like with everything it just builds up their story and their relationship even more.

Again, these two are incredible. Like, god I love them so much and this is just what we get in the movie like this is literally the tip of the iceberg they have a millennia worth of story beneath this and it shows.

These two are so incredibly in love but at every turn their love makes them stronger.

The movie sets these two up so well like even imagining these two together in a potential sequel has me breaking out in squeals, like literally if they make out, if they so much as touch one another, in fact forget about touching if they so much as look towards one another, it will be the best thing to happen ever. Because now we know just how deep this particular well of love runs which also, makes separating them a very interesting scenario but I would literally give anything for them to get some alone time in the next one, because I will probably die from the feels but it will have been worth it.

[machinehead]

RE:  PINEAPPLE SUNFLOWER SEEDS AND MORE

I don’t know if any you have tried this ridiculous experiment with sunflower seeds and/or pineapple, but the comments and this music video by nut job/ Head Case Floyd MC BBQ have kept me in stitches!! @mcbbq - Big Loads (music video):  https://youtu.be/s7wqVXBTRHI

And I couldn’t stop laughing at this photo:  https://instagram.com/p/BU4jHD1FDj_/ Dyin’ ova' here! This just in; my A&R head honcho Monte Conner tells me that veteran music manager Scott Koenig claims that pure Pumpkin Seed Oil produces HUGE loads! One more thing to try I guess... I have yet to see any results, but it is supposed to take a couple weeks. Below are 3 of the most interesting replies I recieved regarding muslim/gay friends. From:  Peter Southwood Sunflower seeds and pineapple - no fucking idea. Sounds like bullshit. Muslim Friends - Apart from having very few friends anyway, none at the moment. However, I have known plenty, and the one thing I know is that they are people first, Muslim second (unlike the majority of Christians I have met). The Muslim community in the UK don’t even recognise jihadists as being Muslim. They don’t want the three pricks who attacked London on Saturday to be buried with Muslims. Kathy Griffin - It’s all a matter of perspective. If there weren’t beheadings by extremists in the middle east, would we see the picture in a different light? If this were during the election campaign, would we see it as less disgusting? With what Trump has said about Muslims, trying to ban them from going to the US, people could see the image as a jihadist with the presidents head, and therefore an attack on America. Personally, I have no problems with the picture; not funny nor satirical, but controversial and too easy to be misinterpreted by those who want to. Gay friends - Can’t say much about having gay friends; as I mentioned before, I have very few friends as it is, let alone gay ones. However, being gay myself, I find it funny that it’s frowned upon in the metal community. Let’s face it, one of the most popular rock singers was gay (Freddie Mercury), and the main figure behind the leather look that a lot of metal bands and fans adhere to, Rob Halford, got his look from the Leather scene in the gay community! Personally, I’m not worried about being open at a metal gig. In fact, whilst queuing outside the Hammersmith Apollo to see you guys, I got speaking to a couple of others. When they asked if I was married, I told them that my boyfriend and I were waiting for a while. We then went on to have a fucking fantastic time inside. The fact that I’m in the UK and not the US may explain it somewhat; there’s no-where near the level of bigotry over here. There are still some fucktards, but I’ve been lucky enough not to have come across them (not that I would, even if they wanted it!) From:  Waseem Ahmed Mr Flynn A 43 year old Londoner here who’s been listening to your music since 1994, well-kept digipaks of Burn My Eyes and TMTC proudly sat in my music collection, along with your other releases. And a muslim too. And I naturally know shedloads of muslims, both professionally and personally. Last Sunday, I was on the underground on my way to the theatre in the Covent Garden area with my kids. My sister sat opposite me, still heavily mourning the loss of her childhood favourite Chris Cornell. I received a text from a friend in Paris asking me to be careful as emotions would be running high following the London Bridge incidents. I responded that I’d be fine, "I’m wearing a Machine Head t-shirt so everyone will love me." Then it hit me. We’ve reached a point in London, one of the most awesome multicultural cities in the world, where we are now having to explain ourselves and how we differ to the maniacs that wreaked havoc in Manchester and London. Passing questions. All politely asked though. Are you ashamed about what they did? You’re not like those other muslims are you? At that moment, protecting me from any glare was my Bloodstone & Diamonds tour t-shirt. Damn, bad times. My 9-year-old boy is going to his first gigs this year, ticking off Linkin Park and Metallica of his wishlist. He’s scared after hearing about the Ariane Grande concert incident. I’ve told him he will be safe as security has increased everywhere. Fortunately he’s not cottoned onto the muslim label thing yet. That would be heartbreaking to see. I’ve been gigging in London since the age of 17. Classic venues such as The Marquee and Astoria have gone. One thing has remained. The camaraderie at metal gigs, irrespective of faith, skin tone or whatever. Everyone looks after everyone and we’re all there for the same thing. Together. Irrespective of the nonsense taking place in the world, I hope this bond remains throughout my lifetime and beyond. Well now you kinda know another muslim, although via email. If you’re ever in London and fancy a hearty home cooked curry, you’re most welcome to join me and my family. I’ll invite my gay work colleagues too. They are awesome too. And one’s a diehard metaller and one my favourite gig buddies ☺ All the best Waseem From: Svetlana Simanski Subject: Muslims and pineapples Hey Robb, I just read your TGJ email and laughed a lot - what a mix of topics and - since I'm already craving for new MH stuff - I thought the email would maybe an update. Anyway... as a straight girl I have been confronted with the pineapple-hypothesis several times in my life and - until today - in my opinion this is just a way to get girls into BJs a little more. :D Men can never get enough, so they invented this hoax to maybe achieve exactly this. And yes, I already tried to prove the hypothesis. Guess what, the pineapples had no effect at all. If you've ever tasted cum in your life you might know why pineapple-flavor sounds like a nice game-changer. So much on this topic. Now lets get to the muslims. I'm 28 years old right now and I am from Germany. After WW2 there came many guest-workers from Turkey to help us out here, to rebuild the country and most of them stayed, had families and their kids had families themselves, but I never was in touch with them. I met some in my time as a student at university, but never was closer friends with one so I didn't have a chance to get to know the culture or the religion. So, honestly, I had some prejudices. Not from my own experience, but from the word that spread. I live in a big city and we have to deal with some issues here. There are places you shouldn't visit after dark or even whole parts of the city which are not completely safe for white girls in black clothes and without a hijab. Well, of course I had kind of an inner fight with myself and these prejudices. I didn't want to have them at all and since we welcomed like two millions of refugees in Germany over the past two years I decided to work this out for me. Can you believe we still have Nazi-stuff going here in Germany? Didn't they learn anything from history or is it just a story, a bad fairy tale for some people? Honestly, I don't get it. Anyway I took a new job offer at a stationary youth welfare institution and had no idea what to expect. This was kind of an experiment for me and I started six months ago. I work there with 22 refugees. With kids. They came all the way without their parents or any other relatives. The youngest one is 15 years old and he arrived in Germany when he was 13. He did the whole fucking trip vom Afghanistan to Germany by himself. This age I played with barbie or tried out how to look good with make-up. Those were my problems. Wow... I thought I had to go through some things in my life, but I realized it was nothing compared to what they did to come here. What they had to do in their countries to basically survive. They killed for the Taliban to save their families. Can you imagine? No, neither can I. So now I know like 26 muslims (my boss and some coworkers are muslims as well) and I love them all. The kids are so kind and so cute, help- and respectful. You can't imagine. For me this changed everything in my life. Before this job I couldn't image to have a romantic relationship with a muslim, now I can. Besides... they're all a little too young, but in ten years from now... I'd see a bunch of handsome and polite young men from Afghanistan and I can tell you, there are some really, really special characters among them. Just awesome. I got to know their culture a little bit, their habits and routines in religious practice and I even started to learn a little Persian. My job is to look after them in any situation and explain the pitfalls of german bureaucracy. We are also friends somehow, they tell me stories about their lives in Afghanistan, Syria, Iraq and Eritrea - sad and happy ones - and this is basically all I need. This job just gives me back so much. The love and the kindness you get back from these kids is amazing. It took some time to realize: I'm part of their lives now, I am somehow their sister, mother, aunt and friend at the same time. I can't write down all my experiences here, but I wanted to let you know at least a small part of my story and how this job changed my view, my behavior, my thinking and the way I speak to others about muslims or their culture, especially from Afghanistan. I'm hoping my English isn't too bad and you can somehow imagine what I tried to describe. Hope to see you in Germany in 2018. I'll be there, somewhere in the crowd. Cheers from Germany, Svetlana

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[optimisticprincepainter]

Former Splitsvilla contestant Pooja Bisht is all ready to make her debut in a horror film. The actress was in the news for her split with beau Ssharad Malhotra recently. It seems that she has put the heartbreak behind and is all set to make a mark with her acting chops. BollywoodLife caught up with the lady for a chat. When we asked her about how she bagged the film, the lady replied, “I did a music video with the production house and they really liked my work. Also, the part was of a girl from a small town. I hail from a very small town in Uttarakhand. It was easy for me to play the part. Everything fell into place.” She will be seen with Rajniesh Duggal and Kunaal Roy Kapur in the film. While Duggal has done many horror flicks, Kapur was last seen in Saif Ali Khan’s Kaalakandi. “It was wonderful working with them. I was quite nervous but both of them are good human beings. They helped me out whenever needed. The team was a friendly one. I have some romantic scenes with Rajniesh and he guided me throughout,” she says. The actress reveals she is a fan of the horror genre. “I am a huge huge fan. So far, I must have seen around 500 horror films. I feel it is an unexplored genre in India. There are few filmmakers who do it really well. Also, it is a good genre for a newcomer to get noticed as horror films have a loyal audience. We have seen how Bipasha Basu made it big with horror films and recently even Anushka Sharma did Pari. Fans of such films watch them irrespective of whether it is Bollywood or Hollywood,” she states. Her favourite films are The Exorcism of Emily Rose and 1920. She is quick to add that is not a horrex with loads of erotica. “It is a horror film throughout. We have taken a new approach towards horror. It is very realistic. You won’t see me with loads of make-up. There are a few songs, which are sensual but not erotica,” she clarifies.Pooja moved from being a reality show contestant to a TV actor and is now doing films. “I feel people want to get entertained and lines between TV and films actors have blurred. I feel the audience does not judge TV actors. This is a great period for artistes to shine. People enjoy good content whatever the medium. Yes, every actor wants to be seen on the silver screen as he gets maximum exposure. TV with its time constraints is creatively restrictive while films have the leeway to sharpen our performances,” she says. Pooja was also approached for Bigg Boss 12. “Yeah, I had spoken to someone but I don’t think I will do the show as I have signed a few other projects. It will not materialise atleast this year,” she says.The news of the split between Ssharad Malhotra and her came rather abruptly at a time when reports of them tying the knot soon were doing the rounds. “It was not abrupt. Differences had cropped up between us time and again. You know, in your heart when your relationship is going wrong. It was tough as I had invested in it 2.5 years. He was the one who dominated me. I would like to remember all the good memories. I have moved on and I’m focusing on my career.” Post his split, Ssharad also spoke about how he is in two minds about commitment after seeing failed relationships. “I feel he is a confused person. I read him saying he is commitment-phobic one day and in some other interview, he said he is looking for the right partner. He is an intelligent and smart person. I just feel he should not waste other people’s time,” she signs off. Stay tuned to BL for more updates!The Bollywood.life.com : 8th. Aug,18

POOJA BISHT ON HER BREAKUP WITH SSHARAD MALHOTRA SAYS : “I JUST FEEL HE SHOULD NOT WASTE OTHER PEOPLE’s TIME” Former Splitsvilla contestant Pooja Bisht is all ready to make her debut in a horror film. The actress was in the news for her split with beau Ssharad Malhotra recently.