Tumgik
#some of yall dont know spoiler culture and it shows
isekai-crow · 7 months
Text
Doctor Elise Ep 2
So much for trying to do individual episode posts every week! We gonna do them in clumps and queue-away instead because life gets in the way some times! Trying to still break them up by episode though~
Tumblr media
If episode 1 was the introduction to how the reincarnation stuff works and her previous life, episode 2 is the introduction to Fantasy Britannia/Germany/Russia before the Fantasy Crimean War, and setting up the premise of the show. The royal family are the de Romanoffs but they're blond haired and blue eyed, and the world feels more German than British, so FANTASY EUROPE IT IS YALL.
BY THE WAY Elise is from the de Clorance family which is hiLARIous play of FLORENCE NIGHTINGALE!!!
Also. We get a character that WAS NOT IN THE MANHWA and LOOKS LIKE HAKU FROM SPIRITED AWAY. I didn't completely forget this man from the manhwa did I???? It's been a year or two since I read it but I wouldn't forget a long haired man.
Spoilers and Pictures below the cut
Tumblr media
HELLO WHO THE FUCK ARE YOU??? THE SNARKY KING'S GUARD??? (IS THIS GOING TO BE A RARE PAIR SHIP because I'm here for it. A guard who demands that everyone respects the king but keeps interrupting the man himself??? yes, hello, thank you lmfao)
Tumblr media
MAN I wish I had hair as gorgeous as this king. (Who is voiced by Inoue, Kazuhiko who plays Kakashi (Naruto), Madara(Natsume), and fricken YUKI FROM GRAVITATION BTW LMFAO)
and HERE he is.. Prince Sparkly Himself!!! Prince Linden de Romanoff.
Tumblr media
He looks like he's going to be your typical Ice Prince, but this man blushes SO DAMN MUCH ITS REALLY CUTE.
I was trying to figure out why he has two voice actors and... Well. His main voice actor is Azakami, Youhei who plays a ton of supporting characters, including a dozen of small roles in Aggretsukko which is hilarious to think about.
Anyways, we get a lot of set-up about who Elise was before she died in her first life, and a declaration that she no longer wants to marry the crown prince and instead wants to be a doctor, setting up the stakes for the story, and gives us some fun Doctor flavored power fantasy tidbits, with a fairly accurate(?) diabetes diagnosis!
Tumblr media
She's not trying to hide her knowledge at all, including knowledge about what's to come like war tactics, but the hand waving of (OH, I read about it in a book! Oh, I was just thinking about the topic very hard!) is very powerful magic in this world it seems.
Elise makes a wager with the King that if she can pass the medical exam, she gets to call of the engagement. Everyone thinks she's craycray, but this girl has a one track mind that has jumped of the rails of PrincePrincePrince and on to ScalpelScalpelScalpel.
But also. This girl legit smiles at him while thinking about surgery and doctor stuff, and has him blushing. This man has zero interest or experience with women up until now, and it shows, or will show in later episodes.
Tumblr media Tumblr media
ELISE is also oblivious to this as she apologizes for everything she's done up until now, and everything she hasn't dont yet in this time line. And is like.. "I know you don't want this engagement, so sorry for forcing you and always stepping over your boundaries."
Tumblr media
YOU DID BRUH. IN YOUR PAST LIFE.
Tumblr media
It feels like your typical self sacrificing female protag in a shojo. BUT. She's self-sacrificing for the selfish (positive) sake of CUTTING PEOPLE OPEN!!! It's cute to know the romance will have a base to build off of though, and hopefully be realistic.
My favorite take from this episode, and in the series so far though is...
Tumblr media
Capybara: THERE IS NO CULTURAL TOUCH STONE IN THIS WORLD FOR MOTHER TERESA!!! Crow: YOU DON'T KNOW THAT. Capybara: ...I don't know that. But there's no Christianity in this world!!! Crow: You don't know that. Capybara: ...I don't know that. NO CHRISTIANITY IN MY ISEKAI PLEASE!!!
Moral of the story: Anything goes in an Isekai. Just don't look to closely or you'll break it. lolol
7 notes · View notes
rocketcowboyblu · 4 years
Text
Hi! Hello it’s me again (PArdon me lmao)
Since I posted about the Lion king idea of presenting finn, Thought why not give an idea of the entire movie if yall wanna idk write it? Cause I cant write at all. Ignore the spelling and grammar errors Im trying my best. ANYWAY uh have fun reading this mess of an R.D? (Rough Draft)
Alright, its like 10 years or so after the prime invasion. The BFF Squad finished restoring magic to the universe and found out where Adora and Catra hail from, (Magicat hidden kingdom on ethiera, and adora on eternia etc.)   Catra finds out shes magically pregnant and tells adora, adora is like “Holy shit were gonna be moms” SO like the dummy she is goes to glimmer and asks her permission to present her when the kit’s born. (cause its presumably from magicat culture idk u decide) Glimmer agrees and puts it on her to do lists cause yknow queen shit. 
Months later, Finns Born. Swift wind like the annoying loyal steed he is, goes to inform the other princesses of the presentation. (Insert the Circle of life Music) 
The princesses show up along with a bunch of other people cause It’s She-ra’s Heir/Kid. Anyway magicat queen comes and takes Finn and goes to present them (the balcony idk what part of brightmoon looks safe!?) presume the thrusting of them over a balcony. 
Scorpia and Bow are holding each other crying over how cute finn is, Catra and adora are looking at finn feeling so proud and shit, Glimmer is just holding her head staring at these idiots wondering why she even let them live there.
ALRIGHT HERE COMES THE INSANITY.
Behind the scenes, Catra had been helping glimmer with advising and taking over the actual royal advisors job. The R.A aint happy that her job is being taken by a war criminal and fraternizing with Etheria’s Hero. SO With some rogue clones they build a plan to get rid of finn and catra.
FLASH FORWARD 7 TO 9 YEARS LATER. 
Finn’s growing up and needs to learn the difference between play and work, the advisor tells finn that and suggests  adora help them out. so Adora takes Finn out to the whispering woods to teach them about self defense and magic bonding with the planet. 
DT strolls up cause their now Brightmoons babysitter (Much to their Utter Delight) and tells adora that theres some trouble in the LightZone (Frightzone) about clones. Finn wants to come but adora says no cause its dangerous, So DT offers to take finn cause they were gonna round up the Runestone kiddos for a playdate. 
DT and Finn pick up the kids and they get into trouble. Finn has a whole inner monologue about cant wait to be a Hero or something to make adora let them come with em. Cue the Ditching of DT and the Runestone Kids find themselves lost in the whispering woods.
Rogue Clones find them and give chase with laser blasters. Catra finds DT tied up and explains the kids tricked DT and they hear laser fire. So they go and save the kids. 
NOW catra’s a lil pissed and impressed cause Finn manged to trick DT but also left their sights. Catra gives a speech about how much trouble finns in but also quite impressed with their work and tells them that, they’ll show them how to really trick somebody (aka pranks) 
Later that night the advisor and the rogue clones finally finish the plan to get rid of catra and finn. 
A WEEK LATER. Spoiler alert its finn Bday (Oh god here comes the angst)
The R.A suggests a Royal family picnic. Glimmer, Micah, Bow, Glimbow kid, catra, adora, and finn go to the whispering woods cause theres a nice clearing the advisor has “Suggested.”
a mile or so away rogue clones had been herding up the wild beasts of the woods. (Yknow those hog creatures) 
Catra and adora actually have a gift for finn but want it to be a suprise so they ask the advisor what to do, Advisor tells them that theyll take finn to a spot near the picnic and they can give them the gift there.
Advisor puts finn in a spot and then signals the clones.
The ground shakes, the trees start moving, BAM OUT comes running thousands of magic hogs. RUN
Finns on all fours running for their life, their panting and see a spot which they presume will keep them safe. It’s not safe at all. 
Finn bolts into a canyon, and sees a high top rock that SURE LOOKS STABLE. They climb up it.
Back at the picnic advisor runs back to the crew, and tells them what happened, Catra goes haywire and starts bolting towards the canyon, Adora tells bow and glimmer to get help and grab the advisor and head towards finn.
Catra reaches the canyon first, she spots finn on the rock, Jumping down she goes running along in the herd til grabbing finn, Adora and the advisor are watching from the top, Catra is carrying finn and puts them on a platform of the canyon. Catra gets impaled by a running hogs horn, She goes down into the herd.
“CATRAAA!” Adora cries and jumps down into the herd as She-ra to save catra. Finn looks on in horror trying to spot adora and catra. Boom out jumps adora  going up the slide, struggling to carry catras limp body.
Finn goes to climb their way out of the canyon.
Adora is holding catra tightly and is still climbing til she sees the Advisor looking down on them. “Here! Grab onto catra!” The advisor smiles sinisterly. “I’m Afraid I can’t do that adora..” Adora looks at them in confusion. “Goodbye my oldest enemy” The advisors eyes flash green. Adora’s eyes go wide. BAM a burst of magic hits adora causing her to fall with catra.
Finn screams in the distant.
The herd leaves. Its quiet. dust is still kicked up.
Finn looks at their parents bodies on the ground. Limp.
“M-mom’s?” They called out. Knees buckling they go to catra shaking her “Please you gotta get up...”
“What have you done...” The advisor voice tells them.
Finn looks them at in fear “I didn-” “Insolent child! Look at what have you done! You’ve robbed etheria of their greatest heros!” Finns ears fold back, tears flooding their face.
“Get out of here. If you ever show your face here again I’ll have the palace guards kill you” a bright ball of magic formed in the advisors hand.
Finn bolts. the advisor chuckles darkly, for it was only the beginning of a new era.  
Bow and glimmer teleport to area. they spot their friends.
Glimmer shakes catra “Horde scum DONT YOU DARE-” Catra bolts up gasping and then groans in pain “well.. there goes one of my 9 lives.”  catra looks around and sees adora. And now shes screaming at glimmer to heal her. 
The advisor looks ready to run. Glimmer heals adora and adora stirs going “W-what happened?” catra fills her in (catra doesnt know about the advisor she was unconsious.) And they cant find finn. so now its depresso expresso time cause adora cant remeber what happened and where finn is. 
LOL  IHATE WRITING THIS ALREADY. 
Alrighty alrighty. So finn gets lost in the crimson and find Lonnie and the horde kids. (they dont know its catra or adoras kid cause they burnt that bridge) they adopt em for protection and help with digging in the crimson waste mines for gems and whatever else. And finn dyes their hair blond and shaves it to hide their idenity in fear of the advisor.
8 or so years past. Finns like 17 and the horde kids r old LOL
Scorfumas kid stumbles upon finn and they go into conversation about what the hell happened. Finn tells em about how they killed their parents and how they werent allowed near brightmoon cause the advisor would kill them. Scorfumas kid then has to explain that the advisor was now running brightmoon into the ground using their grief to an advantage. Btw kyles singing can u feel the love cause he do be misintruptioning shit. fuckin kyle XD (Lonnie is gonna kill this fool)
LATER FINN LOOKS AT THE WOODS AND OUT COMES YA GURL RAZZLE DAZZLE! Madam razz goes into her time loops and yknow the deal, she goes “Catra is that you dearie?” Finns like “YOU KNOW MY MOM?!” anyway razz leads them to the abandoned fort of grayskull yack yack yeack. Razz tells them that evil comes from power, not from heart, remember who you are type of shit.
Finn finally decides to go home.
Back at brightmoon everythings horrible. its the works yknow? DT got stuck in the “Prison” cause of how they were sus of the advisor.
Just gonna shorten it cause this is so LONG. Finn shows up, catradora are in shock. advisor turns out is the leftover of PRIME so then finn and him fight. Finn wins and here comes one of the newest heros to etheria. GG end of AU LOL
Sorry I dont know what I just wrote. but yeah theres the gist of the idea if yall wanna steal and try to write this shitpost? idk lol thanks for coming to this ted talk
20 notes · View notes
justinstolemybike · 5 years
Text
sigh. season 3. here we are. 
i watched the first five episodes and... i felt so uncomfortable. it was bad. not all bad but... pretty bad. so bad, that it wasn’t enjoyable for me and i didn’t care to watch it all the way through, so i read other spoilers and i am not sure if i will watch the final season. but with it being said that i did not watch the whole thing, this can’t be a full review. so, here comes my first glance. spoilers obviously. 
instead of weaknesses and highlights, lets just say likes and dislikes. likes first.
LIKES
- tyler’s storyline. last season, i was skeptical of how they would handle his rape and emotions about it, but i am relieved they gave his character proper care and devin druid did a magnificent job. my only gripe is that i wish they had him do something other than boxing to channel his anger. like, i understand why he would be learning self defense but i would like to see him do something less violent?? 
- jessica’s reclaiming of her body. at first the whole intro to the sex toys was weird but it actually was really touching (no pun intended) to see jessica begin to love her body and love sex again after what she’s been through. also, female masturbation is so underrated. nice to see it encouraged. know your bodies, ladies. 
- the classic jensen tour. i’m surprised they still allow him to do the tours. like, none of the exchange students from the last time reported him? oh.
- chloe and the abortion. as a character, i don’t care for chloe, i’m sorry. she’s not a character to me, just a plot device. also, she gets no cookies for lying for bryce in the trials (i know abusers and victims have a twisted dynamic and that’s why that happened but nah chief) but i do like how they showed that some pro-life clinics will mask as abortion clinics and manipulate women into coming and trying to get them to keep their babies. totally real and fucked up.
- bryce was held socially accountable (kind of) and i think that makes an interesting point about rape culture. in the real world, jail doesn’t scare men in power because they can buy their way out. they don’t care about women and what they feel, obviously. what’ll really fuck sexual assaulters up is when they have no friends and no one likes them. that’s what they (kind of) showed with bryce this season. and he died which, yes fucking rad awesome wow.
- i know that justin also had a kind of darker storyline (with seth, i think? you can tell me if i’m wrong but don’t be rude) but he was a lot of the comic relief it appears and brandon flynn was great at it.
- alex and jessica broke up. hallelujah.
- justin is a abuse survivor. makes sense with his background. 
- monty died too AND went to jail. cool amazing beautiful.
- tony is still ferociously loyal and apparently there was a scene where clay and tony said they loved each other. rise clony. rise up from the ashes.
- “i write fanfiction” - clay jensen.
DISLIKES
-ani. ani, ani, ani. i can understand why people find her annoying and she was probably the biggest reason i was uncomfortable watching but i didn’t hate her. she just... didn’t make sense. the things she did,the things she said, how she was involved and everyone just takes to her and loves her immediately, no questions asked, no buildup necessary... none of it felt natural or believable. a new girl comes in and it’s just a coincidence that clay gives her a tour and she decides to go up to jessica and says shes amazing and lives in bryce’s house and connects herself to the house of horrors that is the tape club (which was so dumb on the tape club’s part by the way, as she could have snitched and destroyed them all) instead of just finishing out her high school career in peace considering she moves around a lot and she starts college in a year and half and probably won’t talk to any of them after that. no, she’d rather potentially go to jail for a bunch of fucking strangers and criminals and rapists. sure, okay.
and for someone who just fucking got there to basically insert themselves in the traumas of these kids and make things worse in some respects and do some fucking shitty things (not listening or caring when she heard about bryce being a GODDAMN RAPIST, accusing jessica of SLEEPING WITH HER RAPIST, accusing clay of being the killer, yelling about chloe’s pregnancy in the street, the list probably gets longer) and think they’re allowed to pass judgment when THEY JUST FUCKING GOT THERE. LIKE, WHY IS SHE SO INVESTED? WHAT DOG DOES SHE HAVE IN THIS FIGHT? DOESN’T SHE NEED TO STUDY OR SOMETHING? WHY IS THIS MORE IMPORTANT THAN ANYTHING ELSE SHE HAS GOING ON IN HER LIFE?
now, i get what the show was trying to do here. they wanted another, fresh perspective/narrator and i guess a love interest for clay (a wayyyy too convenient love interest, ‘she loves robots and drawing and not minding her business too! swoon!). but they could’ve had both of those things without adding someone to the payroll. honestly, i don’t think they needed a narrator at all but if they really wanted one, they could’ve added an ACTUAL ADULT detective, with no biases so they can be completely reliable to the audience and their investment would be justified. for love interest, yall already know how much i love and miss sheri. she could check clay without sounding patronizing and had chemistry with him and actual nice, romantic history. she could have been his second cop and they could have reconnected and become a couple and... we could’ve had it all, rolling in the deeeppp. 
it’s like with ani, the show wanted to kill two birds with one stone but they missed them both and i think the backlash on her character says it all. i’d just like to remind everyone to give the actress who plays ani respect and courtesy because it’s not her fault. 
- was it just me, or does it seem like the tape club has learned nothing from what they went through? they’re still keeping secrets and trying to hide shit and keep it all inside and i’m like..... but.... this behavior is what got ya’ll fucked up in the first place? and i totally understand it’s about protection and whatever but.... it also feels like an excuse to not be held accountable for wrong doing. like, alex killed bryce. although he had all the reasons to do it and i’m glad he’s dead, he killed someone fam. that’s not okay. and his dad is wrapped up and it’s just... i just... i dont know. then, there was the whole “let’s not tell on tyler so he doesn’t go to jail” thing and i have mixed feelings about that. i think they should’ve turned him in and got clay’s mom to rep him for rehabilitation and therapy instead of a jail sentence. they’re hiding the guns and trying to trust tyler and luckily that worked, but how long? what if someone fucks with him again and it’s too much for them to help him with? 
- speaking of help, clay needs it. oh my god, does that boy need it. they were so focused on getting tyler professional help but, clay’s out here putting guns to his head and having night terrors. he needs therapy more than anyone. honestly, what i would have liked to see, wayyy back in s2, is as soon as justin saw that, he wouldve went to clay’s parents and got him back on his meds and seeing a counselor. he’s been through so much trauma and guilt and he’s tired of his own fucking hero complex. it’s enough man. 
- they tried to have their cake and eat it too when it came to clay stopping tyler from shooting up the school. they tried to be like, clay shouldn’t have done that but oh, he was so brave and what a great guy he is for doing that. no, that doesn’t work. clay should not have confronted tyler in that situation. period.
- zach was disappointing because i agreed wholeheartedly when he said that they should have called the cops but... he didn’t. he was blaming them for letting tyler go free but he was too. damn, zach.
- it’s like they give clay a new lackey every season and.... ok, i guess.
- i also thought it was kind of weird that after everything they’ve been through, they still walk on eggshells with each other? like i guess because now we’re dealing with murder but... i would think they would trust and care for each other a lot more than to accuse each other and spy and interrogate and not just simply ask... like... this season made me not understand the tape club’s relationship. like are they friends? allies? allies trying to be friends? friends out of necessity? do they know? 
- bryce does not deserve to be humanized. that’s all.
- monty does not deserve to be humanized. that’s all. also, it’s so disappointingly predictable that he’s closeted. 
- the new characters (ani, caleb, chloe, winston, cyrus ) i still don’t care about. plot devices, all.
i may edit and retract some things, should i decide to watch all the way but i’m tired.
324 notes · View notes
transbrucewayne · 4 years
Text
Okay so Gotham High
(TW racism, sexism, homophobia)
I know everyone’s probably over it by now, but I just remembered it existed and watched the trailer again (I HAVE NOT READ IT SO YALL DONT HAVE TO LISTEN TO ANYTHING IM SAYING) and it was.....ew
But then I watched a couple of YouTube reaction videos about the trailer (not the actual book mind you) and read the comments and all of that was....more ew
All of the hate was basically centered around the fact that (not spoiler) Bruce is half-Chinese, Alfred is his gay uncle, and Selina is latina (ooh a rhyme).
People were bashing DC for buying into “woke culture” (which,, when has anyone called it that for three years ew) instead of Not Having A Single Creative Thought, and writing an actually ORIGINAL story!
I delved further to continue my research and found some...disgusting comments. One youtuber literally put “bat-soup-man??” Into the thumbnail, and another put “BATMAN IS CHINESE?? ALFRED LIKES DUDES? 🤮” And needless to say, I became Very Very Angry.
Mind you, all of these commenters were either
A. White
B. Men
C. White men
People were calling it “twilight batman” and that we already had a twilight batman, referring to Robert Pattisons casting. But, of course, they didn’t stop there! They went on to critisize Zoë Kravitz casting, basically saying that it is “absurd” for Catwoman to be black. LIKE BITCH DID YOU W A T C H THE 60s SHOW???
The basic plot centres around the love triangle (threesome?) between Selina/Bruce/Jack Napier (the joker) which.....barf. BUT ALMOST NO ONE WAS MENTIONING THAT! They were all off on “oh they’re gonna make your faves gay oh lord what could be worse than that”
Someone else commented that Bruce’s mom is Chinese, and “of course” she was the rich one instead of Thomas, and that he was just her “boy-toy” (which,, get it girl, but I take it with a grain of salt) because having Thomas be the rich one was “too misogynistic” for woke-ass DC. (Where....when....how. DC literally let Tom King write for them for YEARS and you want to tell me that they’re “woke”???) (yes dc does have good representation in their characters and I love them for it, but we’re not talking about that right now)
So anyway
Tl;dr, big surprise, comic fans can be big pieces of shit sometimes, and their awful actions caused me to actually defend Gotham High. Don’t make me do it again.
7 notes · View notes
palukoo · 5 years
Text
so a couple months ago i relistened to w359 and made a 18000 word document while doing so containing iconic quotes, my reactions, feelings, et cetera. heres some highlights with varying amounts of context. (theres lowkey spoilers for the whole series btw)
""""i empathize too much""""
crazy how i still vividly remember walking outside [my old job] and to starbucks while listening to the spider ep... trauma
i mean i dont love it but it makes me feel things
GABRIEL THATS TOO ON THE NOSE
"let me have my badass space chick victory cocktail"
god like i AM team what wrong with handcuffs but I WOULD NOT HESITATE to kill hilbert for hera
the girlssss are fightinggg
THE SAD W359 MUSIC IS KILLING ME
like memoria who maxwell who jk jk
i love you renee minkowski marry me
local idiot's heart is in the right place
HARPOOOOOOONSSSS
lovelace lovelace lovelace loveLACE LOVELACE
"maybe she's some kind of clone thing" EIFFEL... this is day 1!!!
i hate these self sacrificial idiots
no no no not this music again ill cry
yall are so emotionally stunted it fucking hurts but damn if you dont care
literally how are they still alive
i want to hug her so much omg
alan rody shut the FUCK up im crying
rip zach valenti's throat
face the death reality via math
jacobi being a piece of shit
maxwell said lets kill hilbert rights
this is a kepler hate blog
minkowski thinking her emotions dont matter to the mission oh ho ho
"youre gonna straighten up" cutter they cant theyre not straight
maxwell and jacobi show up and blow up lads
"and you should really be more careful with your queen" KEPLER WHAT DOES THAT MEAN
wolf 359 stop making me stan these literally terrible people
FUNZO FUNZO FUNZO
i am caring about men tonight lads
theyre both awful sure go ahead have history
hilbert you interrupted their emotional moment they wouldve had a MOMENT
hera said im gay
ohhhh nooo interpersonal conflict makes me sad
hug minkowski rn
FRIENDSHIP IS MAGIC jacobi and maxwell are iconic
minkowski how did you not kill him
how much do yall use the words "good enough" and "cant"
"are you an alien" GOD the Hints
"one of our... sexier jobs" vs "this is gonna said less sexy after that"
eiffel stop cockblocking them
y'all's choice of pronouns IS illuminating
PROTECT HERA AT ALL COSTS
aw eiffel... minkowski... communication is KEY
oh yeah THATS what the psi wave regulator is for.... SURE
hilbert read the room
JACOBI you can't just describe minkowski like that without giving me a heart attack
how many times have all these bitches almost died
SORRY ANYTHING THEY SAY I LOSE IT
oh minkowski finally flipped (VALID)
oh wait that fact isnt fun at all and im literally crying
LIKE sometimes you save someone's life at great personal risk only to kill her a little while later
minkowski cries to “back to before” from ragtime
i feel to many things about the gals here idk what to tell you i love them thats the problem
its gay and it hurts!
lovelace laughing at people who can and will kill her... hot
OH WERE STARTING LOVELACES SELF SACRIFICE ALREADY
they let lovelace say FUCK
OH WAIT NO I FORGOT ITS WORSE
THANKS FOR MURDERING ME WITH YOUR TEARY ANGRY VOICE
ouchie anyways gay or no but also gay
hilarious and sad at the same time?
MAXWELL dont be a bitch... i expect this from jacobi and honestly i actually expect this from maxwell too but i dont like it
NO NOT THIS MUSIC
BROTP BROTP BROTP
i cant say anything else im too busy crying
UGH I COULD WRITE ESSAYS ON MY THOUGHTS ABOUT THIS THE MESSAGE THE TAKEAWAY BROADLY THE PERSONAL EMOTIONAL ANGUISH THE DESIRE TO HUG HERA ITS
im mad but thank you... all of you... explain... 
stop stop stop im literally so tense gone straight from sobbing to freeze instinct
GOD I HATE ALL THESE SURVIVALS GUILT IDIOTS
OH theyre all about uncertainty... the what ifs... okay... ouch ouch ouch
give everyone awards for bolero
eris are you gay
she said gay rights and AI rights
like i know i know we been knew but goddard really is so awful
Hera stop narrating Lovelace’s ongoing existential crisis
HOW IS THIS NOT GAY (I know how it’s not gay but. Let me have this)
KEPLER stop giving Lovelace insecurities and existential crises
Team back off lovelace for the win
like not to be dramatic but her arc is beautiful
oh boy thats my girlsssss
THATS FLIRTING MINKOWSKI
god i love that concern for your gf keep it up minkowski
COMMUNICATION? WITH THIS CREW? BOLD
GOD angrey hera is great
you know hera is having the time of her life witnessing it
eiffel you just ruined their romantic moment
minkowski is gonna kill them
a much better gayer more altruistic light
WE’RE ALWAYS TALKING ABOUT COMMUNICATION
WAIT I WAS BEING CANON DAMN I THOUGHT I WAS BEING CREATIVE AND PERHAPS OOC BUT IM IN THE CLEAR I GUESS
god hera has needed to snap at eiffel for so long
i can already feel myself about to get hit with the tears... the emotions
that shit hits different renee
The implications that Goddard like destroyed global warming omfg
it’s the moral grayness babeyyy
when it hits you with minkowski's shaky sigh first thing you know its gonna hit different
MINKOWSKI i need you to. love yourself as much as i love you
GOD the mutual concern they always have for each other is touching whether or not you think its gay. i think its gay
HERA WOULD YOU ASK A COW TO NOT BE A COW
oh of COURSE they cut coms first
lovelace is man, butterfly is quote, it says "is this flirting"
jacobi i need you to chill
but jacobiiiii thats lovelaces schtick
oh eiffel... you fucking idiot who gets really lucky sometimes
this game of chicken where theyre both chickens and kepler doesnt know any of that and each of them only know half
minkowski said im an ethics teacher now
who taught minkowski empathy in high stress situations?
yeah so i stay hitting the nail on the head
“kepler SHUT UP” is what brings everyone together
this is, como se dice.... kinda gay
this statement does not bode well for that
“Maybe less talking to yourself” he says to himself
ugh, to be Pop Culture Man™️
RACHEL i love you even tho I also hate you
Rachel if you make one more hand joke I’ll lose my mind
HER NAME!!!! IS HERA!!!! And I love her!!
i have a vivid mental image of post-series eiffel doing stand up like chris fleming style 
"my crew has made it very clear through a series of looks and gestures that one more slip up and i am out, thats it, so im taking this job very seriously"
"minkowski is very overprotective in a weird, erratic way, like when your seat belt randomly locks and its like i appreciate what youre trying to do but im going 4mph in a drive way."
"so when something like this happens you have to at least consider going away for a long time and living on a cursed space station"
"you know how when maxwell and hera are talking ive never felt less needed, you know, like ‘cause you guys would be totally happy alone on a rock in the middle of a lake"
"this is the kind of body you look at and go he'd probably be ok in space without a space suit"
the whole "theater kids" video is actually him going off about minkowski
minkowski is too swole for her own good
jacobi im gonna need you to take the redemption arc more seriously
i love my crazy crazy bitches
this FUCKING music
GOD HOW DOES PRYCE JUST ALWAYS GET WORSE
she just like mutilated that man he is doa absolutely destroyed one hit ko
can you tone down the gay, sweetie
you did it you broke rachel and Goddard down to their bare essentials
GOSH shes so AWKWARD 
so damn jacobi was just IMMEDIATELY ride or die for maxwell
this is too much for my poor baby heart
pryce & carter literally are just like lets do eugenics, lets do genocide
when hera says ill pull a yall and sacrifice myself for minkowski and lovelace 
god like cant believe KEPLER got a redemption arc (well not arc but you know)
ah yes the most tragic scenes all take place at once :)
I HAD TO STOP LISTENING TO BRAVE NEW WORLD CAUSE IT MADE ME TOO CRAZYYYY
THE SCRIPT SAID IT NOT ME
i love space moms!
this fucking music ALAN RODY IM SUING FOR DAMAGES
like the document also does have a lot of like deep thoughts and meta and parallels and discussion of motivations but this is just fun random things i said
3 notes · View notes
trendingnewsb · 7 years
Text
Issa Rae: ‘So much of the media presents blackness as fierce and flawless. Im not’
The creator of Insecure talks the dating totem pole, films obsession with slavery and the gender-race pay gap as season two begins
I dont want the stench of the current administration on this show, says Issa Rae. I dont want people to look back and be like: Oh, this was a Trump show. I want them to look back and say Insecure was an Obama show. Because it is: Obama enabled this show. The sharp, pithy, Los Angeles-set comedy, dubbed by US fashion and beauty site the Cut as the black, millennial Sex and The City, which Rae co-created, writes and stars in, first aired on HBO last autumn, exactly a month before the US election. Culturally, Obama made blackness so present, and so appreciated; people felt seen and heard; it influenced the arts, and it absolutely influenced how I see blackness, how I appreciate it, says the 32-year-old Rae. When a black president is a norm, it enables us to be, too.
Being a norm is a matter of some import to the actor and writer, who in spite of her personal allegiances had no desire to make an overtly political show. She never wanted Insecure to be, as she says with a generous eye-roll, a story about the struggle or the dramatic burdens of being black. At the heart of the series is the relationship between her on-screen iteration also named Issa, who works for an educational nonprofit called We Got Yall and raps soliloquies to herself in the mirror and her best friend Molly (Yvonne Orji), a high-flying corporate lawyer. Together, they navigate the professional and personal challenges of late-20s urban life.
I just wanted to see my friends and I reflected on television, in the same way that white people are allowed, and which nobody questions, continues Rae. Nobody watches Divorce [a HBO stablemate, starring Sarah Jessica Parker] and asks: What is the political element, what is the racial element driving this?
youtube
Watch the trailer for season two of Insecure.
But so rare is it to see what its creator describes as a show about regular black people being basic in contemporary entertainment Insecure has nonetheless been hailed as revolutionary. It wasnt always so. Growing up, Rae was an avid fan of the predominantly black US sitcoms Moesha, Girlfriends and A Different World. Then they disappeared, she says of the film and television landscape. Somewhere along the way, being white became seen as relatable, and you started to see people of colour only reflected as stereotypes or specific archetypes. So much of the media now presents blackness as being cool, or able to dance, or fierce and flawless, or just out of control; Im not any of those things.
It is a hot and swampy summer afternoon in Manhattan, and Rae is in town doing the requisite rounds of late-night talkshow appearances ahead of Insecures season two premiere. On arrival, she seems a little lethargic entirely understandable, given her promotional schedule. But once seated in a buzzy restaurant, specifically chosen because its the sort of spot that the on-screen Issa and her girlfriends would patronise, Rae immediately perks up, emanating charismatic good humour.
Born in an affluent suburb of Los Angeles, Rae real name Jo-Issa Rae Diop is the third of five children, her father a Senegalese doctor, her mother a teacher from Louisiana. The rapid rise in gang violence in the city prompted Raes parents to move the family to Senegals capital, Dakar, when Rae was five years old. Her father tried to open a hospital there but things didnt work out and, three years later, they came back to the US, but to Potomac, Maryland, on the east coast, where Rae attended a predominantly white private school. When the family moved once again, this time back to LA, Rae entered a largely black and Latino school. Everybody thought I was lame and hated me, she says, matter-of-factly. It was a huge culture shock.
Part of the on-screen Issas insecurity of feeling not black enough for black people and not white enough for white people is, Rae says, something that I have been called out for by kids in my life. Ive experienced a real sense of feeling out of place. But with admirable chutzpah, she found a creative solution: I wrote a play and cast all of my bullies, and they loved it. They thought I was cool after that. She pauses, and gives a wry smile. Well, cool is a strong word. But I wasnt on their shit-list any more.
Big society … Raes character with co-worker Frieda (Lisa Joyce). Photograph: Justina Mintz/HBO
While studying at Stanford University, Rae began to notice that many of the television shows she loved, including Curb Your Enthusiasm and Seinfeld, were all-white comedies. Of course, sense of humour is relative, is subjective, but there is an assumption that black people wont find certain things about white comedies funny, she says. I got really frustrated and just wanted to start making my own stories. She conceived and directed Dorm Diaries, a mock reality show with an all-black cast, in the style of MTVs The Real World. When she posted it to Facebook, it quickly circulated, and Rae realised that she had a talent for portraying everyday black life; she has called it my epiphany moment. A few years later, she created what would be her breakthrough web series and the forerunner to Insecure, The Misadventures of Awkward Black Girl.
A web show is one thing, of course, a mainstream television show on a high-profile cable network quite another. I ask her about the sociologist and civil rights activist WEB Duboiss concept of double consciousness, which she has referenced in the past, defined as the psychological challenge of always looking at ones self through the eyes of a white society. Does she feel that even more sharply now than before?
Absolutely. I didnt create this show for white people, I didnt create it for men; I created it, really, for my friends and family, and for their specific sense of humour, she nods. But now that we know we have an audience including HBO executives the double consciousness comes into play, because youre always wondering: How do they see what I am writing? Are they laughing at this specific joke for this particular reason? When season one aired, I had Asian women coming up to me on the street, saying: Oh my gosh, this reminds me of me and my best friend, she recalls. And thats wonderful thats what you want for a show but you are always wondering: What elements do they relate to the most?
I suggest that in future she stops fans and asks for further, more detailed feedback. She throws her head back and laughs. Yes. Excuse me, but why do you like the show? Tell me right now, please.
Boyfriend material … Jay Ellis as Lawrence in Insecure. Photograph: Justina Mintz/HBO
While Insecure may be only inadvertently political, this second season is noticeably more charged with social commentary, and examples of everyday discrimination. Through Molly, the show explores the gender pay gap, with an added issue to unpick: is she being paid less because of her gender, or her ethnicity, or both? These are questions that we constantly have to ask ourselves, as minorities, or double minorities, or triple minorities, nods Rae. In terms of the intersectionality of it all, you are constantly asking yourself: Which part of me is being discriminated against? Which part of me is being targeted? If not all parts of me.
The often-dispiriting experience of modern dating features prominently, too. At the start of this series, Issa has recently broken up from her long-term boyfriend, Lawrence (Jay Ellis), and thrown herself into the choppy waters of Tinder, Bumble and Hinge. Dating in todays digitally enabled world is rough enough but there is, Rae believes, an added dimension for her characters. Black women are at the bottom of the desire chain, of the dating totem pole; were not the trophies, she says.
In rap culture, especially, theres always an idea that once you achieve an amount of success, your trophy is the white girl on your arm. However, she asserts, thats not limited to hip-hop. Its not scientifically proven, but theres evidence, in dating apps for example, that were the last to be chosen, the least desirable. The theory is also explored in Aziz Ansaris Netflix show Master of None, which includes a scene in which one of his dates, a black woman, tells him: Compared to my white friends, I get way less activity [on app dating sites]. I also find that I rarely match with guys outside of my race.
Lawrence, meanwhile, is also experiencing discrimination, albeit in a different form. In one scene spoiler alert! he is picked up by two non-black girls at a grocery store, who lure him to their apartment, where they proceed to seduce him. Their fetishisation of his blackness has echoes of Get Out, Jordan Peeles racism-thriller which triumphed at the box office earlier this year.
That was based on a real-life situation that one of our writers shared, says Rae of the uncomfortable tryst. It didnt end well, which had nothing to do with his blackness, but we thought: How can we make this story apply to fit our show? Every show can have a threesome story gone awry, but how can we make it unique for Insecure?
Off the clock … Rae in New York last month. Photograph: Amy Sussman/Invision/AP
There is a show-within-the-show too, an antebellum-era television drama that several of Insecures characters are glued to. Last year, our show-within-a-show was Conjugal Visits, which was a comment on the trash TV that consumes us all. Setting it in a prison a system which, in this country, incarcerates mainly black and Latino people and making that entertainment, was definitely meta-commentary, nods Rae.
This seasons skewering of popular culture is no less pointed. Theres [been] such an obsession with depicting slavery that the last few years, I have been kind of slaved-out, she sighs. So we thought it would be funny to have the characters obsessed with this new slave interracial drama. A guest-starring role for Sterling K Brown, who won an Emmy for his portrayal of prosecutor Christopher Darden in The People Vs OJ Simpson, ups that meta ante even further, but Rae is quick to assure me that this wasnt a casting that she chased down. No! We actually have an anti-celebrity policy on the show, she insists. We were doing something together for the Independent Spirit awards, and he was, like: I love your show, if you ever want to cast me The musician Syd, another self-proclaimed fan of the show, also makes a brief cameo.
Although Rae resists comparisons between Insecure and Girls and of herself to its creator Lena Dunham: I get the inclination to compare us because were both young women, but the stories were telling couldnt be more different, she says the two share a deliciously frank depiction of female sexuality. Broken Pussy, one of Issas raps, became something of a refrain in season one, after she speculates that Mollys run of bad luck with men might be the result of a defective filtering system.
My friend and I have a thing where we talk in, um, pussy sounds, Rae laughs. I think that most women know whether they want to sleep with a guy or not within the first five minutes of meeting him, and so we speak in Marge Simpson voices about whether or not a guy could get it. She demonstrates. If its a yes, well say: My pussy was like: [Perky, eager voice] Mm-hm, girl. Or, My pussy was like, [Low, negative tones]: Mm-mm. So, the conversation about Molly feeling like she wasnt attracting the right type of guys was me suggesting her pussy might actually be broken.
What did her mother make of this particular piece of dialogue? She only saw it at the screening! Rae laughs. She pulled me aside afterwards and was, like: That mouth, were going to wash it out but, good job.
Insecure continues on Thursday 10 August, 10.35pm, Sky Atlantic
Read more: http://ift.tt/2utz7rj
from Viral News HQ http://ift.tt/2vrlf5P via Viral News HQ
0 notes
trendingnewsb · 7 years
Text
Issa Rae: ‘So much of the media presents blackness as fierce and flawless. Im not’
The creator of Insecure talks the dating totem pole, films obsession with slavery and the gender-race pay gap as season two begins
I dont want the stench of the current administration on this show, says Issa Rae. I dont want people to look back and be like: Oh, this was a Trump show. I want them to look back and say Insecure was an Obama show. Because it is: Obama enabled this show. The sharp, pithy, Los Angeles-set comedy, dubbed by US fashion and beauty site the Cut as the black, millennial Sex and The City, which Rae co-created, writes and stars in, first aired on HBO last autumn, exactly a month before the US election. Culturally, Obama made blackness so present, and so appreciated; people felt seen and heard; it influenced the arts, and it absolutely influenced how I see blackness, how I appreciate it, says the 32-year-old Rae. When a black president is a norm, it enables us to be, too.
Being a norm is a matter of some import to the actor and writer, who in spite of her personal allegiances had no desire to make an overtly political show. She never wanted Insecure to be, as she says with a generous eye-roll, a story about the struggle or the dramatic burdens of being black. At the heart of the series is the relationship between her on-screen iteration also named Issa, who works for an educational nonprofit called We Got Yall and raps soliloquies to herself in the mirror and her best friend Molly (Yvonne Orji), a high-flying corporate lawyer. Together, they navigate the professional and personal challenges of late-20s urban life.
I just wanted to see my friends and I reflected on television, in the same way that white people are allowed, and which nobody questions, continues Rae. Nobody watches Divorce [a HBO stablemate, starring Sarah Jessica Parker] and asks: What is the political element, what is the racial element driving this?
youtube
Watch the trailer for season two of Insecure.
But so rare is it to see what its creator describes as a show about regular black people being basic in contemporary entertainment Insecure has nonetheless been hailed as revolutionary. It wasnt always so. Growing up, Rae was an avid fan of the predominantly black US sitcoms Moesha, Girlfriends and A Different World. Then they disappeared, she says of the film and television landscape. Somewhere along the way, being white became seen as relatable, and you started to see people of colour only reflected as stereotypes or specific archetypes. So much of the media now presents blackness as being cool, or able to dance, or fierce and flawless, or just out of control; Im not any of those things.
It is a hot and swampy summer afternoon in Manhattan, and Rae is in town doing the requisite rounds of late-night talkshow appearances ahead of Insecures season two premiere. On arrival, she seems a little lethargic entirely understandable, given her promotional schedule. But once seated in a buzzy restaurant, specifically chosen because its the sort of spot that the on-screen Issa and her girlfriends would patronise, Rae immediately perks up, emanating charismatic good humour.
Born in an affluent suburb of Los Angeles, Rae real name Jo-Issa Rae Diop is the third of five children, her father a Senegalese doctor, her mother a teacher from Louisiana. The rapid rise in gang violence in the city prompted Raes parents to move the family to Senegals capital, Dakar, when Rae was five years old. Her father tried to open a hospital there but things didnt work out and, three years later, they came back to the US, but to Potomac, Maryland, on the east coast, where Rae attended a predominantly white private school. When the family moved once again, this time back to LA, Rae entered a largely black and Latino school. Everybody thought I was lame and hated me, she says, matter-of-factly. It was a huge culture shock.
Part of the on-screen Issas insecurity of feeling not black enough for black people and not white enough for white people is, Rae says, something that I have been called out for by kids in my life. Ive experienced a real sense of feeling out of place. But with admirable chutzpah, she found a creative solution: I wrote a play and cast all of my bullies, and they loved it. They thought I was cool after that. She pauses, and gives a wry smile. Well, cool is a strong word. But I wasnt on their shit-list any more.
Big society … Raes character with co-worker Frieda (Lisa Joyce). Photograph: Justina Mintz/HBO
While studying at Stanford University, Rae began to notice that many of the television shows she loved, including Curb Your Enthusiasm and Seinfeld, were all-white comedies. Of course, sense of humour is relative, is subjective, but there is an assumption that black people wont find certain things about white comedies funny, she says. I got really frustrated and just wanted to start making my own stories. She conceived and directed Dorm Diaries, a mock reality show with an all-black cast, in the style of MTVs The Real World. When she posted it to Facebook, it quickly circulated, and Rae realised that she had a talent for portraying everyday black life; she has called it my epiphany moment. A few years later, she created what would be her breakthrough web series and the forerunner to Insecure, The Misadventures of Awkward Black Girl.
A web show is one thing, of course, a mainstream television show on a high-profile cable network quite another. I ask her about the sociologist and civil rights activist WEB Duboiss concept of double consciousness, which she has referenced in the past, defined as the psychological challenge of always looking at ones self through the eyes of a white society. Does she feel that even more sharply now than before?
Absolutely. I didnt create this show for white people, I didnt create it for men; I created it, really, for my friends and family, and for their specific sense of humour, she nods. But now that we know we have an audience including HBO executives the double consciousness comes into play, because youre always wondering: How do they see what I am writing? Are they laughing at this specific joke for this particular reason? When season one aired, I had Asian women coming up to me on the street, saying: Oh my gosh, this reminds me of me and my best friend, she recalls. And thats wonderful thats what you want for a show but you are always wondering: What elements do they relate to the most?
I suggest that in future she stops fans and asks for further, more detailed feedback. She throws her head back and laughs. Yes. Excuse me, but why do you like the show? Tell me right now, please.
Boyfriend material … Jay Ellis as Lawrence in Insecure. Photograph: Justina Mintz/HBO
While Insecure may be only inadvertently political, this second season is noticeably more charged with social commentary, and examples of everyday discrimination. Through Molly, the show explores the gender pay gap, with an added issue to unpick: is she being paid less because of her gender, or her ethnicity, or both? These are questions that we constantly have to ask ourselves, as minorities, or double minorities, or triple minorities, nods Rae. In terms of the intersectionality of it all, you are constantly asking yourself: Which part of me is being discriminated against? Which part of me is being targeted? If not all parts of me.
The often-dispiriting experience of modern dating features prominently, too. At the start of this series, Issa has recently broken up from her long-term boyfriend, Lawrence (Jay Ellis), and thrown herself into the choppy waters of Tinder, Bumble and Hinge. Dating in todays digitally enabled world is rough enough but there is, Rae believes, an added dimension for her characters. Black women are at the bottom of the desire chain, of the dating totem pole; were not the trophies, she says.
In rap culture, especially, theres always an idea that once you achieve an amount of success, your trophy is the white girl on your arm. However, she asserts, thats not limited to hip-hop. Its not scientifically proven, but theres evidence, in dating apps for example, that were the last to be chosen, the least desirable. The theory is also explored in Aziz Ansaris Netflix show Master of None, which includes a scene in which one of his dates, a black woman, tells him: Compared to my white friends, I get way less activity [on app dating sites]. I also find that I rarely match with guys outside of my race.
Lawrence, meanwhile, is also experiencing discrimination, albeit in a different form. In one scene spoiler alert! he is picked up by two non-black girls at a grocery store, who lure him to their apartment, where they proceed to seduce him. Their fetishisation of his blackness has echoes of Get Out, Jordan Peeles racism-thriller which triumphed at the box office earlier this year.
That was based on a real-life situation that one of our writers shared, says Rae of the uncomfortable tryst. It didnt end well, which had nothing to do with his blackness, but we thought: How can we make this story apply to fit our show? Every show can have a threesome story gone awry, but how can we make it unique for Insecure?
Off the clock … Rae in New York last month. Photograph: Amy Sussman/Invision/AP
There is a show-within-the-show too, an antebellum-era television drama that several of Insecures characters are glued to. Last year, our show-within-a-show was Conjugal Visits, which was a comment on the trash TV that consumes us all. Setting it in a prison a system which, in this country, incarcerates mainly black and Latino people and making that entertainment, was definitely meta-commentary, nods Rae.
This seasons skewering of popular culture is no less pointed. Theres [been] such an obsession with depicting slavery that the last few years, I have been kind of slaved-out, she sighs. So we thought it would be funny to have the characters obsessed with this new slave interracial drama. A guest-starring role for Sterling K Brown, who won an Emmy for his portrayal of prosecutor Christopher Darden in The People Vs OJ Simpson, ups that meta ante even further, but Rae is quick to assure me that this wasnt a casting that she chased down. No! We actually have an anti-celebrity policy on the show, she insists. We were doing something together for the Independent Spirit awards, and he was, like: I love your show, if you ever want to cast me The musician Syd, another self-proclaimed fan of the show, also makes a brief cameo.
Although Rae resists comparisons between Insecure and Girls and of herself to its creator Lena Dunham: I get the inclination to compare us because were both young women, but the stories were telling couldnt be more different, she says the two share a deliciously frank depiction of female sexuality. Broken Pussy, one of Issas raps, became something of a refrain in season one, after she speculates that Mollys run of bad luck with men might be the result of a defective filtering system.
My friend and I have a thing where we talk in, um, pussy sounds, Rae laughs. I think that most women know whether they want to sleep with a guy or not within the first five minutes of meeting him, and so we speak in Marge Simpson voices about whether or not a guy could get it. She demonstrates. If its a yes, well say: My pussy was like: [Perky, eager voice] Mm-hm, girl. Or, My pussy was like, [Low, negative tones]: Mm-mm. So, the conversation about Molly feeling like she wasnt attracting the right type of guys was me suggesting her pussy might actually be broken.
What did her mother make of this particular piece of dialogue? She only saw it at the screening! Rae laughs. She pulled me aside afterwards and was, like: That mouth, were going to wash it out but, good job.
Insecure continues on Thursday 10 August, 10.35pm, Sky Atlantic
Read more: http://ift.tt/2utz7rj
from Viral News HQ http://ift.tt/2vrlf5P via Viral News HQ
0 notes