#staxxx

[miapi-draw]

Bye bye KarmalandV ❤️

[mobimientoputo]

Hola de nuevo karmaland fandom

Manhe mi ninio fav de karmaland

ESTE DIBUJO SALE EN EL VIDEO DE FANARTS DE ALEXBYYYYYYYYYY BDKDNWOWEBDOD LO VIO PERO AL CABRON SE LE OLVIDÓ DAR LIKE

[koyomiyomi6]

“Ama no me pegues”

[lu--chi]

[belanova]

KARMALAND V

[elkhronista]

Pon muchos TNTs en el cielo, Titi 😢

Un pequeño fanart que hice de Karmaland 5. No sé lo que pasará, pero confío en que Titi volverá a Karmaland de alguna manera 🥺💞

Encuéntrame en Instagram: elkhronista.art

Encuéntrame en Twitter: elkhronista

[picafresass]

k!Quackity being the biological son of k!Staxx and k!Willy, having the blessing of the Karma gods🔮

[indhodoll]

XXX

Dan

XXX

[lottieurl]

torn between excited and scared abt chain gang potentially being turned into a movey

[oddygaul]

Chain Gang All-Stars

Great book.

I sort of hope Chain Gang All-Stars is never adapted into a show or movie. It’s certainly possible that it could be done with proper deference to the tone and message of the book, but I think it’s far more likely that it would end up essentially being what Chain Gang is in the story itself - a hyper-violent spectacle that people tune into because they think it’s cool and action-packed. I think Chain Gang All-Stars is very successful at walking the tightrope line of drawing the reader into the story and letting them flirt with what it must feel like to be a viewer of the program, while presenting enough reminders of its grim reality to prevent you from being totally sucked in. While there were times during the LinkLyfe segments where I was drawn in the way a viewer absorbed in a reality show would be, the battles themselves never give in to ‘just’ being badass. They were tense, certainly, and I was on pins & needles reading them, worried about the characters, but there’s a certain utilitarian brutality to the writing in those sections that keeps them grounded. I’d be worried any adaptation would make everything too stylish and exciting, thoroughly missing the point*.

*To say nothing of any potential dilution of the politics to appeal to a wider audience.

— “All other sport was just a metaphor for this.” —

Chain Gang All-Stars is incredibly good at giving every single character a depth and fullness, even ‘antagonists’, so that even the characters who infuriate us, we understand to a degree. The book doesn't justify evil deeds - there’s no excusing Wil’s dumb ass self - but it shows how easy it is for someone to placate themselves, to keep themselves on a surface level and not dig too deep into their own morality, to convince themselves that they’ve done what they could and that all those who have wrong done to them deserve what they get. The fluid perspective switches it accomplishes this with are fascinating, too. We get chapters dedicated to different characters, of course, be it our leads, our deuteragonists, and plenty of one-off side stories - standard stuff. But Adjei-Brenyah also rapidly switches between multiple perspectives within the same page, hell, the same paragraph at times, which gives us insight into a much wider breadth of viewpoints than we normally would.

By getting to see into the inner thoughts of quite a few Links, we get to see how, while their individual experiences are different, their imprisonment has broken them all in tragically similar ways. From Bishop to Sunset to Thurwar to Staxxx, we see a consistent, crippling lack of self-worth. The A-Hamm chain is unique in preaching a vision of solidarity, accepting one’s past mistakes, and focusing on how they’ve grown and changed as people. Despite this, at their core, none of them can truly find it in themselves to be forgiven, because Chain Gang grinds their lack of perceived value into them unceasingly - ultimately resulting in what is essentially suicide. The carceral system does not allow for or encourage rehabilitation, only suffering and self-hatred.

I thought it was a compelling decision to make the majority of the imprisoned characters we follow legitimate violent offenders. A lot of the abolitionist / prison-critical literature I’ve read often focuses on, or at least begins with, incarceration that is plainly, nakedly unjust, like long-serving non-violent offenders and mandatory minimum sentencing. Conversations about the treatment of murderers, rapists, etc., are naturally more fraught - it’s harder to get someone to imagine an entirely different system, rather than just adjustments to the current system.

Chain Gang All-Stars does not shy away from it one bit. We get self-reflection from multiple different Links, both those who regret what they’ve done and those who don’t; we get conflicted thoughts from family members who recognize that their lives have been fundamentally changed by the imprisonment of their kin, but are still ambivalent about forgiveness; and we get, of course, the fearmongering and appeals to pathos used by government and the media to try and stop any ideas of abolition from even beginning to take root in the minds of the public. The book understands that there’s no easy answers, and instead brings all of these perspectives to the reader, demanding they grapple with the issues themselves.

It does, however, make clear the absurdity of pretending that taking someone whose life has been indelibly touched by violence and putting them into a system that encourages and requires additional violence, by the state, by their peers, is somehow rehabilitation. It’s brought to an extreme in the novel, of course - Thurwar’s overriding instinct that every problem can potentially be solved by violence due to the constant killing she’s done is more reminiscent of a soldier returning to peacetime than anything else - but the message stands.

Some of the most powerful parallels shine through as-is, though. Even when you put aside the horror the Links are put through on a daily basis and the rampant normalization of state-sanctioned violence, the base lack of freedom and personal autonomy is what breaks people. Both during Chain Gang and our looks at other prisons, the regimented days, planned schedule, and inability to spend time or talk with the people they care about are basic human rights that are removed from prisoners every day. Hendrix’s silent prison (an idea I was horrified to find has been enacted before) shows this in one extreme - after being robbed of something as simple as his own voice for so long, Hendrix is willing to risk everything just to be able to reclaim that part of himself. Most heartbreakingly, the morning of the final doubles match, Thurwar’s only desire is to stay in bed longer with Staxxx. Leisure time with your loved ones, one of the most basic luxuries a person ought to have, seen as an unobtainable prize. Don’t need a dystopian near-future novel to see that happening.

Speaking of Hendrix Young, the voice Adjei-Brenyah uses for his sections was absolutely beautiful and oozing with character and I loved it. The way he speaks is simultaneously poetic yet so pragmatic - there’s an idiosyncratic turn of phrase in nearly every paragraph, and his love for the world and its beauty is never eclipsed by his cynicism and the horrible things happening around him. His sections were handily my favorites, despite the looming dramatic irony that overshadows them all.

— “I thought of how the world can be anything and how sad it is that it’s this.” —

As a literary device, the interspersing of worldbuilding notes and Actual Fucked-Up Prison Facts was a genius touch. By priming your brain to expect something more fantastical, the more grounded notes become something of a sucker punch. The first few are all in-universe lore explanations - they’re not entirely necessary, you could’ve pretty much got the gist through context, but the thorough explanation written almost as an ad read pulls you into the mentality of this world… so then, when it drops, say, the net worth and founding members of the Corrections Corporation of America and you get the inkling that this tidbit feels a little too specific to be made up, the lines between the book’s world and our own start to blur.

In addition to the unique cognitive dissonance it invokes, I think it’s a pretty effective strategy to convince or teach a reader who perhaps hasn’t done as much digging about the nightmare that is the American prison-industrial complex. Especially given that the main conceit of the book is a little outlandish, it’s very easy for me to imagine such a reader enjoying the story for its plot, but deflecting or doubting the themes with the classic “Oh, but this is an exaggeration - it would never happen like this! It would never be that sadistic”. In some way, the footnotes feel like the author directly responding with a “Yes, it would, and in fact has already happened this way previously”.

I do wish the footnotes stayed as dense throughout the entire book as they were at the start. In the beginning, they come hard and fast, blending the real and the fictional, keeping the reader on their toes. About a third of the way through, though, they slow to a trickle, becoming a rarity. Adjei-Brenyah keeps experimenting with what the footnotes can convey (“Don’t look down. Help me.” was particularly chilling), but the infrequency starts to make them feel like an afterthought.

— “Just jump.” —

The closer I got to the end of Chain Gang All-Stars, as fewer and fewer pages remained, I was increasingly desperate for something to break. Even as the story continued towards the inevitable, even as it showed me there could be no other way for things to go, I hoped for something else. Anything but what happened.

And yet… the ending gives this book’s message a lot of its power. It’s not a story where things always work out and the good guys always win - it’s a reflection of real problems, and those real problems don’t have such a simple solution. Chain Gang All-Stars is about people living in an unfair world, working within a cruel, unjust, system, and still finding the strength and conviction to believe that there can be positive change. It’s about knowing that progress can be slow, and that the system can feel daunting, and feeling powerless to enact change, and still imagining and pushing for the world to be better anyway. And somehow, that it faces that hopelessness head-on makes it more uplifting than a safer story with an easier ending.

[the-art-of-the-brian]

"Staxxx"

patreon.com/theartofthebrian

#effyourbodystandards #plussizebeauty. #plussizeart #fullfiguredart #sizeacceptanceart #bbwartist #fullfigure #bodypositive #bodypositivity #bbwlove #plussize #loveyourself #bigisbeautiful #bbwlovers #bbwerotica #thicksexyart

[whilereadingandwalking]

I'm obsessed with Chain-Gang All-Stars by Nana Kwame Adjei-Brenyah. It was action-packed, cinematic, suspenseful, and overall just impossible to put down. Heart-breaking and genius in its construction, in the way that Brenyah pulls apart the incarceration system and what it shows about all of humanity's worst complicities, acceptance, and flaws.

In this novel set in a not-too-distant feasible future dystopia of surveillance, blood, and capitalism, incarcerated people can opt in to a brutal tournament of fights-to-the-death. If they survive three full years of violence, trickery, and gamesmanship, they'll be High Freed, allowed back out into the world. Otherwise, they may be Low Freed—freed by way of death in the arena. People pack the stands of these stadiums, these big matches, or watch every moment of the competitors' lives via drones and live streams. Amidst all of this, Loretta Thurwar and Hurricane Staxxx want to do something different—forge something new. They want to survive, but they want to do it in a way that goes against this system of blood and hate. But will the system allow it? Or are they on a collision course to defeat?

I truly can't recommend this book enough. It might be my book of the year so far. The chapters of those complicit in the system—from the owner of the league, to the doctor who created Influencing, a taser-like pain response used to torture prisoners, to the announcer Micky Wright, to the league's biggest fans. The action scenes out of the best anime you've seen in ages. The shuddering scenes of some of the worst betrayals, the worst twists. The emotional development and love between Loretta and Staxxx.

And of course, the ending of all endings, which made me want to hurl the book out a window, which made it the best ending I've read in quite a long time. 

Strong content warnings for violence, sexual assault, torture, suicide, police brutality. Also warnings for homophobia, suicidal ideation, emotional abuse, racism, grief, ableism.

[haveyoureadthispoll]

Two top women gladiators fight for their freedom within a depraved private prison system not so far-removed from America's own. Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker are the stars of Chain-Gang All-Stars, the cornerstone of CAPE, or Criminal Action Penal Entertainment, a highly-popular, highly-controversial, profit-raising program in America's increasingly dominant private prison industry. It's the return of the gladiators and prisoners are competing for the ultimate prize: their freedom. In CAPE, prisoners travel as Links in Chain-Gangs, competing in death-matches for packed arenas with righteous protestors at the gates. Thurwar and Staxxx, both teammates and lovers, are the fan favorites. And if all goes well, Thurwar will be free in just a few matches, a fact she carries as heavily as her lethal hammer. As she prepares to leave her fellow Links, she considers how she might help preserve their humanity, in defiance of these so-called games, but CAPE's corporate owners will stop at nothing to protect their status quo and the obstacles they lay in Thurwar's path have devastating consequences. Moving from the Links in the field to the protestors to the CAPE employees and beyond, Chain-Gang All-Stars is a kaleidoscopic, excoriating look at the American prison system's unholy alliance of systemic racism, unchecked capitalism, and mass incarceration, and a clear-eyed reckoning with what freedom in this country really means.

[bones-clouds]

best books i read in 2024:

"chain-gang all-stars"

nana kwame adjei-brenyah

rating: ⭐️⭐️⭐️⭐️⭐️

genre: dystopia, science fiction, death game, wlw

synopsis:

Two top women gladiators fight for their freedom within a depraved private prison system not so far-removed from America's own.

Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker are the stars of Chain-Gang All-Stars, the cornerstone of CAPE, or Criminal Action Penal Entertainment, a highly-popular, highly-controversial, profit-raising program in America's increasingly dominant private prison industry. It's the return of the gladiators and prisoners are competing for the ultimate prize: their freedom.

In CAPE, prisoners travel as Links in Chain-Gangs, competing in death-matches for packed arenas with righteous protestors at the gates. Thurwar and Staxxx, both teammates and lovers, are the fan favorites. And if all goes well, Thurwar will be free in just a few matches, a fact she carries as heavily as her lethal hammer. As she prepares to leave her fellow Links, she considers how she might help preserve their humanity, in defiance of these so-called games, but CAPE's corporate owners will stop at nothing to protect their status quo and the obstacles they lay in Thurwar's path have devastating consequences.

Moving from the Links in the field to the protestors to the CAPE employees and beyond, Chain-Gang All-Stars is a kaleidoscopic, excoriating look at the American prison system's unholy alliance of systemic racism, unchecked capitalism, and mass incarceration, and a clear-eyed reckoning with what freedom in this country really means.

[belanova]

"Gracias."

[rockislandadultreads]

Notable First Novels of 2023

Bellies by Nicola Dinan

I wore a dress on the night I first met Ming.

It begins as your typical boy meets boy. While out with friends at their local university drag night, Tom buys Ming a drink. Confident and witty, a magnetic young playwright, Ming is the perfect antidote to Tom’s awkward energy, and their connection is instant. Tom finds himself deeply and desperately drawn into Ming’s orbit, and on the cusp of graduation, he’s already mapped out their future together. But shortly after they move to London to start their next chapter, Ming announces her intention to transition.

From London to Kuala Lumpur, New York to Cologne, we follow Tom and Ming as they face tectonic shifts in their relationship and friend circle in the wake of Ming’s transition. Through a spiral of unforeseen crises—some personal, some professional, some life-altering—Tom and Ming are forced to confront the vastly different shapes their lives have taken since graduating, and each must answer the essential question: Is it worth losing a part of yourself to become who you are?

Chain-Gang All-Stars by Nana Kwame Adjei-Brenyah

Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker are the stars of Chain-Gang All-Stars, the cornerstone of CAPE, or Criminal Action Penal Entertainment, a highly-popular, highly-controversial, profit-raising program in America's increasingly dominant private prison industry. It's the return of the gladiators and prisoners are competing for the ultimate prize: their freedom.

In CAPE, prisoners travel as Links in Chain-Gangs, competing in death-matches for packed arenas with righteous protestors at the gates. Thurwar and Staxxx, both teammates and lovers, are the fan favorites. And if all goes well, Thurwar will be free in just a few matches, a fact she carries as heavily as her lethal hammer. As she prepares to leave her fellow Links, she considers how she might help preserve their humanity, in defiance of these so-called games, but CAPE's corporate owners will stop at nothing to protect their status quo and the obstacles they lay in Thurwar's path have devastating consequences.

Natural Beauty by Ling Ling Huang

Our narrator produces a sound from the piano no one else at the Conservatory can. She employs a technique she learned from her parents—also talented musicians—who fled China in the wake of the Cultural Revolution. But when an accident leaves her parents debilitated, she abandons her future for a job at a high-end beauty and wellness store in New York City.

Holistik is known for its remarkable products and procedures—from remoras that suck out cheap Botox to eyelash extensions made of spider silk—and her new job affords her entry into a world of privilege and a long-awaited sense of belonging. She becomes transfixed by Helen, the niece of Holistik’s charismatic owner, and the two strike up a friendship that hazily veers into more. All the while, our narrator is plied with products that slim her thighs, smooth her skin, and lighten her hair. But beneath these creams and tinctures lies something sinister.

The Unfortunates by J.K. Chukwu

Sahara is Not Okay. Entering her sophomore year at Elite University, she feels like a failure: her body is too curvy, her love life is nonexistent, her family is disappointed in her, her grades are terrible, and, well, the few Black classmates she has just keep dying. Sahara is close to giving up, herself: her depression is, as she says, her only “Life Partner.”

And this narrative—taking the form of an irreverent, piercing “thesis” to the university committee that will judge her—is meant to be a final unfurling of her singular, unforgettable voice before her own inevitable disappearance and death. But over the course of this wild sophomore year, and supported by her eccentric community of BIPOC women, Sahara will eventually find hope, answers, and an unexpected redemption.