#stoffbild

[gregdotorg]

The Stoffbilder are often square in format, though not exclusively, generally measuring 78 3/4 inches square. The standard width of fabric, which in Europe is usually 31 1/2 inches, determines the maximum possible width of each area of color. 

– Anne Rorimer's 1978 Artforum article on Blinky Palermo, the 1970s gatekeepers of the art world literally writing out clunky and arbitrary-seeming measurements rather than use the metric system

[coldbloodeddancer]

Happy Birthday, my Astley!

Den rechten Arm noch immer in einer weißen Schlinge, rückte die zierliche Blondine einen der vielen Teller ein Stück weiter zurück. Nachdem sie sich ein letztes Mal vergewissert hatte, dass nichts fehlte, drehte sie sich langsam um und betrachtete die in Lichterketten, Fähnchen und von Teelichtern geschmückte Lichtung. Der naheliegende Fluss übertönte die Stimmen ihrer Freunde, welche das letzte Zelt aufrichteten und das von Steinen umrundete Feuer in der Mitte aufstapelten, bevor die Sonne vollständig unterging und die Kinder von ihrer Schatzsuche im Wald hierher finden würden. Trotz der gegebenen Umstände hatten sie die letzte Woche nichts anderes getan als diesen Tag vorzubereiten, denn war der 11. Geburtstag in ihren Traditionen einer der am größten gefeierten für einen heranwachsenden Menschen. Und so sollte ihr Sohn ihn auch in zukünftiger Erinnerung behalten.

''Wusstest du, dass wenn du den jetzt seeehr voorsichtig..'' Rose fiel halb aus ihrem Campingstuhl als Sam den brennenden Ast plötzlich herumschwang und dabei fast Emily, Mike und sie selbst entzündete, denn der vordere Teil war bereits zu gut durchgebrannt und mitten in seiner Bewegung brach er in diverse Stücke und rieselte auf sie nieder. ''Dude!'', rief Emily und sprang auf, ein Teilchen des glühenden Holzes von ihrem Schoß wischend, ehe es ein Loch in ihrem langen Baumwollrock hinterlassen konnte. ''..wie dich jemand auch nur in die Nähe von entzündlichen Materialien lässt und du noch nicht explodiert bist, wird mir auf immer ein Rätsel bleiben, Samy.'' ''Bomben und Feuer sind zwei völlig unterschiedliche Spezialgebiete, Ems.'' Konterte er gespielt ernst und deutete, diesmal in anständiger Entfernung, mit dem glühenden Ende des Stocks lehrhaft auf ihre Nase, woraufhin die brünette Frau schmunzelnd die Augen verdrehte, vorsichtshalber aber noch ein Stück zurückwich. Amüsiert in sich hineinlachend wollte Rose gerade etwas erwidern, als aus dem Wald das erwartete, sehr schräg tönende Horn erklang, gefolgt von diversen kindlichen Erfolgsgeschrei, welches ausgesprochen schnell näher zu kommen schien. Sofort sprangen sie alle auf, Rose langsamer und weniger geschmeidig als der Rest, und begaben sich auf ihre Plätze hinter dem mannshohen Banner, welches von dieser Seite aus das meiste des Schauplatzes verbarg. Nur Rose stand vor dem bemalten Stoff, welcher eine enorme, gold und rot verzierte Schatztruhe zeigte. ''Mom!'', rief Astley sogleich, stürmte aus dem Wald heraus vorneweg und umarmte trotz Holzsäbel und Schatzkarte seine Mutter, ehe er mit neugierig leuchtenden Augen an ihr vorbeiblickte. ''Was...eine nicht vergrabene Schatztruhe..?'', fragte er langsam und nahm diesen begeistert verwirrten Ausdruck an, wenn er ausnahmsweise mal nicht wusste was los war. ''Diese Art von Schatz wäre leider schwer unter die Erde zu bekommen''. Lächelte Rose und zog ihren Sohn mit ihrem heilen Arm in eine erneute Umarmung, ehe sie sich mit ihm umdrehte und somit direkt dem großen Stoffbild der Truhe gegenüberstand, während Violet damit beschäftigt war die übrigen Kinder davon abzuhalten schon einen Blick hinter das Banner zu werfen. ''Ich weiß du wolltest kein riesen Spektakel, deshalb hab ich überlegt wie man den heutigen Tag für dich besonders machen kann, ohne zu umständlich zu werden. Und...nun ja, sieh am besten selbst nach. Und nochmal...Herzlichen Glückwunsch zum Geburtstag, Astley.'' Ihn ein letztes Mal fest drückend, gab sie ihrem Sohn noch einen Kuss auf seinen blonden Kopf voll wilder Locken, welche ihm gerade so nicht bis auf die Schultern reichten, und trat gleich darauf zurück. Astley warf ihr einen vor Aufregung fast zögerlichen Blick zu, doch dann breitete sich ein vor Freude strotzendes Lächeln auf seinem Gesicht aus und er begann sich am Banner zu schaffen zu machen, wie immer ganz vorsichtig, um ja nichts kaputt zu machen. Kaum war er durch den verdeckten Schlitz im Stoff getreten, als auch schon die anderen Gäste losrannten und die erleuchtete Lichtung bestaunten. Astley schien vor Überwältigung für einige Minuten wie erstarrt, während er langsam seine graublauen Augen über jede Einzelheit, von den aufgestellten weißen Zelten, zu den überall glitzernden Lichterketten, den zwei Tischen voll Essen, der Torte, dem kunterbunten Geschenkestapel und nicht zuletzt dem prasselnden Lagerfeuer, gleiten ließ. Rose beobachtete ihn aufmerksam und wischte sich lächelnd eine Freudenträne aus den Augenwinkeln, als er sie wieder ansah.

(...)

[pwlanier]

Blinky Palermo

Stoffbild, 1969

Kunsthalle Hamburg

[sweetsncakesgallery]

Blinky Palermo UNTITLED (STOFFBILD)

[nautichome]

Maritime Bilder für Ihre Wohnwand - exklusives Wandbild "Seaside" mit Segelschiff. Stoffbild mit Segelschiff-Motiv. Ein Blick auf diese wunderschöne Wandbild lässt Ihre Gedanken richtung Meer gleiten. Aus unserer eigenen Bilder-Kollektion, welche bei uns im Hause selber angefertigt werden! Sorgfällig ausgessuchte Stoffbahnen werden fein bestickt - etwas ganz besonderes! Das maritime Bild wird fertig im Rahmen ausgeliefert. #seaside #bilder #bilderwand #maritimebilder #segelschiffbild #stoffbild #nautichome #maritim #maritimeinrichten #maritimedeko #nordseeliebe #ostseeliebe #meerliebe #wohnenunddekorieren (hier: Nautic-Home) https://www.instagram.com/p/CPnrh9isQms/?utm_medium=tumblr

[drucksachenstore]

#stoffbanner #stoffwerbung #stoffbild #fanshop #druckonline #druckerei #onlinedruckerei #onlinedruck #drucksachen.store (hier: Drucksachen.store) https://www.instagram.com/p/Bo_f9KEnvmx/?utm_source=ig_tumblr_share&igshid=7pf257c4g24q

[tonimckeon-finearts]

Jan Vourvert - Painting in the expanded field

Does a painting have to happen on a canvas?  

Today’s art-world can be characterized by what, for lack of better term, is called “pluralism.” The term “pluralism” designates at least two different tendencies. On the one hand, it signals the fact that there are no dominant art styles these days and that to continue searching for a pure language in any visual medium can become a fruitless task. On the other hand “pluralism” is also used to describe an attitude of “anything goes” that leaves qualitative concerns aside in favor of a kind of tolerance that accepts everything as equally valid.

Arthur C. Danto proposes that the first understanding of the term “pluralism” is the result of the changes in the art world since the 1960’s. When the artistic object came to be considered as neither superior nor inferior to objects in the real world but too similar to them to allow for a visual distinction “minimal art”  

Sculpture and painting/ installation

Both expanded painting and expanded sculpture have no define definition and can have overlap. An artwork could be characteristic of sculpture and painting but how is such an artwork categorised. Last year, I was interested at looking at the in-between space between painting and sculpture, taking characteristics from both and combining them within an artwork. Realising I come more from a painting perspective and my research tended more towards the history of painting, in contemporary art, I have chosen to focus more on my art practise as expanded painting. I have been overwhelmed at times at how limitless expanded painting is and had to narrow my focus to down to the repetition in the process as the key aspect of my work, this term.

Instillation can be seen as a combination of other art mediums all placed in one space, what makes it an instillation is the taking up of space. I don’t want my work to seem like multiple different artworks presented in one space.  

Minimalism/ minimal art  

Stella’s statement ‘What you see is what you see’ became the Minimalism art movement’s mantra.

In 1958, the young Frank Stella, who had just graduated from Princeton University, moved to New York City. There, he became immersed in the Abstract Expressionist scene while working as a house painter to pay the rent. However, it was the work of Jasper Johns that inspired his Black Paintings (1958-1960), which he created using plain, commercial paint and brushes similar to the materials he used for his day job. These works made him famous at the age of 23, and were instrumental in paving the way for Minimalism. Stella’s statement ‘What you see is what you see’ became the Minimalism art movement’s mantra. What is Minimalism and minimalist art? The Minimalism art movement is one of the most influential of the 1960s, emerging in New York City among a number of young artists who were moving away from Abstract Expressionism and favoured a sleek, geometric aesthetic instead, which would manifest itself in minimalist art.

Artists Model

James Turell

For over half a century, the American artist James Turrell has worked directly with light and space to create artworks that engage viewers with the limits and wonder of human perception. Turrell, an avid pilot who has logged over twelve thousand hours flying, considers the sky as his studio, material and canvas. New Yorker critic Calvin Tompkins writes, “His work is not about light, or a record of light; it is light — the physical presence of light made manifest in sensory form.”

Anne Truitt

In 1961 Truitt began to work in the style for which she later became known: painting multiple delicate layers of color characterized by subtle variations onto wooden constructions fabricated in accordance with scale drawings; the structural elements of these sculptures constitute armatures supporting color. Writing in April 1965, Truitt stated: “What is important to me is not geometrical shape per se, or color per se, but to make a relationship between shape and color which feels to me like my experience. To make what feels to me like reality.” Abstract yet rich with feeling, the works are grounded in memories and sensations accumulated over a lifetime. This referentiality is in stark contrast to the literalness of Minimalism, a movement with which her work is sometimes associated. For Truitt, abstraction provided a syntax for her impressions — of people, places, ideas, and events. She wielded color and form as metaphors for thought, developing a visual grammar that remains unique in the history of art.

Blinky Palermo

Palermo was best known for his spare monochromatic canvases and "fabric paintings" made from simple lengths of colored material cut, stitched and stretched over a frame. He painted on aluminum, steel, wood, paper and Formica, often making lines out of tape instead of paint.

Under Beuys, he became increasingly interested in the organized spatial relationship between form and colour, a polarity which is manifest throughout the rest of his oeuvre. In the mid 1960s, Palermo moved away from conventional rectangular canvases and increasingly opted for surfaces such as the circle, triangle, cruciform, totem pole and even the interior walls of buildings.[5] For example, Untitled (Totem) (1964) "...is simply a vertical strip of wood, 7 feet by about 2 inches. It is painted orange and punctuated, like a primitive ladder, with five short, horizontal pieces of canvas-wrapped wood, each painted white with a portion of a blue triangle".[6] Between 1964 and 1966, Palermo produced a small series of paintings on canvas in which he experimented with constructivist principles of order.[7]

Between late 1966 and 1972 he produced a series of circa 65 Stoffbilder (Fabric Paintings), consisting of colored materials of different widths sewn together along horizontal or vertical seams and attached to stretchers. He took the colour and material quality ready-made from department-store fabrics and had them stitched together by others.[2]

[benibunaannemzorladi]

Herkese merhaba! Bu cumartesi sizlere Peter Schwarze ismiyle 1943 senesinde Leipzig, Almanya’da doğan fakat sonradan alacağı isim Blinky Palermo ile tanınan soyut sanatçıdan bahsetmek istiyorum. İkiz kardeşi Michael ile birlikte Heisterkamp ailesi tarafından evlat edinilen Palermo, lakabını 1962 - 1967 seneleri arasında Joseph Beuys ve Bruno Goller ile birlikte çalıştığı Kunstakademie Düsseldorf ‘ta (Düsseldorf Sanat Akademisi) 1964 senesinde almıştır. Bu lakabın Amerikalı mafya ve boks maçları organizatörü Frank ‘’Blinky’’ Palermo’dan geldiği bilinmektedir. Çerçeve üzerine gerilmiş renkli kumaş resimleri ve tek renkli tuvalleri ile adını duyuran Palermo, ahşap, çelik, alüminyum ve kağıt gibi medyumları da (1) kullanmıştır. Beuys ile birlikte çalıştığı ilk dönemlerde ileriki dönem işleri ile zıtlık sağlayacak renk ve biçim arasındaki mekan/uzay ilişkisine yoğunlaşmış, 1960ların ortalarına doğru geleneksel yöntemleri daha az kullanmaya başlayarak, yukarıda da bahsettiğim gibi, kendisine çok farklı (geleneksel olmayan) alanları, duvar, direk, üçgen tuval vb, tuval olarak almıştır. 1970 senesinde Gerhard Richter ile birlikte 1972 Münih Olimpiyat Oyunları için spor tesisi tasarımları sunmuştur. Aynı sene New York’a, Gerhard Richter’a, yaptığı seyahat sonrasında 1973 senesinde buraya yerleşerek bir stüdyo kurmuştur. Palermo, 1977 senesinde Maldivler’e yaptığı bir seyahat esnasında 33 yaşında hayatını kaybetmiştir. Bu ölüm çoğu kişi tarafından şüpheli olarak görülmesine rağmen Palermo’yu yakından tanıyan kişilerin sayesinde uyuşturucu kullanımı sebebiyle hayatını kaybetmiş olabileceği tahmin edilmektedir. Julian Schnabel sanatçının vefatından sonra ‘Tropiklerde Blinky Palermo'nun Beklenmedik Ölümü’ isimli bir çalışma gerçekleştirmiştir, Stedelijk Müzesi, Amsterdam koleksiyonunun bir parçası olan bu eser 1993 senesinde bir yağmur fırtınası sırasında hasar görmüştür. 2010 senesinde ‘Untitled (Stoffbild) isimli eseri sanatçının satılan en pahalı eseri olarak 1.11 milyon pound’a kendisine alıcı bulmuştur. Palermo’nun özel koleksiyon ve müzelerde yer alan eserlerinin tek varisi ve telif hakkı kardeşi Michael’da bulunmaktadır. Açıklama ve eser isimleri için ⬇️⬇️ https://www.instagram.com/p/CNxXqnNgeC2/?igshid=14hb3fhnsx5s9

[worldfoodbooks]

BACK IN THE BOOKSHOP: BLINKY PALERMO - RETROSPECTIVE 1964-1977 (2010) - The first retrospective in the U.S. to feature German artist Blinky Palermo (1943–1977) included more than 60 works, most of which have never before been shown in North America. This beautifully illustrated volume spans the breadth of Palermo’s brief but significant career and explores each phase, beginning with objects and paintings created shortly after he graduated from Joseph Beuys’s class at the Düsseldorf Art Academy in the early 1960s and culminating with paintings he produced during his last years in both Germany and New York City. - Palermo’s oeuvre is customarily divided into four principal groupings: the Objects; the Cloth Pictures (Stoffbilder), the in situ Wall Paintings and Drawings, and the late Metal Pictures, including the epic To the People of New York City (1976), now in the collection of Dia Art Foundation. Blinky Palermo also addresses the artist’s works on paper, including watercolors, sketches, preparatory studies, and prints that he made throughout his career. - Essays by distinguished authors position the artist’s work in relation to postwar American art and culture, which he greatly revered. Topics include the influence of the American milieu on the Metal Pictures; space and time in the Wall Drawings and Paintings; and the insights into Palermo’s concerns and process afforded by his works on paper. The most comprehensive volume on Palermo’s career to date, this important book offers a rare opportunity to explore in-depth the work of a remarkably innovative artist, pointing to Palermo’s relevance and influence on a new generation of artists. - Edited by Lynne Cooke, Karen Kelly, and Barbara Schröder. Texts by Benjamin H.D. Buchloh, Lynne Cooke, Suzanne Hudson, Susanne Küper, and James Lawrence - Available via our website and in the bookshop. #worldfoodbooks #blinkypalermo (at WORLD FOOD BOOKS)

[igormag]

Blinky Palermo (1943–1977), Untitled (Stoffbild), 1969.

cotton fabric on burlap, 200,5 x 190,5 cm

[worldfoodbooks]

BACK IN THE BOOKSHOP: BLINKY PALERMO - RETROSPECTIVE 1964-1977 (2010) - The first retrospective in the U.S. to feature German artist Blinky Palermo (1943–1977) included more than 60 works, most of which have never before been shown in North America. This beautifully illustrated volume spans the breadth of Palermo’s brief but significant career and explores each phase, beginning with objects and paintings created shortly after he graduated from Joseph Beuys’s class at the Düsseldorf Art Academy in the early 1960s and culminating with paintings he produced during his last years in both Germany and New York City. - Palermo’s oeuvre is customarily divided into four principal groupings: the Objects; the Cloth Pictures (Stoffbilder), the in situ Wall Paintings and Drawings, and the late Metal Pictures, including the epic To the People of New York City (1976), now in the collection of Dia Art Foundation. Blinky Palermo also addresses the artist’s works on paper, including watercolors, sketches, preparatory studies, and prints that he made throughout his career. - Essays by distinguished authors position the artist’s work in relation to postwar American art and culture, which he greatly revered. Topics include the influence of the American milieu on the Metal Pictures; space and time in the Wall Drawings and Paintings; and the insights into Palermo’s concerns and process afforded by his works on paper. The most comprehensive volume on Palermo’s career to date, this important book offers a rare opportunity to explore in-depth the work of a remarkably innovative artist, pointing to Palermo’s relevance and influence on a new generation of artists. - Edited by Lynne Cooke, Karen Kelly, and Barbara Schröder. Texts by Benjamin H.D. Buchloh, Lynne Cooke, Suzanne Hudson, Susanne Küper, and James Lawrence - Available via our website and in the bookshop. #worldfoodbooks #blinkypalermo (at WORLD FOOD BOOKS)

[worldfoodbooks]

NEW IN THE BOOKSHOP: BLINKY PALERMO - RETROSPECTIVE 1964-1977 (2010) The first retrospective in the U.S. to feature German artist Blinky Palermo (1943–1977) includes more than 60 works, most of which have never before been shown in North America. This beautifully illustrated volume spans the breadth of Palermo’s brief but significant career and explores each phase, beginning with objects and paintings created shortly after he graduated from Joseph Beuys’s class at the Düsseldorf Art Academy in the early 1960s and culminating with paintings he produced during his last years in both Germany and New York City. Palermo’s oeuvre is customarily divided into four principal groupings: the Objects; the Cloth Pictures (Stoffbilder), the in situ Wall Paintings and Drawings, and the late Metal Pictures, including the epic To the People of New York City (1976), now in the collection of Dia Art Foundation. Blinky Palermo also addresses the artist’s works on paper, including watercolors, sketches, preparatory studies, and prints that he made throughout his career. Essays by distinguished authors position the artist’s work in relation to postwar American art and culture, which he greatly revered. Topics include the influence of the American milieu on the Metal Pictures; space and time in the Wall Drawings and Paintings; and the insights into Palermo’s concerns and process afforded by his works on paper. The most comprehensive volume on Palermo’s career to date, this important book offers a rare opportunity to explore in-depth the work of a remarkably innovative artist, pointing to Palermo’s relevance and influence on a new generation of artists. Edited by Lynne Cooke, Karen Kelly, and Barbara Schröder. Texts by Benjamin H.D. Buchloh, Lynne Cooke, Suzanne Hudson, Susanne Küper, and James Lawrence Available via our new website and in the bookshop tomorrow. #worldfoodbooks #blinkypalermo (at WORLD FOOD BOOKS)

[worldfoodbooks]

NEW IN THE BOOKSHOP: BLINKY PALERMO - RETROSPECTIVE 1964-1977 (2010) The first retrospective in the U.S. to feature German artist Blinky Palermo (1943–1977) includes more than 60 works, most of which have never before been shown in North America. This beautifully illustrated volume spans the breadth of Palermo’s brief but significant career and explores each phase, beginning with objects and paintings created shortly after he graduated from Joseph Beuys’s class at the Düsseldorf Art Academy in the early 1960s and culminating with paintings he produced during his last years in both Germany and New York City. Palermo’s oeuvre is customarily divided into four principal groupings: the Objects; the Cloth Pictures (Stoffbilder), the in situ Wall Paintings and Drawings, and the late Metal Pictures, including the epic To the People of New York City (1976), now in the collection of Dia Art Foundation. Blinky Palermo also addresses the artist’s works on paper, including watercolors, sketches, preparatory studies, and prints that he made throughout his career. Essays by distinguished authors position the artist’s work in relation to postwar American art and culture, which he greatly revered. Topics include the influence of the American milieu on the Metal Pictures; space and time in the Wall Drawings and Paintings; and the insights into Palermo’s concerns and process afforded by his works on paper. The most comprehensive volume on Palermo’s career to date, this important book offers a rare opportunity to explore in-depth the work of a remarkably innovative artist, pointing to Palermo’s relevance and influence on a new generation of artists. Edited by Lynne Cooke, Karen Kelly, and Barbara Schröder. Texts by Benjamin H.D. Buchloh, Lynne Cooke, Suzanne Hudson, Susanne Küper, and James Lawrence Available via our new website and in the bookshop tomorrow. #worldfoodbooks #blinkypalermo (at WORLD FOOD BOOKS)

[worldfoodbooks]

BACK IN THE BOOKSHOP: BLINKY PALERMO - RETROSPECTIVE 1964-1977 (2010) - The first retrospective in the U.S. to feature German artist Blinky Palermo (1943–1977) included more than 60 works, most of which have never before been shown in North America. This beautifully illustrated volume spans the breadth of Palermo’s brief but significant career and explores each phase, beginning with objects and paintings created shortly after he graduated from Joseph Beuys’s class at the Düsseldorf Art Academy in the early 1960s and culminating with paintings he produced during his last years in both Germany and New York City. - Palermo’s oeuvre is customarily divided into four principal groupings: the Objects; the Cloth Pictures (Stoffbilder), the in situ Wall Paintings and Drawings, and the late Metal Pictures, including the epic To the People of New York City (1976), now in the collection of Dia Art Foundation. Blinky Palermo also addresses the artist’s works on paper, including watercolors, sketches, preparatory studies, and prints that he made throughout his career. - Essays by distinguished authors position the artist’s work in relation to postwar American art and culture, which he greatly revered. Topics include the influence of the American milieu on the Metal Pictures; space and time in the Wall Drawings and Paintings; and the insights into Palermo’s concerns and process afforded by his works on paper. The most comprehensive volume on Palermo’s career to date, this important book offers a rare opportunity to explore in-depth the work of a remarkably innovative artist, pointing to Palermo’s relevance and influence on a new generation of artists. - Edited by Lynne Cooke, Karen Kelly, and Barbara Schröder. Texts by Benjamin H.D. Buchloh, Lynne Cooke, Suzanne Hudson, Susanne Küper, and James Lawrence - Available via our website and in the bookshop. #worldfoodbooks #blinkypalermo (at WORLD FOOD BOOKS)

[worldfoodbooks]

NEW IN THE BOOKSHOP: BLINKY PALERMO - RETROSPECTIVE 1964-1977 (2010) The first retrospective in the U.S. to feature German artist Blinky Palermo (1943–1977) includes more than 60 works, most of which have never before been shown in North America. This beautifully illustrated volume spans the breadth of Palermo’s brief but significant career and explores each phase, beginning with objects and paintings created shortly after he graduated from Joseph Beuys’s class at the Düsseldorf Art Academy in the early 1960s and culminating with paintings he produced during his last years in both Germany and New York City. Palermo’s oeuvre is customarily divided into four principal groupings: the Objects; the Cloth Pictures (Stoffbilder), the in situ Wall Paintings and Drawings, and the late Metal Pictures, including the epic To the People of New York City (1976), now in the collection of Dia Art Foundation. Blinky Palermo also addresses the artist’s works on paper, including watercolors, sketches, preparatory studies, and prints that he made throughout his career. Essays by distinguished authors position the artist’s work in relation to postwar American art and culture, which he greatly revered. Topics include the influence of the American milieu on the Metal Pictures; space and time in the Wall Drawings and Paintings; and the insights into Palermo’s concerns and process afforded by his works on paper. The most comprehensive volume on Palermo’s career to date, this important book offers a rare opportunity to explore in-depth the work of a remarkably innovative artist, pointing to Palermo’s relevance and influence on a new generation of artists. Edited by Lynne Cooke, Karen Kelly, and Barbara Schröder. Texts by Benjamin H.D. Buchloh, Lynne Cooke, Suzanne Hudson, Susanne Küper, and James Lawrence Available via our new website and in the bookshop tomorrow. #worldfoodbooks #blinkypalermo (at WORLD FOOD BOOKS)